Sadness doesn't define you, even if it feels that way right now.
i literally haven’t posted in years, but i related to this very much so.
Peter Solarz
dirt enthusiast

shark vs the universe

❣ Chile in a Photography ❣
styofa doing anything
Three Goblin Art
d e v o n
occasionally subtle
Monterey Bay Aquarium

Janaina Medeiros
Stranger Things

#extradirty
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Origami Around

@theartofmadeline

祝日 / Permanent Vacation
h
Cosimo Galluzzi
AnasAbdin
Xuebing Du

seen from Malaysia

seen from Netherlands
seen from New Zealand
seen from United States

seen from United States

seen from Malaysia

seen from New Zealand
seen from Malaysia
seen from United States

seen from Italy

seen from New Zealand
seen from Australia
seen from Italy
seen from Thailand

seen from United States

seen from Taiwan
seen from Netherlands

seen from Lithuania

seen from New Zealand

seen from Germany
@xtinamoser
Sadness doesn't define you, even if it feels that way right now.
i literally haven’t posted in years, but i related to this very much so.
Alexandra Charlotte Pullen paper houses (city of paper houses) made from receipts
Villa Savoy by Le Corbusier and Pierre Jenneret
Era Armchair by Michel Thonet
SUBMISSION: Adam Hillman, Post-It Aesthetics, 2016
editor: Adam Hillman is on fire!
Untitled, from the series “Toshi-e”
Yutaka Takanashi
Henri Matisse’s final commission La Gerbe (1953) installed at the A. Quincy Jones designed Brody House.
At Southwestern.
me
Monica Rohan’s Whirlpool Of Patterns Consume Girls
Monica Rohan takes a playful turn in her art by portraying young girls hiding and tumbling around in heaps of patterned fabrics, plants and foliage.
The art is dominated by large sheets of brightly patterned fabric and clumps of wild flowers and leaves. The stunning patterned illustrations are heightened by the presence of the emerging girls, which add quirk and interest to each piece. Rohan uses the space of her paintings as a tool to position the female subjects in a variety of physical states. The viewer is drawn to the simple movement of floating bodies, which fall, hide, tumble and emerge from and into the fabrics or floral mass.
The artist’s innocence is reflected in her drawings through careful attention to the way the playful scenes unfold. Subtle hints of loneliness and delicacy break through her work as her gentle figures are consumed by the flowers or decorative fabrics.
Even though the purpose of the luxuriant foliage and fabric is unclear and the faces of the girls discreetly are turned away from the viewer’s attention; there is a lightness to the arrangement that brightens the mood.
Artist Jun Ong has implanted a glowing star within an unfinished five story building in the town of Butter-worth, Malaysia. The awkward confinement of the large luminescent sculpture within the otherwise gaping desolate space offers an air of confusion. Almost as if the star was there by mistake, perhaps stuck. The installation was indeed informed by a notion of error the star seems to mimic a glitch. Metaphorically, this “Glitch Star” represents the state of Butter-worth.
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