Sadness doesn't define you, even if it feels that way right now.
i literally haven’t posted in years, but i related to this very much so.
cherry valley forever

tannertan36

izzy's playlists!
Monterey Bay Aquarium
"I'm Dorothy Gale from Kansas"
Fai_Ryy
The Bowery Presents
occasionally subtle
he wasn't even looking at me and he found me
d e v o n
Today's Document
Noah Kahan
let's talk about Bridgerton tea, my ask is open
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bliss lane
Jules of Nature

blake kathryn

Origami Around

PR's Tumblrdome
Cosmic Funnies

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@xtinamoser
Sadness doesn't define you, even if it feels that way right now.
i literally haven’t posted in years, but i related to this very much so.
Alexandra Charlotte Pullen paper houses (city of paper houses) made from receipts
Villa Savoy by Le Corbusier and Pierre Jenneret
Era Armchair by Michel Thonet
SUBMISSION: Adam Hillman, Post-It Aesthetics, 2016
editor: Adam Hillman is on fire!
Untitled, from the series “Toshi-e”
Yutaka Takanashi
Henri Matisse’s final commission La Gerbe (1953) installed at the A. Quincy Jones designed Brody House.
At Southwestern.
me
Monica Rohan’s Whirlpool Of Patterns Consume Girls
Monica Rohan takes a playful turn in her art by portraying young girls hiding and tumbling around in heaps of patterned fabrics, plants and foliage.
The art is dominated by large sheets of brightly patterned fabric and clumps of wild flowers and leaves. The stunning patterned illustrations are heightened by the presence of the emerging girls, which add quirk and interest to each piece. Rohan uses the space of her paintings as a tool to position the female subjects in a variety of physical states. The viewer is drawn to the simple movement of floating bodies, which fall, hide, tumble and emerge from and into the fabrics or floral mass.
The artist’s innocence is reflected in her drawings through careful attention to the way the playful scenes unfold. Subtle hints of loneliness and delicacy break through her work as her gentle figures are consumed by the flowers or decorative fabrics.
Even though the purpose of the luxuriant foliage and fabric is unclear and the faces of the girls discreetly are turned away from the viewer’s attention; there is a lightness to the arrangement that brightens the mood.
Artist Jun Ong has implanted a glowing star within an unfinished five story building in the town of Butter-worth, Malaysia. The awkward confinement of the large luminescent sculpture within the otherwise gaping desolate space offers an air of confusion. Almost as if the star was there by mistake, perhaps stuck. The installation was indeed informed by a notion of error the star seems to mimic a glitch. Metaphorically, this “Glitch Star” represents the state of Butter-worth.
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