Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ
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Not today Justin

bliss lane

shark vs the universe
The Bowery Presents
Noah Kahan
Lint Roller? I Barely Know Her
d e v o n
taylor price
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The Stonewall Inn

titsay
Keni
art blog(derogatory)

Product Placement

@theartofmadeline
YOU ARE THE REASON
we're not kids anymore.

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@xuan-yin
In The Mood For Love (2000) dir. Wong Kar Wai
瑞鶴 (Auspicious Cranes) by Emperor Huizong of Song (宋徽宗). 1112.
Born Zhao Ji (趙佶), Emperor Huizong was the eighth ruler of the Song dynasty in China. Since Huizong was the eleventh son of the former emperor, he spent most of his time in artistic pursuits rather than in political ones, so his ascension to the throne was with reluctance after the death of his ten older brothers. Although his political reputation was marred by inadequacy in state affairs and abdication among foreign invasion, he is still remembered as a talented calligrapher, painter, poet, musician, and patron of the arts.
瑞鶴, also known as Auspicious Cranes, is a brush painting accompanied by an inscription and poem on a silk handscroll. According to Emperor Huizong’s inscription, the image of a flock of twenty Manchurian cranes above his Kaifeng palace actually records a true event that was interpreted to be a good omen in a time of political turbulence.
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Yayoi Kusama, Six immersive infinity mirror rooms in the Hirshhorn Museum