DNI: Xenophobic, discriminatory and/or in support of lethal harm towards any group in general; Pro-Gen A.I.
Functions: Art, Writing, FNF-style covers
Interests: Friday Night Funkin'(mainly Vs Void), Undertale/Deltarune, Inscryption, Hollow Knight/Silksong, The Amazing Digital Circus, …
Welcome! ^^
you most likely came here from @daily-acvoid. yes, i run that blog. im also running this ask blog called @ask-acvoid-multiplex featuring versions of Void that i created, feel free to check it out
>FAQ< (last updated: 21/5/26)
>Void AU/Ts Masterpost< (last updated: 29/4/26)
>youtube channel<
>bluesky account<
@stat1cn01se ← selfship blog
dm me for 18+/afterdark blog
Tags & Sona refs:
#y010 generated - things i made
#y010's manufacture - my ocs
#y010 pop-up - talk/ramble
#earth to y010 - answered asks
#beepbloop - reblogs
#wheemper - vent (lighthearted)
#y010's complaining again - vent (serious)
please note that i prefer this↑ sona for general fanart!
HEAVY SPOILERS FOR SLAY THE PRINCESS BELOW. PLEASE PLAY/WATCH SOMEONE PLAY THE GAME FIRST IT'S PROBABLY THE BEST VN TO HAVE COME OUT IN THE DECADE.
as an add-on to this ask on void multiplex, here's what i think each of the voids would get as their first endings/vessels in slay the princess. this is different from their favorite vessels because what they prefer doesn't reflect what their decisions would lead them to:
🌌Void🌌
i feel like he'd be skeptical of the Narrator just because He's trying to boss him around, but still take the blade with the information he's been given. then he'd hear how harsh the Princess is after conversing a bit and go ‘Uhh… Yeah she's probably not good news’, which would lead him to fighting her and to the Adversary. after that he'd probably match her freak, not because he enjoys it, but simply because he wouldn't want to lose or back down. he'd get the Voice of the Stubborn.
🎀Dee🎀
he'd probably start out like Void, going down with the blade despite being skeptical. but then, trusting neither the Narrator or the Princess, he'd decide to lock the Princess up instead, leading him straight to the Nightmare. i think he'd then be most likely to kill her because he wouldn't want to yield to her, which would get him to the Wraith. if you're curious how it ends, he'd probably throw himself into the abyss just to not lose to her. he'd get the Voice of the Paranoid and the Opportunist.
🌹Rose🌹
she wouldn't trust the Narrator mostly thanks to the Voice of the Hero, so she wouldn't take the blade. she'd believe the Princess' innocence, and although unnerved by her escape attempt, she'd excuse it with desperation and free her successfully, going into the Damsel. i think she'd pry a bit into what the Princess wants and see the deterioration before getting scared and deciding to just leave with her, but not without feeling like something is off. she'd get the Voice of the Smitten.
😈Minus😈
he'd immediately challenge the Narrator's authority and commit to going the opposite way, ending up with the Stranger. he'd get the Voice of the Contrarian.
🕳️Faker🕳️
after screwing with the Narrator a bit by walking away a few times, he'd relent thinking he's not getting anywhere with it. he'd get the job done before proceeding to the Spectre out of sheer boredom. mostly driven by cold curiosity, he would let the Princess possess him, then switch up and kill her, just to see what happens, which would open up the Princess and the Dragon. the opening of the chapter would be where he really starts to like the Princess, and that's how he would end up escaping with her after all. he'd get the Voice of the Cold and the Opportunist.
🧸Plushie🧸
he'd distrust the narrator in a similar manner to Rose, but pick up the blade with the same mindset as Void and Dee, still choosing to trust in the information he'd been provided. what would go differently is he'd look past the Princess' tone and choose to believe in her, leading to him freeing her and going to the Prisoner. he'd understand the distance, and he'd have enough trust in her to give her the blade by that point and successfully escape with her. he'd get the Voice of the Skeptic.
I've been working on this thing on and off for a little over 2 years now, and I think I'm finally going to call it done. Everything was done by myself, except a couple of materials & the song.
completely spoiler-free review of the tadc finale, under the cut for if any of you don't even want my feelings on this to muddle your viewing experience:
i really really want to like it. which probably means i do like it. is it the best finale to have ever been conceived? definitely not, imo. but it is a very very nice send-off to the entire series and it's written and produced with a lot of love that can be felt. it's not for people who are expecting something climatic and i think that's completely fine, and it suits the overall message of the series.
the presentation of pretty much every scene is masterful. the designs, the visual effects, the cinematography, the music and sounds… yeah, the presentation. it's very in tune with the emotions it wants to evoke, certain parts felt like it grabbed me by the throat, which is a very awesome thing to accomplish. and once again, there's a lot of love and care for each of the characters from every part of the entire production team and that's the best part.
onto my nitpicky thoughts… there's this one part of the ep i don't think i've quite wrapped my head around yet. it's not a writing decision id personally make, but it's not my show, and i think i understand why they'd want to wrap the show up this way. im just still a little confused by the logic of it. it's not very important in the grand scheme of things, but i feel like it might put off certain kinds of people.
there's also this one subject that i really wish was touched upon just a tiny bit more. doing that would probably derail the tone and/or plot of the ep so i get why they didn't do that, but im also a bit frustrated it's kinda seemingly resolved / brushed off so quickly, like it's only an offhanded mention. however, im still really glad it was brought up at all with the sensitivity it deserves and i do appreciate that.
i feel like certain scenes could be drawn out a little more despite the runtime. the pacing is still really good in the parts that really count though!
i swear i have more good things to say about it but they involve spoilers, so. but yeah overall im kinda neutral about it but leaning towards it being good, it has its merits and has its admittedly minor flaws, and i think it depends on the individual viewer whether they ultimately resonate with it or not. id give it like a 7/10 probably
HEARTBREAKING: friends who i should be going to the movies and playing dnd and watching anime and cosplaying and going to the mall and having sleepovers and exploring the woods with live one hundred trillion miles away
surely you guys can understand the comedic value of yukichi, spacey and kou all being strictly male despite somewhat leaning feminine in appearance, and then void who's dressed and styled so completely masculinely being non-binary or even female
headcanon: it's not that void lacks the ability to completely manipulate the gravity of more than small objects, it's that he has less control over larger objects because of larger gravitational pull and lack of stable output on his part. it requires a debilitating amount of concentration for him to not fling a medium(e.g. a human/humanoid)-to-large(e.g. a planet) object completely out of trajectory or destroy it if he were to try to move them using only his powers. he learned this the hard way, and that's why he never became better at it.
