TAEHYUN ✙ Dior Men Summer 2025 show
Cosmic Funnies

Origami Around
PUT YOUR BEARD IN MY MOUTH
DEAR READER

Kaledo Art
we're not kids anymore.

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blake kathryn
I'd rather be in outer space 🛸
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One Nice Bug Per Day
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Today's Document

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No title available

❣ Chile in a Photography ❣
Mike Driver
RMH

Janaina Medeiros

JBB: An Artblog!

seen from Kosovo
seen from United States
seen from United States

seen from Ukraine
seen from Singapore

seen from Türkiye

seen from South Africa
seen from United States
seen from Japan
seen from Netherlands
seen from New Zealand
seen from United States

seen from United States
seen from United States
seen from United Kingdom
seen from South Africa

seen from Singapore

seen from United States
seen from Türkiye

seen from United States
@yeppoable
TAEHYUN ✙ Dior Men Summer 2025 show
it doesn't matter if close (2022) is a queer love story between two young boys bc it doesn't even matter if either of them are actually queer!! they are children enjoying intimacy and emotional connection in whatever form that takes and it was beautiful like the whole point of the film is that homophobia and toxic masculinity ruins childhood relationships it's destroying friendships and male connection. There is absolutely nothing wrong with two young boys loving each other, platonically or romantically and god I just wanna go hug every young boy in the world and tell them it's okay
CLOSE (2022) Directed by Lukas Dhont
CLOSE (2022) Directed by Lukas Dhont
EDEN DAMBRINE as LEO & GUSTAV DE WAELE as REMI
CLOSE (2022) dir. Lukas Dhont ↳ Imagine you’re a very small duckling. You just came out of your shell. You’ve just opened your eyes for the very first time. All the ducks are yellow, and so are you, but you’re much more beautiful than the others. You’re special. One day, you decide to leave, and you encounter a lizard. You’re wondering what it is, as you’ve never seen one before. You think that this lizard is odd. And it rhymes, too. But you like it, because its colour is special, just like you. One day, you leave together and you end up on a trampoline. You start jumping on the trampoline. You jump as high as the stars.
close (2022) + male intimacy
240125 - iu on instagram
Young Hayao Miyazaki as a union activist, ca. 1964.
He was Toei labour union’s general secretary.
“I’m turning forty in August. Three kids, full time job. All my kids are under the age of seven. The amount of mental energy it takes, you know, juggling all of them and the constant questions about nothing. I mean, mom is busy, please, just give me a second. My husband tells me that it’s just the season we’re in. We’ll get back to it. But I just want it to slow down so I can pause and breathe. Everything just changes so fast, you know? When you’re a little kid, and you turn into a teenager, it’s like: ‘Oh, I’m changing now.’ But you’ve been coached. You’re prepared for it. Then you go from teenager to college. That’s a big change. Then from college into your twenties, still changing. But at some point you kinda feel like I’m an adult, and I’m done. But you just keep going. It’s like oh shit, no, no, I’m going to keep changing. And these aren’t like the earlier changes. These aren’t the ones you get to plan for. Well some of them are, like: ‘We’re moving to a new place.’ Or ‘I’m going to get a new job.’ Those you can be ready for. But as you get older shit starts getting thrown at you that you’re not planning for. Dodgeballs. And you’ve just got to pivot. And all of the sudden you realize, that moment in time, right before the dodgeball, that was the last time you saw the old you. And you didn’t even get to say goodbye.”
Monster ‘怪物’ · dir. Hirokazu Kore-eda (2023)
Monster ‘怪物’ · dir. Hirokazu Kore-eda (2023)
🍃
怪物 Monster (2023), dir. Hirokazu Kore-eda
怪物 Monster (2023), dir. Hirokazu Kore-eda
i watched kore-eda's recent film Monster this past week and i truly.. cannot stop thinking about it. maybe my favorite kore-eda film yet
Maundy Thursday (2006)
우리들의 행복한 시간 Maundy Thursday (2006) directed by Song Hae-sung cinematography by Kang Seung-gi
Broker (2022)
브로커 Broker (2022) directed by Hirokazu Kore-eda cinematography by Hong Kyung-pyo