Creating vivid descriptions for a story or character is a mark of a great writer. One specific form of descriptive writing that particularly affects setting and characterization is the portrayal of characters’ clothing.
Writing Tips: Describing Clothes
Clothing descriptions work best when they appear organically in the course of the narrative. The story should never halt in place so that you can shoehorn in a bunch of sartorial descriptions. Here are some writing tips to help you use clothing descriptions in your creative writing:
Integrate clothing into your initial character description. The first time readers meet a character, they should get a sense of how they dress.
Study articles of clothing to make sure you know what they look like. This will help you choose the right words to describe them. For example, it would be appropriate to describe a chiffon dress as “sheer” or “thin,” but it would be clumsy to describe it as “threadbare” because chiffon is not cheap.
Pick outfits that fit the setting you’re writing about. If you’re describing an elegant ball, you might want to place a character in a form-fitting strapless evening gown, as this is a common piece for formal dances. Describing the clothing reinforces the setting you’ve chosen.
Blend clothing into job descriptions. If you’re describing a monk at work, you could note how the loose-fitting sleeves of his frock draped onto a table. If you’re describing a superhero in an action scene, describe the flow of their cape or the stiffness of their boots.
Let your characters change outfits. Show a character arc by marking how a character’s clothing changes over the course of your story. If a character in a YA novel starts out wearing ill-fitting khaki slacks with enormous pleats and ends that same novel wearing a denim jacket with an “anarchy” pin on the lapel, we know they’ve undergone some major changes.
Use clothing to set characters apart. Represent the difference between two characters by describing the differences in their clothing. Let’s say you’re describing two characters interviewing for the same job: One wears a sporty, ruched, A-line dress, and the other wears jeans and a sweatshirt. The reader can infer aspects of both characters’ personalities and make a comparison between two characters.
Reasons to Describe a Character’s Clothing
A character’s clothing is a window into so many aspects of their lives. From a character’s clothes, readers can make inferences about the following:
Clothing reveals a character’s personality. A knee-length fur coat and a corduroy jacket are both forms of outerwear, but it’s quite unlikely they’d be worn by the same kind of person. Readers can deduce a character’s style and personality from the clothes they wear.
Clothing implies a character’s wealth. Is your novel’s main character comes from a working-class background, it’s more likely they’d wear a t-shirt and jeans than a lavish and expensive piece of clothing. Just as in real life, clothing indicates status and wealth.
Clothing shows a character’s point of view toward the world. Clothing can reveal a character’s views on the world. If someone puts on a graphic t-shirt with the sleeves cut off, it implies that they could hardly care less about offending other people. Meanwhile, a character who wears a dressy button-down shirt with a single-breasted plaid jacket seems like the old-fashioned type. Maybe they’re heading to a mixer at the country club?
Clothing suggests the time and place in which a character exists. As part of your worldbuilding process, you’ll want to be as precise as possible about your book’s setting and time period. This doesn’t just apply to historical fiction; it applies to all forms of writing. For instance, if you’re writing a battle scene set during the Revolutionary War, you might need to study the physical descriptions of britches and pantaloons. But if your scene is set in a present-day battlefield, you might describe a soldier as wearing camouflage with a tag hung from a necklace. Simply by changing the clothing description, you’ve marked a massive distinction between these two war stories.
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