NUPTIAL DOOM

[amournoiramour-deactivated20120]

[deadcamera-deactivated20190920]

[yesterdaysprint]

The Akron Beacon Journal, Ohio, June 11, 1941

[oceanwitch]

               ERA AESTHETICS                ↳ World War II, America. 1941 - 1945

[nevver]

[neverstopquestioning]

nevver:

Mildred Pierce

[heartstringed-deactivated201705]

sweetest thing i saw at the cemetary today ♡♡♡♡

[luxobnubilata]

Graveyard Kiss, 1949

Charles Hewitt

[dethjunkie]

[inksplit]

[horsesaround]

[psychosomaticist-deactivated201]

[blood-bloom-art]

“Dream house I”, Shanice Bloodbloom

collage

4″x6″, 2016

[justfilms]

Sacrifice" by Masami Akita Model : yuritalow​

[unspokengrief]

ghost series. 07.04.2019

[babybird]

burned cinnamon roll, has literally been through hell and back, slightly charred 

[villaine-deactivated20191223]

something about horror as a genre is very inherently similar to romance, but it’s differently romantic. it’s like if romance could be compared to a rabbit, then horror is a hare. a hare is the same shape-ish as a rabbit, but it’s different; it’s upturned and eerie and comes at you from a sideways angle.

i think this connection between the two genres is the presence of love. love as a concept. romance is the genre that beautifies love, and horror is the genre that explores love in ways that aren’t beautiful. horror is the monstrosity of love gone sour, or the absence of love, or the emotions that the intensity of love and pain birth. slasher horror is monstrous obsession, while existential horror always has a narrative that makes you rethink what love means, what being human means. just like romance.

sorry if this makes no sense but i’m willing to talk about this if others discourse politely!

[eroticmoss]

day at the cemetery