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Letter to the Editor
I’m writing in to hopefully start a conversation that I haven’t seen in your publication as of yet. In your editorial “Donald Trump rally violence shames San Jose”, you briefly touch on the nature of Trump’s race for his spot in the presidential election. You mention that he knows he can’t win a presidential election if he takes the normal route, and seeks to find his victory by pushing the other candidates out of the headlines with his antics. I really respected the stance you took in that editorial, saying that inciting violence at a rally was just playing his game. However I also feel that your publication could be doing more in shedding light on what he’s doing. I want to see the platform that is your publication being used to get the word out about how lousy he is. It’s true that basic objective reporting does some of that on its own as he flounders about. But the fact that you published that editorial, and it resonated with me so much also brings to my attention that you could have just had a whole piece about what a horrible candidate he is. I hope to see that next.
Letter to the Editor
I’m writing in to hopefully start a conversation that I haven’t seen in your publication as of yet. In your editorial “Donald Trump rally violence shames San Jose”, you briefly touch on the nature of Trump’s race for his spot in the presidential election. You mention that he knows he can’t win a presidential election if he takes the normal route, and seeks to find his victory by pushing the other candidates out of the headlines with his antics. I really respected the stance you took in that editorial, saying that inciting violence at a rally was just playing his game. However I also feel that your publication could be doing more in shedding light on what he’s doing. I want to see the platform that is your publication being used to get the word out about how lousy he is. It’s true that basic objective reporting does some of that on its own as he flounders about. But the fact that you published that editorial, and it resonated with me so much also brings to my attention that you could have just had a whole piece about what a horrible candidate he is. I hope to see that next.
Letter to the Editor
I’m writing in to hopefully start a conversation that I haven’t seen in your publication as of yet. In your editorial “Donald Trump rally violence shames San Jose”, you briefly touch on the nature of Trump’s race for his spot in the presidential election. You mention that he knows he can’t win a presidential election if he takes the normal route, and seeks to find his victory by pushing the other candidates out of the headlines with his antics. I really respected the stance you took in that editorial, saying that inciting violence at a rally was just playing his game. However I also feel that your publication could be doing more in shedding light on what he’s doing. I want to see the platform that is your publication being used to get the word out about how lousy he is. It’s true that basic objective reporting does some of that on its own as he flounders about. But the fact that you published that editorial, and it resonated with me so much also brings to my attention that you could have just had a whole piece about what a horrible candidate he is. I hope to see that next.
Letter to the Editor
I’m writing in to hopefully start a conversation that I haven’t seen in your publication as of yet. In your editorial “Donald Trump rally violence shames San Jose”, you briefly touch on the nature of Trump’s race for his spot in the presidential election. You mention that he knows he can’t win a presidential election if he takes the normal route, and seeks to find his victory by pushing the other candidates out of the headlines with his antics. I really respected the stance you took in that editorial, saying that inciting violence at a rally was just playing his game. However I also feel that your publication could be doing more in shedding light on what he’s doing. I want to see the platform that is your publication being used to get the word out about how lousy he is. It’s true that basic objective reporting does some of that on its own as he flounders about. But the fact that you published that editorial, and it resonated with me so much also brings to my attention that you could have just had a whole piece about what a horrible candidate he is. I hope to see that next.
Letter to the Editor
I’m writing in to hopefully start a conversation that I haven’t seen in your publication as of yet. In your editorial “Donald Trump rally violence shames San Jose”, you briefly touch on the nature of Trump’s race for his spot in the presidential election. You mention that he knows he can’t win a presidential election if he takes the normal route, and seeks to find his victory by pushing the other candidates out of the headlines with his antics. I really respected the stance you took in that editorial, saying that inciting violence at a rally was just playing his game. However I also feel that your publication could be doing more in shedding light on what he’s doing. I want to see the platform that is your publication being used to get the word out about how lousy he is. It’s true that basic objective reporting does some of that on its own as he flounders about. But the fact that you published that editorial, and it resonated with me so much also brings to my attention that you could have just had a whole piece about what a horrible candidate he is. I hope to see that next.
Letter to the Editor
I’m writing in to hopefully start a conversation that I haven’t seen in your publication as of yet. In your editorial “Donald Trump rally violence shames San Jose”, you briefly touch on the nature of Trump’s race for his spot in the presidential election. You mention that he knows he can’t win a presidential election if he takes the normal route, and seeks to find his victory by pushing the other candidates out of the headlines with his antics. I really respected the stance you took in that editorial, saying that inciting violence at a rally was just playing his game. However I also feel that your publication could be doing more in shedding light on what he’s doing. I want to see the platform that is your publication being used to get the word out about how lousy he is. It’s true that basic objective reporting does some of that on its own as he flounders about. But the fact that you published that editorial, and it resonated with me so much also brings to my attention that you could have just had a whole piece about what a horrible candidate he is. I hope to see that next.
Letter to the Editor
I’m writing in to hopefully start a conversation that I haven’t seen in your publication as of yet. In your editorial “Donald Trump rally violence shames San Jose”, you briefly touch on the nature of Trump’s race for his spot in the presidential election. You mention that he knows he can’t win a presidential election if he takes the normal route, and seeks to find his victory by pushing the other candidates out of the headlines with his antics. I really respected the stance you took in that editorial, saying that inciting violence at a rally was just playing his game. However I also feel that your publication could be doing more in shedding light on what he’s doing. I want to see the platform that is your publication being used to get the word out about how lousy he is. It’s true that basic objective reporting does some of that on its own as he flounders about. But the fact that you published that editorial, and it resonated with me so much also brings to my attention that you could have just had a whole piece about what a horrible candidate he is. I hope to see that next.
Band Profile: Dearly Divided
Fingers dance across the fretboard of a Gibson Les Paul Studio Deluxe II guitar as lead singer Jamie Cairns bellows into the microphone inches from his mouth. Lead guitarist Douglas Young does the same, and emotes as sweat drips down his face. Drummer Aaron Bruski is lost in a blur of hands and drumsticks as he frantically spills out fills. All this goes on as bassist Brett Mathews moves with the kind of aloofness only found in wizened veterans. As they play, Oakland band Dearly Divided have a synergy you can feel across a room. But though you couldn’t tell from how lost they get in performing, this band has weathered some trials and tribulations to get to this point. When they initially formed over two years ago, they were a group of guys coming from other bands, each bringing their own kind of sound to the table. “We were pretty much a ‘mishmash of like three different bands at first” Bruski says of the band’s first couple months. It wasn’t until Mathews was in the picture that the band emerged as it exists today. Mathews helped them trim the fat and coalesce their disparate sounds into one unified body. Cairns recalls, “Brett came in… and was like ‘You guys need to choose one direction to go in’.” This isn’t the most obvious image of a band coming into its own. It’s easy to let yourself think that great bands just woke up one day and knew what they wanted to be, but of course that’s not the case. It’s an arduous process, but the band was better for it. Cairns goes on to say about former lead guitarist Brian Manter, “And to Brian’s credit, he didn’t like pout and cry about it, he went home and wrote ‘Chasing Shadows’,” a highlight off the bands debut album. Since the band found that definitive sound to go off of, everything else has begun falling into place. The band found Young through Craigslist, after which he quickly proved himself to be extremely talented, learning the album almost in its entirety in a matter of days. Young has since become an integral member of the band’s writing process as well. Cairns actually begins writing his songs on the piano. He then comes to the band with a skeletal verse-chorus-verse structure, and the other members help flesh it out and bring the songs to their finished forms. Cairns is quick to add, “Honestly the guys are more responsible for the songs’ arrangements than I am”.
The band also just took a huge first step with the filming of their first music video for their song “’89” . Bruski was instrumental in the filming process, bringing in the cameras used to film the video. Lastly, getting signed was its own ordeal. Bruski explains, “We got some offers from labels… but what was being offered to us to give this thing away was pretty minimal compared to what it was worth.” This is what led to the band starting their own record label “45th Parallel Records”. Surprisingly enough, some of their biggest supporters are not actually in the country. They’re also getting a lot of feedback from Brazil, Serbia, and other parts of Europe. The band just recently played their first San Jose show at the Rockshop. Aside from that they frequently play shows around San Fransisco, Berkeley and of course Oakland. Just this last summer the band released their self-titled debut album. You can watch them play that and a new song or two in San Francisco at Thee Parkside on March 22nd. You can find that album in a myriad of places including iTunes, Amazon, Spotify, their Bandcamp dearlydivided.bandcamp.com, and of course their record label’s website 45thparallelrecords.bigcartel.com. You can also follow the band via their Facebook page, Soundcloud, and the band’s site dearlydivided.net.
Band Profile: Epyllia
There are a multitude of reasons for people to make art. For most college students who do, these reason are relatively simple. Either there’s nothing else of interest to do, or to have an outlet to vent feelings and frustrations that have nowhere else to go. The latter was true for Aidan Delaney when they first started writing music. Though now they tell me it’s grown into something more.
Delaney is one third of the San Jose punk band Epyllia. Though billed as the guitarist of the group, all members divvy up vocal and songwriting duties as well. Delaney has been enjoying songwriting more lately as they’ve begun moving away from simply writing songs about how they’re feeling in the moment, taking up the challenge of penning music more people can connect with. But even with this task in mind Delaney says proudly,
“I write music for me. Art for yourself is valuable. People’s feelings are valuable.” And you can hear that passion in the music.
Aside from the adventure of songwriting, Delaney informs me that the sense of community by itself is a reason to get into the local music scene.
“Playing in front of people is the best. And the community is full of really cool people” Delaney says. Going on to explain that the longer you’re in it and meeting people, the bigger it gets.
When asked about the biggest challenge the group has faced as a band so far Delaney said it was
“Finding a sound and style that we would continually enjoy playing” which is something anyone who has ever played with the idea of starting a band can relate to. The band’s new release will see the group fleshing out songs more completely than their previous work, with the addition of some extra instrumentation. Delaney even plays saxophone on some of the newer music. Extra instrumentation aside, the new music is also more guitar-heavy.
The only release to speak of so far is the EP “Julie Whoolie" credited to Monogatari. The EP showcases a band with a knack for infectious guitar leads and a burgeoning songwriting ability with catchy hooks and relatable lyrics dealing with topics familiar to anyone who’s dealt with self-doubt or even just waking up on the wrong side of the bed.
“Julie Whoolie” is technically not an Epyllia release though as the line-up has slightly changed. The band changed their name when they got new bassist Kyle Thompson and has since moved towards a slightly more “Scrams” or “Screamo” direction.
New music is due out very soon, a split EP with Penelope, another local band. Epyllia is frequently playing shows in San Jose, in fact you can catch their next show at the San Jose Rock Shop on April 2, where they will be playing along with a slew of other cool bands. To keep up with the band and the release of their next project, be sure to check out their Bandcamp at Epyllia.bandcamp.com.
Photo courtesy of Adrian Discipulo
Something Slightly Different: Better Call Saul Review
Cinnabon employees meticulously prepare food as a late 30’s jazz ballad plays. All the while wafts of “Breaking Bad” nostalgia fill the olfactory sense. As most of the aforementioned show’s episodes did, “Better Call Saul’s” masterful debut starts with a scene that is seemingly unrelated to the rest of the show. Only to pull back the scope of magnification to give the viewer an “AHA” moment, before getting right into the meat of the narrative. If this sequence of events doesn’t sound familiar to you, it’s time to give either of these shows a try. When it first got out that “Breaking Bad” creator Vince Gilligan was being called back to start a spin-off series, doubt was in the air. Heavy sighs and mentions of the prematurely canceled post-“Friends” era spin-off “Joey” were made. However, contrary to the worries voiced by fans of the original show, “Better Call Saul” actually makes a stronger first impression than its predecessor. Maybe it’s because we are all intimately familiar with the few characters that make reappearances here. Maybe it’s because Gilligan feels pressure to disprove the naysayers. No matter what, it’s made clear that whatever the secret ingredient is, the creative team still has it. Speaking of which, the writing here is as fantastic as fans have come to expect. Drama is taut, dialogue is tighter still. New and returning characters have believable motivations, and they follow them. This all comes as no surprise as the show boasts the majority of it’s slew of writing and production credits returning from their bout on the first show. The best examples of this group of writer’s chops come in the form of Saul Goodman’s monologues in and out of the court room. Bob Odenkirk reprises his role as Goodman here, and when he’s firing on all cylinders there’s not much else to do but stare rapt at the screen and drink in the man’s performance. How someone can so thoroughly come off as slimy with just enough virtue to be sympathetic remains a mystery, but Odenkirk achieves that balance perfectly. With only its first two episodes, the show is already well on its way to giving viewers a broader picture of who Goodman is. “Breaking Bad” walked the line between comedic relief and tightly wound morality-play, and “Better Call Saul” follows suit. We get a better glimpse into Goodman’s checkered past, then get the overwhelming sense that he really is only a man trying to do right in the next scene. One scene he might be humorously dealing with some unsavory or lackwit characters, only to come home and be grounded by very real worries in the form of bills or his ailing mentor. That said, this is only scratching the surface of what this show is capable of. If you haven’t seen “Breaking Bad”, that show is recommended first. But if you’re looking to fill that Walter White shaped hole in your heart, your search is over.
Verdict: Worth Watching
Three influential Artists
February is well underway. Aside from Valentines Day, February also happens to be black history month. With that in mind, we would be remiss to not look at the wealth of Black history that is integral to music’s very DNA. Nearly every single genre that is enjoyed today was either pioneered or meaningfully influenced by people of color. If you look back into the formative years of the major genres, most like you will find the names of black musicians. So here are some of the most utterly influential of those names. Even if you haven’t heard their names, you can be sure that you’ve enjoyed some music that they had a hand in influencing.
First, we have Nina Simone. If you heard the new Kanye West record “Yeezus”, then you’ve heard Simone being sampled on West’s “Blood On the Leaves”. The song “Strange Fruit” that was sampled has been sung by many musicians. However, West sampled her version because in her rendition she bellows the song like a warning. “Strange Fruit” is the product of a time when lynchings were a common happening. It’s a haunting reminder of the mistakes this country has made, and Simone sings it hauntingly, as it should be sung. Of course not every song was doom and gloom. She also sang some widespread songs like “Feeling Good”, and “I Put a Spell On You”.
Miles Davis was at the forefront of nearly every prominent movement that took jazz from the late 50’s to early 70’s. Jazz is home to a multitude of disparate styles, many of which work to counter the one before including “Cool”, “Bebop”, “Fusion” “Swing” and more. If you’re looking for a good starting point to get into “Cool Jazz” look no further than Davis’ “Kind of Blue”. As jazz aged and began looking to incorporate aspects of newer genres like rock into itself we got “Jazz Fusion”. Similar to “Kind of Blue”, Davis’ funky 70’s record “On the Corner” serves as a great introduction to this style. It should be noted that Davis didn’t pioneer any of these styles himself, but with his time in each he worked to expand them.
Lastly, who hasn’t heard of Outkast? The group got their start in the nineties penning southern Hip Hop anthems like “Elevators”, but went on to write some of the most timeless and irresistible radio hits of the early 2000’s. It’s nearly impossible to find someone who doesn’t know the words to “Miss Jackson” and “Hey Ya”. While deeper cuts are home to stories with playful use of language that paint pictures of a young man finding himself, next to heart wrenching stories of tragedy befalling people Andre 3000 knew before he started rapping. From J. Cole outright stealing the beat to Outkast’s “Da Art of Storytellin’ Part 1” to Kendrick Lamar doing his best Andre 3000 impression with the whole robot voice and strangely twinged inflection schtick, most rappers have done some kind of Outkast tribute.
Daft Punk's Album: Alive 2007
Hearing the words robot rock over and over again initially put me off but as soon as the glistening synth arpeggio makes itself known a minute and a half into the song it's clear that daft punk has made a triumphant return from the outskirts of cell phone commercials and awkward nihilistic house music. It's here that you get a taste of the mental high that takes you back to a time when you thought "grass is for mowing" was an utterly cool way to say no to drugs. It also evokes the memory of the early 2000's when the anime movie Interstella 5555 that the band made as a companion to their first album "Discovery" was broadcast on adult swim first introducing you to the the vocoder and synth bliss that is Daft Punk. The album showcases the duo's most profound strength in their ability to imply there's much more going on besides the music. Listening to Daft Punk as a kid I imagined every song was another chapter of the animated space opera daft punk released alongside the album that just never got animated.
Now I never got a chance to see them when they were doing their epic pyramid-light-show-in-the-middle-of-the-desert thing, but listening to Alive 2007 feels like something more than the next best thing. Aside from the cheers and aw of the crowd prominently displayed between songs, the sheer sound of the mash ups on the album effortlessly give you the feeling of being surrounded by pretty lights and people dancing like the sky could fall at any second. If the music wasn't awesome, the audacity it took to come up with a few of the song pairings would have been for naught and made me shake my head. But luckily they do work, and on that token the aforementioned audacity just adds to the feeling of the music just daring me to close my eyes and see if when I open them there won't be some kind of light show being conducted by the masterminds behind this music dressed in their robot costumes in front of me.
Three Albums to Get Down to With Your Significant Other
Now, there’s absolutely nothing wrong with the radio if that’s your thing. But everyone has been in the car with their significant other at one point or another and found the radio just wasn’t cutting it. When you take your better half out on the perfect date this Valentines Day, you don’t want music to be an issue. So here are a handful of albums to listen to with that special person that are a little sweet and a little romantic.
D’Angelo - Voodoo: If you like R&B and haven’t heard of D’Angelo, it’s time to educate yourself on him. Widely accepted as one of the best Soul and R&B artists alive, D’Angelo released this little masterpiece 15 years and proceeded to release nothing else until just a few months ago. And even that long wait for new music, and countless replays couldn’t sour this music. This album is the definition of a slow-burner. There are songs here like “The Root” where you don’t hear the man’s voice until you’re already 40 seconds into the song. These songs take their time getting where they want to take you. But it’s easily worth the wait. If rap is your thing Method Man and Redman of Wu-Tang show up on “Left & Right”. And “Devil’s Pie” is perfect to listen to while you’re driving down the highway with that special someone.
Yeah Yeah Yeahs - It’s Blitz: If soul isn’t to your taste this might work for you. The Yeah Yeah Yeahs released It’s Blitz back in 2009. With this album they perfected the strange, intense sounding pop they hinted at with their earlier releases. Most likely you’ve heard “Heads Will Roll” or one of the numerous remixes out there. The aforementioned song and “Dragon Queen” are the only songs on here that really pulse as heavily as those do. The rest of the songs are slightly less urgent in a good way. One of the most tender moments on the album comes along with “Soft Shock”. This is one of those songs that will make you want to find that special person and just cuddle up.
Marvin Gaye and Tammi Terrell - United: Marvin Gaye is a prominent fixture in the soul community. But this group of songs with Tammi Terrell is pop more than anything else, and that’s not a bad thing. If you can sing “Ain’t No Mountain High Enough” then you’ve heard some of this album. Put simply, Gaye and Terrell’s voices were made for eachother. And though there’s only one original writing credit on the album between the two of them, they sing these songs like they’re the only ones who could. “If I Could Build My Whole World Around You” is a love song rolled up in that special flavor that only Motown has ever captured.
Week #3 Five Albums From the Late Sixties You Should be Familiar With
Have you ever been sitting around with your grandma and had nothing to talk about? Who hasn’t, right? Well if you’d like to keep from getting caught in a sticky situation like that again, here are some albums you can discuss to fill the silence. All of these albums came out between 1966 and 1969 and are still worth getting excited about today.
The Velvet Underground- The Velvet Underground and Nico: The Velvets released their first album in 1967 with mediocre commercial success. People just weren’t ready for the music at the time. Lou Reed wrote songs telling stories about a number of unsavory facets of his life. Reed’s songwriting capitalized on airing out his dirty laundry for everyone to see. This is something we see with increasing popularity today with artists like Drake and Kanye West to an extent.
“Sunday Morning” details waking up with the sun in your face after a night of debauchery. While “Waiting For My Man” is a play-by-play of the narrator going into town to support one of his more self destructive vices. But these songs also make way for flashes of sweetness like “I’ll Be Your Mirror” and the infectious “Femme Fatale”. In short, it’s worth a listen.
The Beach Boys - Pet Sounds: Pet sounds came out in 1966 as another example of an album meeting a lukewarm response in America, only to be regarded as a classic later. If you’ve heard “God Only Knows” it’s a perfect example of the intricate songwriting here. “I Just Wasn’t Made for These Times” perfectly captures the feeling of outgrowing your surroundings and feeling lost.The group’s vocalist Brian Wilson wrote songs that touched on themes familiar to us all. But added little details and idiosyncrasies that made them sound real.
The Beatles - Abbey Road: Though not their last release, this was The Beatle’s last bout in the studio together. Hopefully you’ve heard classics “Come Together”, “Something”, and “Oh! Darling”; If not you should fix that. But where this album really shines is the back half, which is meant to be taken all at once. It’s a musical journey through multiple styles, and every member gets his time in the spotlight. Also one of the most popular album cover t-shirts, so there’s that.
Love - Forever Changes: This album paints a diverse picture of Los Angeles in the mid-sixties. Songs like “Alone Again Or” sound poppy and optimistic for things to come. While the album takes a couple left turns with “A Not Is Not a Motel” and “Bummer in the Summer”. These songs and the back side of the record largely come off as more paranoid and worried. Not as popular a portrayal for the times, but an accurate one.
The Jimmi Hendrix Experience - Electric Ladyland: Lastly we have Mr. Hendrix’s 1968 masterpiece. This album is definitely a slow burn, it lumbers and meanders where it wants to go. But once you get there it’s obvious that it was worth it. “Voodoo Chile” is a fifteen minute example of why Hendrix’s brand of perfect strangeness was so popular. You can get lost in these songs. “Rainy Day, Dream Away” breaks the psychedelic rock monotony with a smoky saxaphone solo. “Crosstown Traffic” pulses with the kind of energy that makes you wish the man was still alive today. And finally he closes out the album with a beautiful cover of Bob Dylan’s “All Along The Watchtower”. If you’re looking for funk and groove, you can’t do much better than this.
Week #2: Interpol
Interpol is a post punk rock outfit based out of New York. They got their start in the early 2000's with a string of EP's and their debut full length Album "Turn On The Bright Lights". The band is still active today and is a weird quasi-undercut of the whole "sophomore slump" idea that a band can't possibly make a splash as big is with their first album.
Interpol simultaneously represents and completely undermines this idea found all over in music today. Their first LP was dark and moody in a way that really hasn't been topped by a release of theirs since.
Their was a certain intoxicating air of mystery mixed with urgency in songs like "The New", "NYC", and "Stella Was A Diver She's Always Down". And later releases have songs that may be catchier, or accentuate certain aspects of these songs. But they don't quite match the zeitgeist of that first batch of songs.
That being said, I find myself listening to their later LP's before that first one some days. The later stuff doesn't feel as uncouth or ready-to-bite as the earlier album. But they scratch a different itch for sure.
Music Journalism
So looking at the six categories we have to choose from entertainment is the easy choice for me. I can even go so far as to say confidently that I will be talking only about music.
Music criticism has been an interest of mine since I was old enough to scour a The Source magazine in barbershops and other places I was lucky enough to find them.
I remember being drawn to the reviews because their very existence seemed to suggest that there was somehow only one way of looking at things with art. Ironically the many reviews I've read that taught me that music criticism is something I'm passionate about also taught me that no matter how universally loved or hated a piece of music is, ultimately the worth is the ear of the beholder.
Abba will never be seen as more important, successful or as critically lauded as The Beatles were. But with that said, you're bound to find more people willing to sing along to "Dancing Queen" than "Happiness is a Warm Gun" or "Strawberry Fields".
So with all of that out of the way here are some music reviews I was looking at today just to give you an idea of what I'm going for:
http://pitchfork.com/reviews/albums/20079-panda-bear-meets-the-grim-reaper/
http://www.tinymixtapes.com/music-review/og-maco-og-maco-ep