hi welcome to my tumblr!! i’m still figuring things out but yayy i’m excited to be here <3
art blog(derogatory)
KIROKAZE
Sade Olutola
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Cosimo Galluzzi
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occasionally subtle
"I'm Dorothy Gale from Kansas"

tannertan36

oozey mess
Mike Driver
official daine visual archive
he wasn't even looking at me and he found me

izzy's playlists!
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macklin celebrini has autism
ojovivo
let's talk about Bridgerton tea, my ask is open
tumblr dot com

pixel skylines
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@youuplayguitar
hi welcome to my tumblr!! i’m still figuring things out but yayy i’m excited to be here <3
i remember it all too well
oh, ‘cause it’s gravity, keeping you with me
i swear every day i learn of a new 1989 tour outfit
and i will hold onto you
ohh we use hashtags here?
wait is it a like or a note? bc my notifs say like but the post says note 😭 i’m so old
omg this is kinda funn. i can’t believe this is my first time using tumblr
idk how this works, but here i am… hiii 💗
I’ve always said that the world is a different place for the heartbroken. It moves on a different axis, at a different speed. Time skips backwards and forwards fleetingly. The heartbroken might go through thousands of micro-emotions a day trying to figure out how to get through it without picking up the phone to hear that old familiar voice. In the land of heartbreak, moments of strength, independence, and devil-may-care rebellion are intricately woven together with grief, paralyzing vulnerability and hopelessness. Imagining your future might always take you on a detour back to the past. And this is all to say, that the next album I’ll be releasing is my version of Red.
Musically and lyrically, Red resembled a heartbroken person. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Happy, free, confused, lonely, devastated, euphoric, wild, and tortured by memories past. Like trying on pieces of a new life, I went into the studio and experimented with different sounds and collaborators. And I’m not sure if it was pouring my thoughts into this album, hearing thousands of your voices sing the lyrics back to me in passionate solidarity, or if it was simply time, but something was healed along the way.
Sometimes you need to talk it over (over and over and over) for it to ever really be… over. Like your friend who calls you in the middle of the night going on and on about their ex, I just couldn’t stop writing. This will be the first time you hear all 30 songs that were meant to go on Red. And hey, one of them is even ten minutes long.
Red (Taylor’s Version) will be out November 19.
https://taylor.lnk.to/RedTaylorsVersion
Taylor applauding Beyoncé’s record-breaking 28th Grammy win
Call It What You Want: November 3rd, 2017
“how many times have you had to sit and watch an entire award show just for taylor to appear for 5 seconds at the very end?”
YESSSSSS
Itty Bitty Kitty Comittee😆
The meaning behind the “but you’re taking shots at me like it’s Patron” lyric.
Say it in the street, that’s a knock out
But you say it in a tweet, that’s a cop out.
And I’m just like “Hey, are you okay?”
and i ain’t tryna mess with your self expression but i learned a lesson that stressing and obsessing ‘bout somebody else else is no fun…..
insert @lookwhatyoujustmademedo screaming: SNAKES AND STONES NEVER BROKE MY BONES
Oh-oh, oh-oh, oh-oh, oh-oh, oh-ohhh
you need to calm down *kicks ball at ur face*
You’re being too loud!!!
and im just like oh oh, oh oh, oh oh, oh oh, oh ohhh you need to just stop ✋🏼⚽️
like can you just not?
I LOVE SOCCR PICS ON TUMBLR LIKE YES TINY YOUTH ATHLETES OF YORE RISE
We’re gonna have to work out how to distinguish between Lover the song and Lover the album... we haven’t had this issue since Red