nina simone performs “i wish i knew how it would feel to be free” at the montreux jazz festival, 1976, switzerland
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nina simone performs “i wish i knew how it would feel to be free” at the montreux jazz festival, 1976, switzerland
readings: essays & articles
reassuring ghosts and haunted houses
fish recorded singing dawn chorus on reefs just like birds
what people around the world dream about
poet and philosopher david whyte on anger, forgiveness, and what maturity really means
oranges are orange, salmon are salmon
how memories persist where bodies and even brains do not
the avant-garde musical legacy of the moomins
the weight of our living: on hope, fire escapes, and visible desperation
disturbed minds and disruptive bodies
what is better ー a happy life or a meaningful one?
after my dad died, i started sending him emails. months later, someone wrote me back
on the igbo art of storytelling
what the caves are trying to tell us
promethean beasts — how animal uses of fire help illuminate human pyrocognition
the art of loving and losing female friends
on memorizing poetry
the ecological imagination of hayao miyazaki
reading in the age of constant distraction
holly warburton illustrates tender moments of love and light
romancing the fig: what one fruit can tell us about love, life and human civilization
mystery and birds: 5 ways to practice poetry
can a plant remember? this one seems to — here's the evidence
why female cannibals frighten and fascinate
when you give a tree an email adress
fear not — horror movies build community and emotional resilience
obsessed with emily dickinson's herbarium 🌿 x
[A white fortune cookie paper with blue text. Front: Your love of life can carry you through any circumstance. Lucky Numbers 54, 28, 2, 6, 38, 16 Back: Beverage; drink, Chinese text 饮 (yǐn) 料 (liào)]
Cho Gi Seok for RAIN magazine, rain-mag.com
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Jonas Mekas, 2000)
photographer Nina Rathbone
Marguerite Duras
“The Day Dream” by Dante Gabriel Rossetti, 1880
The sitter for this painting was Jane Morris, the wife of William Morris, who often posed for Rossetti. At the time this was painted, Rossetti was involved in an illicit love affair with Jane. He shows her sitting in the branches of a sycamore tree and holding a sprig of honeysuckle. This sweet-smelling climbing plant symbolized the bonds of love for the Victorians, and Rossetti may have included it here as a subtle reference to the relationship between artist and model. Rossetti was also a poet, and the title relates to his poem of the same name that ends: She dreams; till now on her forgotten book Drops the forgotten blossom from her hand.
Vicente Romero Redondo (Spanish, b. 1956). Pastel on paper.
are you ever like. am i horny or am i yearning. or both. am i hoarning?
the idea of coming home to the love of your life is so soothing and nice I can’t wait to look forward to that
“Girls know they are losing themselves… Girls become fragmented, their selves spilt into mysterious contradictions. They are sensitive and tenderhearted, mean and competitive, superficial and idealistic. They are confident in the morning and overwhelmed with anxiety by nightfall. They rush through their days with wild energy and then collapse into lethargy. They try on new roles every week: this week the good student, next week the delinquent and the next, the artist.”
— Mary Pipher, Reviving Ophelia: Saving the Selves of Adolescent Girls (via fyp-psychology)
sam sifton, from the nyt “what to cook right now” newsletter
Lady Bird (2017) dir. Greta Gerwig
The Woman, The Man and The Serpent (detail) Byam Shaw