we're not kids anymore.

if i look back, i am lost
Today's Document

祝日 / Permanent Vacation
Alisa U Zemlji Chuda

Andulka
Jules of Nature

pixel skylines
Lint Roller? I Barely Know Her

oozey mess
Cosmic Funnies
NASA

izzy's playlists!
I'd rather be in outer space 🛸
h
YOU ARE THE REASON
let's talk about Bridgerton tea, my ask is open
almost home

roma★
sheepfilms

seen from Türkiye
seen from United States

seen from China
seen from United States
seen from United States

seen from Malaysia

seen from Germany
seen from United States

seen from Germany
seen from Canada

seen from Malaysia
seen from Malaysia

seen from Argentina
seen from United States

seen from Italy

seen from Türkiye
seen from Malaysia

seen from United States

seen from Malaysia

seen from Canada
@zenobiagrace
I hate that SEPTember OCTOber NOVember and DECember aren’t the 7th, 8th, 9th, and 10th months.
Whoever fucked this up should be stabbed
Today’s your lucky day
on “the blond,” “the older man,” and other crimes against third-person limited
You know that thing where a story is written in tight third person limited — we’re meant to be inside someone’s head, seeing the world through their thoughts — and then suddenly the narration says “the blond frowned” or “the shorter woman sighed” about a person the POV character knows really well?
That’s called antonomasia — using a descriptive label instead of a name. And it’s fine when we’re talking about strangers: “the cashier handed her the receipt,” “the tall guy blocked the door.” The POV character doesn’t know their names, and we just need a quick way to tell people apart.
But the moment it’s used for someone the POV character already knows, it breaks immersion. Because that’s not how our minds work. We don’t think “the older man smiled at me.” We think “Mark smiled.” Or maybe “my boss” if that relationship matters in the moment.
Third person limited means the narration sits inside someone’s perception. Their inner monologue is the story’s voice. So when you switch from “Mark smiled” to “the blond smiled,” you’ve pulled the camera away from their mind and turned it into an outside shot.
If you want to create distance or irritation, you can do it on purpose —
“The idiot from accounting emailed again.”
That’s character voice. That’s judgment. That works.
But otherwise?
As soon as your POV character knows someone’s name, use it. While we do tend to worry about repetitions, names rarely register as such to the readers.
If you need variety for rhythm, use relational or emotional identifiers that make sense in their head: her friend, his partner, their teacher, the person they loved.
Because inside someone’s thoughts, there are no “blonds” or “brunettes.”
There are only people they know.
"Flins smashes his lantern into pieces on Illuga's tombstone"
author of the idea: @/DarkMariAngel on twitter
"A child who can survive all this is certain to grow up strong"
I keep forgetting to post art on here funnily enough. I'll just be yapping half the time. God, dude. Drawing this actually made me feel a pit in my stomach...
RAGBROS NATION NOTICE HOW DILUC AND KAEYA ARE ALMOST ALWAYS TOGETHER EVERY TIME THEY APPEARED IN THE NEW QUESTS
*Watching the anime Love through a Prism*
Hey this anime on art is pretty good and thank God Lili can stay and pursue art in England and there are 6 episodes left so i guess now we need the romance to resol-
THE ASSASSINATION OF FRANZ FERDINAND?
Just so you know, Tumblr friends, if you ever tag me for a writing/art/screenshot/whatever game and I don't play along, I do still appreciate the tag and would still love to be tagged again in the future if you think of me. I just don't always have something to give for a specific tag prompt, or I'm too busy at the moment.
💕💕💕💕
you ever think about how kaeya is everything crepus wanted diluc to be.
this makes me soooo sick bc imagine being diluc. your entire childhood you strived to make your father proud and rise to his expectations and you DO, you get a vision at 10, become a cavalry captain at 14 (we should talk about that actually, what in the child soldier—) and everything is great. but then your dad dies and your entire world falls apart in just one day and you leave everything you know behind on a pointless quest for revenge. you come back years later and everything is the same but so, so different.
and then there's your little brother. undoubtedly capable, but never truly showing what he can do. he's cunning and strategic and always five steps ahead of everyone else, but timid, usually letting you or jean do the talking. he prefers sticking to the shadows (your shadow, specifically—), working behind the scenes. that's how you remember him.
but you come back and there he is. a stranger wearing your best friends face (not your best friend, not anymore, not after—). he's still the same, capable and cunning and smart and strategic, still working behind the scenes, but he's so, so different. gone are the gentle, shy smiles, the timid personality, the preference for sticking to somebody's shadow (there's no shadow to hide in, anymore—).
instead, he's outgoing and confident and there's a near-constant cocky smirk on his face and you don't know who you're looking at. to the people, he's the beloved cavalry captain. the acting grand masters right-hand man, a talented swordsman and vision-wielder. the "top candidate for grandson-in-law" if the word on the street is to be believed. he's reliable and witty and kind, always offering aid when he can. he doesn't look down on anyone, friendly even towards the most unusual visitors.
the model knight, one could say.
he walks into your tavern one night, orders his usual (a death after noon, your father's favourite, of all things, is he joking) and you watch as he chats up the most random people there. all charming smiles and suave words and you have to blink a few times as he absentmindedly twirls his wine glass. your mind is playing tricks on you, you know it, they have zero similarities in physical appearance, but for a second you could swear—
he looks just like your father.
(there's this little girl that follows him around sometimes. well. really, he's following her around, with the way she always runs ahead. she's energetic and chatty and you can't help but notice the pyro vision shining from her backpack (mocking you—) as kaeya looks at her with pure, unfathomable fondness, like she's the only thing that matters in the world.
the first time you hear her calling for his attention, you pause, for just a second. you've seen them around enough to be familiar with the duo, but that. that's a first. an excited voice sounds from somewhere over your shoulder, "big brother kaeya! look, look!" and you take a moment before glancing over. the little girl is crouching on the sidewalk, pointing at something on the ground and staring up at keaya with big, curious eyes. kaeya's there, leaning over her with a gentle smile and a soft, soft look in his eyes—. you turn away.
you can't quite catch kaeya's response, with him having a lot more control over his volume than an enthusiastic child, but his quiet chuckle and following, affectionate tone still register in your mind.
"looks like he's a model older brother, too.")
i've been going just a little bit insane since someone made the cryo -> anemo -> fate -> time connection on twitter bc it makes so much sense. it's been right in front of us all along.
literally since 1.0. andrius being anemo and cryo. jean and kaeya, anemo and cryo, the lion and the wolf. VENTI AND THE TSARITSA. GOD.
that screenshot of kaeya holding an anemo-cryo dice to the camera while talking about the god of fate HAUNTS ME.
@zenobiagrace
here's a rundown on what i saw on twitter!
COUNT ONE
this is where it all started..... screenshot from @/ririmishy on twt, thank you for your service 🫡 unfortunately they went private, so i can't link the post 🥲🥲 here nicole is listing off synonyms for fate.
COUNT TWO
ss from @/windflowerlia on twt
KAEYA AT THE SCENE OF THE CRIME. GUILTY 🔨🔨🔨 (imagine that's a gavel)
needless to say, everything kaeya says and does needs to be microwaved and considered from every perspective bc you never know when he's straight up throwing spoilers in your face. and well, saying "the god of fate decides the outcome of every dice roll" while holding a dice showing anemo and cryo symbols when earlier in that same patch NICOLE, the KNOWER, compares fate to "icy winds"??????
COUNT THREE
then there's the connection between cryo and time, which is much more vague, i suppose? i always associated them w/ eachother in my head bc of hi3 and hsr (the rememberance, ice + memories + time and so on), but apparently there's some crumbs in genshin as well! for one, the cryo archon is stated to "covet" the anemo archon's power. obviously that could just mean the gnosis, but the gnoses aren't really theirs, are they? there's also kaeya's "this moment wil be frozen in time" which. isn't a super conspicuous, but also it's kaeya speaking, so. this post by @/flanring0 on twitter makes a few more connections that flew over my head!
so these three things kickstarted this whole thing in my brain!
and the end conclusion is something like this
i hope i didn't forget anything.. (i wasn't sure what to use as an icon for fate, but then intertwined fates showed up in my search, and i figured that's kinda genius?)
after those two screen shots i realized that anemo and cryo have been pretty closely connected since 1.0, as mentioned in the og post. that part is straightforward, maybe aside the jean and kaeya part.
if you're unsure about that, i recommend you read up on Arundolyn (1, 2, 3) and Rostam (1, 2, 3), the original Lion and Wolf. but in short, the Lion is the Grandmaster, a leader standing in the light, while the Wolf is their right-hand man, the one that gathers information and does the "dirty work". (PLEASE read up on their lore it's so much fun!!) this isn't really canon, but i think of those two titles as something like archetypes or maybe even secret, unofficial roles within the knights.
and if the time + fate perfectly writes into my kaeya theories and kaeya & venti agenda, that's my business 🤭🤭
you're so right about microwaving every single word that comes out of Kaeya cause he casually dropped the term "sinners" YEARS ago and we just recently got to know what that meant
Also. "the dawn" and "icy winds" both being analogies for fate my ragbros senses are tingling like Diluc?? The dark side of Dawn??? Kaeya?? The FROSTWIND swordsman?? FATE??? Ohh I need to make another post entirely on this
Kevin is the real villian in Home Alone
The movie establishes that the phone lines to the house are down, that’s also why nobody is able to call Kevin at home. The movie also establishes that all of his neighbors are out of town which is why he couldn’t borrow their phones. The movie ALSO BEGINS by introducing the main antagonist as a “police officer” which is why Kevin doesn’t trust the cops. I’m so tired of the ignorance. The slander.
FINALLY we’ve reached the time of year for home alone discourse
#he did what he needed to do to survive. then he did a bunch of other stuff he felt like doing (via @hotcrossedfangs)
home alone is just die hard for kids
He also stole that toothbrush so was even more scared to call the police in case they arrest him for theft too
Kevin knew that ACAB ¯\_(ツ)_/¯
Keep in mind that the robbers could have turned around and left at any time. Kevin set up the traps, but they didn’t have to walk into them. They could’ve left and robbed an easier house, but didn’t because they wanted to get the 8-year-old who was beating their asses. At some point, it stopped being about stealing the McCallisters’ stuff and started being about killing Kevin, at which point Kevin was justified in doing whatever the hell he wanted to them.
Skdhsjdhsk okay Home Alone discourse? xD I recognize this is a joke but I’m jumping into the shark pit regardless because I just love this movie and wanna talk about it so HERE GOES
Lol so yeah actually the phone line argument is a bit confusing because yeah the phones are down at first, but they obviously were fixed at some point since his family tried to call him from the airport in Paris or later on he wouldn’t be able to order pizzas or call the cops from his house at the end of the whole attempted robbery night, so there IS the question of why Kevin’s family doesn’t keep trying to call him daily.
HOWEVER, as people have already mentioned, Kevin thinks he’s a criminal due to stealing a toothbrush and has already been chased by a cop, he’s not gonna contact the police about the robbers.
Calling the police about his family leaving him? He’s not gonna do that because he doesn’t KNOW they’re in Paris, Kevin believes he magically wished his family out of existence the night before they left after they were all right dicks to him. He doesn’t know they have the power to come back, that’s why he asks Santa to return them later on, what use is telling the cops who (in his eyes) will probably blame him for it?
Also ppl be criticizing him for the booby traps like this isn’t the THIRD time Kevin’s had to chase these guys off his property? First he tried to fake a house party, they still came back, he tried to fake a MURDER, they spied on him and declared they were coming back again. Kevin’s given them two nonviolent chances to leave his house alone, they’re the grown men deciding they’re gonna come back and rob a house they KNOW has an eight year old in it. They announce their presence by knocking and taunting that they know he’s alone and “helpless” in there and that they’re coming in anyway, what their original plans for dealing with him were, we don’t know. After they spring his first traps, their plan switches from robbing the house to specifically harming Kevin in revenge.
These guys are trespassing on Kevin’s property AGAIN after multiple warnings, and they’ve announced themselves with a declaration of intent to harm him, he can’t call the police or they’ll discover he vanished his family and committed toothbrush crimes, Kevin needed to defend himself and he had FULL RIGHT to do so however he saw fit (which all proved entirely necessary seeing as literally nothing he threw at these men actually stopped them from trying to hurt him, they kept coming until his neighbor saved him)
Respect Kevin 2kforever 😤😤😤
@hellsite-hall-of-fame where you at
I applaud the effort that went into this seconds-long bit.
(THE LAMP IS STICKING STRAIGHT OUT FROM THE WALL!)
For anyone who wants a side-by-side comparison to appreciate everything that moved, here you go:
My favourite detail is the plants on the windowsill getting rotated up sideways
who is this guy
So the thing is; I don’t think Yuri has like a loli con sister fetish thing going on. As fun as it is to shit on him for it and as weird as it is sometimes I think he just loves her and because he probably has no/very little memory of his parents and he’s definitely never had a romantic relationship in his life the only person in his life that he loves is his sister and so my take is that his brain never actually learnt to differentiate between all the different kinds of love you can have for people.
Like ofcourse objectively he knows the difference between romantic love and platonic but also Yuri at times is still mentally at the childhood phase of I love my mom and I’m going to marry her because I love her so much and that’s apparently what you do when you love someone.
Because honestly if he really was weirdly romantically in love with Yor I don’t think Anya would bother him so much but like hes just as jealous of Anya as he is of Loid which would just not be the case if he actually knew how to differentiate between all the different kinds of love. If he really was romantically attracted to yor I think he’d make a bit of a bigger show to show how “fatherly” he could be (even tho she’s technically Loid’s child)
Yuri just really loves his sister like when little kids have feelings that are too big for them to understand or to explain or do anything other than experience them at full intensity. There is no one else hes allowed himself to share his life with in anyway. He has no real friends no parents or parental figures and he has no partner he literally only has his sister she’s his entire life.
And yor was kind of like that too in the beginning; wrapped up in Yuri. everything she did was to ensure Yuri didn’t worry it wasnt as intense as Yuri’s cause Yor’s not as single minded but like look at them in the last chapter Yor actually sets and enforces strict boundaries on Yuri and how he can talk about her family when just a couple chapters ago she let him talk smack about her fake marriage and fake husband in her living room and everything was an act to prove to yuri it wasnt “real” not really. But now Yor has grown she has let other people into her life it’s bigger and it’s settled in away that Yuri can’t push back against. And just like she’s always done as his big sister she is teaching him, modeling for him how to open up his life, how they can expand to include other people in this little world of theirs and they will still have space for each other that they’ll still have love for each other.
And yuri’s first instinct is to make their world small again to make it safe take them back to when it was just them so he can protect himself protect the space he occupies in Yor’s life. until he realizes that’s not making the world safe hes just sealing them in an airtight jar. And then he lets go as much as he can anyway even tho it’s just a few centimeters. He calms down and he goes home and I think the fact that he didn’t just stay home eating food that reminded him of his childhood of Yor instead he accepts the invitation, it’s why Chloe and his first commander are so important he letting his world expand just a little bit. That he gets the little sheets Yor wanted to get for Anya. It’s proof it’s all proof that Yuri’s growing up. Hes learning to let the life in.
He’s still very much a weird little guy though
if it sucks hit da bricks <- litany against sunk cost
take it easy but take it <- litany against burnout/apathy cycle
fuck it we ball <- litany against perfectionism
now say something beautiful and true <- litany against irony poisoning
some others i found in the notes
When you find yourself in a loop, ask yourself which one of these applies?
(also i love all the fun translations Tumblr has made)
When you find yourself
in a loop, ask yourself which
one of these applies?
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
“After learning my flight was detained 4 hours, I heard the announcement: if anyone in the vicinity of gate 4-A understands any Arabic, please come to the gate immediately. Well—one pauses these days. Gate 4-A was my own gate. I went there. An older woman in full traditional Palestinian dress, just like my grandma wore, was crumpled to the floor, wailing loudly. Help, said the flight service person. Talk to her. What is her problem? We told her the flight was going to be four hours late and she did this. I put my arm around her and spoke to her haltingly. Shu dow-a, shu-biduck habibti, stani stani schway, min fadlick, sho bit se-wee? The minute she heard any words she knew—however poorly used—she stopped crying. She thought our flight had been canceled entirely. She needed to be in El Paso for some major medical treatment the following day. I said no, no, we’re fine, you’ll get there, just late. Who is picking you up? Let’s call him and tell him. We called her son and I spoke with him in English. I told him I would stay with his mother until we got on the plane and would ride next to her—Southwest. She talked to him. Then we called her other sons just for the fun of it. Then we called my dad and he and she spoke for a while in Arabic and found out, of course, they had ten shared friends. Then I thought just for the heck of it why not call some Palestinian poets I know and let them chat with her. This all took up about 2 hours. She was laughing a lot by then. Telling about her life. Answering questions. She had pulled a sack of homemade mamool cookies—little powdered sugar crumbly mounds stuffed with dates and nuts—out of her bag—and was offering them to all the women at the gate. To my amazement, not a single woman declined one. It was like a sacrament. The traveler from Argentina, the traveler from California, the lovely woman from Laredo—we were all covered with the same powdered sugar. And smiling. There are no better cookies. And then the airline broke out the free beverages from huge coolers—non-alcoholic—and the two little girls from our flight, one African American, one Mexican American—ran around serving us all apple juice and lemonade, and they were covered with powdered sugar, too. And I noticed my new best friend—by now we were holding hands—had a potted plant poking out of her bag, some medicinal thing with green furry leaves. Such an old country traveling tradition. Always carry a plant. Always stay rooted to somewhere. And I looked around that gate of late and weary ones and thought, this is the world I want to live in. The shared world. Not a single person in this gate—once the crying of confusion stopped—has seemed apprehensive about any other person. They took the cookies. I wanted to hug all those other women, too. This can still happen anywhere. Not everything is lost.”
— Naomi Shihab Nye (b. 1952), “Wandering Around an Albuquerque Airport Terminal.”