Poster for the unproduced 1984 live-action horror adaptation GARFIELD: FIRST BLOOD.
Following the success of CUJO in 1983, studios were scrambling to find the next hit “killer pet” flick. Notorious grindhouse auteur Ron Sharleton, seeking a big-budget movie deal to fund his struggling production of CANNIBAL QUARTERBACK 2, set his sights on the most unlikely of properties: Jim Davis’ beloved comic strip Garfield. Sharleton, a self-proclaimed fan of Garfield who called the strip “a subversive celebration of misanthropy,” believed an “alternative, adult” spin on the character could thrive in tandem with its kid-friendly cartoons. Describing his rationale in an interview later, Sharleton said: “You have all of these R-rated films that come out and become big hits and the studios want to suck every penny out of one idea, so they sanitize it and repackage it as a cartoon for kids. So I said, why can’t we do the reverse?”
GARFIELD: FIRST BLOOD was pitched as a dark, gritty reimagining in which the titular cat, pushed to the brink on a particularly bad Monday, finally snaps and kills Jon’s dimwitted dog Odie. As he tastes Odie’s blood, Garfield is overcome by how good it felt to put a permanent end to something that annoyed him. He then realizes that everything and everyone annoy him, and his murderous rampage begins.
Describing his take on the character, Sharleton said: “Garfield never really sat right with me as a children’s character. He’s so much darker, more complex. You have this cat who is filled with contempt; he looks at the world around him with radical skepticism and scowls at the prison of tedium mankind calls ‘society,’ and he responds with this very self-indulgent nihilism: Be lazy, be a glutton, don’t participate in anything because it’s all bullshit. Garfield looks at Jon waking up early on a Monday and putting on his tie to go to a job he hates, and he sees a pathetic fool. It’s all such a powerful rejection of the Reagan Wall Street capitalist disease that has poisoned the 80s. ‘Work hard, climb the ladder, buy a boat!’ Garfield says fuck that, stay home, eat lasagna, accept no master. But living as an iconoclast in a conformist world has filled him with all this tension. There’s anger in there, you know? So I wanted to examine what would happen if Garfield was finally pushed over the edge. Where’s the line between a passive nihilist and a violent anarchist?”
Warner Bros execs were intrigued by Sharleton’s pitch (and the lucrative cash cow of the Garfield brand) and funded a short “proof-of-concept” trailer, directed by Sharleton, to convince Garfield creator Jim Davis of the idea. The trailer reportedly went “all-in” on Sharleton’s signature “splattercore” horror, including a scene where Garfield grinds up Liz Wilson alive in a meat grinder and bakes her flesh into a lasagna he then serves to Jon. The presentation to Davis was described as “one of the most disastrously miscalculated meetings in modern Hollywood,” with Davis stopping the trailer midway to ask the room “are you people completely fucking insane?” before storming out.
Reflecting on the meeting years later, an anonymous former Warner exec said “we knew it was a long shot, but we really felt like the only way to sell the concept was to push it as far as possible. In retrospect I think yeah, we did let it go too far. We were so absorbed in it that we didn’t realize how jarring it would be for a guy like Jim Davis to just be thrown into this cold. I think it was a mistake to open with the Nermal blender scene, but we wanted shock, and we thought… I don’t know, everyone was doing a LOT of cocaine back then. Well, everyone except Jim Davis."
UPDATE: T-shirts and poster prints now available!
NOTE: This alternate reality horror story is part of my NightmAIres narrative art series. NightmAIres are windows into other worlds and alternate histories, conceived/written by me and visualized with synthography and Photoshop.
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