tawny

oozey mess
Show & Tell
Cosmic Funnies
Sweet Seals For You, Always
styofa doing anything

祝日 / Permanent Vacation
Today's Document

⁂
Three Goblin Art
art blog(derogatory)

pixel skylines
Xuebing Du
Jules of Nature
DEAR READER
macklin celebrini has autism
2025 on Tumblr: Trends That Defined the Year
h
ojovivo
cherry valley forever

titsay
seen from United States

seen from Malaysia

seen from Türkiye

seen from United States
seen from Spain

seen from United States
seen from South Africa
seen from United States

seen from Germany

seen from Netherlands

seen from United States
seen from Malaysia
seen from United Kingdom

seen from Ireland
seen from South Africa

seen from Malaysia

seen from Malaysia

seen from United States
seen from United States
seen from United States
@zindezin
tawny
Yoshiki Hishinuma (1997)
alain paul ss26 thoughts continued
like the clothes are falling off, or slightly deconstructed, redeployed, and rebuilt. and its through classicc clothing items. like the suit material being reworked here, or the hoodie n its attaches. there are several looks in the collection where the top is appears to slide off, and like the straps slipping here, it implies an undressing/déshabillage, in the sense that the old is actively being shed - so gender norms, associated meaning etc... being cast off in favour of a new reality.
ALAINPAUL Spring 2026 Ready-To-Wear
ALAINPAUL Spring 2026 Ready-To-Wear
alain paul ss 26 feels like a proclamation that the old models aren't working/we need new models (shoutout telfar) and then they set out building new models through reworking of the old designs.
Marie Adam-Leenaerdt Spring 2026 Ready-To-Wear
reminds me of dauanjacari
the poverty of innovation
getting my cultural observation/rant adjacent thoughts out on here. today's topic is music. I enjoy smiley's spill the tea so much it concerns me (not really). i think its just funny and a great lil vibe. But beyond that, theres something under everything he's saying that's meaningful. its not capital, but its testament to some form of growth interests me. Where is this growth coming from? id be lying if i said his story is what im fully relating with.
i feel the emotions that come with it. its relatable. like the music speaks to things ive done, and may want to do. some of it isnt aspirational for me but its still meaningful because I can hear what this guy's gone through and what it means to him. and all of this means so pitifully little in the grand scheme of things. his success is both a subversion and reinforcement of the system that makes it so difficult for the likes of him to succeed. He wasn't supposed to succeed, but his success means little because it changes so little.
I am not calling for musicians, or artists to remain in poverty. if the economy provides material benefits for people that are able to succeed by creating a vibe and communicating this vibe to others, then do that. ppl still have to live a life worth living yk. but if music, or art used to reward an authenticity of experience coupled with a message delivered creatively that reflected some sort of truth or mobilizing power, music's coupling with relatability and different vibes has diluted things.
ofc there are still some artists whose technical ability and degree of thought, creativity, and care underpin their whole endeavour. Tama Gucci, Kelela, Rachel Chinouriri and many others have a depth to their work that gives you so much to delve into. i commend them. i'm referring here however to a different 'innovation' seen in the success derived through delivering a repackaged vibe which may birth or feed the creation of a new sort of sound and movement - which is not itself critically engaging - but does deliver a vibe setting and relatable emptiness. And while it reflects something about our times in its existence and the study of the circumstancees around its creation, it doesnt inspire action, uncovering little else beyond the artists mood and life.
i find this aspect interesting when i interact with specifically subversive cishet white male music, because their experience, often doesn't possess much that disrupts the status quo, there isnt anything revelatory in there. Their angst and emotions still are conveyed but im always left wondering is there more. when the sound fades, i'm left unmoved. Their angst is revealing but its source is a familiar fiend.
the veneer of innovation remains so bright with these artists that those who are attracted by the new sound, take it and their experience to be wholly new, paying little heed to the sources of the innovation. the new experience becomes central. on shallow grounds stand new facades, obscuring hallowed halls within
and im not expecting everyone to always do the research on their vibe setters, but nothing is ever truly new, it always builds on something. an awareness of that must be had if we are to consider the new creations
I'm thinking rn of 2hollis, who's making something vv different, but still borrows from trap and edm. both genres have their own histories, cultures, and scenes that have or had important social commentary in their own ways. in the new forums, however, these histories are rarely taken up because the innovators are no longer concerned w this messaging. they dont need it to succeed, innovation serves two gods, relatibality and enjoyability - beyond that there's nothing.
if this was an essay, i'd point to lil pump, the carters, and maybe milli vanilli as these sort of progenitors of success based off vibes alone. in their music, the message matters but only insofar as it provides a lingua franca for its audiences. but for audiences that have to deal w more than the vibe, what do they get from this music. i think about this more and more, and a lot of contemporary music doesnt give u anything beyond a vibe. nothings being scratched. whats the bigger picture? they dont need it to succeed.
but like what about that matters. i dont doubt that a movement can have meaning beyond what its participants ascribe to it - perhaps the music works as an escape. but today im particularly focused on what the artist is saying. what have i learnt from what is being said? with a lot of culture, the answer is nothing. some would say why are u turning to music for this?
ive always turned to art for this though. art has always worked to represent the present, or provide different perspectives on the times we inhabit. how we got here, where we're going, how we're going to get there. art has always been an important part of this relationship.
im unraveling. theres so much to delve into w 2hollis music, but i think the fanbase point of entry feels so vaporous that I diluted the music itself. but i do think the broader wave i see coming with him, isnt always reflecting anything in particular.
this is something ive been sitting on for a while, im only dropping it now bc im planting a little seed. my thoughts have sharpened on much of what i discuss here, and i know how and why i've thought about some things here. so i put this here as a testament to my old perspective. hopefully, ill have a more refined perspective perfected and uploaded soon
before disappearing for another while, i would like to make a note to self to be more cogent.
speaking for my own comprehension must come in either spaces for that or on my own time.
say less, say what u mean, say what you want to be heard.
on normality
i watch a lot of things that I recognize are timefillers. passing the time till i decide to work on whatever it is that i need to for the moment. one of these many time wasters are these dating shows. they crystallize contemporary relations of desire in ways that are revealing, so long as you remember that they are also mediated by a desire to commodify both the video, and the participants' business/career.
accordingly, the relations are consciously informed by a desire to either find love, or a romantic connection, and to appeal to the audience in a way that potentially guarantees future financial success. There's also a secret third option: not embarrassing yourself in front of potentially millions of people online. These three desires inform the ways in which the participants behave to differing degrees, with im sure, pre-existing interpersonal relations adding a fourth dimension that I can't touch on now.
The ways in which they understand the tastes of the public informs the way they present themselves, primarily on the basis of social norms i.e. what can they do without getting in trouble either on the set or beyond. informed by their habitus tho, differing perceptions of acceptable behaviour lead to differing actions as well as their engagement with one another dramatically affecting what they do and why they do it. to an extent, they are aware that they are functioning as entertainment for others, and where love and connection often stems from vulnerability, such a public display of vulnerability requires care and a maturity that often, 20smth year olds don't always have, or care to display on this platform.
I saw a video in which a contestant was rejected for being too normal, and I think i get it. being normal is rather abnormal; it requires an attenuation to what is socially considered normal and choosing to live along these lines or being disciplined into conformity on these lines. its display can either demonstrate a failure to question your origins, or it can highlight a falsehood, where a person is choosing to behave normally for whatever reason as means for avoiding their real/authentic personality.
my intention here is not to motivate intentionally deviant behaviour for the sake of demonstrating difference; in my mind, the goal is authenticity - reflecting who you are at the stage you are at. Normalcy then is an affront, but also a communal link. its a safe media for people to connect and then develop authentic bounds, but, when dwelling in normalcy, it becomes challenging to communicate deviance. the effort taken to be normal comes with a sacrifce of self and distinct identity, and takes normalcy as a goal worthy of accomplishment. it isn't though.
normalcy is rooted in a specific time frame, and a specific power distribution. in seeking to be normal for normalcy sake, there's an affirmation of what is as what should be. or even worse, an inability to even understand that what is, is actively constructed and maintained. taking normalcy as natural, misconstructions of difference are bound to emerge.
Perhaps what im speaking to stems largely out of a reification of normalcy, where as part of the effort to be normal, the costs of being normal - suppression of self, refusal of alt experiences etc - weigh heavily on the self's psyche. This leads me to consider why someone would want to be normal. normalcy being understood as a social construction, the desire for normalcy represents a desire to be enveloped within the social, accepted socially for communicating sameness.
if sameness or normalcy is not natural, but rather social, everyone normal, consciously or unconsciously, has adopted the patterns or accepted the advice or influence of those whom are perceived to be normal (as presented by what is understood to be their degree of social embeddedness). therefore everyone deemed normal, knowingly or unknowingly has paid the cost to enter into the bounds of social acceptance.
those who are able to therefore gain social acceptance without conforming to normalcy can either expand the bounds of normality or become targets for revulsion in the ways that their difference constitutes a challenge to the construction of normalcy as natural and accordingly, justified in its naturalness. understanding that being normal represents little threat to the social order, we can also understand that it represents minimal threat to the power distribution and the distribution of benefits stemming from this. those who get specific jobs are identified by their cohesion with a corporate and cultural context. conceptions of attractiveness are mediated by ideals of normalcy (although frequently disrupted by real desires borne out of a deeper connection, which i cannot tell if it stems from a recognition of completion within another or a purely human based identification that denies existing structures.)
at any rate, normalcy is an essential precondition within many societies and subcultures. it can serve to foster a specific identity. it's created actively through continual self sacrifice for the sake of achieving a perceived social or material goal (which isn't always distinct). its also subject to change, when communicated or affirmed by those believed to be most embedded within the identity, that their actions even when contrary to the norm can help redefine norms as their identity can represent a bedstone in which the norm is preserved (i.e. a figure representing a bank). it can also be changed from the grassroots when enough people integral for the continuation of the community - often materially - adopt certain changes collectively
this is particularly evident with the construction of white identity
i would like to go further in this discussion as i've only touched the outerlayer, however, i have other things to do. what i will point out before leaving off however, is that the construction of normalcy comes in concert with a power system reifying relations between people and groups of people within a society or network as well as conventions for relating with one another within said networks. normalcy's changes can therefore come in a variety of ways, so long as they do not disrupt the underlying bedrock of relations. if things can change without changing fundamentally, the bedrock hasn't been touched, but simply the relations between people. the bedrock may have, in fact been strengthened.
normality represents an active calcification of relations and if we understand these relations to be built by both people and structures of people, we can understand that these ordered relationships must be able to persist through some form of distribution and maintenance of said distribution channels. accordingly, what im working through right here, is understanding normalcy and then considering ways to understand normalcy's production and existence. building on that, im pointing out the ways in which the normal can be changed, or its change can be identified as a substantial difference or an insubstantial difference.
substantial difference here considers a shift in the ways that structures of people are constructed, relate, and distribute relations in conjuction with people both in and outside of these structures. insubstantial difference changes the people within the structures without challenging the structures or logic of operation for the structures.
i was trying to avoid using the terms production and reproduction, as they are charged with marxist meaning, but i think that they quite accurately represent something which must occur in any society. i do think another phrase should be conceived but again, i presently have other plants to water. x
seen
men literally do not take criticism from anyone thats not a man or even ppl that aren't considered man enough. if clothing could build some of that legitimacy y wouldn't u use it to do so? i cant stand this perspective though. i have always wanted to eke out respect on my own merits, if u cant fw me dont. but then its a convoluted conversation abt working to be taken seriously so they can see u at all while knowing that if they cant see u, they dont deserve to. i am valuable, work and labour (me) does not depend on anyone's exchange value
Nikki Giovanni
I am so tired i can feel it in my throat. i am so tired and busy that I did not know she had passed till the day after.
I am not sad i think
i do not know how i feel so i write.
What do you say to someone who is gone. someone you never knew and never knew you.
it is only today that i fully recognize that i no longer look to be one with the mainstream as i have done so often in years past. no, today i know that my focus is, and more than ever follows my own interests. not my interests relative to the mainstream
i say this bc so many times, the zeitgeist is distinct from the mainstream, and sometimes I work towards the zeitgeist only in so much as i exist in the present, and so I build in connection to the now. Not to sell to them but perhaps to communicate with it.
more than that though i look to communicate w myself. like nikki, im working to be in tune w me.
i walk w God n me, n i oft lose sight of both, i rely not on me. but i think i do and have long mistaken myself in the mainstream.
in the same way few understand their social identity relative to class, i frequently confuse my own identity with the norms/
tdy i do not cry but i want to. i do not cry for nikki. i do not cry for her words which continue evermore. i do not cry that i shall never encounter her words anew.
see how i write all affected, in dialects not my own. im overly conscious yet again of her brilliance. its in my algorithim, in my feed, ofc its in my system now.
today at any rate i look to write. i work for the things which i still have to do. and another tribute will come, even if not here. this will stick ww me and in time perhaps ill figure out how and why
10 posts!
big yap strikes again!
words
are so powerful. i find things that i said or would repeat constantly years ago describe me potently today. so knowing that life and death are in the power of the tongue, i will choose my words more carefully. i still hope to be me, but like the doll, multilayered
i've been feeling the need to put something out for a while now. i initially thought it was an instagram post but i dont think thats it. no, i think i've been wanting to create - no - craft something. i have a paper in the works that i haven't taken the time to set deadlines and consider appropriately just what i need to do to make that a success. I will be doing that shortly.
the present is a time for accumulation. gou. and in this valley, i read, i watch, and i grow. so much knowledge is being absorbed and accumulated, and transformed, and all the same, I too am changing. its not entirely in the way I would like, and I need to take time to rectify that. but in many important ways i'm changing for the better, seeing things slightly clearer
that's not to say that my vision has expanded. no, the clarity of my vision is patchy seeing clearly in different arenas and seeing less so in others. i cant say i know what it is i really even want. im starting to learn what it is i need though. Jesus.
im looking to see what is good for me. im learning to appreciate moments in their original context and then applying the insights garnered from proper situation to my own life. i dont have all the facts and i may never. but im finding that isnt even all that important to me today either. i want to know what works for me.
im also realizing passivity is a mistake. things dont walk into ur lap, u go out and grab them. at the same time, discretion is imperative. not everything must be said. sometimes, its fine to have nothing/little to say. see more, do more, say less.
Consistency
getting something out today because i have been near wholly unproductive today. i will be getting a flip phone in the near future, as well as a job, an internship, and a degree. an acceptance offer as well. im busier than ever, and more so than at any other time. and yet i have time slowed down to the second. its not the end, but if it is, i got a few paths out, n its time to just do. i appreciate thecareful crafting of things, n i should tkae the time to do so. however ive long been reckless. n if i dont do things, i do nothing out of caution and planning. it doesnt work for me. i have to go out. i have to be.
but at the same time, just giving rein to myself wont take me anywhere. i need to gather the information, and make a decision. i have the ability to grasp it all n i just need to stretch
if i could develop my own look it would be lazy, not decadent, just sloth. i've been driven by my interests most of my life and fortunately its been transferrable, but i can be very disengaged when im not interested. im blessed enough to have studied enough to b considered smart, but as a person heavily informed by 2000s television n tropes, i have been intensely averse to the label of intelligence.
i'm over it now, but a lot of what I've done in the past and present have been attempts to downplay my intilligence and 1 way i've done this has been through careful negligence. I've loved to dress and act in ways that demonstrate nonchalance, when I do in fact care - immensely. but because of this, i've been hampered by this interest in what people think. if I didnt care, I'd do whatever my interests drove me to, but bc i did care, the focus is on demonstrating that i dont care, so this involves just missing the mark. almost making the look. a studied attempt to show that i am not interested. but then ofc i am, and i have to take steps to ensure that however bad it is, it isn't too bad. or needing to know how to nail the look so i can avoid it.
Along the way, i got the idea that dressing comfortable was the best way to show that i dont care. because ofc, if i'm cozy, i'm not taking further steps for you or anyone else. At the same time if i do take more movements, it means to u far more than it is. getting food from someone who always gives people food isn't usually recognized as special but when someone who never does it, all of a sudden it makes you feel far more than the action really meant.
i did a lot of things arbitrarily, there wasn't any sort of conscious intent when i did this. When I look back though i can prescribe what i was doing somewhat. again, all of this was complicated by my need to look unconcerned so that my intelligence was perceived as less of a threat or oddity. But ofc this was something I'd done for years, and so to a large degree I had acc become unconcerned, disaffected. The problem was that my concern with others perceptions even as i was insisting that i wasnt interested ensured that I had created a character I felt I had to remain faithful to.
i became worried about expanding beyond the character i had set for myself. being cozy in practice required the acquisition of specific items, items I didnt have the time/funds to buy. moreover, i wasnt looking accurately enough to find the items that would've met this niche, and as a result, i got caught in this trap where my style stagnated in person while my awareness of clothing and style exponentionally increased, I knew all these rules and ways of dressing, but I was continually unaware of how to define my character within these labels, nor did i have the tools to position myself effectively.
now, however, I have a bit more agency. And at the same time I've come to greatly appreciate the power of slothful dressing, bc I myself have also become very appreciative of rest for rest's sake. but ive also come to appreciate the power of smart magnetic clothing, doing for the sake of doing and achieving things you're interested in. as a person i consist of both elements at the same time. im very reserved but aware, and through this awareness, when I decide to engage i can become magnetic and compelling. Simultaneously I love to and frequently disengage to be my own person comfortably even within the midst of others. the other day someone told me I have deep sea tendencies, and ever since I've become, not enamoured, but intrigued by the idea and what it reveals.
Now that I'm conscious of it though, i am absolutely going to develop a style that reflects both elements of myself. my style has improved somewhat in recent times as I have been able to find and buy pieces i like, but again it has been largely limited by not really knowing my why or how. Now that i know what it is I'm interested in, if not conveying, being, future efforts at styling will reflect this duality. it makes a lot of sense now why some of my favourite or best outfits have worked tho, bc they have employed a blend of these traits.
i kind of want to immediately go and try to make this work now that i know what it is/was Im interested in and visualizing how it works. ill settle for looking through
#in formal