Ambient Tokens, Susan Hobbs Gallery, Toronto, 2025
AnasAbdin
YOU ARE THE REASON

blake kathryn
hello vonnie
Keni

Andulka
let's talk about Bridgerton tea, my ask is open
$LAYYYTER
Today's Document
will byers stan first human second

⁂

No title available
Cosmic Funnies
trying on a metaphor
TVSTRANGERTHINGS
almost home

Kiana Khansmith

❣ Chile in a Photography ❣

Discoholic 🪩
No title available

seen from Netherlands
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@zintaylor
Ambient Tokens, Susan Hobbs Gallery, Toronto, 2025
Four page xerox A4 of annotated list of music played at the After 8 Books launch of Lavender Glass (the music relates to what is mentioned within the text of the book), and a recipe for Lavender Lemonade that was served in a punch bowl.
A haze of influence choreographed into an arm (#5), 2011
Cut Flowers
studio shot
Susan Hobbs Gallery
September 6
Cut Flowers
Susan Hobbs Gallery, Toronto
September 6th, 2018
New book coming out.
It’s printed
It’s alive
Took 4 years to develop
Monographically located, a 5 day conversation between Dieter Roelstraete and I formed a structure for laying out the images of works that appear as they are being mentioned... talking the ideas into existence. Picks up where an article that Dieter wrote about me from 2011 stops off. Boy Vereecken did the design. Southern Alberta Art Gallery in Canada along with the The RBC art collection provided the baking, and MOUSSE did the publishing.
Full of little surprises.
an origin for stripes and dots.
proposing the fabric pattern of dots originated with approximating the fur from a dalmatian. things come from somewhere, no? And those things and that somewhere has a story. drawing with hand-made fabric.
CV & JAB — ZIN TAYLOR ‘Thoughts Of A Dot As It Travels A Surface’ Extract Technical 2018 10 tracks 43:00 min LP 33 rpm / 140grm vinyl Clear purple vinyl housed in reverse board-printed inner and double-width spine jacket. Comes with a 180cm leporello reproducing the original 9000cm wall drawing. First pressing of 700 copies on …
go buy this. or listen.
Working on wall drawings for the last few years, getting closer to the point where a more casual slide into a language can happen. One language to make another. The gesture of space and time articulated one way is now articulated in another.
Shimoda, Japan.
A day shooting with an old digital camera in black and white to make a photo book in a certain style (its like time traveling) while looping in references and image propositions that will transform into narratives of the hazy, maybe even psyche-like, kind.
The Attic (1 year later)
La Criée - Rennes, France
Installation images of a show in Brussels at the Independent. Presented with Supportico Lopez.
A button made for the vitrine at frac le plateau. a little summer project with a small xerox text published, a postcard, and a button to accompany the reclining hippy towel installed in the window. All three were given away free when you knocked on the office door during opening hours. In a way I wanted to simulate a very simple and intimidating situation that I’ve found myself in through the years. That moment when knocking on the door is the last thing you want to do, but by doing so a whole other avenue of narrative is opened up.
That’s a lot text for a button...
Installation of Lichen Voices (5 B/W photos, edition of 10) and Lichen Voices / Stripes and Dots (Video, Single Channel with audio, 12min approx), 2013 for both.
Belonging to a place, curated by Nicolaus Schafhausen
Scrap Metal Gallery, Toronto, Canada
June - September, 2017 (maybe longer...)
“The Units”
One of the installation images from the 2011 show at the Ursula Blickle Stiftung in Germany.
Growth on a Form (Snowman) drawing with Black Stool (White Lump). A copy of The Crystal Ship artist book sits on the stool for casual reading.
Reclining Hippy (Beach Towel)
180cm x 100cm
edition of 100
published by Westfaelischer Kunstverein, Munster 2017
not exactly all 10, as Tumblr restricts it... but a series of collages based as records covers for 10 albums I use to think with, have thought about, and that produce thoughts. 10 records, 10 void flower drawings. Framed within the space of a black dot/void/record-form. Published by CURA Magazine this past winter 2017.
plenty of images, curatorial text, and a transcription of the sound piece made for the exhibition