FERRIS BUELLER'S DAY OFF (1986)) dir. John Hughes

oozey mess

Love Begins
No title available
sheepfilms
The Stonewall Inn
Show & Tell
🩵 avery cochrane 🩵

Origami Around
No title available
untitled
Xuebing Du
Noah Kahan
Misplaced Lens Cap
cherry valley forever
★

No title available
Mike Driver

blake kathryn
Game of Thrones Daily

No title available

seen from Switzerland
seen from Portugal
seen from France

seen from Canada
seen from Congo - Brazzaville

seen from Germany
seen from United Kingdom
seen from United States

seen from Malaysia

seen from United States
seen from Brazil
seen from United States
seen from Bangladesh

seen from United States

seen from United States
seen from United States

seen from Argentina

seen from Malaysia

seen from United Kingdom

seen from Ukraine
@zombievonmorgen
FERRIS BUELLER'S DAY OFF (1986)) dir. John Hughes
GHOST OF YŌTEI — SCENERY ´ˎ˗
summer sketches 🌾
Noémie Goudal.
MERRY CHRISTMAS, MR. LAWRENCE (dir. Nagisa Ōshima, 1983) There are times when victory is very hard to take.
Resident Evil (2026) dir. Zach Cregger
Obsession 2026, dir. Curry Barker
I'm your freaky Nikki. OBSESSION (2025) dir. Curry Barker
DRAGON AGE: ORIGINS (2009) — developed by bioware.
"shepard"? how informal.
Luca Ponsato - Does Anyone See My Suffering
Rest in Peace, Tony.
I'll always remember your smile.
Anthony Head (1954-2026)
パラサイト・イヴ PARASITE EVE (PS1, 1998)
Morning Still Life , Moka Pot and Spider Plant - Catherine Hérbert , 2024.
Canadian , b. ?
Oil/ print
“Shadow and light are the most stable and perfect tools of creation: they unite colors, shapes, and dimensions,” says Moldovan artist Sergiu Ciochină, adding that “shadows move us through diversity, enhancing our perception, while light fills us with the joy of discovery.” In saturated hues, he captures dappled sunlight as it filters through the trees and the rich tones of the golden hour as it casts deep bluish-purple shade onto the sides of houses.
Taking cues from the Impressionists, Ciochină focuses on the nuances of light and its ability to reveal outlines and forms. He works in thick, impasto oil paint on board, emphasizing the shapes of windows, doors, and stoops and transforming otherwise ordinary buildings into compositions glowing with the patterns of foliage, architectural angles, and the texture of brushstrokes. “The symbiosis I create between nature and architecture is intended to evoke a love for space,” he says.
on Sergiu Ciochină
SCRUBS 3.21 • My Self-Examination
Don't forget me