"And perhaps it was because he still harbored a sense of latent affection for Murtagh, despite the grim circumstances that had turned them against each other."
"Their lives were inexorably intertwined."
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@zora-gate
"And perhaps it was because he still harbored a sense of latent affection for Murtagh, despite the grim circumstances that had turned them against each other."
"Their lives were inexorably intertwined."
It is so nice knowing that people still find eramur appealing
Murtagh is heading to Mount Arngor without having kissed a soul, and Eragon should be grateful for that
One of my favorite bits of characterization is how Murtagh projects onto Eragon.
When Eragon is sixteen, Murtagh explodes at him after rescuing him from Gil'ead:
The narration specifically describes the venom in Murtagh's voice, but the anger isn't really about Eragon. At this point in the story, Murtagh himself feels trapped with no way out: hunted by the Empire, unable to trust the Varden, convinced every path ends in death. He's overwhelmed by his own helplessness, and instead of confronting that, he redirects it toward the one person standing in front of him.
He's not criticizing Eragon so much as attacking the part of himself he can't stand. The irony is that Murtagh's accusation falls apart almost immediately when you compare their actual circumstances.
When Murtagh was seventeen (older than Eragon, with years of formal training under Tornac, better equipment, and far more combat experience) he nearly died fighting Urgals.
During a clash on a patrol, he becomes overwhelmed and later admits he would have died if Lord Varis and his men hadn't rescued him.
So the same person calling Eragon "totally helpless" had himself needed saving against a stronger opponent.
Meanwhile Eragon, at sixteen, is expected to survive encounters with Urgals, the Ra'zac, escape Gil'ead, and eventually fight the Shade Durza with far less experience.
The "weakness" Murtagh condemns in Eragon is something he has experienced and loathes about himself.
Even in his twenties, after everything he's survived, Murtagh is still forced to confront the same lesson. During the events of Murtagh, he nearly dies again.
During a boar hunt, he's left dazed, injured, and moments away from death before being rescued. Afterward, Bachel tells him:
It's a simple observation, but it cuts to the heart of Murtagh's character. For most of his life, he equates needing help with weakness. His pride convinces him that accepting assistance is failure, that asking Eragon for help would somehow diminish him.
Eragon becomes a reflection of the vulnerability Murtagh spends his life trying to hide from. It reminds me of this Holly Black quote:
A mirror is exactly what Eragon is for Murtagh, and he acknowledges this at the end of Eldest.
Eragon rejects the idea in the heat of the moment, but Murtagh is right. They're incredibly similar, but they respond differently and have different outlooks on life. The reason they clash at times is because they're forced to look at themselves through each other.
Which is why I love how Paolini pays this off at the end of Murtagh.
When Murtagh enters the scrying chamber to speak with Eragon, the first thing described is the mirror itself:
The description feels strangely personal: a lone mirror, human, imperfect. Not accepted by either dwarves or elves.
It's basically Murtagh.
Then Paolini has him stop and look at his own reflection before the conversation even begins.
Even Thorn is absent because the room is too small. Murtagh has no companion, no distraction, no shield. He's forced to stand alone and face himself.
Then the mirror changes, and Eragon's face appears exactly where Murtagh's reflection had been.
"...all-too-familiar." That wording is doing a lot of work.
Throughout the entire novel, Murtagh can't escape Eragon. He constantly compares himself to him, wonders what Eragon would do, hears stories about him, measures himself against him. So when Eragon finally appears, he occupies the exact place Murtagh's own reflection had been.
The mirror literally becomes another mirror.
At first, Murtagh approaches the conversation armored with resentment and defensiveness. He's prepared to be judged.
Instead, Eragon meets him with compassion, and Murtagh finally lets his guard down:
His posture softens, his emotional defenses crack. For perhaps the first time in the series, he willingly lets Eragon see him without the mask.
Later we're told:
That's the real difference between the Murtagh of Eragon and the Murtagh at the end of his own novel.
Back then, he projected and lashed out because he couldn't bear what he saw reflected back at him. Now he accepts responsibility. He doesn't make excuses or redirect his pain onto someone else.
And finally:
That line always gets me.
For years, Eragon functioned as the mirror Murtagh hated looking into because it reflected everything he feared about himself: weakness, vulnerability, loneliness, dependence.
But by the end of Murtagh, the mirror hasn't changed, but Murtagh has. Eragon accepts him without judgment, and in doing so, Murtagh is finally able to accept himself. The mirror meets its reflection and, for the first time, doesn't recoil.
Eragon and Murtagh would be that type of couple who would argue before, during and after sex
Eragon as always tried to do something heroic and ends up being hurt. Murtagh is worried about that idiot and Eragon is just happy to know that his brother still cares about him
Was Murtagh jealous when he found out that Eragon had new friends after he was "gone"? Eragon had Arya, Orik, Nasuada, while Murtagh had no one (except Thorn)
There was no one he could trust in Urûbaen
I know the fandom tends to default to Morzan not caring at all about Selena and only wanting to use her but I think their relationship is a million times more interesting if they actually genuinely and truly loved each other but that love couldn't get past Morzan's rage and hatred, his past traumas, and Galbatorix's control over him.
A Morzan who loved his wife more than anything, who wanted to love his sons, but by the time Selena and Murtagh enter his life, that life hasn't actually belonged to him in a very long time. He's stained by a century of blood and violence and cruelty, he's leashed to a man whose humanity died with his dragon, and Morzan's own wife and son are nothing but tools no matter what he may have wanted for them.
A Morzan who is only allowed a family, only allowed some semblance of happiness and joy, when that family serves Galbatorix. Selena as the Black Hand and Murtagh as a sacrificial lamb, raised to be whatever the king wants him to be. Neither of them are truly Morzan's because he doesn't have anything of his own anymore; everything he is and has belongs to Galbatorix.
Also Eragon is his son because it makes me happy.
"they're not gay" I don't know man, I read a masterfully written fanfic on A03 that says otherwise.
In relationship, Murtagh is always the first one to reach for Eragon, to take his hand in his own, to cuddle with him, to kiss him. He doesn't do it straightforward, but very cautiously, afraid that Eragon wouldn't want a touch in that moment
Eragon would instantly squeeze his hand, hug him tighter and continue kissing him until he leaves both of them breathless
Murtagh probably thinks that what he had with Eragon in book one was a situationship
I just think evil characters are a million times interesting when they're allowed to be something other than just evil.
I wonder, after Murtagh was born but before he was taken by Galbatorix's servants, if Morzan and Selena curled up together with Murtagh between them. Morzan tracing his infant son's cheeks, marveling at how for the first time in so many years he was able to create something good, feeling Murtagh's tiny heartbeat and thinking about when his dragon first hatched, before everything went wrong. Feeling secure for the first time in a long time, safe in their bed chambers with his wife healthy and sleeping next to him and their son secure in his arms, not knowing that that security would be ripped away in just a few hours with yet another painful remember that he sold his life away.
me: I ship them
friend: oh like romantically?
me: no. like cursed object passed between hands for centuries, they are cosmically linked, probably bonded by blood ritual, I think they’ve fought in a war together in at least three lifetimes, and their souls make direct eye contact every time they breathe in the same room
friend: so… romantically?
me: yeah. like. with kissing.
me: i love this ship because they understand each other on a level no one else does
also me: i love this ship because they misunderstand each other constantly and it’s causing irreparable damage to them and everyone around them
You know the ship is good when "Ma Meilleure Ennemie" by Stromae & Pomme perfectly fits them
“i never see you at the club” ok well i never see you on ao3 at 2am reading about the same two bitches falling in love for the 1000th time in the 500th way
people don’t enjoy shipping anymore. the point of shipping isn’t the catharsis of watching them kiss onscreen, it’s grabbing the characters and mashing their faces together like you’re five years old playing Barbie in your room again. it’s to take one moment of eye contact in canon and read that over and over and over again with twenty different writers’ interpretations of the characters internal monologues if they were in love. it’s to see the characters interact and cheer because you know that’s another moment to add to your list of canon compliant fic ideas. you’re stressing yourself out, this is supposed to be fun!