"FIRST TIME PAINTING" ROBERT RAUSCHENBERG // 1961 [oil, paper, fabric, sailcloth, plastic exhaust cap, alarm clock, sheet metal, adhesive tape, metal springs, wire, & string on canvas | 76 3/4 x 51 1/4 x 8 7/8"]

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Noah Kahan
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"FIRST TIME PAINTING" ROBERT RAUSCHENBERG // 1961 [oil, paper, fabric, sailcloth, plastic exhaust cap, alarm clock, sheet metal, adhesive tape, metal springs, wire, & string on canvas | 76 3/4 x 51 1/4 x 8 7/8"]
by Cy Twombly
Fabian Marcaccio (Argentinian, b. 1963), We are Not Going to Postpone the Wedding, 2005-06. Silicone and mixed media on canvas, 188 x 238.8 cm.
Christian Boltanski (1944-2021) [France] - Reliquaire, 1989. Cans, photographs in black and white boxes coated metal wire mesh, electric lamps and son clips, (235 x 95 x 46 cm).
Gil Joseph Wolman (1929-1995) [France] — ‘Untitled’, 1972. Fragments of paper torn off (with scotch tape) glued on aluminum sheet on wood (24,5 × 29,5 cm).
Gil Joseph Wolman (1929-1995) [France] — ‘Untitled’, 1972. Fragments of paper torn off (with scotch tape) glued on aluminum sheet on wood (27 x 23 cm).
Tom Friedman
Still Life, 2025
Acrylic on canvas, 40 × 50"
Louis Morlæ
Untitled (Déterritorialisation Y), 2025
DOKU, Lu Yang
DOKU the Creator – 独生独死 创造者 (2025)
PARCEL, Tokyo
Farshid Bazmandegan
Christian Boltanski (1944-2021) [France] - Monument, La Fête de Pourim, 1989. Folded clothes, stacked on a wood panel, black and white photograph, (275x80x15 cm).
Kikuo Saito (Japanese, 1939-2016), April Jump, 2004. Oil on canvas, 58 ¾ x 73 3/8 in.
Ajax Axe
Lydia Pettit
Entry Points, 2024
oil on canvas
Cajsa von Zeipel
Hojatul Islam
Kader Attia, “Reason’s Oxymorons,” 2015. Installation of cubicles and 18 films, durations variable, 13 to 25 min.
https://source.wustl.edu/2017/08/kader-attia-reasons-oxymorons/