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@1eveee87
All I wanna do is cuddle and kiss you all night long
“That was so beautiful!” She wiped a tear from her cheek. “What was that song?” I blinked. “It’s called tuning.” Fuji-kun, if he allows me to enter Bump of chicken’s practice room
ӍuʂȋȼѦ July ‘08 (7)
Part 7/15: Suimin Jikan
Next is “Suimin Jikan,” the acoustic coupling to “Only Lonely Glory” and what I consider to be an extremely personal song.
Fujiwara: This is from when my grandpa died and… It’s that kind of song. He was hospitalized for cancer. I went to go see him and when we were alone in his room – he was on a lot of morphine as a pain killer and his articulation wasn’t that good, but he could keep a conversation going just fine.
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Happy Getting-older-day, Hide-san! Keep rocking that drum~ ( ≧ω≦)ノ*:・゚✧
再
2016/7/17
エノコログサ(猫じゃらし)
夏から秋にかけてつける花穂が、犬の尾に似ていることから、犬っころ草(いぬっころくさ)が転じてエノコログサという呼称になったとされる。
ネコジャラシ(猫じゃらし)の俗称は、花穂を猫の視界で振ると、猫がじゃれつくことから。
ӍuʂȋȼѦ July ‘08 (3)
Part 3/15: Bye Bye Thank You
You made this song for a friend who went to Belgium?
Fujiwara: Yes, I did.
Can you talk about the specifics?
Fujiwara: I wrote it about five years before “Tentai Kansoku.” In 1996, maybe…
At what age?
Fujiwara: 17 or 18, I think. It was for someone who looked out for me in high school… I say high school, but it was only for a brief time (laughs). An upperclassman looked out for me, and when he found out he was going abroad to study, he asked me to write a song for him… That’s all I remember.
What were your thoughts when you wrote it?
Fujiwara: … I don’t remember.
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「present from you」より『プレゼント』 気分が落ちている時に元気をもらえる曲の一つ。 特に「嫌いだ 全部 好きなのに」っていう歌詞が好きです。 ただ、「嫌いだ、全部好きなのに」なのか、「嫌いだ、全部好きなのに」なのか未だにわかってない。個人的には後者かなあ。
ӍuʂȋȼѦ July ‘08
Present From You
Credit: Shikappe
Part 1/15: Introduction
Firstly, the jacket. It’s pure white (laughs). It’s a cliché saying, but I feel as if you’ve given a great gift to music with this collection. The warmth and gentleness so characteristic of your music is very well represented here.
Fujiwara Motoo (V&G): This is the second time we’ve been interviewed about the release of the album, but the last time we weren’t able to reflect on it. What I mean by that is that since we hadn’t started the mastering process, we didn’t have any way to listen to all the songs in the order they were going to be in. If we had a mastered version we could listen whenever we wanted, but we didn’t have the chance. We saw the song titles written down on paper. We had seen them written on paper, but we had a hard time imagining what it would be like. That’s why we couldn’t say what the album was like in that last interview. Only Chama had any sort of idea – he lined up the previous recordings of the songs in the same order as the album and listened to that – but that’s still too different from the finished product.
Naoi Yoshifumi (B): Yeah, completely different.
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