Sally Wen Mao, from "The Mongolian Cow Sour Yogurt Super Voice Girl", Oculus
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Sally Wen Mao, from "The Mongolian Cow Sour Yogurt Super Voice Girl", Oculus
Spontaneous Prose Exercise #1
neon green buzzing, vulgar speech censored
rainbow asphalt puddle concurs in heavy distortion
how many bills do you have to spend tonight?
how many left to be settled?
red and white parking tickets, vague justification
where is the outlet to gain and not be drained?
certainly not in the curb-cut drain clogged with leaves
cigarette butts long enough to pick up and finish
broke and fighting, viced and pining...
let me save you some time:
there does not exist a green and purple island no matter how far East you search!
bodies of water are brown up close and
the paper mill makes the mountain town smell like poison
the clouds overhead are of the invasive species
that are known to smother the sun
so return and find something to be glad about
downtown centre-ville, try to focus on the amusement park
doesn't the roller coaster look fun?
the stomach churn is part of the experience
vomit if you need then get your oil changed
the potholes won't hit themselves
and remember
you really do live here now.
so keep your head, keep your words
watch your mouth
Voyeurist Lament
Thursday, Feb 13
The neighbors got curtains.
(28/365)
The Lives of Girls and Women
Some passages that stood out to me
"...the thought og being naked, stabbed me with shame in the pit of my stomach." (41)
"Being dead, it invited desecration. I wanted to poke it, trample it, pee on it, anything to punish it, to show what contempt I had for its being dead." (43)
"The active verb confused me. He died. It sounded like something he willed to do, chose to do. As if he said, "Now I'll die." In that case it could not be so final. Yet I knew it was." (44)
"Being forgiven creates a peculiar shame." (55)
"They were talking to somebody who believed that the only duty of a writer is to produce a masterpiece." (59)
"I thought of them watching the manuscript leave their house in its padlocked box and I felt remorse, that kind of remorse which has on its other side a brutal, unblemished satisfaction." (60)
" "You want to hide your brains under a bushel out of pure perversity but that's not my lookout," she said. "You just do as you please." " (64)
"...scenes from the past were liable to pop up at any time, like lantern slides, against the cluttered fabric of the present." (70)
"Other people than Aunt Elspeth and Auntie Grace would say to me, "I seen that letter of your mother's in the paper," and I would feel how contemptuous, how superior and silent and enviable they were, those people who all their lives could stay still, with no need to do or say anything remarkable." (77)
"I floated beside him in his big cream and chocolate clean-smelling car, ..." (80)
"I thought she was an idiot, and yet I frantically admired her, was grateful for every little colourless pebble of a word she dropped." (82)
"The question of whether God existed or not never came up in church." (91)
"The idea of God did not connect for me with any idea of being good, which is perhaps odd, considering all about sins and wickedness that I did listen to. I believed in being saved by faith alone, by some great grab of the soul, But did I really, did I really want it to happen to me? Yes and no. I wanted it to happen, but I saw it would have to be a secret. How could I go on living with my Mother and Father and Fern Dogherty and my friend Naomi and everybody in Jubilee otherwise?" (95)
"I was happy in the Library. Walls of printed pages, evidence of so many created worlds, this was a comfort to me. It was the opposite with Naomi; so many books weighed on her, making her feel oppressed and suspicious." (111)
"I was always betraying someone or somebody; it seemed the only way to get along." (112)
"His presence was essential but blurred; in the corner of my daydream he was featureless but powerful, humming away electricity like a blue fluorescent light." (145)
"And this was what I expected sexual communication to be like - a flash of insanity, a dreamlike, ruthless, contemptuous breakthrough in a world of decent appearances." (152)
" "Oh, I wasn't in danger of marriage." "You had your singing. You had your interest in life." "I was just usually having too good a time. I knew enough about marriage to know that's when your good times stop." "(161)
"..."There is a change coming in the lives of girls and women. Yes. But it is up to us to make it come. All women have had up till now has been their connection with men. All we have had. No more lives of our own, really, than domestic animals." " (164)
" "...Once you make the mistake of being - distracted, over a man, your life will never be your own. You will get the burden, a woman always does." (165)
"Well groomed girls frightened me to death. I didn't like to even go near them... Nor would be coarseness ever be translated into their fineness; it was too late, the difference lay too deep for that." (167)
"...I was shaken, imagining the other surrender, more tempting, more gorgeous even than the surrender to sex - the hero's, the patriot's, Carmen's surrender to the final importance of gesture, image, self-created self." (171)
"I liked the word mistress, a full-skirted word, with some ceremony about it; a mistress should not be too slim." (172)
"Men and boys hung around the steps. I could not see their faces, and did not look. I just saw their cigarettes or belt buckles or bottles glinting in the dark." (174)
"I felt happy. I was no longer responsible for anything. I am drunk, I thought." (177)
"I found the bathroom and used it without closing the door, later remembering." (179)
" "You think you're too good for anything. Any of us." "I don't!"... I felt amazement, not that I was fighting with Garnet but that anybody could have made such a mistake, to think he had real power over me. I was too amazed to be angry, I forgot to be frightened, it seemed to me impossible that he should not understand that all the powers I granted him were in play, that he himself was - in play, that I meant to keep him sewed up in his golden lover's skin forever, even if five minutes before I had talked about marrying him. ... I opened my mouth to say whatever would make it clear to him, and I saw that he knew it already; this was what he knew, that I had somehow met his good offerings with my deceitful offerings, whether I knew it or not, matched my complexity and play-acting to his true intent." (222)
"If we had been older we would certainly have hung on, haggled over the price of reconciliation, explained and justified and perhaps forgiven, and carried this into the future with us, ... We had seen in each other what we could not bear, and we had no idea that people do see that, and go on, and hate and fight and try to kill each other, carious ways, then love some more." (223-224)
"I turned around, went back into the hall to look in the dim mirror at my twisted wet face. Without diminishment of pain I observed myself; I was amazed to think that the person suffering was me, for it was not me at all; I was watching. I was watching, I was suffering." (225)
"I opened up it up at the want ads, and got a pencil, so I could circle any job that seemed possible. I made myself understand what I was reading, and after some time I felt a mild, sensible gratitude for these printed words, these strange possibilities. Cities existed; telephone operators were wanted; the future could be furnished without love or scholarships. Now at last without fantasies or self-deception, cut off from the mistakes and confusion of the past, grave and simple, carrying a small suitcase, getting on a bus, like girls in movies leaving home, convents, lovers, I supposed I would get started on my real life.
Garnet French, Garnet French, Garnet French.
Real Life." (226)
"People's wishes, and their offerings, were what I took then naturally, a bit distractedly, as if they were never anything more than my due. "Yes," I said, instead of thank-you." (237)
Speaking of Valentine's Day. I'm doing one zine a month this year (aiming to). This counts as my poem today. I'm way behind.
(27/365)
How to know when you should do something is when you're sure you can absorb the failure of it.
(26/365)
Concerning that prayer i cannot make by Jane Mead
(25/365 , I have fallen very far behind in my daily writing. So I am including sharing poems I have not written but am very inspired by as well. I can change the rule because this is my resolution. Also no one reads any of my writing so it doesn't matter regardless)
St. Valentine's Always Bragging
Lyrics to a song I wrote today
wipe the grit from the sill, hear the holy man regale voice in shards, he signs the will cues the lifting of the veil
darkened gardens he ignites no one has to know but God he sighs
a radical romantic, or so the girls all say
but he looks pretty fed up at the end of the day
he's a saint in the making never slipping up he breaks away and breaks down falling praying God to ease the path he's taking
comes back bragging faith instated knows the greatest things are only great at all from afar
a radical romantic, or so the girls all say
but he looks pretty fed up at the end of the day
Back at home in evening dim he sheds the linen robes again he cuts the vellum, lays the ink has some wine it helps him think
Soon he's wand'ring back through town note in hand he lays it down prays to God that she don't live there anymore prays to God that she don't live there anymore prays to God just not to feel this anymore
he looks pretty fed up at the end of the day
he looks pretty fed up at the end of the day
(24/365, I have fallen a week behind, but will catch up when I am feeling more inspired. The song containing these lyrics will appear on an album I hope to be putting out soon. I will link it when it's available.)
Mouthful
If you do feel fearful
to reach within each interval
and tear through, carefully,
the shared sacred centerfold
it's not to be hampered or dampened
by teachers' notes, doctors' notes,
music notes. Let them ring.
Retreat.
Tomorrow,
tomorrow exists for what else?
To try again.
(Poem 23/365 also)
Today I bid farewell to the turkey vultures.
Told them they'd have another crack at me
someday.
Same place,
I told them, same time.
Nothing,
nothing else
will be the same.
(23/365 , found this in one of my postcard collections. A poem written last summer that I maybe planned on sending but didn't. If you want it lmk and I'll mail it to you. Already have the stamps and everything.)
Relative_to_the_
The brighter bulb casts the darker shadow.
The vacuum whirr conceals bedroom sobs.
The frozen toes out-pain the mittened hands.
The celebrity overdose outweighs the faceless thousands.
Your presence in the world to that in your mind.
(19/365)
Struggle Meal
Wait in knee-high socks for the pot to boil over.
Plant another kiss on my forehead and don't hold the spit.
If there's one thing I know, it's the presence of water
in everything.
Can't ever get dry.
Can't seem to get warm.
(18/365 , couple lazy notes app poems bc I'm a few days behind)
Critic I Don't Have to Please
Alright then, mark my grade in your permanent red ink.
I'll pick my teeth with your B minus. Spit beside your feet.
I'll write one back to you. B+ blood type for real.
Is there not enough talent to go around?
Where is this genius you so often speak of?
In the simplicity, complicity or intricacy?
The contradictory and grandiosity or viscosity?
Something as transient as art,
can only be designated by a plus or minus, it seems.
Group it to disregard or praise it on a pedestal.
Show me your rubric, lend me the dictionary of terms
as you use them.
Your adjectives still escape me.
All of it still, escapes me.
(16/365)
Thoughts During a Free Jazz Music Program
Am I pissing my pants or not right now?
It sounds like the music is in pain.
There needs to be a payoff for the audience investment.
Where is the throughline? Any recurring ideas? Any development?
Y'all did not need to bring that many instruments to play three notes on each.
The trombonist did not need to bring both a tenor and bass trombone.
More instruments/stranger instruments does not make it a more interesting performance (for me as an audience member).
Even one of the musicians was surprised we stayed for the whole thing.
You know what would sound better than this? Something beautiful.
WHY NOT HAVE tonal or rhythmic grounding SOMEWHERE?? Why does it have to be atonal and chaotic at all times?
As an audience member, it wasn't satisfying. Is it satisfying for the musicians?
If nothing can be "wrong" there are no risks or stakes for the performance
(15/365 , I watched three free jazz sets this evening and these are real reflections that arose during/afterwards. I like experimental music but this just made me upset. I'm counting this as today's poem. If free jazz can be music this can be poetry!
A Dream About a Bear
I had the strangest dream last night
I wish you could have seen
There was this wall of windows
Living room like in the magazines
And your voice calling me
your voice was calling me
it said "follow me"
My memory's rough and gone these days
I'm constantly mad
Oh, but last night things felt the way they did
before shit all got bad
You saw the best of me
You always saw the best in me
Do you want the rest of me?
(13/365 , I tried to write a poem about a dream I had but it kind of turned into lyrics. Ew I don't like calling my words lyrics. They're just words I wrote and they don't sound good unless they are pitched and timed in a certain way. As a written poem they're ugly. Lyrics are all so ugly. This is not true. Okay then should I keep this in yes okay. Will come back to edit this. Goodnight. )
Tin Can String Band
[No you can't. Oh yes, I can.]
Hey Baby, there's a big wheel turning
and the lugnuts are twisting loose.
Hey Baby, why don't we hit a pothole for fun
see if we can catch some air? You ever flew?
Hey Baby, I had a dream last night we were Swans
me shadowing your upwash, your downwash lifting me.
Hey Baby, I thought of a few new words
I'll write 'em for you since it's not safe for us to speak.
Hey Baby, I don't mind a secret shared.
Hey Baby, sorry I still care.
Hey Baby, go ahead and write me off.
Hey Baby, you're my favorite puzzle I never solved.
(12/365 , getting ahead when I can)
for those who squeeze
God gave me a melodica tonight
came in a peeling red cardboard box
a Real song alongside it folded into a kite
my air was as deep and dark as the ocean
exhales clearing powder-snow off branches
a heartbeat stomping out the last notes
in early morning of january eleventh
generous day of new beginnings
I had not been forgotten this time around
(1111/365)