John Brosio (American, b. 1968, Pasadena, CA, USA) - Night Hunt II, 2018, Paintings: Oil on Canvas
Cosmic Funnies
Show & Tell

Andulka
I'd rather be in outer space đ¸

Origami Around
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
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Product Placement
NASA

pixel skylines

Jar Jar Binks Fan Club
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
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romaâ
Stranger Things
"I'm Dorothy Gale from Kansas"
No title available

ellievsbear

seen from TĂźrkiye

seen from Czechia

seen from United States
seen from United Kingdom

seen from Venezuela

seen from North Macedonia
seen from Chile

seen from United States

seen from United States
seen from Bangladesh

seen from Germany
seen from Venezuela
seen from Venezuela
seen from Venezuela
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seen from Austria
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seen from United States

seen from United States
@4ndrogynish
John Brosio (American, b. 1968, Pasadena, CA, USA) - Night Hunt II, 2018, Paintings: Oil on Canvas
Courtney Love talking about the meaning behind her band name, Hole
a bad dream?
The first one is my favorite piece of art ever created and its taken me half a decade to find it
Neil Josten has the same constant stress level as that fuck ass squirrel from Ice Age
sorry i was passionate & intense & insane. it will happen again
This post legitimately knocked me out of a doomscroll. Had to put down my phone and everything and stare at a wall.
I really do regret my inaction the most. Every time. All of my future problems are always caused by things I failed to do in the present. And every time, I get so mad at past Me for not even trying because Iâm so afraid to fail.
Like. Damn. Didnât expect pixel art of some planets to hit me so hard.
BACK FROM BEYOND
because fuck meta we have deleted *everything*
From Anthony Bourdain:
Americans love Mexican food. We consume nachos, tacos, burritos, tortas, enchiladas, tamales and anything resembling Mexican in enormous quantities. We love Mexican beverages, happily knocking back huge amounts of tequila, mezcal, and Mexican beer every year. We love Mexican peopleâwe sure employ a lot of them.
Despite our ridiculously hypocritical attitudes towards immigration, we demand that Mexicans cook a large percentage of the food we eat, grow the ingredients we need to make that food, clean our houses, mow our lawns, wash our dishes, and look after our children.
As any chef will tell you, our entire service economyâthe restaurant business as we know itâin most American cities, would collapse overnight without Mexican workers. Some, of course, like to claim that Mexicans are âstealing American jobs.â
But in two decades as a chef and employer, I never had ONE American kid walk in my door and apply for a dishwashing job, a porterâs positionâor even a job as a prep cook. Mexicans do much of the work in this country that Americans, probably, simply wonât do.
We love Mexican drugs. Maybe not you personally, but âweâ, as a nation, certainly consume titanic amounts of themâand go to extraordinary lengths and expense to acquire them. We love Mexican music, Mexican beaches, Mexican architecture, interior design, Mexican films.
So, why donât we love Mexico?
We throw up our hands and shrug at what happens and what is happening just across the border. Maybe we are embarrassed. Mexico, after all, has always been there for us, to service our darkest needs and desires.
Whether itâs dress up like fools and get passed-out drunk and sunburned on spring break in Cancun, throw pesos at strippers in Tijuana, or get toasted on Mexican drugs, we are seldom on our best behavior in Mexico. They have seen many of us at our worst. They know our darkest desires.
In the service of our appetites, we spend billions and billions of dollars each year on Mexican drugsâwhile at the same time spending billions and billions more trying to prevent those drugs from reaching us.
The effect on our society is everywhere to be seen. Whether itâs kids nodding off and overdosing in small town Vermont, gang violence in L.A., burned out neighborhoods in Detroitâitâs there to see.
What we donât see, however, havenât really noticed, and donât seem to much care about, is the 80,000 dead in Mexico, just in the past few yearsâmostly innocent victims. Eighty thousand families whoâve been touched directly by the so-called âWar On Drugsâ.
Mexico. Our brother from another mother. A country, with whom, like it or not, we are inexorably, deeply involved, in a close but often uncomfortable embrace.
Look at it. Itâs beautiful. It has some of the most ravishingly beautiful beaches on earth. Mountains, desert, jungle. Beautiful colonial architecture, a tragic, elegant, violent, ludicrous, heroic, lamentable, heartbreaking history. Mexican wine country rivals Tuscany for gorgeousness.
It's archeological sitesâthe remnants of great empires, unrivaled anywhere. And as much as we think we know and love it, we have barely scratched the surface of what Mexican food really is. It is NOT melted cheese over tortilla chips. It is not simple, or easy. It is not simply âbro foodâ at halftime.
It is in fact, oldâolder even than the great cuisines of Europe, and often deeply complex, refined, subtle, and sophisticated. A true mole sauce, for instance, can take DAYS to make, a balance of freshly (always fresh) ingredients painstakingly prepared by hand. It could be, should be, one of the most exciting cuisines on the planet, if we paid attention.
The old school cooks of Oaxaca make some of the more difficult and nuanced sauces in gastronomy. And some of the new generationâmany of whom have trained in the kitchens of America and Europeâhave returned home to take Mexican food to new and thrilling heights.
Itâs a country I feel particularly attached to and grateful for. In nearly 30 years of cooking professionally, just about every time I walked into a new kitchen, it was a Mexican guy who looked after me, had my back, showed me what was what, and was thereâand on the caseâwhen the cooks like me, with backgrounds like mine, ran away to go skiing or surfing or simply flaked. I have been fortunate to track where some of those cooks come from, to go back home with them.
To small towns populated mostly by womenâwhere in the evening, families gather at the townâs phone kiosk, waiting for calls from their husbands, sons and brothers who have left to work in our kitchens in the cities of the North.
I have been fortunate enough to see where that affinity for cooking comes from, to experience moms and grandmothers preparing many delicious things, with pride and real love, passing that food made by hand from their hands to mine.
In years of making television in Mexico, itâs one of the places we, as a crew, are happiest when the dayâs work is over. Weâll gather around a street stall and order soft tacos with fresh, bright, delicious salsas, drink cold Mexican beer, sip smoky mezcals, and listen with moist eyes to sentimental songs from street musicians. We will look around and remark, for the hundredth time, what an extraordinary place this is.
Bestever Lying Down Plush Bear
the raven boys / the dream thieves
bonus:
Snowbaz about houses in America
Simon: it seems a bit greedy, doesn't it? Just to take up as much space as you can?
Baz: they're not that far apart
Simon: not to you; you grew up in a mansion
Baz: I grew up at the top of a tower, with you.
The cover of the Chinese version of Carry On
Basilton Grimm-Bitch.
Yeah Simon, keep telling yourself that.
Full illustrations
Simon and Penny on the bleachers
Baz Pitch on the pitch (haha. really funny.)
I actually tried to do background ;-; Also that's my first time drawing Penny (FINALLY), and I enjoyed it so much! (Sheâs so done with him x))
@rainbowrowell was this intentional ??? did you name our beloved basilton after the enemies to lovers of plants or is this pure coincidence ??