
shark vs the universe
"I'm Dorothy Gale from Kansas"
2025 on Tumblr: Trends That Defined the Year
Jules of Nature
Lint Roller? I Barely Know Her

JBB: An Artblog!
One Nice Bug Per Day

tannertan36

⁂
trying on a metaphor

Product Placement

izzy's playlists!
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blake kathryn

Discoholic 🪩
occasionally subtle
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Janaina Medeiros
Not today Justin
sheepfilms

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@61cherry
vintage nursing photobooks, 1981
Ján Cifra - Bratislava
Bruce Rae
Still Life
Once you start noticing how the incapacity to handle discomfort affects how people live their lives it's actually pretty shocking how it ruins pretty much every conceivable aspect of existence. Interpersonal relationships, romantic and platonic. Career and education opportunities. Your politics Your willingness to go anywhere. The kind of food you eat. The kind of art you expose yourself to and your ability to read it. It's never just one thing, it touches everything, and once you notice it it's like suddenly being able to see germs or something. Just this horrific catastrophe people look at you askance for screaming about. As I grow older and see what became of my friends and peers who could not learn to handle discomfort, the more I'm like. This is a genuine societal issue
Hiroshi Sugimoto. Paramount, Oakland, 1992
Rose Espinosa, Little Silver, 2018, oil on board
René Lalique Serpent Pectoral Pendant designed around 1899.
“Canarina’s Gaze” by René Lalique, 1928.
Pictures I took of a burning building at midnight years ago
"I am your half”
Antique pendant of Adam and Eve
【Rippi/リッピ】
fuzzy bugs series
w140×h130xd90mm
@shiba0607
“Black Snake” (2002) ∿ William E. Nutt ◆ Polished marble, raw limestone
Radiography, x-ray therapeutics and radium therapy, 1916
Sandrine Pelletier, White snake (2007), created using lace making techniques
Caryatid Mirror with Aphrodite
Greek (Artist)
ca. 460 BC (Classical)
bronze
(Ancient Greece)
A graceful female figure serves as a "caryatid," or human support, for a mirror. The figure's pose, demure gestures, and simple drapery characterize the quiet elegance of the Early Classical style. The presence of the winged Eros figures (representing the god of love) above suggests that the maiden is a bride or perhaps Aphrodite herself. The siren at the top of the disk recalls the irresistible allure of these mythical bird-women.