Reg Cartwright (British b.1938), Viaduct, 1992, Oil on board - This is the Pontcysyllte Aqueduct in Trevor, Wales.
Today's Document

titsay

❣ Chile in a Photography ❣
Misplaced Lens Cap
Peter Solarz
d e v o n
PUT YOUR BEARD IN MY MOUTH

Origami Around
Lint Roller? I Barely Know Her

shark vs the universe
trying on a metaphor
"I'm Dorothy Gale from Kansas"
Aqua Utopia|海の底で記憶を紡ぐ
Jules of Nature

Kaledo Art

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noise dept.
Sade Olutola
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will byers stan first human second
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@71-82-89-98
Reg Cartwright (British b.1938), Viaduct, 1992, Oil on board - This is the Pontcysyllte Aqueduct in Trevor, Wales.
SLEEPING BEAUTY 1959, dir. Clyde Geronimi, Eric Larson, Wolfgang Reitherman, Les Clark
“If you hesitate between me and another person don’t choose me.”
— Unknown
i’m very self aware. which unfortunately hasn’t solved anything
At Toba aquarium in Japan, after closing time, some clever little otter pups help their grandpa tidy up their toys. As a reward, he gives them ice cubes
literally in tears at this video....such good helpers......
leoreturns:
I have been waiting all year to post this.
omg
This has been in my queue for months.
If I was a knight would you let me swear oaths to you be honest
Pleaaase bro just let me be your blade
All this discourse over who does "painting with light"
Hiroshi Nagai's paintings need sunglasses to look at.
They look like how it feels to walk across a parking lot on a 98° summer day without a speck of shade in sight.
They look like heaven but also like you'd burn your bare feet on the ground.
Even when you can see shade you know it's not enough and the minute you step out you'll be burnt to a crisp like a vampire.
And it's BEAUTIFUL
I'll throw in the wonderful Eizin Suzuki into this ring too, a man whose work just breathes light without actually using dynamic lighting in the usual way. It's no surprise both Nagai and Suzuki are both considered prolific in art pertaining to the city pop genre because they're able to paint these kinds of scenes with a delicate touch.
This feels like I could trip on that radio and fall right into that water, feeling the crystal waves as I drop in.
And this, a nice stroll down a resort strip, where my sunscreened skin could literally feel cooked if I leaned too close to the tiling.
And then a nice stretch of summer street, wherein you could see your face in the flushed red of that car provided it didn't blind you from its sunny reflections.
I don't think I even need to say anything more, Suzuki's a massive influence in how he even places colours so warmly in such unorthodox manner. It's a naturally sunkissed talent~ 🌊
ohh so scaryyy!!
She's so pretty ToT
Claudia Cardinale as Maria Grazia in Il Magnifico Cornuto (1964)