“you’re so polite!” thanks, I am afraid of you.
noise dept.
$LAYYYTER
todays bird
we're not kids anymore.

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ojovivo
Sade Olutola
Alisa U Zemlji Chuda
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"I'm Dorothy Gale from Kansas"
Aqua Utopia|海の底で記憶を紡ぐ

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hello vonnie

oozey mess
TVSTRANGERTHINGS

izzy's playlists!
Misplaced Lens Cap
NASA
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@a-penitent
“you’re so polite!” thanks, I am afraid of you.
“Blackness isn’t black. It is the last degree of reds. The secret blood of reds.”
— Hélène Cixous, from Stigmata; Reading in Painting. (via xshayarsha)
my favourite thing about the story of hades and persephone is that the story grew up with us.
i think most of us, when we were young girls ourselves, heard that first, most tragic version of the story: persephone, the innocent child of spring, who wandered into a dark, terrible place, and ate of a cursed garden. hades, meanwhile, was cast as a shadowy, grasping seducer, looming from the darkness: here he stood, the god of riches, of gemstones and bones, of cold, dead things, who wanted to snatch a little bit of sunlight for himself.
and then came the second version of the story, when we were older, not so much a change in narrative as it was of perspective: we heard about zeus raping leta, we read the way medusa was cursed for being raped by poseidon, we read about athena’s jealousy when she was outwoven by arachne, about hera tossing little hephaestus down a cliff because he wasn’t as beautiful as a god ought to be.
once more, we considered hades: the youngest of the trinity, free of spite and hatred and fits of rage, running an empire greater than his brothers’ together, with little ego and quiet efficiency. a god who only took one wife, only loved once, and then too: wholly, completely.
like something not out of a horror movie, but perhaps, indeed, a fairytale.
then the third turn, when we had grown older, acquired a veneer of cynicism, suffered boys who never grew to men, when we realized that the only way our sexuality would not be annexed was if we conquered it ourselves.
then came kore, the woman of spring, who found in hades a quiet, dark refuge, away from demeter’s wrath and hungry possession, away from the squabbles of those tiresome, reckless gods. the girl who fell in love with darkness. the goddess whose spirit was of renewal and rebirth, and still flourished in the heart of the underworld, the duality of her nature only serving to highlight her strength.
hades remained as he ever was, unchanging, like death itself. but persephone grew, acquired facets and beauty in her change, spring given form in metaphor and mythology.
hades and persephone grew with us. that’s why they’re powerful. that’s why they’re loved.
postcards say IM HERE. IM HERE AND I LOVE YOU. IN THIS SPACE AND TIME AND WHEREVER AND WHENEVER YOU ARE. THERE IS A SPACE BETWEEN THOSE SPACES THAT CONNECTS US AND ITS FULL OF LOVE. I’LL MEET YOU THERE.
same energy
Chelsea Wolfe, from Birth Of Violence; “Birth of Violence,” released c. 2019
“Only after having loved does one know the depth of love. You can never write my poems, I can never dream your dreams.”
— Hu Shih, from “Dream and Poetry,” written c. December 1920
“If you love me, you don’t love me in a way I understand.”
— Richard Siken, from Wishbone; Crush, 2005
“To whom do I owe the biggest apology? No one’s been crueler than I’ve been to me.”
— Alanis Morissette, Sorry to Myself
An old and homely grandmother accidentally summons a demon. She mistakes him for her gothic-phase teenage grandson and takes care of him. The demon decides to stay at his new home.
It isn’t uncommon for this particular demon to be summoned—from exhausting Halloween party pranks in abandoned barns to more legitimate (more exhausting) ceremonies in forests—but it has to admit, this is the first time it’s been called forth from its realm into a claustrophobic living room bathed in the dull orange-pink glow of old glass lamps and a multitude of wide-eyed, creepy antique porcelain dolls that could give Chucky a run for his money with all of their silent, seething stares combined. Accompanying those oddities are tea cup and saucer sets on shelves atop frilly doilies crocheted with the utmost care, and cross-stitched, colorful ‘Home Sweet Home’s hung across the wood-paneled walls.
It’s a mistake—a wrong number, per se. No witch it’s ever known has lived in such an, ah, dated, home. Furthermore, no practitioner that ever summoned it has been absent, as if they’d up and ding-dong ditched it. No, it didn’t work that way. Not at all. Not if they want to survive the encounter.
It hears the clinking of movement in the room adjacent—the kitchen, going by the pungent, bitter scent of cooled coffee and soggy, sweet sponge cakes, but more jarring is the smell of blood. It moves—feels something slip beneath its clawed foot as it does, and sees a crocheted blanket of whites and greys and deep black yarn, wound intricately, perfectly, into a summoning circle. Its summoning circle. There is a small splash of bright scarlet and sharp, jagged bits of a broken curio scattered on top, as if someone had dropped it, attempted to pick it up the pieces and pricked their finger. It would explain the blood. And it would explain the demon being brought into this strange place.
As it connects these pieces in its mind, the inhabitant of the house rounds the corner and exits the kitchen, holding a damp, white dish towel close to her hand and fumbling with the beaded bifocals hanging from her neck by a crocheted lanyard before stopping dead in her tracks.
Now, to be fair, the demon wouldn’t ordinarily second guess being face-to-face with a hunchbacked crone with a beaked nose, beady eyes and a peculiar lack of teeth, or a spidery shawl and ankle-length black dress, but there is definitely something amiss here. Especially when the old biddy lets her spectacles fall slack on her bosom and erupts into a wide, toothy (toothless) grin, eyes squinting and crinkling from the sheer effort of it.
“Todd! Todd, dear, I didn’t know you were visiting this year! You didn’t call, you didn’t write—but, oh, I’m so happy you’re here, dear! Would it have been too much to ask you to ring the doorbell? I almost had a heart attack. And don’t worry about the blood, here—I had an accident. My favorite figure toppled off of the table and cleanup didn’t go as expected. But I seem to recall you are quite into the bloodshed and ‘edgy’ stuff these days, so I don’t suppose you mind.” She releases a hearty, kind laugh, but it isn’t mocking, it’s sweet. Grandmotherly. The demon is by no means sentimental or maudlin, but the kindness, the familiarity, the genuine fondness, does pull a few dusty old nostalgic heartstrings. “Imagine if it leaves a scar! It’d be a bit ‘badass,’ as you teenagers say, wouldn’t it?”
She is as blind as a bat without her glasses, it would appear, because the demon is by no means a ‘Todd’ or a human at all, though humanoid, shrouded in sleek, black skin and hard spikes and sharp claws. But the demon humors her, if only because it had been caught off guard.
The old woman smiles still, before turning on her heel and shuffling into the hallway with a stiff gait revealing a poor hip. “Be a dear and make some more coffee, would you please? I’ll be back in a jiffy.”
Yes, this is most definitely a mistake. One for the record books, for certain. For late-night trips to bars and conversations with colleagues, while others discuss how many souls they’d swindled in exchange for peanuts, or how many first-borns they’d been pledged for things idiot humans could have gained without divine intervention. Ugh. Sometimes it all just became so pedantic that little detours like this were a blessing—happy accidents, as the humans would say.
That’s why the demon does as asked, and plods slowly into the kitchen, careful to duck low and avoid the top of the doorframe. That’s why it gingerly takes the small glass pot and empties it of old, stale coffee and carefully, so carefully, takes a measuring scoop between its claws and fills the machine with fresh grounds. It’s as the hot water is percolating that the old woman returns, her index finger wrapped tight in a series of beige bandages.
“I’m surprised you’re so tall, Todd! I haven’t seen you since you were at my hip! But your mother mails photos all the time—you do love wearing all black, don’t you?” She takes a seat at the small round table in the corner and taps the glass lid of the cake plate with quaking, unsteady, aged hands. “I was starting to think you’d never visit. Your father and I have had our disagreements, but…I am glad you’re here, dear. Would you like some cake?” Before the demon has a chance to decline, she lifts the lid and cuts a generous slice from the near-complete circle that has scarcely been touched. It smells of citrus and cream and is, as assumed earlier, soggy, oversaturated with icing.
It was made for a special occasion, for guests, but it doesn’t seem this old woman receives much company in this musty, stagnant house that smells like an antique garage that hadn’t had its dust stirred in years.
Especially not from her absentee grandson, Todd.
The demon waits until the coffee pot is full, and takes two small mugs from the counter, filling them until steam is frothing over the rims. Then, and only then, does it accept the cake and sit, with some difficulty, in a small chair at the small table. It warbles out a polite ‘thank you,’ but it doesn’t suppose the woman understands. Manners are manners regardless.
“Oh, dear, I can hardly understand. Your voice has gotten so deep, just like your grandfather’s was. That, and I do recall you have an affinity for that gravelly, screaming music. Did your voice get strained? It’s alright, dear, I’ll do the talking. You just rest up. The coffee will help soothe.”
The demon merely nods—some communication can be understood without fail—and drinks the coffee and eats the cake with a too-small fork. It’s ordinary, mushy, but delicious because of the intent behind it and the love that must have gone into its creation.
“I hope you enjoyed all of the presents I sent you. You never write back—but I am aware most people use that fancy E-mail these days. I just can’t wrap my head around it. I do wish your mom and dad would visit sometime. I know of a wonderful little café down the street we can go to. I haven’t been; I wanted to visit it with Charles, before he…well.” She falls silent in her rambling, staring into her coffee with a small, melancholy smile. “I can’t believe it’s been ten years. You never had the chance to meet him. But never mind that.” Suddenly, and with surprising speed that has the demon concerned for her well being, she moves to her feet, bracing her hands on the edge of the table. “I may as well give you your birthday present, since you’re here. What timing! I only finished it this morning. I’ll be right back.”
When she returns, the white, grey and black crocheted work with the summoning circle is bundled in her arms.
“I found these designs in an occult book I borrowed from the library. I thought you’d like them on a nice, warm blanket to fight off the winter chill—I hope you do like it.” With gentle hands, she spreads the blanket over the demon’s broad, spiky back like a shawl, smoothing it over craggy shoulders and patting its arms affectionately. “Happy birthday, Todd, dear.”
Well, that settles it. Whoever, wherever, Todd is, he’s clearly missing out. The demon will just have to be her grandson from now on.
this is so sweet. it made me want to hug someone.
i had to
I WOULD WATCH SIX SEASONS AND A MOVIE
Okay but she takes him to the little cafe and all of the people in her town are like “What is that thing, what the hell, Anette?” and she’s like “Don’t you remember my grandson Todd?” and the entire town just has to play along because no one will tell little old Nettie that her grandson is an actual demon because this is the happiest she’s been since her husband died.
Bonus: In season 4 she makes him run for mayor and he wins
I just want to watch ‘Todd’ help her with groceries, and help her with cooking, and help her clean up the dust around the house and air it out, and fill it with spring flowers because Anette mentioned she loved hyacinth and daffodils. Over the seasons her eyesight worsens, so ‘Todd’ brings a hellhound into the house to act as her seeing eye dog, and people in town are kinda terrified of this massive black brute with fur that drips like thick oil, and a mouth that can open all the way back to its chest, but ‘Honey’ likes her hard candies, and doesn’t get oil on the carpet, and when ‘Todd’ has to go back to Hell for errands, Honey will snuggle up to Anette and rest his giant head on her lap, and whuff at her pockets for butterscotch. Anette never gives ‘Todd’ her soul, but she gives him her heart
In season six, Anette gets sick. She spends most of the season bedridden and it becomes obvious by about midway through the season that she’s not going to make it to the end of the season. Todd spends the season travelling back and forth between the human realm and his home plane, trying hard to find something, anything that will help Anette get better, to prolong her life. He’s tried getting her to sell him her soul, but she’s just laughed, told him that he shouldn’t talk like that. With only a few episodes left in the season Anette passes away, Todd is by her side. When the reaper comes for her Todd asks about the fate of her soul. In a dispassionate voice the reaper informs Todd that Anette spent the last few years of her life cavorting with creatures of darkness, that there can be only one fate for her. Todd refuses to accept this and he fights the reaper, eventually injuring the creature and driving it off. Knowing that Anette cannot stay in the Human Realm, and refusing to allow her spirit to be taken by another reaper, so he takes her soul in his arms. He’s done this before, when mortals have sold themselves to him. This time the soul cradled against his chest does not snuggle and fight. This time the soul held tight against him reaches out, pats him on the cheek tells him he was a good boy, and so handsome, just like his grandfather. Todd takes Anette back to the demon realm, holding her tight against him as he travels across the bleak and forebidding landscape; such a sharp contrast to the rosy warmth of Anette’s home. Eventually, in a far corner of his home plane, Todd finds what he is looking for. It is a place where other demons do not tread; a large boulder cracked and broken, with a gap just barely large enough for Todd to fit through. This crack, of all things, gives him pause, but Anette’s soul makes a comment about needing to get home in time to feed Honey, and Todd forces himself to pass through it. He travels in darkness for a while, before he emerges into into a light so bright that it’s blinding. His eyes adjust slowly, and he finds himself face to face with two creatures, each of them at least twice his size one of them has six wings and the head of a lion, one of them is an amorphous creature within several rings. The lion-headed one snarls at Todd, and demands that he turn back, that he has no business here. Todd looks down, holding Anette’s soul against his chest, he takes a deep breath, and speaks a single word, “Please.” The two larger beings are taken aback by this. They are too used to Todd’s kind being belligerent, they consult with each other, they argue. The amorphous one seems to want to be lenient, the lion-headed one insists on being stricter. While they’re arguing Todd sneaks by them and runs as fast as he can, deeper into the brightly lit expanse. The path on which he travels begins to slope upwards, and eventually becomes a staircase. It becomes evident that each step further up the stair is more and more difficult for Todd, that it’s physically paining him to climb these stairs, but he keeps going.
They dedicate a full episode to this climb; interspersing the climb with scenes they weren’t able to show in previous seasons, Anette and Honey coming to visit Todd in the Mayor’s office, Anette and Todd playing bingo together for the first time, Anette and Todd watching their stories together in the mid afternoon, Anette falling asleep in her chair and Todd gently carrying her to bed. Anette making Todd lemonade in the summer while he’s up on the roof fixing that leak and cleaning out the rain gutters. Eventually Todd reaches the top, and all but collapses, he falls to a knee and for the first time his grip on Anette’s soul slips, and she falls away from him. Landing on the ground. He reaches out for her, but someone gets there first. Another hand reaches out, and helps this elderly woman off the ground, helps her get to her feet. Anette gasps, it’s Charles. The pair of them throw their arms around each other. Anette tells Charles that she’s missed him so much, and she has so much to tell him. Charles nods. Todd watches a soft smile on his face. A delicate hand touches Todd’s shoulder, and pulls him easily to his feet. A figure; we never see exactly what it looks like, leans down, whispering in Todd’s ear that he’s done well, and that Anette will be well taken care of here. That she will spend an eternity with her loved ones. Todd looks back over to her, she’s surrounded by a sea of people. Todd nods, and smiles. The figure behind him tells him that while he has done good in bringing Anette here, this is not his place, and he must leave. Todd nods, he knew this would be the case. Todd gets about six steps down the stairway before he is stopped by someone grabbing his shoulder again. He turns around, and Anette is standing behind him. She gives him a big hug and leads him back up the stairs, he should stay, she says. Get to know the family. Todd tries to tell her that he can’t stay, but she won’t hear it. She leads him up into the crowd of people and begins introducing him to long dead relatives of hers, all of whom give him skeptical looks when she introduces him as her grandson. The mysterious figure appears next to Todd again and tells him once more he must leave, Todd opens his mouth to answer but Anette cuts him off. Nonsense, she tells the figure. IF she’s gonna stay here forever her grandson will be welcome to visit her. She and the figure stare at each other for a moment. The figure eventually sighs and looks away, the figure asks Todd if she’s always like this. Todd just shrugs and smiles, allowing Anette to lead him through a pair of pearly gates, she’s already talking about how much cake they’ll need to feed all of these relatives.
P.S. Honey is a Good Dog and gets to go, too.
the last lines of the show:
demon: you’re not blind here – but you’re not surprised. when…?
anette: oh, toddy, don’t be silly, my biological grandson’s not twelve feet tall and doesn’t scorch the furniture when he sneezes. i’ve known for ages.
demon: then why?
anette: you wouldn’t have stayed if you weren’t lonely too.
demon: you… you don’t have to keep calling me your grandson.
anette: nonsense! adopted children are just as real. now quit sniffling, you silly boy, and let’s go bake a cake. honey, heel!
honey: W̝̽̂̿͂͝Ọ̮̹̲̪̋ͦͅO̸̘͔̬͊F̜̫͙̟͕͖̙̋ͫ͌͗
that addition is a+ :)
THE ONLY ENDING I WILL EVER ACCEPT FOR THIS
Every time this post shows up on my dash, it gets better (and more heart wrenching. Y’all! Stop cutting the onions okay?!).
If ever don’t reblogging this, I’m either dead, dying, or buried under cat.
“I once had a body that wasn’t a body—it was a voice in a god’s mouth. It was the holy vowel.”
— Ruth Awad, “Moral Inventory,” published in Wildness
something i wish i had realized earlier: you can write poems on the same subject more than once. you can write, paint, draw the same thing over and over if you want to. you can spend your whole life making art about oranges. i think i always felt this pressure to get it right the first time like i couldn’t go back and use that inspiration again. but you can. you can go back and revisit it. you can pick up the conversation again and again if you have more to say.
“Not everyone is haunted by the ocean.”
— Marty McConnell, from “Do you feel destroyed by the way we were raised?” published in PANK (via weltenwellen)
All I ever do is fantasize about someone or something
as you get older, you realize that you’re not always right and there’s so many things you could’ve handled better, so many situations where you could’ve been kinder and all you can really do is forgive yourself and let your mistakes make you a better person.
when florence welch said “i am done with my graceless heart so tonight i’m gonna cut it out and then restart”
Van Gogh Icons
(please like/reblog if using)