A158

[ein-bleistift-und-radiergummi]

Frederick Hammersley ‘Like Unlike’ 1959

[paintedout]

Barnett Newman, Zim Zum

[slcvisualresources]

Barnett Newman, Yellow Painting (1949, oil on canvas, National Gallery of Art, Washington, DC)

[theblacksquare]

Be I, 1970 | Acrylic on canvas | 213.4 x 283.2 cm | Barnett Newman [Es]

[aestheticgoddess]

Onement VI, Barnett Newman, 1953 

[ivania-carpio]

instagram : @Love_Aesthetics Stationary wet dream come true / 🗒

[a158-notes]

photo | Kasia Balicka “ brudne

[a158-notes]

photo | Kasia Balicka | brudne

[pop-up-x]

Rosemarie Trockel - Copy Me, 2013

(80 x 420 x 71 cm)

[pop-up-x]

David Andrew Tasman - Double Stack, 2014

[pop-up-x]

Moritz Hirsch - Television (2), 2012

175 x 107 x 220 cm

[caciqueform]

Giuseppe Uncini - Architetture n. 193, 2005

[crudevessels]

Pedro Cabrita Reis “Silent Around the Room #4” 2007

[caciqueform]

Gregory Polony - Untitled (6 Sockel) 2010

[pop-up-x]

Elena Bajo - I’m trying to be unfamiliar with what I’m doing III, 2012

70 x 40 x 40 cm

[front-desk]

Przemek Pyszczek in Rio curated by Louis-Philippe Van Eeckhoutte at Office Baroque (Brussels, Belgium).

[pop-up-x]

Przemek Pyszczek - Playground Structure, 2015

270 × 240 × 230 cm

[front-desk]

Institutional Field by Cady Noland in Stand still like the hummingbird at David Zwirner.

[pop-up-x]

Cady Noland - Institutional Field, 1991