ivres d'inconscience

[poeticamenteflor]

amélie and nino.

[sweetnovember19]

★ follow for more like this ★

[filmhabits]

Human Flow - Documentary Poster

Human Flow is director and artist, Ai Weiwei’s detailed and heartbreaking exploration into the global refugee crisis.

Showing at the Venice Film Festival on September 1, 2017. 

[putitonmydash]

Tina Kunakey

[unculturedmag]

La Haine by Mathieu Kassovitz (1995) Trailer

[ivanruberto]

The Fifth Sense - Ibeyi

Photo by Ivan Ruberto

[sickpage]

[goodmorning2005]

Still my favorite painting that ive ever made <33

[fohk]

“Revenge is not a good thing, it’s better to forget”

Léon: The Professional (1994) Luc Besson

[letstalkaboutart]

[tendrebatard-deactivated2018120]

“Pourquoi on ne trouve des océans que sur la planète Terre?”

-Parce qu'il n'y a qu'ici qu'on pleure autant.

Evan 6ans

[jesuisnullepart]

[toutcelapassera]

À toutes nos conneries, nos soirées arrosées et nos verres trop dosées. À nos vomis, nos cigarettes cassées et nos danses ratées. À tout nos fous rires, nos gamelles et nos ratées. À mes meilleurs amis, pour tout ce que vous m'apportez.

(via toutcelapassera)

[ildiariodicenere]

[lademencedetitus]

“que nul n'entre ici s'il n'est révolté” (dont go in if you are not rebellious)

Stéphane Burlot

[fluxirl-deactivated20180810]

LOVE, Gaspar Noé (2015)

[pixography]

Gustav Klimt - “Death and Life”, 1910

Gustav Klimt’s large painting Death and Life, created in 1910, features not a personal death but rather merely an allegorical Grim Reaper who gazes at “life” with a malicious grin. This “life” is comprised of all generations: every age group is represented, from the baby to the grandmother, in this depiction of the never-ending circle of life. Death may be able to swipe individuals from life, but life itself, humanity as a whole, will always elude his grasp. The circle of life likewise repeats itself in the diverse, wonderful, pastel-coloured circular ornaments which adorn life like a garland. Gustav Klimt described this painting, which was honoured with a first prize at the 1911 International Art Exhibition in Rome, as his most important figurative work. <source>