amélie and nino.
trying on a metaphor
"I'm Dorothy Gale from Kansas"
Aqua Utopia|海の底で記憶を紡ぐ
Jules of Nature

❣ Chile in a Photography ❣

Kaledo Art

No title available
noise dept.
Sade Olutola
Peter Solarz
No title available
will byers stan first human second
tumblr dot com

pixel skylines

izzy's playlists!
Cosimo Galluzzi
macklin celebrini has autism
One Nice Bug Per Day
DEAR READER
occasionally subtle
seen from Chile
seen from United States
seen from United States

seen from France
seen from Germany
seen from United Kingdom

seen from United States
seen from France

seen from Türkiye

seen from Singapore

seen from United States
seen from United States

seen from Singapore

seen from United States
seen from Morocco
seen from Saudi Arabia

seen from United States
seen from United States
seen from Morocco
seen from United States
@aannaline
amélie and nino.
★ follow for more like this ★
Human Flow - Documentary Poster
Human Flow is director and artist, Ai Weiwei’s detailed and heartbreaking exploration into the global refugee crisis.
Showing at the Venice Film Festival on September 1, 2017.
Tina Kunakey
La Haine by Mathieu Kassovitz (1995) Trailer
The Fifth Sense - Ibeyi
Photo by Ivan Ruberto
Still my favorite painting that ive ever made <33
“Revenge is not a good thing, it’s better to forget”
Léon: The Professional (1994) Luc Besson
“Pourquoi on ne trouve des océans que sur la planète Terre?”
-Parce qu'il n'y a qu'ici qu'on pleure autant.
Evan 6ans
À toutes nos conneries, nos soirées arrosées et nos verres trop dosées. À nos vomis, nos cigarettes cassées et nos danses ratées. À tout nos fous rires, nos gamelles et nos ratées. À mes meilleurs amis, pour tout ce que vous m'apportez.
(via toutcelapassera)
“que nul n'entre ici s'il n'est révolté” (dont go in if you are not rebellious)
Stéphane Burlot
LOVE, Gaspar Noé (2015)
Gustav Klimt - “Death and Life”, 1910
Gustav Klimt’s large painting Death and Life, created in 1910, features not a personal death but rather merely an allegorical Grim Reaper who gazes at “life” with a malicious grin. This “life” is comprised of all generations: every age group is represented, from the baby to the grandmother, in this depiction of the never-ending circle of life. Death may be able to swipe individuals from life, but life itself, humanity as a whole, will always elude his grasp. The circle of life likewise repeats itself in the diverse, wonderful, pastel-coloured circular ornaments which adorn life like a garland. Gustav Klimt described this painting, which was honoured with a first prize at the 1911 International Art Exhibition in Rome, as his most important figurative work. <source>