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The Power Of The Drum...
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Throwback (2010) - Celebrities Recreate Iconic Covers for Ebony Magazine’s 65th Anniversary
To celebrate its 65th anniversary issue and icons of the past and present, EBONY magazine asked their favorite entertainers to pose in modern-day recreations of those covers for a one-of-a-kind look back at the past. Featuring: Regina King (as Eartha Kitt), Mary J. Blige (as Diana Ross), Nia Long (as Dorothy Dandridge), John Legend (as Duke Ellington), Lamman Rucker (as Richard Roundtree), Taraji P. Henson (as Diahann Carroll), Blair Underwood (as Sidney Poitier), Jurnee Smollett (as Lena Horne), Usher Raymond (as Sammy Davis, Jr.), and Samuel L. Jackson (as Dr. Martin Luther King, Jr.), among others.
“Hummingbird and Crow “ Acrylic on wood . With minimal color palette. New series.
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The story of my life!!
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Kilroy Was Here!
He’s engraved in stone in the National World War II Memorial in Washington, DC – back in a small alcove where very few people have seen it. For the WWII generation, this will bring back memories. For younger folks, it’s a bit of trivia that is an intrinsic part of American history and legend.
Anyone born between 1913 to about 1950, is very familiar with Kilroy. No one knew why he was so well known….but everybody seemed to get into it. It was the fad of its time!
At the National World War II Memorial in Washington, DC
So who was Kilroy?
In 1946 the American Transit Association, through its radio program, “Speak to America,” sponsored a nationwide contest to find the real Kilroy….now a larger-than-life legend of just-ended World War II….offering a prize of a real trolley car to the person who could prove himself to be the genuine article.
Almost 40 men stepped forward to make that claim, but only James Kilroy from Halifax, Massachusetts, had credible and verifiable evidence of his identity.
“Kilroy” was a 46-year old shipyard worker during World War II (1941-1945) who worked as a quality assurance checker at the Fore River Shipyard in Quincy, Massachusetts (a major shipbuilder for the United States Navy for a century until the 1980s).
His job was to go around and check on the number of rivets completed. (Rivets held ships together before the advent of modern welding techniques.) Riveters were on piece work wages….so they got paid by the rivet. He would count a block of rivets and put a check mark in semi-waxed lumber chalk (similar to crayon), so the rivets wouldn’t be counted more than once.
A warship hull with rivets
When Kilroy went off duty, the riveters would surreptitiously erase the mark. Later, an off-shift inspector would come through and count the rivets a second time, resulting in double pay for the riveters!
One day Kilroy’s boss called him into his office. The foreman was upset about unusually high wages being “earned” by riveters, and asked him to investigate. It was then he realized what had been going on.
The tight spaces he had to crawl in to check the rivets didn’t lend themselves to lugging around a paint can and brush, so Kilroy decided to stick with the waxy chalk. He continued to put his check mark on each job he inspected, but added ”KILROY WAS HERE!“ in king-sized letters next to the check….and eventually added the sketch of the guy with the long nose peering over the fence….and that became part of the Kilroy message.
Kilroy’s original shipyard inspection “trademark” during World War II
Once he did that, the riveters stopped trying to wipe away his marks.
Ordinarily the rivets and chalk marks would have been covered up with paint. With World War II on in full swing, however, ships were leaving the Quincy Yard so fast that there wasn’t time to paint them. As a result, Kilroy’s inspection “trademark” was seen by thousands of servicemen who boarded the troopships the yard produced.
His message apparently rang a bell with the servicemen, because they picked it up and spread it all over the European and the Pacific war zones.
Before war’s end, “Kilroy” had been here, there, and everywhere on the long hauls to Berlin and Tokyo.
To the troops outbound in those ships, however, he was a complete mystery; all they knew for sure was that someone named Kilroy had “been there first.” As a joke, U.S. servicemen began placing the graffiti wherever they landed, claiming it was already there when they arrived.
As World War II wore on, the legend grew. Underwater demolition teams routinely sneaked ashore on Japanese-held islands in the Pacific to map the terrain for coming invasions by U.S. troops (and thus, presumably, were the first GI’s there). On one occasion, however, they reported seeing enemy troops painting over the Kilroy logo!
Kilroy became the U.S. super-GI who had always “already been” wherever GIs went. It became a challenge to place the logo in the most unlikely places imaginable. (It is said to now be atop Mt. Everest, the Statue of Liberty, the underside of the Arc de Triomphe in Paris, and even scrawled in the dust on the moon by the American astronauts who walked there between 1969 and 1972.
In 1945, as World War II was ending, an outhouse was built for the exclusive use of Allied leaders Harry Truman, Joseph Stalin, and Winston Churchill at the Potsdam Conference. It’s first occupant was Stalin, who emerged and asked his aide (in Russian), “Who is Kilroy?”
To help prove his authenticity in 1946, James Kilroy brought along officials from the shipyard and some of the riveters. He won the trolley car….which he attached to the Kilroy home and used to provide living quarters for six of the family’s nine children….thereby solving what had become an acute housing crisis for the Kilroys.
The new addition to the Kilroy family home.
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And the tradition continues into the 21st century…
In 2011 outside the now-late-Osama Bin Laden’s hideaway house in Abbottabad, Pakistan….shortly after the al-Qaida-terrorist was killed by U.S. Navy SEALs.
>>Note: The Kilroy graffiti on the southwest wall of the Bin Laden compound pictured above was real (not digitally altered with Microsoft Paint, as postulated by some). The entire compound was leveled in 2012 for redevelopment by a Pakistani company as an amusement park….and to avoid it becoming a shrine to Bin Laden’s nefarious memory.
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A personal note….
My Dad’s trademark signature on cards, letters and notes to my sisters and I for the first 50 or so years of our lives (until we lost him to cancer) was to add the image of “Kilroy” at the end. We kids never ceased to get a thrill out of this….even as we evolved into adulthood.
To this day, the “Kilroy” image brings back a vivid image of my awesome Dad into my head….and my heart!
Dad: This one’s for you!
The original "boop-boop-be-doop" Girls
Like I've said before it's never to early to appreciate black history!! Shout out to the original "boop-boop-be-doop" girls!❤️💚🧡🖤
Florence Mills
gertrude saunders
Nina Mae McKinney
Baby esther jones(Esther Lee jones!)
Nina Mae McKinney really reminds me of Jupiter?? 😭😭
All these black girls were the ones saying the "boop-boop-be-doop" way before helen kane made it popular(and tried to claim it as her own...gertrude saunders was the one who really originated the "boop-boop-be-doop"!She was born in Asheville, North Carolina, and studied at Benedict College, Columbia before leaving in her teens to join a vaudeville troupe based in Chicago, organized by Billy King. She was a featured singer and comedian, and performed a number of hit songs including "Wait 'Til the Cows Come Home" (1918), "Hot Dog" (1919), and "Rose of Washington Square" (1920), as well as starring in King's 1919 stage production of Over the Top, which "dramatized the state of African Americans at the time of the Paris Peace Conference". She returned to perform in revues during the 1930s, and was claimed in some reports as having, some years earlier, originated the "boop-oop-a-doop" lyrics in scat singing, later associated with Helen Kane. Saunders featured in several movies, including an uncredited role as a servant in The Toy Wife (1938). In 1939, she co-produced her own show, Midnight Steppers, and she performed in the 1943 Broadway show Run, Little Chillun.She also appeared in several films aimed at African American audiences, such as Big Timers (1945) and Sepia Cinderella (1947). Baby esthers character was also based off of gertrude!
Passed at age 87)
Nina Mae McKinney🧡
was an American actress and singer who worked internationally during the 1930s and in the postwar period in theatre, film and television, after beginning her career on Broadway and in Hollywood. Dubbed "The Black Garbo" in Europe because of her striking beauty,McKinney was both one of the first African-American film stars in the United States and one of the first African-Americans to appear on British television. She would also use the boop-boop-be-doop in her acts as well!!!(she passed at 54 years!)
Florence mills💚
Florence Mills (Florence Winfrey) was born a daughter of formerly enslaved parents Nellie (Simon) and John Winfrey in 1896 in Washington, D.C. She began performing as a child. At the age of six she sang duets with her two older sisters, Olivia and Maude. They eventually formed a vaudeville act, calling themselves the Mills Sisters. The act did well, appearing in theaters along the Atlantic seaboard. Florence's sisters eventually quit performing, but Florence stayed with it, determined to pursue a career in show business. She joined Ada Smith, Cora Green, and Carolyn Williams in the Panama Four, which had some success. She then joined a traveling Black show, the Tennessee Ten, and in 1917 she met the dance director and acrobatic dancer Ulysses "Slow Kid" Thompson (1888–1990), to whom she would be married from 1921 until her death.Mills became well known in New York as a result of her role in the Broadway musical Shuffle Along (1921) at Daly's 63rd Street Theatre (barely on Broadway), one of the events marking the beginning of the Harlem Renaissance. She received favorable reviews in London, Paris, Ostend, Liverpool, and other European venues. She told the press that despite her years in vaudeville, she credited Shuffle Along with launching her career. She also used the boop-boop-be-doop frequently over the years as well!
She passed at 31 years
Baby esther jones 🖤
Esther Lee Jones (born c. 1918), known by her stage names "Baby Esther", "Little Esther", and other similar variations, was an American singer and child entertainer of the late 1920s, known for interpreting popular songs with a "mixture of seriousness and childish mischief". After gaining attention in her hometown of Chicago, she became an international celebrity before leaving the public spotlight as a teenager.in 1932, when singer Helen Kane sued Fleischer Studios, claiming that they had appropriated her persona for the voice of the cartoon character Betty Boop, the studios defended themselves by arguing that Kane's style of singing—including an infantile voice and use of the phrase "boop-boop-a-doop"—was not her own invention and was in fact inspired by Jones. The court ruled against Kane.
The age of when baby esther died is unknown for now..Just know she didn't die when she was a teenager she left the industry she didn't pass.
"What in the world does this got to do with Jupiter deross?"
Recently ive did research on these girls (NOT FROM AI OVERVIEW not a good source) ive decided to change the inspiration towards Jupiter deross it would be better if she was actually based/inspired by the original boop girls and not from other black women who have nothing to do with her but then I also wanted to celebrate black history! Regardless of what day or month it is..
What value can we add if you already have It all? New episode DROPPED TODAY!!! HERE'S HOW TO WATCH THIS WHOLE CONVERSATION: Click link in
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