A sculpture titled ‘Boxing Hares (Bronze Mad March garden statues)’ by sculptor Stephen Charlton. In a medium of Bronze and in an edition of 3/9.

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A sculpture titled ‘Boxing Hares (Bronze Mad March garden statues)’ by sculptor Stephen Charlton. In a medium of Bronze and in an edition of 3/9.
Toshinobu Onosato
“Pride is a master of deception: when you think you’re occupied in the weightiest business, that’s when he has you in his spell.”
— Marcus Aurelius, Meditations: A New Translation (6:13)
Carlos Cruz-Diez, Physichromie No. 657, 1973. Acrylic and laminated plastic on board, 71 by 79cm.; 28 by 31 1/8 in.
Bernard Buffet (1928-1999) - Don Quichotte
Victor Vasarely, Untitled Composition, n.d., Color silkscreen
Virginia Palomeque - Union (oil on canvas, 2008)
Sandy Williams IV
Garments to Protect Against the Suspicion of Having a Firearm, 2017
Vinyl, Thread
From lynching photography to bodycam and cell phone footage, violence against African Americans has been historically well documented. In the wake of the election of Donald J. Trump, and the subsequent promotion of acceptable white supremacy sweeping the nation; as a young African American, I became interested in creating tools to protect myself from those charged with my protection.
Brenna Youngblood - I, 2011
59 x 36 x 3 inches
Tower Reliquary with Eight Apostles and the Symbols of the Four Evangelists, Medieval Art
Gift of J. Pierpont Morgan, 1917 Metropolitan Museum of Art, New York, NY Medium: Ivory, gilt copper alloy, wood core
Miguel Ángel Vigo, Sons of Fóbetor series, mixed media ‘18 [716x899]
Console Radio Zenith 12-5-267 - 1938 - source Art Deco.
Gerardo Dottori, Il Trittico della Velocitá- Il Corsa, 1927 (via)
Miloš Urbásek (Czech, 1932–1988), Kompozícia [composition], 1968–71.
Achille Perilli (Italian, b. 1927), Entità alterata e dissoluta, 1990. Oil on canvas, 100 × 100 cm. via
Jack Butler Yeats (Irish, 1871-1957), Sunday Evening in September, 1949. Oil on board, 14 x 18 in.