Funnybunny as zomst mizisua

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Funnybunny as zomst mizisua
I love seeing Jax in the recent ad just acting like we didn’t watch him brutally abstract and reminding me of this meme
Sorry I had to draw this real quick.
She is just a girl who is sooooo in love 💕💕 💕💕
I forgot her bangs
reunite
She is just a girl who is sooooo in love 💕💕 💕💕
Zombie Stage is so good because I feel like hivemind infected zombie body horror is a much more effective medium than "space alien eugenics cult" for criticizing the Korean entertainment industry, the gross fetishization and medicalization of Asian women, and beauty as capital in a consumerist society (literally: the scenes where idols have parts of their body auctioned?? sold?? as consumer products!!).
In particular, I think Mizisua (esp. Mizi) can be more effectively utilized by the narrative, because they are not just women being sexualized for entertainment, but *lesbians* who must perform heteronormativity for their audience, causing a split between public and private selfhood. The cost of sacrificing your lesbian identity to become more palatable...taking into consideration the rampant sexism and homophobia around the idol industry too.
The epistemic and systemic violence committed upon them is made visible on their bodies. Mizi's zombie design choices are so fucking impactful: we get close-ups of her chest and other areas of her body, while dehumanizing her by removing her eyes and face (probably sold, like the other idols?); she is even tied and brutalized in one scene. Symbolically, Mizi becomes a faceless, oversexualized doll-like commodity for a leering male audience. There are several shots directly reminsicent of Mima from Perfect Blue.
[ Note: The male zombie following Mizi, Sua discovering her brutalized body in a dark alley, the Perfect Blue references etc, all seem to point towards the imagery of sexual violence. Once again, keep in mind that this is not altogether uncommon in the K-entertainment industry. ]
Also, this mv seems to strongly imply that Mizi used to be more tomboyish and masc-presenting, before the desire for heteronormative approval (as embodied by the idol industry) made her conform to a super feminine presentation. I've always loved the butch Mizi headcanon and it's fantastic to see that confirmed in a way.
Anyway, I was one of those people who never really had strong feelings for Mizisua back in the day, mainly because I was tired of the incessant moralizing by their fans when the earlier episodes of Alien Stage were airing. I began to love them a lot more after the discourse™ started, because I like my yuri toxic, and generally despise when gay or het couples can be granted emotional complexity, but lesbians must be bland cottagecore healthy Barbies lmao. It was True Face and Fragile God comics + Karma MV that actually made me enjoy their dynamic.
It's refreshing to see how explicitly complicated and toxic their dynamic is in this version of their story; the MV is from Sua's POV and I thought her decision to get infected and live in this purgatory-like hellscape with Mizi instead of letting the latter pass peacefully was kind of, well, Obsession 2026 coded. All in all I'm definitely invested in Mizisua now–I've always said Vivinos is best at unsettlingly eroticized horror with queer themes, and I'm excited to see how this plays out!
I don't have the energy to analyze the first round of the zombie scene, so I'll run through the backstory of Mizisua and what I've managed to understand. And yes, the frames will not be sorted in the order that we were shown in the video.
I think it all started with something happening in Mizi's family, which is why the child is walking around with a huge bruise on his face, and (as I believe) suppressed anger. Judging by the footage, it took some time for Mizi to let her anger get the better of her-the standard victim's reaction to a traumatic event/violence experience. Sometimes a reaction can occur years later. There's nothing unusual about that.
Something else is unusual in this situation, namely, the Sua's reaction.:
Mizi looks pleased, because she's probably glad that she was able to vent the anger that was boiling inside her. It is quite natural for a child to show joy, even if it implies the joy of feeling relieved. It's a little creepy that this happens to a child, but unfortunately it's not new.
Children are the most innocent, and at the same time, cruel creatures.
And the fact that Mizi looks pleased is not surprising to me, given the context of the situation.
But, Sua? She looks too calm in my opinion.
Yes, there are calm children, but even they somehow react to different things. And well, in my opinion, the corpse of a rat from which organs fall out is, to put it mildly, not the most pleasant thing.
From this context, I can assume several options from which such dead-dead behavior can proceed: a) This is not the first time Mizi has taken out her anger on some living beings.; b) they live in a place where you can often see rats, their corpses and more disgusting things.; c) Sua's home life is so nightmarish that her psyche has been operating in "isolation" mode since an early age, separating her feelings and what is happening in the world with a thick wall. Another reaction of victims to violence, by the way. d) Either all of the above options, which…Well, to put it mildly, it's very scary.
The next shot shows Sua hugging her friend in an attempt to comfort/support her. It's a nice enough price, but it still doesn't answer questions about Sua's behavior.
For a long time, I couldn't figure out which one was the right one, but then, towards the end, they show us "this" frame, and some of the puzzle pieces fall into place by themselves.
This kiss is literally a red siren.
Because kissing a person who is in a state of passion after being released from long-suppressed anger, and who can't do anything to you because of exhaustion, well, to some extent it can be called violence. I believe Sua had good intentions, but with this action she confirmed the fact that some kind of nightmare was happening in her family. Because no one, especially children, takes anything out of thin air and they have seen this or that action/ line of behavior somewhere and at some point they may unconsciously repeat it in one degree or another.
This may not be the first time this has happened, and it's really hard to judge by these reactions. Besides, I don't have the energy to think too much about it.
I think we're being shown their youth here. It's cute enough to say that Mizi has problems with choreography, and Sua is off-key on some notes. I can assume that these details refer to their character, namely: Mizi is too sharp and rude for smooth movements, and Sua cannot play the main role and sing louder / be the only one who sings.
But this is just a guess.
Considering how they performed above (it was probably an audition).
I think they are 14-15 years old in these four screenshots, because firstly, despite their developed bodies, they still have an aura of childlike innocence, and secondly, the usual age of debut in the idol industry in Korea (where events supposedly take place) is 15-17 years. And they both look cute, which also plays a role to some extent, but more on that later.
It's great to see them happy. I think Sua wanted just such a life - a quiet, measured one, where they could spend time together in peace and quiet and graduate from the academy without any problems.
Considering the footage from their childhood, I can assume that Sua either suppresses her traumatized side, or has found something that helps her cope with trauma and enjoy her youth. Of this pink duo, she has the least flexible psyche, and the fact that she has found a way to move on is wonderful.
And it's obvious that Mysie has other desires.
Mizi still wants to become an idol, and well, it's hard to blame her. Many girls are led to this beautiful picture, they don't understand much about how everything really works inside. And it's unlikely that anyone will tell them the truth.
I am touched by her sincerity. She's so wonderful in her love of work:
It's hard not to actually fall in love with such a person.
And here, Mizi meets reality, namely that according to the "criteria" (ahem, type of appearance, ahem) only she is suitable.
K-pop has its own beauty standard. In J-pop, individuality is more appreciated. The group is not looking for painted beauties with a perfect face, but those who stand out from the crowd. A cute face is better than a beautiful one. In short, in Korea there are beauties, in Japan there are cuties. That's why Sua wasn't hired, according to the criteria, she has a "too cute type" that they will only want to work with in Japan. They love innocent little angels there.
On the other hand, Sua's cuteness saved the girl (which is ironic for her character) from the cruelty of the industry, and gave her the opportunity to go to high school/college to study (I don't really understand what period these events will take place, but it's like they're 17-18 years old).
The same cannot be said about Mizi.
(I can't help but notice that her first image as an idol combines bold and soft features at the same time, which is incredibly suitable for her.)
Because this bright flower, which definitely loves leopard print, will gradually begin to fade away under the weight and toxicity of the industry.
It is not known how much time has passed between these events, but it is obvious that the good things in Myzi life have become much less.
Like any lake, it all starts with a drop. I can assume that these are the agency's first attempts to promote Mizi in a more "adult" way. So to speak, to see how people react, there is a certain eroticism, but everything is quite censored. But it's already obvious how tired Mizi is. I doubt that this is part of the image to complement the "adult image".
As you can see, people (mostly girls) accepted her very well.
It's a very revealing shot that screams, "Yes, from that moment on, everything went wrong!"
And I have some thoughts about where Sua is in this situation. Namely, the girls were isolated from each other. Because agencies can interfere with idols' social media, their relationships, and other aspects of life. Mizi's messages, correspondence, and posts can be rewritten, dialogues and people can be deleted from her life, or posts can be written-her posts can be rewritten and published.
And judging by the footage from the video below, Mizi became quite a popular idol, which meant quite a lot of isolation from Sua (depending on the agency's attitude to their relationship), and also meant a lot of contracts, which meant stress and pressure.
Obviously, at this stage, their relationship is not in the best condition: Mizi feels like she takes the bouquet from Sua, and then waves it off. Sua is either horrified by this attitude and behavior of her girlfriend (?), or by her appearance. Or all of them together.
From this, two conclusions can be drawn: Mizi only at this moment began to be subjected to even greater objectification, or Sua was in information isolation all this time. Although in this situation again, one thing does not cancel the other.
But even despite her behavior, Mizi is obviously still able to experience the joy of meeting Sua. The same state of burnout and stress, when the sight of a loved one does not help, the attention from him is rather burdensome, but it was still nice to see at least a glimpse.
And then their relationship reaches the point of no return. Mizi is completely destroyed by the industry, and begins to "escape" in a not very healthy way.
Sua in this situation is either horrified by the fact of smoking, or by the fact that Mizi started smoking again (maybe there was something worse before), and is afraid that the situation will get worse again.
However, one thing is for sure, Sua is genuinely worried, but she meets aggression, which is normal. In terms of trauma, people often get angry/annoyed when someone tries to take care of them, perceiving it as an "imposition" or "restriction", or considering it a source of "unnecessary noise". There are actually many reasons.
And we find ourselves in a situation where, at first, Mizi unknowingly returns to a way of relieving stress from childhood, thereby zeroing out the progress she made in her youth, ending the work of the industry. Sua, as seen in the following frames (I think it's been some time since Sua was infected and found by Mizi), has also returned to the previous mechanisms.
here’s this while i’m still processing the movie
Always wear a smile!
Sketch of funnybunny
This has been in my head for weeks but I made a promise to a fish
Spoiler for tadc the last act
That shit was absolute peak
is it gay to tenderly massage another girl's legs y/n
the clip went by so fast in the OP and now that im clipping it, i realized that's tosen jordan lmao
what the hell is golshi's beef with her alksfnksdjflkaslkfalkn
Original text post by @hello-incorrectavatarquotes-here
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