Schindler Apts., by Jonas Wood
d e v o n
Not today Justin

No title available

祝日 / Permanent Vacation

Love Begins
will byers stan first human second

Janaina Medeiros
Stranger Things
dirt enthusiast

Kaledo Art

No title available
NASA
TVSTRANGERTHINGS
todays bird

Kiana Khansmith

Product Placement
$LAYYYTER
Sade Olutola
occasionally subtle
almost home
seen from Germany
seen from United Kingdom
seen from Malaysia
seen from Saudi Arabia

seen from Germany

seen from Italy
seen from Finland

seen from Germany

seen from United States

seen from Malaysia
seen from United States
seen from United States
seen from Australia

seen from Malaysia
seen from United States
seen from United States

seen from Vietnam
seen from United States
seen from United States
seen from Türkiye
@achoward
Schindler Apts., by Jonas Wood
The high plains of Oregon. One of my favorite areas.
spike
The persistence of Ms. Jackson
The Persistence of Memory (1931), Salvador Dali / Ms. Jackson, Outkast
Blue-capped Cordon-bleu
Ian Billenness
Illustration for Wrap Magazine 10th issue with the theme “into the wild”
High school never ends, but eventually people become second-semester seniors: mellowed out; cavalier; wistful. These people are affectionately known as "senior" citizens.
THATZ NOT OKAY
Philip Welsh did not use a cellphone, or e-mail — making it hard to trace the days before he was slain.
"Screaming Eagle of Soul"!!!!!
2009
Even Art, Orphan Black’s semi-sympathetic but still obstructive cop, is really trying to think. You can tell by the serious scrunch-y face he makes.
Empty Suits by Jessica Roake on Slate
My friend Christine Zounek died last week. I drew Christine for my Trash the Block essay for PRINT magazine, where I included a bit about the Soup Kitchen where we both volunteered. (Christine was there at the Soup Kitchen’s inception about 6 years ago and was Head Chef.) She loved this picture I’d drawn of her, especially the patch of light on her butt, which I had done for no significant reason but she thought looked like she’d wiped flour on her pants. Our friend Emily Gould wrote the following tribute to Christine which encapsulates who she was: a larger-than-life personality and one of the truly good people in this world.
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After my friend Christine’s dad died, she gave everyone who worked with her at the soup kitchen a plastic bag filled with birdseed. The bags had a little tag on them with a picture of cardinals and a note about how her dad loved feeding birds, so we should feed them in his memory. I had never met her dad and I only knew Christine from the hours we spent together every Wednesday afternoon cooking alongside a lot of other volunteers, but it was also impossible to be anywhere near her and not know her. She let everyone in to her world, which was fascinating, larger than life. She had been so many places and known so many interesting people. All the New York things I’d read novels about, Christine had experienced, and she also knew the people who wrote those novels. Now she worked as an art restorer and spent a lot of time cooking and dishing out food in a soup kitchen in Greenpoint.
I didn’t have a backyard or birdfeeder, so I just put the seed out on my windowsill. Birds came and ate it, which seemed slightly miraculous. How did they know to come? After the bag ran out, I bought more. More than a year later, I still put some out every morning. Mostly mourning doves come, but occasionally also juncos and finches.
Christine took her own life last Friday and no one seems to know why. It seems impossible. She was so much more alive than most people.
This morning I heard the unmistakable metallic chirp of a cardinal and went to watch him eat the seed. He sang as he ate, loud and full of life, with his majestic crest flaring in the early sunlight. Christine, I thought.
I know the idea that someone who has died comes and visits you in some reassuring form is silly, childish wishful thinking. I believe that at the same time that I believe that Christine’s spirit is in the world still, in birds and cats and people, in everything that sings loudly and proudly and is absolutely always purely itself.
26.11.2013 | no. 874 | “A PIECE A DAY” by Helena Frank