Misty Copeland makes history as the first Black Principal Dancer at the American Ballet Theater.
I’m not crying. Not at all. Nope.
will byers stan first human second
noise dept.
2025 on Tumblr: Trends That Defined the Year
macklin celebrini has autism
PUT YOUR BEARD IN MY MOUTH

roma★

oozey mess

No title available
Peter Solarz
let's talk about Bridgerton tea, my ask is open
taylor price

No title available
occasionally subtle

izzy's playlists!
$LAYYYTER
Sade Olutola

tannertan36
d e v o n
Aqua Utopia|海の底で記憶を紡ぐ

pixel skylines

seen from Malaysia

seen from Germany

seen from United States
seen from United States
seen from Libya
seen from Brazil

seen from Malaysia

seen from Germany

seen from Malaysia
seen from Japan

seen from Italy

seen from Malaysia
seen from United States
seen from Türkiye
seen from United Kingdom
seen from Philippines

seen from Egypt
seen from United States
seen from Brazil
seen from United States
@acoldwar-blog
Misty Copeland makes history as the first Black Principal Dancer at the American Ballet Theater.
I’m not crying. Not at all. Nope.
The Man Booker shortlisted novelist will make her screenwriting debut on the Beau Travail director’s first English-language film
LITERAL GODDESS ZADIE SMITH IS WRITING A SCREENPLAY ABOUT SPACE.
I REPEAT, QUEEN ZADIE SMITH IS WRITING A SCREENPLAY ABOUT SPACE.
#StruggleReporting at its finest.
The Compton MC opens the 2015 BET Awards.
My boyfriend did good last night.
Janelle Monae - Q.U.E.E.N.
I’ve needed this set forever.
yes. cc: @seansmyph
Every day.
Well. Fuck.
On May 29, 2014, the issue of timemagazine magazine which proclaimed the “Transgender Tipping Point” was revealed with me on the cover. June 1, 2015 a year and 3 days later, Caitlyn Jenner’s vanityfair cover was revealed proclaiming #CallMeCaitlyn I am so moved by all the love and support Caitlyn is receiving. It feels like a new day, indeed, when a trans person can present her authentic self to the world for the first time and be celebrated for it so universally. Many have commented on how gorgeous Caitlyn looks in her photos, how she is “slaying for the Gods.” I must echo these comments in the vernacular, “Yasss Gawd! Werk Caitlyn! Get it!” But this has made me reflect critically on my own desires to ‘work a photo shoot’, to serve up various forms of glamour, power, sexiness, body affirming, racially empowering images of the various sides of my black, trans womanhood. I love working a photo shoot and creating inspiring images for my fans, for the world and above all for myself. But I also hope that it is my talent, my intelligence, my heart and spirit that most captivate, inspire, move and encourage folks to think more critically about the world around them. Yes, Caitlyn looks amazing and is beautiful but what I think is most beautiful about her is her heart and soul, the ways she has allowed the world into her vulnerabilities. The love and devotion she has for her family and that they have for her. Her courage to move past denial into her truth so publicly. These things are beyond beautiful to me. A year ago when my Time magazine cover came out I saw posts from many trans folks saying that I am “drop dead gorgeous” and that that doesn’t represent most trans people. (It was news to be that I am drop dead gorgeous but I’ll certainly take it). But what I think they meant is that in certain lighting, at certain angles I am able to embody certain cisnormative beauty standards. Now, there are many trans folks because of genetics and/or lack of material access who will never be able to embody these standards. More importantly many trans folks don’t want to embody them and we shouldn’t have to to be seen as ourselves and respected as ourselves . It is important to note that these standards are also infomed by race, class and ability among other intersections. I have always been aware that I can never represent all trans people. No one or two or three trans people can. This is why we need diverse media representstions of trans folks to multiply trans narratives in the media and depict our beautiful diversities. I started #TransIsBeautiful as a way to celebrate all those things that make trans folks uniquely trans, those things that don’t necessarily align with cisnormative beauty standards. For me it is necessary everyday to celebrate every aspect of myself especially those things about myself that don’t align with other people’s ideas about what is beautiful. #TransIsBeautiful is about, whether you’re trans or not, celebrating all those things that make us uniquely ourselves. Most trans folks don’t have the privileges Caitlyn and I have now have. It is those trans folks we must continue to lift up, get them access to healthcare, jobs, housing, safe streets, safe schools and homes for our young people. We must lift up the stories of those most at risk, statistically trans people of color who are poor and working class. I have hoped over the past few years that the incredible love I have received from the public can translate to the lives of all trans folks. Trans folks of all races, gender expressions, ability, sexual orientations, classes, immigration status, employment status, transition status, genital status etc.. I hope, as I know Caitlyn does, that the love she is receiving can translate into changing hearts and minds about who all trans people are as well as shifting public policies to fully support the lives and well being of all of us. The struggle continues…
Cameron Crowe has addressed the criticism surrounding the racial background of Emma Stone's character in the film Aloha.
"I am grateful for the dialogue...And from the many voices, loud and small, I have learned something very inspiring. So many of us are hungry for stories with more racial diversity, more truth in representation, and I am anxious to help tell those stories in the future." - Cameron Crowe
I am THRILLED for this movie.
In early August, Shonda Rhimes read a draft announcement for an event where she was set to appear. It called her "the most powerful black female showrunner in Hollywood." She crossed out "female" and "black" and sent it back.
Brilliant profile on Shonda Rhimes by Lacey Rose of The Hollywood Reporter. Get a fucking clue, New York Times.
Nicki and Bey doing their remix of "Flawless" live, with an audio introduction from Chimamanda Ngozi Adichie. I AM ACTUALLY DEAD NOW.
Issa Rae's ColorCreativeTV is looking for indie drama pilots from women and writers of color starting next week. GET ON THIS.
Black Women Are Taking Over TV! Right...?
This Daily Dot article makes some really good points regarding the "diversity burden" foisted upon creators of color:
In this version of Hollywood, a softpedaled version of race relations may trick white audiences into believing that television is more racially diverse and groundbreaking than ever before, but we’re a long way from equality on television, let alone anywhere else. Even as Kaling and Rhimes dance around racial issues on their shows, they rarely confront them head-on—and as women of color, they’re expected to be responsible for all the racial representation on television, while their white counterparts get a pass as long as they throw in a token cast member of color.
We should keep tuning in for How to Get Away with Murder and demanding more shows like it, but we shouldn’t be expecting people of color to do all the work. White creators and crews are just as capable of researching and depicting people of color and exploring racial issues, and they should exercise that ability to truly improve diversity on television; because it should be quite clear to studios right now that audiences are ready for it.
It's not fair to ask Shonda (and other female content creators/creators of color) to do all the legwork regarding diverse representations on television, as much as I would love a 6-hour Thursday ABC block. (More Scott Foley, please.) Let's do better, people.
Disney's Hercules as an anime. You're not even ready for this gloriousness.
Incredible opportunity. All interested, listen up:
“National Black Programming Consortium (NBPC), a nonprofit based in Harlem that has been presenting stories about the Black experience on the public airwaves since 1979, is launching NBPC 360, a new funding initiative designed to identify innovative storytellers and to generate quality serial, digital and multiplatform content for public media outlets, including the Web. Producers will compete for development funds of between $50,000 and $150,000 and the chance to work with veteran producers to develop their series pilots. The program launches on Wednesday, October 1.
Her ColorCreative.tv is using the Internet to help diverse writers circumvent the traditional pilot process.
Issa Rae is KILLING the game. Everyone else, pack up and go home.
I miss this show.