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merry christmas ryukie
also i just KNOW L was completely nonverbal until one day when hes like 5 he turns around and goes "i am of the opinion that the judicial system is ill equipped for the calibre of criminal activity permeating this world" or some shit
he gave him his sweater
Near (from death note) is a character that makes me so insane even after like six years since the first time I read the manga because. Imagine.
You're an orphan that grew up idolizing a person you never even spoke to and you liked him even more when he said that "he's a cheater that doesn't like to lose" and you found out that is not the embodiment of justice but just a man like you that liked to solve puzzles. You two even look so alike! And then he dies. And your rival/foster brother/ guy with whom you have this weird religious coded tension says that you're better suited for the job anyway, you've always been smarter than him anyway, and leaves you alone at THIRTEEN to solve the world's most dangerous case. And you don't even hate said guy, you kind of respect him and want to work with him but he makes his life purpose to beat you at this game. And you're the younger in this case but you're the less childish (emotionally speaking) and you are probably the character that expresses more vocally his dislike of Kira, that has not even a little bit of admiration for his intellect or motivation, and that's the reason why you're the one destroying his pathetic ass in the wharehouse. And then you spend years of your life alone because your "rival" put aside his fatal flaw and decided to die (knowing he will die) to save you and your team, because winning didn't make sense if he couldn't wait for you on the finish line. But they are the martyrs, and you are the one that put together their merits. So you let your hair grows like L's and you try to solve every case like he would, fulfilling the role of a dead person. Keeping L's and Mello's dolls with you even years after everything ended.
I always get annoyed when people accuse Near of being less smart than L ,of "not caring" about the Minoru case, of being a "bad copy" because he and L are identical. Babe. That's the point. He's not L, and he's not superior to him unless him and mello cooperate. Near himself aknowledges that the case was solved because of him and mello. Of course he doesn't do a big move (like shutting down sakura tv) to stop Minoru. That's something L (or even more, Mello) would do. Of course adult Near and L look so similar, he's trying to be him!!
(Honestly I wonder if him saying he wasn't very L- like in the C- Kira oneshot was the moment in which he chose to follow his own path, since in Minoru oneshot he doesn't seem as worried about acting like L as in the C-Kira oneshot or in the original series)
He is a bad copy. He's also just a half of the whole. He's not a copycat, he is haunted.
i am the only death note fan who truly understands near. u guys hatw whimsy and joy and fun. and it shows
my dream for a modern live action death note:
- it takes itself completely seriously. i want ZERO irony/making fun of itself. i need some actor man to take a potato chip and eat it with total seriousness.
- light and L have an insane amount of tension, i’m talking destiel levels of eye sex and queerbaiting, but they are never allowed to kiss. maybe when L dies they get one ambiguously queer line. but it’s gotta stay at least a little bit ambiguous
- misa isn’t explicitly homophobic anymore but she is like That #ally (just more subtly homophobic) (obviously shes gay but she doesn’t know that yet). instead of “are you on THAT side of the fence ryuzaki” she’s like “it’s FINE if you’re gay but light is MY boyfriends and i just don’t think it’s APPROPRIATE” and L just ignores her completely. she claims L as her Gay Best Friend despite him never confirming if he’s queer and her not really liking him. for Diversity
- she’s like i can’t be homophobic i do a pride month photoshoot and L is like okay. i don’t care
- focus on how the 24 hour news cycle, overwhelming access to information, and constant fearmongering and doomscrolling drives light fucking crazy (sorry i have to be weird about light here)
- instead of a magazine light very blandly watches porn on his laptop. looking actively bored. L doesn’t say explicitly “your son is gay” but he looks over at soichiro and says something like “hm. he’s popular with girls, you said? okay.”
- some awful misa and light sex scene but it cuts between that and light at L’s grave, their months handcuffed together, etc. hannibal style or something idk i’ve never seen it i just got a play by play from a friend
- naomi gets a bigger part because she’s awesome
- light and L are stuck in ambiguously queer purgatory but rem is very explicitly in love with misa. they kiss once before she dies and from then on misa seems a little more subdued with light. like she’s not so sure she really wants him
- when the detectives are talking about L someone mentions how he’s “on the spectrum” and everyone nods seriously. later it’s mentioned again and L overhears and he’s like you can just say autistic. everyone apologizes profusely but he does not give a shit
Everyone knows that Light and L matched each other's freak but I think their dynamic in the musical (the Japanese ver specifically) is underrated. Like it's not super different from canon but they just had this extra edge of Violence that we never quite saw from the more methodical and careful mindgames in canon death note and I think it's great. Like, yes, they did declare in canon that they will bring each other to justice, yes L says he wants to send Kira to his execution, but in the lyrics of the musical they both outright say multiple times that they just want to straight up Kill each other. It's direct the whole way through. There's more mutual contempt. This game is about nothing more than simply being the first one to Kill the Other (they actually use the word "殺し合い" (koroshiau) or "to kill each other" to describe their game (translated as "murderous ... game")).
(Sidenote but all those references about wanting to send each other to Hell?? Beautiful)
Yeah this is a battle of justice and ideals, yes that clash is a key part of their final confrontation at the end of the musical, but throughout their duets (or even songs like The Game Begins where they're singing by themselves) there's this near singleminded desire to just fucking End each other. It's fucking Raw and it's great.
Also THIS FUCKING SCENE?? THIS SCENE FROM SECRETS AND LIES. Iconic. Actually Insane. My jaw dropped. Light looks like a crazy bitch it's beautiful.
Um. Also. Obligatory Playing His Game (yknow the gay sex song) lines dump. It basically says everything I just said above in like 9 lines. You see what I mean right.
In canon they're playing a game of mental chess, trying to use everyone around them to finally catch the other as their end goal, but in the musical you really do feel like all they see is each other. They would probably beat each other to death with their fists if it came down to that. Idk they're just so excited and fired up about their little game in the musical and it's so unhinged and fun and special and I love it. It's like the writers for the musical decided to kick their murderous intent up a couple notches and the result is absolutely Beautiful.
I also think that the intensity of their rivalry in the beginning just makes the wind-down of The Way It Ends soo much better. It's such a good contrast to their previous duets where they try to sing over each other (Secrets and Lies & Stalemate) or with each other but basically at the top of their lungs (Playing His Game). It feels like there's both a quiet mutual understanding but also an underlying disappointment that the game is finally over. In canon, L's death Is instead the peak of their game, the moment he gets confirmation that Light is Kira is the exact same moment that he dies. In the jdrama it's almost sudden, how L dies, after the quiet moment has already passed. But in the musical L's death, ironically, Is the one quieter moment in their game. Their peak was the game itself. It was Secrets and Lies and Playing His Game. But the end of the game in the musical is not a victory, it's just (as L says) the end of everything they'd been wanting up until this point.
Uh. Fuck it. Clip from the Kenji Urai version because I just love his delivery here. His tone just goes so well with the silence and the sound of the clock ticking. You see what I mean right.
Their rivalry in the musical may have been more shortlived but like Damn they were really enjoying every second of it. They were truly insane about each other until the very end. (Like despite everything I just said about the ending it was still unhinged as fuck. Light Making L Shoot Him and then Making L Shoot Himself with L's Own Hand?? Holy shit man. What the fuck /pos)
Musical Light and L your game might've been shorter but you'll always be famous <33 Please never inflict what you had on anyone else ever please stay in hell forever thank you
there are monsters nearby
love the way misa's roots never grew out while she was in confinement. L's treatment of her might have been bad but at least he respected her enough to send watari in with the foils at least once
merry christmas ryukie
Trick or treat !! Can you draw light and L as autism creatures? Just one is alright I just think it's be funny. Happy Halloween!
ahahah yes ofc Happy Halloween!
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reblog if you think the girl on the left is just as beautiful as the girl on the right
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upd no fucking way I forgot to mirror last pic and now the handcuffs are on the wrong haNDS
i don’t know which death note fan needs to hear this but cis people are not called Beyond Birthday