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Why you should watch Obsession, even if you’re not a fan of horror! 

| By Laëtitia

Obsession has become one of this year's unexpected success stories, so after all the praise it has received, it almost feels difficult to find something new to say, but the film is simply too good not to talk about! Written and directed by Curry Barker, the film stars Inde Navarrette and Michael Johnston in a twisted story about unshared feelings and consent. 

Firstly, one of the things we appreciated the most about Obsession is how the story kind of reversed what we usually expect from a horror story and didn’t follow the classic formula of an innocent victim running from a monster. Instead, we see Nikki makes Bear eat his own cat and turn his house into a prison, but he still comes back, so he is the real threat in the end. In a way it reminded us of the villain Killgrave in Jessica Jones because it is another example that when you remove someone from their freedom and well-being, it is even more frightening than any blood or gore visuals. And it is also incredibly refreshing to see an independent horror film make consent its central theme. 

Besides, we found the whole script of Obsession really thoughtful and effective. We were glad that it included the "real Nikki," even if it was only for a brief moment, it was enough to confirm that it was truly hell for her, and it gives the film emotional weight. Their exchange, "Kill me, please. - Is it really so horrible to live with me?" also perfectly sums up the entire plot in just a few words. It is both thrilling and heartbreaking, capturing the toxic manipulation at the heart of the story. 

The soundtrack and cinematography highlight those feelings even more, turning the house, what is supposed to be a safe space, into something unsettling without relying on jump scares only. The film lets tension slowly build, making every daily and mundane moment threatening. One sequence especially, when Bear returns home to find Nikki still standing exactly where he left her, is so impactful and memorable that it made the entire film a must-watch just for that.

Obsession also works because of its two leads, and we sincerely hope it will open many doors for them because they absolutely deserve it. With the story resting almost entirely on their shoulders, it is their performances that make the film so captivating from beginning to end. As Bear, Michael Johnston (seen in Teen Wolf) delivers a genuinely disturbing performance because he manages to make him relatable. Opposite him, Inde Navarrette (Superman & Lois) completely disappears as the possessed Nikki and makes us feel both terribly scared and sorry for her through her exaggerated expressions and insane behavior. 

If we had one small regret, it would be about the end of the story. Nikki killing Sarah felt a little unrealistic, as we could tell it was a doll during the car scene, which briefly took us out of the film. And in a way, we almost wish Nikki had only severely injured Sarah and Ian, because it would have made Bear the only dead person in the end, turning his fate into an even stronger example of karma finally catching up.

Even if horror is not usually your favorite genre, we genuinely think Obsession is worth making an exception. Now that it is available on demand, and even if the experience is not as unique as in a theater, it could actually be an advantage for people afraid of horror. Besides, even watching at home, its captivating story, compelling performances, and psychological tension remain, so you won't regret giving it a chance!

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Teach You A Lesson: Karma never felt so satisfying to watch!

| By Laëtitia

Set in schools across South Korea, Teach You A Lesson follows a team whose mission is to fix situations where the education system has failed. Based on a Naver webtoon, each episode addresses a different issue, from bullying and parental pressure to online gaming and addictions. In a way, it reminded us of another successful revenge drama on Netflix, The Glory, because it's difficult to believe it could happen in real life, but it definitely deserves credit for shedding light on those subjects. 

Before talking about everything we loved in Teach You A Lesson, we have to acknowledge the element that generates the most debate: of course, violence is not the answer, and we have to kind of forget that to fully enjoy the series. Just like the fact that in real life, bullies would not go right back to their old behavior the moment the main character leaves their school. But once we accept that, the drama is so fun, refreshing, and rewarding, especially seeing the parents face the consequences of not raising their children properly, or the bullies finally apologizing to their victims. 

We also enjoy the fact that each episode takes the time to properly introduce a different subject. They always took the time to show the psychological mechanisms, and sometimes we could even guess what was about to happen, but it didn't mean that the drama was predictable. On the contrary, it showed how consistent and on-point the writing was. We also loved how the episodes are connected, even when they do not seem to be at first, like seeing the students from the second episode two episodes later was a lovely surprise. Overall, it is really well written, with some really memorable lines among them, like "The first step in getting help is to ask for it" or the heartbreaking "Can you make sure that no one ends up like me?"

Credit: Netflix

That same care is given to the characters. The secondary ones are introduced gradually, allowing us to naturally grow attached to each of them. We also appreciated that the drama did not rush the backstory of Hwa-jin and his father in law. Once we learned their wife/daughter was killed by a student, everything made sense. And it was really moving seeing them working together and looking after each other even after the person who connected them was gone. 

The cast elevates all of that even more, starting with Kim Mu-yeol, who absolutely owns the main role. With his aura and expressions he completely makes the character his own. Lee Sung-Min, Jin Ki-joo, and Pyo Ji-hoon are incredibly endearing as well, each one in their own way. Together they create a team that is impossible not to root for. They also do a lot regarding comedy in the series. Indeed, considering the heavy subjects, it was necessary to find balance between darker and lighter moments. And Teach You A Lesson perfectly manages to be serious and completely unserious at the same time. The characters are funny lunatics, and Hwa-jin's humor never gets old (his peace sign to the boys clapping for him in episode two was an unforgettable moment!). 

Credit: Netflix

We have to say that episode five hit differently and ended up being our favorite. Moving to an elementary school was unexpected, and showing the extent of parental pressure was heartbreaking, especially knowing that it isn’t that far from reality. Watching Hwa-jin step in was a very enjoyable catharsis, and we have to mention Park Ji-Yeon as the harassing mother because she truly made us hate that character with every scene! Episodes seven and eight continue that momentum by being both thrilling and hilarious. Between genuinely funny lines ("Like Squid Game") and the growing relationship between Han-Rim and Geun-Dae. 

Finishing Teach You a Lesson, we realized it was actually not all about punishment but more about education and human connection. The series truly embodies the idea that what goes around comes around, in both ways. The bullies receive the karma they deserve (which we have to say brought a dopamine rush every time!), but it also shows the importance of helping others. Na Hwa-jin stood by Han-rim when she had no one, and a few years later, she was the one standing by his side. Taking inspiration from real-life experiences with so much care, it beautifully reminds us what education should really be. For all those reasons, we absolutely encourage everyone to catch up on it, and we are already seated for a second season!

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Enola Holmes 3 is as charming as ever!

| By Cécilie

Enola Holmes 3 is very much in line with its two previous movies. These films might be quite simple and, in many ways, more of the same, but they remain such comfortable watches that it's honestly difficult to say anything bad about them. They know exactly what they want to be, and three films in, that charm still works.

Credit: Netflix

This third movie sees Enola travel to Malta for her wedding, where Sherlock suddenly disappears, forcing her to put her plans on hold and solve yet another mystery while once again crossing paths with Moriarty. As always, this gives Enola the perfect opportunity to showcase her incredible wit, proving that she is more than capable of carrying these films on her own.

Millie Bobby Brown continues to prove that Enola is by far her most refreshing character. This role suits her perfectly. She is naturally funny and charismatic, and having a character who is headstrong, fierce, and almost always sure of herself allows those qualities to shine effortlessly. Enola is just so easy to root for, and every little glance at the camera always brings a smile to our faces.

Louis Partridge is, unsurprisingly, just as lovely as Tewkesbury. Seeing him work alongside Enola again is surely one of the film's biggest strengths, and while the two have always had great chemistry, they might be at their very best here. The cabin scene by the sea, where Tewkesbury quietly braids Enola's hair, is probably their best scene across all three films. It is gentle, intimate, and silently beautiful.

Credit: Netflix

The mystery itself is, much like in the previous films, fairly easy to figure out. But that has never really been the appeal of these movies. It is simply fun watching her piece everything together, especially when Moriarty is involved. Sharon Duncan-Brewster is once again fantastic in the role.

It was also such a pleasure to see Helena Bonham Carter return. Eudoria has always been one of the franchise's most enjoyable supporting characters, and seeing her join Enola's investigation, even if only for a while, was a lovely addition (and what a joy to see her officiate their wedding!)

A fourth film has yet to be announced, and we would happily watch another adventure with these characters. That being said, Enola Holmes 3 could just as easily serve as a satisfying conclusion. Enola and Tewkesbury's wedding is a beautiful way to end their story.

Enola Holmes 3 doesn't reinvent the franchise, but it doesn't really need to. It is another easy, charming watch with a lovely romance, an enjoyable mystery, and a heroine who remains one of Netflix's most refreshing protagonists.

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A very satisfying and heartfelt ending for The Bear!

| By Laëtitia

Ending a beloved series is never easy, but The Bear proves that it is possible to do it right. We have already explained in detail why we love this show in our reviews of the previous seasons. And we recognized some episodes did have the same impact, but we are now relieved to see that it ended on such a strong note!

We have to say the beginning of this fifth season worried us a little. The first three episodes feel slow and repetitive, with almsot half of Syd and Carmy's conversations being “What do you need?” and “Sorry.” Thankfully, we kept watching, mainly because we had grown so attached to the rest of the team, especially Richie, Tina and Luca.

Fortunately, starting episode four, everything fell back into place, and it suddenly feels more like The Bear, with quick conversations, underlying emotions, and a lively kitchen. From that point, every scene builds momentum, and it is almost impossible to not binge-watch it. 

Episode seven is our personal favorite of this season, and we did not feel time passing watching it. Seeing Carmy thinking he had ruined everything, only for Richie to reassure him that everyone had his back, was really moving. We also tear up discovering the caramel-stuffed candle and hearing Luca's "call hands" to Tina. Overall, it was moving to see the whole team genuinely happy, like they got their lives back.

But among all the characters, we have to say that Richie steals the show once again. We especially loved seeing him getting close with Jessica and when he told Carmy to ask people how they were doing. Of course his phone calls with customers to cancel their reservations were both heartfelt and hilarious and highlighted perfectly how attentive and empathic he became. Besides, it is always a pleasure when the tension is balanced by humor and sarcasm, like when Pete answered DD that there are “theories” about Syd and Carmy dating, for example.

The last episode was also very satisfying, giving us one final glimpse into these characters' lives and the family they have built together. We were kind of expecting the “not one but two” Michelin star, but that did not make it any less deserved. If anything, we only wished we had seen everyone's reaction to the announcement. 

We also appreciated that the series stayed away from a cliché ending. In other shows, Carmy would have changed his mind to stay at the restaurant at the last minute. But The Bear stays faithful to his character arc and allows him to move on with his life. Besides, the fact that he kept ignoring the phone calls and then stressed over the Starman dish, when he could have known the truth earlier, was a great reminder of how much his anxiety has held him back. More importantly, he finally understands that his real legacy is not the restaurant itself but the people he brought together, and he knows The Bear is now in good hands. 

With its final season, The Bear reminds us why it became such a successful and loveable series. It doesn't introduce unnecessary drama just for the sake of it and gives each character space to shine and beautiful perspectives. It stays true to everything it has built over five seasons, so we honestly could not have asked for a better farewell!

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Widow’s Bay: A Love Letter to New England Horror!

| By Miah Massaro

Apple TV’s hit new series Widow’s Bay is one that either had people yearning for its weekly Wednesday releases, or binging it all in one, single day once the finale dropped on June 17th. (If you couldn’t tell, I was a part of the latter–it was just that good). 

As someone who grew up in New England, Widow’s Bay felt tailor-made for people like me. The series understands something that many horror stories that take place in this area miss—New England itself is quite scary. 

There is a feeling the show provided that wasn’t heightened because of jump scares or old folktales, but because of the history that lingers in every weathered town, every abandoned or old, creaking building, and every stretch of land swallowed by fog. There is an eerie feeling that exists in many corners of New England, a constant sense that something happened long ago and the land never quite forgot, and that’s exactly the kind of energy Widow’s Bay carries throughout all ten episodes. 

Widow’s Bay also holds strong echoes of Stephen King’s best work–not because it copies him–but because it understands the same fundamental truth: the most frightening places are the ones that feel real. The town at the center of Widow’s Bay feels lived in. It has generations of secrets, complicated relationships, local legends, and the kind of collective knowingness that hangs over every resident. The horror in this show emerges naturally from that environment, making every strange occurrence feel unsettlingly plausible. 

Credit: Apple TV+

What truly makes this series succeed the way it does is the fact that it understands that fear works best when it’s rooted in people. The characters feel authentic, and their personal struggles carry just as much weight as the mysteries surrounding them. The show balances emotional storytelling with supernatural terror in a way that keeps viewers invested in both. Whether it’s Evan grappling with the bruising reality of what happened to his mother, Tom trying to protect his son while actively holding secrets that only push him farther away, or Patricia’s inability to find footing in friend groups, you want answers about the history surrounding the island, but you also genuinely care about the people that are searching for them. 

Widow’s Bay also balances horror, mystery, and comedy without ever falling flat. So many shows attempt to juggle multiple genres and end up losing their identity somewhere along the way, but Widow’s Bay somehow does the exact opposite. The humor never undercuts the tension. The mystery never overwhelms the characters. The horror never feels excessive. Everything works together in a way that feels effortless, even though it’s clear an incredible amount of care went into writing this script and creating this story. 

Of course, none of this would work without the cast, and the performances across the board are genuinely extraordinary.

Credit: Apple TV+

Matthew Rhys delivers the kind of performance that anchors the entire series. As Tom Loftis, he carries the weight of Widow’s Bay on his shoulders–quite literally, as the mayor– but he also is balancing grief, fear, determination, and exhaustion in a way that never once feels forced. Rhys has always been a phenomenal actor, obvious in his well deserved Emmy win for his role in The Americans, but this might genuinely be one of my favorite performances from him. He completely succeeds in making Tom feel like a real person trying to hold himself together while the world around him slowly unravels, and it’s impossible not to get pulled in. 

Kate O’Flynn was an absolute standout for me. In a show packed with incredible performances, she manages to leave a lasting impression every time she appears on screen. She brings so much personality, warmth, and unpredictability to her role as Patricia. I recently saw an edit of her on TikTok, it was merely a compilation of some of O’Flynn’s funniest moments as Patricia, and the caption read: “She is like a friend I worry about.” I honestly do not think there is a better way to describe her, but perhaps that is exactly why people have loved this character so much. 

One of the biggest surprises of the series was Kingston Rumi Southwick. Holding your own opposite actors like Matthew Rhys is no easy task, but Southwick does far more than that. As Evan Loftis, he brings an authenticity and emotional honesty that truly resonates, sucking you back into those teenage years when it felt like the entire world (and your parents) were out to get you at every turn. Whether he’s sharing quieter family moments with Tom or navigating some of the show’s darker emotional territory, Southwick is able to deliver in ways that make me even more eager for the arrival of season two.

Credit: Apple TV+

And while the larger performances understandably draw much of the attention, Widow’s Bay wouldn’t feel complete without its incredible supporting cast. Actors like Stephen Root, K Callan, Jeff Hiller, Kevin Carroll, and Dale Dickey provide exactly the kind of humor the series needs. Their performances help balance the tension and dread that hangs over the town, offering moments of relief without ever undercutting the story’s atmosphere, while also sometimes acting as the key provider of the friction that exists in certain scenes. 

I am incredibly excited to see where this show continues to take us in the second season. Even more so, I am extremely eager to watch how the first season continues to succeed during award season. Widow’s Bay is by far one of the best projects that has been released so far in 2026, and I have no doubts that we will be seeing it receive nominations across various categories.

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We found the perfect rom-com to end this Pride Month: A Nice Indian Boy!

| By Laëtitia

A Nice Indian Boy follows Naveen, a shy doctor who falls in love with Jay, a charming photographer. As their relationship becomes more serious, Naveen tries to introduce Jay to his traditional family. Inspired by Madhuri Shekar's stage play of the same name and director Roshan Sethi’s personal experiences, what started as a classic romantic comedy ended up being a touching family drama about queer love and family acceptance.

As the two leads, Karan Soni and Jonathan Groff made it really easy to become invested in Naveen's and Jay’s relationship. First, Karan Soni brings both sincerity and vulnerability to Naveen, showing the complexity of a man who struggles to express his feelings but also wants to be understood. He’s equally great in the comedy scenes and especially made us laugh when he recounted his date to his coworker. 

Opposite him, Jonathan Groff once again demonstrates his abilities to convey emotions and make his character unique and endearing. Together, they have a natural chemistry that makes every stage of their relationship compelling, from the awkwardness of the early dates to marriage proposals. We’ll especially keep in mind the scene where Naveen edited him into Jay’s favorite movie, which is kind of a classic in romance but which can often feel flat, and here it was very well brought out and played.

Beyond the romance, what stood out is the way the film portrays family dynamics, starting with the parents, wonderfully played by Harish Patel and Zarna Garg. And as his sister, Sunita Mani leaves such a strong impression that we wanted to see more of her. Together, they form an endearing and authentic family but also show the more complex side of it.

Indeed, rather than making us choose sides, the film made sure we understand everyone's point of view. For example, his mother's perspective made us realize that Naveen was so secretive, so, of course, his family would be nervous about a man they know nothing about. And in that aspect, we were caught off guard at how emotional the film becomes. Because in the first half, we found it cute and funny, but then, we found ourselves shedding some tears at the talk between the father and Jay, and the whole wedding sequence. 

Overall, A Nice Indian Boy manages to touch on so many aspects of life and relationships without ever feeling heavy. It explores the importance of expressing our feelings and the different ways parents show their love. By the end, we were left wondering how we had never heard of this film until now. It is funny, romantic, unexpectedly moving, and one of our favorite discoveries of the year!

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Our thoughts on Avatar: The Last Airbender season 2!

| By Cécilie

Avatar: The Last Airbender Season 2 is a real improvement over its first season, especially in its characters’ developments and personality. The series feels much more confident this time around.

Toph is the best new addition. Miya Cech brings so much energy, which helps in a season that stays grounded in mostly one location. Katara remains a favorite and also benefits greatly from the stronger writing this season. While her character struggled more in Season 1, here she feels much more developed. It feels important to highlight that her physicality is also incredible. She makes waterbending truly believable.

Unsurprisingly, Zuko and Iroh also remain one of the best parts of the show. Their dynamic was already the highlight of Season 1 for a lot of people, and Season 2 continues to understand what makes them work so well. Dallas Liu and Paul Sun-Hyung Lee’s performances often feel stronger than the rest of the ensemble.

Credit: Netflix

Unfortunately, the same cannot always be said for the chemistry between Aang and Katara. Gordon Cormier and Kiawentiio are both charming individually, but their chemistry does not always come through on screen. The show clearly wants us to understand that they have feelings for each other, just like in the original, and while their relationship is sweet, the emotional connection does not always translate.

This becomes especially noticeable when comparing them to Zuko and Katara, who have a much more natural and effortless dynamic. It would be a lie to say Dallas Liu and Kiawentiio don’t share a pretty easy chemistry that makes their scenes stand out. Their final episode scene in prison, where Zuko opens up to Katara and she offers to heal him, is easily one of the strongest moments of the entire season.

The acting overall remains inconsistent, but Kiawentiio, Dallas Liu, Paul Sun-Hyung Lee, and newcomer Miya Cech are clearly the strongest elements of the cast. The rest of the storyline, while much better than Season 1, still has moments where the pacing slows down. Visually, the show remains a mixed bag. The costumes continue to be distracting at times, while the visual effects are surprisingly solid for a Netflix production of this scale, even if they occasionally feel uneven.

Credit: Netflix

Elizabeth Yu also begins to grow into the role of Azula. While her performance was criticized in the first season, there is a noticeable improvement here, especially in the final episode. She starts moving in the right direction, though the season could have benefited from making her feel more intimidating earlier on. Azula should feel terrifying, and that element is not always fully present. But the show did make a good job on showing that she is always one step ahead. She’s not only frightening, she’s also competent in every possible field. 

Overall, Season 2 is a much stronger and more enjoyable adaptation. It still has weaknesses, but it understands its characters better. It is an easy show to binge-watch and it feels like it is going in the right direction before the final season.

Avatar: The Last Airbender Season 2 is now streaming on Netflix!

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Voicemails for Isabelle is so much more than a romantic comedy!

| By Laëtitia

Netflix's latest romantic comedy, Voicemails for Isabelle, made us curious, especially with Zoey Deutch and Nick Robinson leading the cast, and we are happy to say that it completely won us over. Directed by Leah McKendrick, the film follows a young woman who copes with the loss of her sister by leaving voicemails on her old number, unaware that it now belongs to a stranger. And it may seem too strong of a word, but it truly has been a long time since we watched a movie that felt this perfect. Even if we tried to find flaws, we could not think of a single one! 

Starting Voicemail for Isabelle, we realized how emotional the film would be, as it already made us cry within its first fifteen minutes. Thinking about it, that is also proof of how quickly it managed to make us deeply care and relate to Jill. Indeed, besides the romance, it is above all a story about grief, and the relationship between Jill and her sister Isabelle (beautifully played by Ciara Bravo) is the heart of the film. We loved learning that Jill used to do crazy things to entertain Isabelle and help her forget about her illness or that she became a chef because the two of them spent time experimenting together in the kitchen.

The Robyn song was another beautiful touch, making details such as Isabelle dancing behind Jill in the final scenes both heartbreaking and healing. Just like the line, "I don't need a man, I need my sister back," which felt so well-written we kind of saw it coming but which also perfectly captures the pain of losing a loved one. And we really appreciated how the soundtrack is not simply used as background but becomes an essential part of the story, as it’s the case in real life.

Credit: Netflix

The film also excels on the romantic side. Zoey Deutch is irresistible as Jill, she is so warm and infectious, and it completely makes sense that someone could fall for her through voicemails alone. Meanwhile, Nick Robinson brings sincerity and sensitivity to Wes, making it easy to care about him, even when we can see the catastrophe coming from miles away. We were also glad that the film took the time so that he could properly make amends. Together, Zoey Deutch and Nick Robinson share a natural chemistry that makes Jill and Wes' relationship really endearing. The whole sequence where they discover San Francisco was especially successful, not only because it beautifully shows the city. But because we could truly feel their feelings grow and it was not used as a shortcut in their romance.

Besides the leads, there are actually very few characters in the film, but every single one of them matters in the story and feels real. We especially loved Wes' two married friends, played by Leah McKendrick and Harry Shum Jr., who, beyond being a fun addition, also serve as proof that he is genuinely a good person. Even the more infuriating characters, such as the toxic boss or the man with his podcast, ultimately felt satisfying because they received exactly what they deserved (and it led to a beautiful sisterhood with her colleague).

Credit: Netflix

Carried by the irresistible Zoey Deutch and Nick Robinson and genuine character writing, Voicemails for Isabelle manages to balance romance, comedy, and grief to create something truly special. It is one of the most perfect romantic films we have seen in a long time and an absolute must-watch!

Voicemails for Isabelle is now streaming on Netflix worldwide!

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Your Fault: London makes us love Nick&Noah even more!

| By Cécilie

Your Fault: London had a difficult challenge ahead of it. Sequels often struggle to maintain the intensity of a first romance, but Nick and Noah remain just as passionate and captivating as before. Their chemistry is still the strongest element of the film, and rather than losing its appeal, their relationship becomes much more complicated.

Credit: Prime Video

The film naturally explores the difficulty of being together when Nick and Noah are technically step-siblings, but it introduces a new and much more interesting conflict: mutual jealousy.

With Noah moving to Oxford and Nick starting to work for his father, they both enter new environments and meet new people. Nick meets Sophia through work, while Noah meets Michael at university. Neither of them ever intends to cheat on the other, but the jealousy is very real, and Asha Banks and Matthew Broome play that tension beautifully.

What works especially well is that the film never makes this jealousy feel forced or annoying. It comes from a lack of communication between them, and you understand why both characters react the way they do. Nick hides things from Noah because he thinks he is protecting her, while Noah feels left out of his life. Their mistakes come from insecurity rather than a lack of love.

We especially loved Noah’s new confidence in this film. She does not let herself be pushed aside and is much more sure of herself. Asha Banks is fantastic throughout.

Credit: Prime Video

The film also does something interesting with its driving scenes, which often reflect the characters’ emotional states. Nick cannot stop lying to Noah, even though she probably would have understood if he had simply explained his reasons. Noah drives recklessly when she is angry, creating moments of real tension because the action feels connected to what they are feeling.

We were also worried about how the film would handle the cheating storyline, but it surprisingly works because everything is connected to that same lack of communication. Nick does not explain what happened with Sophia because he does not want to worry Noah, and Noah’s actions come from the same place of self-doubt. Because of that, the characters never lose their integrity, and we finish the film still understanding both of them.

The conversation they have after their respective nights out is one of the best scenes in the film. Nick’s “you’re mine” line could have easily felt toxic, but the scene works because Noah pushes back while also admitting that she feels the same way about him. She makes Nick admit that he is jealous of Michael, while she also admits she is jealous of Sophia. There is something very endearing about how honest Noah is throughout the film.

Credit: Prime Video

The ending is much less optimistic than the first movie, but it also shows why these films work so well. The writers understand London!Nick Leister as a character. When he finds out Noah slept with Michael, he does not get angry at her because he knows he made a similar mistake by kissing Sophia. He leaves because he understands the situation, and later accepts the consequences of attacking Michael because he knows what he did was wrong.

The film manages to create drama without making its lead characters unbearable, which is not always easy in romance stories. However we have to say it was difficult not to completely hate Briar and Michael seeing how they took advantage of the situation. 

But of course, Asha Banks and Matthew Broome remain the biggest reason why this works. Their chemistry is still electric, and they make Nick and Noah even more charismatic and compelling.

Your Fault: London may be messier and more painful than the first film, but it understands that relationships are not only tested by outside obstacles but also by whether two people are willing to communicate. It is a successful sequel, because it only made us want to see the third part now! 

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We catch up on Twinless to start this Pride Month!

| By Laëtitia

Twinless premiered last year, but it is one of those films we are only catching up on for Pride Month, and we're glad we finally did. It follows two men who met in a support group for people who have lost their twin siblings. And what begins as a story about grief and loneliness evolves into something more unexpected and relatable. 

First of all, we were impressed to learn that, for this film, James Sweeney not only played the main role, but he also wrote and directed it, which deserves to be highlighted. His work behind the camera is impressive, as he manages to keep a dramatic tension that keeps us engaged until the end and surprises us with unexpected ups and downs while still being believable. 

And as the main character, James Sweeney doesn’t have an easy task either, but he managed to convey a lot of vulnerability and hidden emotions. Indeed, Denis is difficult to understand, and because of his many lies, we see why some viewers don't like him. But in our opinion, that is what makes him such an interesting character. Even if we do not approve of his actions, we still feel more sorry for him than anything. Overall, Twinless does a remarkable job depicting not only grief but also the loneliness that makes people act in ways they know are wrong (whether it’s stalking or being violent), just because they want to fill a void. 

Dylan O'Brien delivers an equally impressive performance: he plays both twins but portrays each one so differently that it feels like they were played by two separate actors. Besides, his chemistry with James Sweeney is the film's greatest strength, as we did not expect the relationship between Roman and Denis to develop the way it does. Considering we follow two people in their everyday lives, from grocery shopping to going to a colleague’s birthday party, it is their interpretation that makes it compelling and brings out the discomfort, comedy, or emotions.

Another character we appreciated is Marcie, played by Aisling Franciosi. We are glad that she is written and portrayed as smart, outgoing, and intuitive, far away from clichés. The fact that she remembers so many details about the people around her proves that she genuinely listens and cares. Because of that, when she confronts Dennis, she doesn’t come off as the villain, as we can clearly see it upsets her because she is truly worried and tries to understand. 

For a film centered on grief and loneliness, Twinless manages to convey not only sadness but also humor, discomfort, and tenderness. Based on the trailer, we thought we were going to watch a gay romance, but it took a different path, and we always appreciate a film that isn’t predictable. Besides, the familiarity between them was all it needed to be a heartwarming and endearing watch. 

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Office Romance feels like a missed opportunity for Jennifer Lopez and Brett Goldstein. 

Netflix’s latest romantic comedy called Office Romance follows Jackie, the CEO of an airline company, and Daniel, the new lawyer at the firm. On paper, the film has all the ingredients of a successful romantic comedy: a charismatic cast, an experienced director with Ol Parker, and an entertaining workplace romance setup. However, even if we enjoyed parts of it, we can’t say we would recommend it, as it never delivered the emotions we look for in a romantic comedy. 

Office Romance’s biggest asset is its lead couple. Indeed, Jennifer Lopez and Brett Goldstein are both incredibly charismatic on their own, and they have enough chemistry together that we clearly understand why they fall in love with each other. Jennifer Lopez perfectly portrays every side of Jackie: she is an impressive CEO who also knows how to fly a plane but is also struggling to let someone get close to her again. Opposite her, Brett Goldstein managed to add depth and layers to Daniel mainly through his relationship with his sister, who is in prison. Played by Jodie Whittaker, she is in our opinion the most intriguing supporting character. She managed to make every one of her scenes memorable, which wasn’t easy considering all of her scenes happened in a prison cell. 

Credit: Netflix

Beyond the romance, the film had glimpses of successful moments that felt relatable, like Daniel dropping his cereal bowls when Jackie called him or him saying to his assistant, "We are not alright, we just say it." Unfortunately, there are exceptions, and most of the comedy didn’t work that well. The first meeting between Jackie and Daniel is the best example. It was awkward, cliché, and embarrassing, so we ended up laughing, but not for the right reasons. We had the same issue later watching the birth scene. Besides being really predictable, it ruined the mood because instead of paying attention to the dialogue, we were distracted by how ridiculous the entire sequence felt. And from the start, Betty Gilpin‘s character was written poorly, only treated like a repetitive comedy element to a point that we never really understood her motives or how close she actually was to a friend with Jackie.

The end of the film doesn’t make up for those previous disappointments. The press conference scene feels like another example of a rom-com cliché with an unrealistic and forced public declaration of love. With hindsight, despite the chemistry between Jennifer Lopez and Brett Goldstein, their relationship feels both rushed and predictable. Except for their trip, we didn’t see their feelings grow in the office, and the film spends screen time on storylines we didn’t really care about, like the former lawyer working at a food truck. We would have preferred seeing Jackie and Daniel missing each other and longing for each other instead, because, after all, that yearning is the reason we watch romantic comedies in the first place. 

Credit: Netflix

In the end, Office Romance is entertaining thanks to its leads and its few funny moments, but with stronger writing and more room to develop the romance, it could have been much more memorable. It is at least a reminder of how much we enjoy watching Jennifer Lopez and Brett Goldstein on screen, but for that we would rather recommend Hustlers, Marry Me, Ted Lasso, or Shrinking!

[adailycrow]

K-pops! is the perfect fun and familial film for this summer!

| By Laëtitia

Netflix has just released K-Pops! which is Anderson .Paak’s first directorial feature and a personal project for him, as he is alongside his real-life son, Soul Rasheed, and his friend Dumbfoundead. Following a struggling musician who reconnects with his estranged son through a K-pop competition, the film mixes comedy, music, and family drama and conveys a lighthearted and sincere vibe. 

After watching it, we read that K-Pops! took around five years to come out, and that information matters because, at first glance, some people could assume it is trying to ride the wave of recent K-pop-centered projects like KPop Demon Hunters. And in our opinion, the title itself is not the best choice because it puts K-pop in front when it’s the father and son’s relationship that is at the heart of the film. What immediately works, however, is how fun the movie is to watch, as we can tell the cast had a great time filming together, and that translates to the screen. Learning that Anderson .Paak made the film with his real-life son was really touching, and we loved the post-credit sequence with all the personal pictures.

That sincerity also comes through in the way Seoul is filmed. Of course, the movie included many tourist elements, but after all, it is always a pleasure to see some hanboks at palaces. Besides, some sets like the music store were a nice addition and showed the city wasn’t just used as an aesthetic. In the same way, it was nice that the film did not take the easy route of making every Korean character speak English. Visually, the film also has a creative and artistic vibe through a few drawing sequences. But at the beginning, we have to say it diminished the reasons why Yeji left BJ. We understood he wasn’t a good partner, but we didn't actually see enough of that behavior for his growth to feel fully impactful later. 

Credit: Netflix

Unfortunately, we also have some doubts about some elements in the storylines. For us, the best friend and the grandmother were probably the weakest part of the film. It was repetitive, lacked chemistry and rewarding comedy. We also had mixed feelings about the “Jackson 5 paved the way for BTS” idea. We understood what the father was encouraging his son to appreciate what his father considers classics, but it still felt very Hollywood-centered in our opinion.

Another aspect we struggled with was the fact that the son was taking part in a television competition at only twelve years old. We won’t ever think it’s normal to see children exposed to the pressure and public judgment. Of course, this reflects real entertainment industries, but we would have loved for the film to question how abnormal it is to expect someone that young to behave like an adult in such a stressful environment.

At the same time, we would have loved even more romance between the parents. Because seeing the mother start dressing up to impress him again was funny, and we thought the reconciliation would have been pushed further, it’s a little waste their chemistry wasn’t used more. 

Credit: Netflix

The soundtrack is another element that could have been stronger. For a movie so centered around music and K-pop culture, it kind of lacks that one unforgettable song that stays in your head afterward. And unfortunately, in that regard, the comparison to KPop Demon Hunters doesn’t help because its soundtrack immediately became addictive.

But in the end, what carried the film is the relationship between the family. Anderson .Paak is instantly likable as a passionate musician taking young people under his wing. Soul Rasheed perfectly conveys the innocence of his character and the emotions he goes through when he is afraid to be left by his dad. And Lee Min-Ji does a wonderful job grounding the story and making the family's history believable. Together, they are the heart of the film, as some of its best moments are simply watching them interact.

To sum up, even if some storylines and themes do not fully work, K-Pops!’s fun atmosphere and genuine affection for both music and family relationships make it an enjoyable experience.

[adailycrow]

Colony may not redefine the zombie genre, but it still delivers!

| By Laëtitia

After being screened at the Cannes Film Festival and with Yeon Sang-ho, best known for Train to Busan, as a director, we were obviously excited and curious to see what the zombie thriller Colony would bring. While the film does not always fully use the potential or avoid certain clichés, it still manages to stand out thanks to its evolving zombies, subtle but accurate social commentary, and stellar cast!

In fact, at first, the film felt a bit too long to introduce its main subject. We especially found odd the transition between the intense life-or-death situations inside the mall and the laboratory filled with monkeys. We still appreciated certain parts of this storyline because Shin Hyun-Been’s character has a surprising and touching relationship with Jun Ji-Hyun. So we are only wondering if those ideas could have been introduced differently because the shift in atmosphere sometimes took us out of the tension rather than building on it.

That feeling also extended to the use of the building itself, and unfortunately we can’t help but compare it to Train to Busan and remember that every element of the train was used to its full potential. Here, the mall is a great idea on paper, but the space feels too big to really leave a mark. Apart from a few memorable moments, like when the characters spray perfume on mannequins to mislead the zombies, the environment never feels exploited as creatively as it could have been.

Besides, because Korean cinema is known for being innovative and surprising, it was also disappointing to see some characters fall into clichés. For example, the bully student, played by Chae Seo-Eun, is the typical annoying character in a horror film who slows everyone down, so we didn’t care about her fate, and it felt like a missed opportunity.

Fortunately, the film is much more interesting thanks to the zombies themselves. The fact that they learn and are able to communicate with each other is really smart and makes the survivors’ situation even more difficult. Even if a few details were not believable, like blinding Young-cheol’s eyes so he doesn’t know where he is or the survivors communicating through text messages amidst the chaos, we accept it because it was entertaining. And the final sequence of the zombies outside of the building was so well built up, and combined with the perfect music, it was really satisfying, chilling, and memorable.

Beyond the zombies, we appreciated the way the story included the hypocrisy of politicians and authorities, which highlighted the selfishness, manipulation, and power battles that come out in front of a crisis. 

What truly keeps the stakes grounded, however, is the cast. Jun Ji-Hyun delivers a refreshing and compelling performance as a character that is both intelligent, sensitive, and capable without ever feeling unrealistic. Then, Koo Kyo-Hwan is absolutely terrifying as the villain, and it was even more impressive after seeing him in such an opposite role in We Are All Trying Here. Here, he never turns his character into a completely obnoxious one, even though he is the only one to blame. And the way he confidently walks among the zombies and exits the building was absolutely chilling and iconic. Finally, Ji Chang-Wook does not disappoint in the action sequences, as expected, but we especially appreciated that the film gave him room to show emotional vulnerability as well (the scene where he is on the elevator and speaks to his sister, also beautifully played by Kim Shin-rok, was genuinely moving).

As for the cinematography, Colony has some successful unique visuals, like when the police arrive and face an entire wall of zombies. It was weird and beautiful at the same time. So we wished the film had included even more of them to truly stand out.

Even if Colony will probably never have the same global impact as Train to Busan, it still is an entertaining zombie film thanks to its innovative elements, tense atmosphere, and strong performances!

[adailycrow]

Do yourself a favor and watch We Are All Trying Here on Netflix!

| By Laëtitia

Now that we’ve seen We Are All Trying Here’s last episode, we can safely say that it is a series everyone should watch at least once in their life. Even if its premise can seem simple because it’s just people doing their things, it’s in fact a masterpiece in writing, brought to life by an incredible cast.

Starting We Are All Trying Here, what impressed us the most was the fact that every episode is filled with beautiful lines (and even poems) that instantly became iconic quotes. For that reason only, we already want to watch it again to be sure we caught all of them. When we learned that the writer was Park Hae-Young, who also wrote My Liberation Notes, it made perfect sense. Although the two dramas are different, they both understand and transcribe human emotions perfectly. Here it was especially startling to see behaviors that are so familiar we barely notice them ourselves, like Dong-Man forcing himself to smile on the bus or imagining conversations with Eun-A while cooking.

That understanding of human feelings extends to the characters. Starting with Dong-Man, who's a complex character: we immediately cared for him, but he's so annoying to everyone, even the viewers. To a point where we had trouble believing that the eight club members didn’t make a separate group chat without him at first. But then, when he leaves himself and everyone admits they kept him around because he inspired them, it all clicked. It was heartbreaking but explained their behaviors perfectly.

Koo Kyo-Hwan deserves all the applause for that performance. We already knew he has a unique acting style and an ability to make every role his own, so this is a confirmation. Because it's impossible to imagine anyone else portraying Dong-Man with the same mix of awkwardness, sincerity, and emotional depth.

Opposite him, Eun-A is discreet and reserved, but as the story progresses, she begins to be fearless and calls everyone out, which is refreshing and liberating. While we already loved Go Youn-Jung in her previous projects, this truly showcases the full extent of her talent, and it's also difficult to imagine anyone else playing that role with the same nuance and sensibility.

Together, Go Youn-Jung and Koo Kyo-Hwan convey a unique chemistry that feels effortless and makes the relationship between their characters far stronger than it first appears. It even made us feel ridiculous when we realized we were waiting for a physical confirmation of their love because we're so accustomed to it. But they did openly confess their feelings to each other many times, and in such beautiful ways, we truly didn’t need more. And when they did, we especially loved that Eun-A was still honest (yes, Dong-man talks non-stop and can be embarrassing), which keeps their relationship grounded and believable.

Besides the leads, the found-family dynamic was one of the warmest aspects, whether the group was drunk by the sea, playing together in the snow, or laughing louder than the next table in a bar. When Mi-Ran (played by Han Sun-Hwa) said she has found people she can be crazy with, we realized the series made us care about everyone, not just the main characters. Indeed, we truly appreciate several of the secondary ones, especially because they were all thoughtfully written. Starting with Hye-Jin (Kang Mal-Geum), who we constantly rooted for, whether she was standing up to the other CEO, Dong-Man, or her husband. On the other side, we were boiling watching Eun-A’s biological mother (Bae Jong-Ok) showing no remorse. So we were so thankful for the sorority between Mi-Ran and Eun-a as they hugged in the finale. And obviously, Park Hae-Joon as Dong-man's brother broke our hearts several times. 

Without undermining the emotional moments, We Are All Trying Here also features lighter, hopeful, and funnier moments. We’ll especially keep in mind the hospital chaos in episode four and Dong-Man's upside-down phone conversation in episode eight. Overall, the series is full of successful storytelling choices. The emotion watch is such a smart and innovative idea, as it gives the characters a unique way to connect and talk about their traumas.

Being in the world of writers, directors, and producers was also truly entertaining. All along, the series used cinema and art in general as ways of telling stories about people and making them connect, which was truly beautiful. Dong-Man's view on storytelling, in particular, felt like he was speaking directly for us. 

Finally, even if we wished we had more time with those beloved characters, We Are All Trying Here’s ending was still a satisfying and complete journey. Eun-A wore a regular watch, and Dong-man put his rehearsals for a thank-you speech to good use. They all faced their fear and kept moving, but they also stayed themselves, because no one is entirely good or bad. Just like the title says, we are all trying. For these reasons, whether we rewatch it or not, we will keep a good opinion of this series forever.

[adailycrow]

Off Campus is all forms of addictive!

| By Cécilie

As someone who has read and loved the Off Campus series, I absolutely adored this first season. This adaptation manages to capture the heart of the books and proves that this world translates beautifully to the screen.

Credit: Prime Video

One of the show’s greatest strengths is undeniably its casting. Belmont Cameli and Ella Bright feel perfectly chosen as Garrett Graham and Hannah Wells. After watching them together, it becomes almost impossible to imagine anyone else in those roles. If anything, Garrett could have been a really annoying character in the hands of someone else. Their chemistry is genuinely amazing. The first few episodes follow the structure and atmosphere of the book incredibly well, and it makes us right at home at Briar U.

Of course, like any adaptation, some scenes from the novel had to be cut. Still, the writers clearly understand the source material deeply, and they compensate with subtle nods that book fans will instantly recognize. There are countless thoughtful details woven into the series: the Breaking Bad page visible on Garrett’s laptop in episode two, referencing the show he and Hannah watch together in the novel; Hannah frequently wears red after Garrett tells her the color suits her in the book… One moment I really liked in episode one, is when Hannah tells Garrett that hockey is the only sport that tolerates violence. Readers immediately understand the painful double meaning behind that line, knowing Garrett endured physical abuse from his father as a child. 

Credit: Prime Video

Another undeniable highlight of the season is the hidden Dean and Allie storyline. Both perfectly cast but emphasis on Mika Abdalla as Allie Hayes who is just absolutely breathtaking throughout this season. Fans of The Score were probably thrilled to see elements of their story introduced so early, and their chemistry is honestly out of this world. The show already understands what makes their dynamic so compelling. Similarly, giving Beau more screen time was one of the adaptation’s smartest decisions. It will only make the future events of The Score even more heartbreaking, and the Dean-Beau dynamic ended up being one of the season’s strongest surprises.

More generally, the adaptation makes several changes that allow Hannah to feel more independent and confident than she sometimes does in the books. For example in episode two, when Hannah initiates the kiss with Garrett in the gym herself. In the novel, the moment happens in a sort of “dare” situation where she can't back down, so changing it for the show gives Hannah more agency. The series consistently tries to modernize aspects of the romance that could otherwise feel dated or overly toxic, and for the most part, those choices work very well.

Credit: Prime Video

That being said, not every change lands perfectly. Hannah not knowing about Phil being an abuser before going to Thanksgiving felt a bit off as a book reader at first but we do appreciate that it showed her being a person that stands up for Garrett without full context. The “hands off law” scene feels unnecessary in its altered form. It is understandable why the writers changed it, keeping the original version would likely have felt far too toxic onscreen, but because the scene is only partially adapted, it ends up feeling awkward altogether.

Still, the emotional strengths of the season far outweigh its weaker moments. One of the absolute best additions is the original ice rink scene where Hannah sings to Garrett. It is tender, intimate, and beautifully performed, and it perfectly demonstrates why fans should trust this creative team moving forward. Some of the best moments in the season are not direct adaptations from the books (wink at the floor scene) but entirely original scenes.

Credit: Prime Video

The friendships are also handled incredibly well. The chemistry between Garrett, Dean, Logan, and Tucker is one of the show’s greatest successes. Their off-campus house dynamic was probably the most important aspect to get right if the audience was going to become attached to them beyond reputations at the very beginning, and the show absolutely succeeds there. It was also genuinely heartwarming to see how much emphasis the series placed on the boys loving Hannah and rooting for her relationship with Garrett. Their support during her final performance in the finale was one of the season’s sweetest touches.

One element that feels slightly underdeveloped in the first few episodes, however, is Hannah’s friendship with Allie. In the books, Hannah explicitly tells Allie about her sexual assault much earlier, creating a stronger emotional bond between the two women. The series appears to delay that reveal in order to make Hannah eventually telling Garrett feel even more significant, but it does slightly weaken the foundation of Hannah and Allie’s friendship during the first half of the season, even if they carefully make up for it afterwards.

Credit: Prime Video

Finally, the introduction of Hunter Davenport is an incredibly exciting addition that hints at future adaptations of the Campus Diaries books. Combined with the setup for Logan and Grace in season two, and hopefully more Tucker as well, the series leaves fans with a lot to look forward to. 

Off Campus is streaming on Prime Video.

[adailycrow]

We started watching Cold Storage for Joe Keery but stayed for the chaos!

| By Laëtitia

We decided to watch Cold Storage mainly because we have been curious to see where Joe Keery’s acting career was taking him. The film follows his character, Travis, and Naomi, played by Georgina Campbell. They are working a night shift at a storage facility but end up facing a deadly fungus that escapes from an old military base hidden in the basements. They found help in a retired soldier, portrayed by Liam Neeson, who already faced that threat years ago. With this cast and a premise that has potential, it immediately grabbed our attention and managed to keep it until the end!

Cold Storage starts by introducing a rapidly mutating organism escaping from containment, which could have gone much worse in terms of victims and propagation, but we understand that the film intentionally kept things smaller. By keeping it to one location, it is easier to believe that this could happen without immediately involving the entire world. But we still found it weird that the first scientist got infected through her shoes while Travis and Naomi didn't, although they were close to it a lot of the time. But in the end, Cold Storage’s goal is to be an entertaining and slightly horrific film rather than a dramatic and scientifically accurate one.

The strongest element of the movie is undoubtedly its lead trio: Joe Keery, Georgina Campbell, and Liam Neeson, who bring enough charm and personality to keep things moving even when we doubt the script. Travis and Naomi especially share a great dynamic, with small moments and funny lines making their chemistry feel natural. We also appreciated their characters' backgrounds and the way they were introduced, which is difficult considering they just met and the events related to the fungus have to happen at the same time. Travis’s past especially made sense, giving him a little more depth while still being coherent. What we understood less, however, were Naomi’s reactions regarding the father of her daughter. Even if she hates him (which we could well relate to), for her daughter’s sake alone it would have made more sense to see her panic or emotionally break down a little seeing what happened to him.

We also enjoyed Liam Neeson and Ellora Torchia’s military storyline. We liked that the film highlighted how Robert actually did all those years, but the administration never listened or cared. There is also something satisfying in seeing him kind of pass the torch to someone younger, who is also actually able to help him when those above him belittled him and have displaced ego. Regarding other secondary characters, we expect the grandmother to play a much bigger role. Except for one scene, her character was there without adding much to the overall story, which felt like a missed opportunity.

About the horrific elements, we have to say we can’t see an infected deer and not think about Train to Busan. For that reason, we wish they should have chosen another animal, because making us think of the most successful zombie film while watching Cold Storage didn’t do it any favor. And also because the special effects when the animal took the elevator were not especially convincing. Thankfully, the effects on the infected people worked much better and looked scary and disgusting. However, we never fully understood the rules of the virus itself. Some victims suddenly exploded while others wanted to spread the infection, so we kept waiting for clearer explanations that never really came.

So if we had to recommend a zombie film, it would still be Train to Busan ten times over. But even if we wish some things would have been more thoughtful in Cold Storage, we still had a great time watching it. It has endearing characters portrayed by beloved actors and disgusting creatures that will entertain viewers looking for something silly and fun!

[adailycrow]

Our mixed feelings about the rom-com You, Me and Tuscany:

| By Laëtitia

You, Me & Tuscany follows Anna, played by Halle Bailey, an aspiring chef who impulsively travels to Italy. Things become more complicated when she meets Michael, portrayed by Regé-Jean Page, and slowly develops feelings for him. Original in its setup and light in its delivery, the film succeeds at being one of those romantic comedies that can take your mind off things for a bit.

Starting with the setting, You, Me & Tuscany obviously made us want to travel to Italy to see those beautiful landscapes and charming houses. However, we also felt like the film sometimes tried a little too hard visually. Some scenes looked as if filters had been added to make everything more aesthetic when Italy is already beautiful enough on its own. Besides, the markets, restaurants, and streets often looked too clean and perfectly arranged, like an idealized American version, when in real life there is a kind of joyful chaos and spontaneity to everything. 

Regarding the romance, we wish the film had avoided some of the clichés. The vineyard scenes and the singing, for example, felt more awkward than romantic. Overall, putting two attractive people together and giving them romantic situations is not enough to create chemistry, and unfortunately, we never fully felt that spark between Anna and Michael. In fact, we found Halle Bailey much more emotionally convincing in scenes unrelated to the romance, like when Michael’s father trusted her with his restaurant. Same for Regé-Jean Page, we felt more invested while discovering his character and learning about his past than while watching his feelings develop.

Regarding Anna herself, we would have also preferred her cooking background to be written differently. She kept downsizing herself by saying she didn’t graduate, so having her graduate at the top of her class and then never work because she took care of her mom would have made her talent more believable. However, the ending in that aspect was really satisfying because more than finding a love interest, she reconnected with her passion and purpose in life. And it may seem superficial, but we also found it refreshing to see someone like Halle Bailey leading a romance. She looks like an actual person and has curves and a colorful wardrobe that brings energy and a lively presence that is nice to watch. 

On the comedy side, some moments landed, like Anna’s mother creating a collage of the two of them or the barrel race. But others were unintentionally funny, like when Michael said that he would end up alone one day with a very dramatic deep voice. It was meant to be emotional, but the delivery felt so exaggerated that we laughed out loud instead! 

As for the side characters, we have mixed feelings once again. On one hand, the family members are endearing in the way they welcome Anna and make her feel loved so quickly. On the other hand, some of their behavior made it difficult for us to believe and care for them. The sister openly cheating was weird, and the mother always imposing her opinions and decisions felt outdated.

We also found it strange that the entire family always had to move together. It probably would have felt more natural if only a few of them had shown up at certain moments, especially toward the end. As for the supporting characters, the taxi driver was actually a nice addition at first, but we never really understood his connection with Anna. We honestly think it would have worked more naturally if this relationship had been with a woman instead. 

To sum up, there is nothing really bad about You, Me & Tuscany, but there is also nothing truly great that could have made it stand out either. It is cheesy and fully embraces classic romantic comedy elements, so we only recommend it if you are looking for something lighthearted to cheer you up.