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âSCHRĂDINGERâS CRUSH: BOTH REAL AND DENIED UNTIL OBSERVEDâ, a gojo satoru x gn!reader longfic set in a modern alternate universe in a college setting, is now out !
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skybound: gojo satoru
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skybound chapter two.
a spreadsheet analysis of moments that led to this mess: nanami kento
requests usually remain closed as i like to write freely rather than forcing it out. they usually open during events. but you may send in suggestions and if i think i can really do it then iâll be able to write it! or just interact, yâknow?
i donât have a taglist anymore because itâs honestly a hassle. but if youâd like to be tagged on a series or a fic, just send in an ask!
current concern. going back home for holidays soon and yipee
currently listening to. welcome to japan - the strokes
happy birthday, satoru. i'll miss you till the end of time <3
satoru hated birthdays.
it was the worst time of the year. the cold seeped into his bones, a biting chill that he couldnât shake. the snow blanketed everything in white, a stark reminder of his own hair color, and somehow, that made it all worse. he despised it. there had never been a reason for him to celebrate the dayâor himself. because, really, what did gojo satoru have to celebrate?
he had everything and nothing, all at once. the money to buy the world, but the loneliness that kept it out of reach. he could touch anything, yet he owned none of it. what was the point of a day like this? a cake he wouldnât eat? a song no one meant?
so when the day inevitably arrived, he found himself sitting alone in his room at nine in the morning. his phone lay in his hand, his lips curling into a small, frustrated pout as he stared at the screen. he thought of youâyour face flickering in his mind. you shouldâve wished him, shouldnât you? why hadnât you? why did you act like it was just another day, like he was just another person? indifferent. casual. distant.
you treated him the same way you always didâsarcasm dripping from your remarks, soft laughter slipping out when geto cracked a joke, cigarettes shared with shoko in the courtyard after class. and then you left.
it seemed as though none of his friends had remembered. and that... hurt more than he thought it would.
all his life, heâd been gojo satoru. the greatest. the honored one. the six eyes and the limitless user. for centuries, no one like him had existed, and maybe no one ever would again. heâd grown up as an untouchable, a god among men. always alone. disconnected from the world, from people. he didnât even know what it meant to have a home.
but then, heâd come here. to jujutsu tech. and for the first time, heâd found something close to it. heâd found you. heâd found geto. heâd found shoko.
he mutters curses under his breath the moment suguru offhandedly mentions that youâve gone out shopping with shoko downtown. harajuku, shinjukuâsomewhere that usually might have piqued his interest. but right now, he doesnât give a shit. not one bit. thereâs a bitter taste lingering on his tongue, acrid and sharp, and it fuels his growing disdain for the day. he hates it more than ever.
it stings, more than heâs willing to admit. heâd gone out of his way to make sure he remembered your birthday. marked it on his calendar, down to the exact time of your birth, noting your zodiac signs and all the little details that made the day special. heâd stayed up until midnight just to call you, to be the first to wish you. he didnât want suguru or shoko to beat him to it. that was his thing, his privilege. and then there were the giftsâcarefully picked, thoughtfully wrapped.
but youâd forgotten about him. suguru hadnât even bothered to tease him in that usual, exasperated tone he used whenever gojo flaunted his privilege. not a single snide comment, no playful jabs to pull him down a peg. and ieiri, she hadnât even called him a loser today.
the thought nags at him, digs deep, and refuses to leave. he sighs heavily, staring at his phone screen as if it holds the answers heâs searching for. it doesnât. the clock reads four in the evening. the dayâs more than halfway over, and no message, no call, no nothing.
the ache in his chest is unfamiliar. for someone who has everything, who could want for nothing, itâs maddening to feel this hollow. so he shoves his phone into his pocket and heads out. no grand plan, no particular destination in mindâjust movement, something to distract him. eventually, he finds himself walking into a small convenience store.
he doesnât linger inside for long, grabbing a tub of ice cream and a bag of chips. itâs not much, but itâs enough. stepping outside, he looks around before settling down on a bench. the city hums quietly around him, distant enough to blur into the background. he opens the ice cream, letting the cold sweetness melt on his tongue, and tips his head back to watch the sun begin its slow descent.
the sky burns with streaks of orange and pink, and the air carries the faintest chill. itâs beautiful, he thinks, in a detached sort of way. but it doesnât fill the empty space inside him. not today.
he watches the children on the playground, their laughter carried by the wind like a cruel melody. the rhythmic creak of swing sets and the squeals of kids sliding down brightly colored plastic seem to taunt him, their joy a distant echo of something heâs never truly known. he wonders, not for the first time, if his life might have been betterâdifferentâif he had been born ordinary. if he hadnât been crushed under the weight of the jujutsu world, its endless demands a noose around his neck, tightening with every passing year.
would he have laughed like that too? carefree, unburdened by the enormity of what it meant to be gojo satoru? would he have been one of those kids on the swings, arms pumping, head tilted back to touch the sky, surrounded by friends who giggled and cheered him on? would his nights have been spent poring over homework at a desk in a small, cluttered room instead of wandering through empty halls of power and responsibility? would birthdays have been spent in a warm kitchen, candles flickering on a homemade cake, his parents smiling as they sang to him? parents who actually loved himânot for what he could do, but for who he was.
his chest tightens at the thought, an ache that feels almost unbearable. the life he imagines is so vivid it feels like a memory, even though it isnât. itâs a phantom of something heâll never have, a cruel dream that slips further away every time he reaches for it.
the sky blushes a deep pink as the sun dips lower, casting a warm glow that he doesnât feel. he lets out a quiet sigh, leaning back on the bench. he was always surrounded by people, wasnât he? classmates, colleagues, admirers. even strangers whispered his name like a hymn. but it was never enough. because he wasnât just anyone. he was the gojo satoru. the honored one. the six eyes. the strongest.
and yet, beneath the grandiosity of those titles, he was just a man. a man whoâd learned too early that strength didnât equate to connection, and power didnât promise love. always lonely. always alone.
he starts to taste the wooden stick from the ice cream, its faint bitterness seeping onto his tongue. it tastes like birch. or what he imagines birch would taste like. sharp, dry, and entirely unpleasant. his face twists instinctively, and he sticks his tongue out slightly, as though that alone could rid him of the awful taste. the half-eaten bag of potato chips sits abandoned on the bench beside him, the grease staining the corners of the crinkled plastic. it stares back at him like an unspoken challenge, but heâs already lost interest. he doesnât want it anymore.
he leans back, sighing heavily, the weight of the day pressing down on his shoulders. the orange hues of the sunset feel like a mockery now; too vibrant, too alive for the quiet void curling inside him. at this point, all he wants is to retreat, to drag himself back to the dorms and sink into the familiar folds of his bed. the thought of his extra-fluffy blanket cocooning him is a small comfort, the idea of the springy, overstuffed mattress beneath him almost tempting enough to lift him off the bench.
but more than anything, he craves escapeânot just from the day, but from himself. he wants to close his eyes and shut out the world, to drift into a dream where things are different. where the ache in his chest doesnât exist. where heâs surrounded by people who care, people who love him. not for his strength, not for his name, but for who he is. itâs a small, desperate wish, one that he almost laughs at for its absurdity. but still, he lets it linger, lets it flicker softly in the quiet of his heart as he stares at the last rays of the setting sun.
and then the sun slips away completely, leaving the world cloaked in muted shades of dusk. the chill in the air deepens, and satoru pushes himself up from the bench, his joints protesting slightly. the bitter, almost metallic aftertaste of the ice cream stick lingers on his tongue, unwelcome and unpleasant. he straightens his back with a sharp breath, shoving his hands into his pockets as he starts walking toward the bus stop.
he could call for a carâhe always could. it would be easy, convenient, and expected. but something inside him whispers otherwise tonight, a quiet, stubborn voice that tells him to let it go. to adjust. to make do. wasnât that his life now, anyway? constantly making do. growing used to the loneliness that clung to him like a second skin. learning to be fine with it because thatâs what people expected of someone like him. unshakable. untouchable. always alone.
he boards the bus when it arrives, the engine humming low as the doors hiss shut behind him. the world outside becomes a blur of motion as he takes a seat by the window, his reflection faint against the backdrop of passing streetlights and shadowed figures. he watches the city move, people coming and going, lives intersecting in brief, fleeting moments. none of them look up at him. none of them notice him.
when his stop comes, he stands and steps off the bus, offering a quiet, almost reflexive thanks to the driver. the old man turns to him with a warm smile, lines creasing the corners of his eyes.
âtake care, young man,â the driver says softly, and somehow, it catches gojo off guard. he walks away, the smile still lingering in his mind. it was small, insignificant in the grand scheme of things, but somehow, it mattered. a fleeting kindness from a stranger, given freely, without expectation. and as he makes his way back to the dorms, he thinks, maybe that made it all a little more bearable.
and as he walks through the gates of jujutsu tech, a strange stillness settles over him. the grounds are eerily quiet, too quiet. jujutsu tech is never this empty, not even on a sunday. normally, the halls would be alive with people returning from missions, chattering about their day or sharing meals. but now? nothing. his brows knit together as he moves toward the dorms, his footsteps echoing faintly in the silence.
no professors. no yaga pacing the halls, barking into his phone or reprimanding students for running. no clatter of footsteps, no laughter or voices bouncing off the walls. the absence is unsettling, and his instincts tell him something is off.
he was too drained to summon any of his techniques, but he let his eyes do the work anyway. as he approached the door to his dorm, his footsteps slow, his heartbeat quickening. there was energy insideâsomething different, something alive. it seeped through the walls, radiating warmth and anticipation, golden and electric. it wasnât the cold, sterile energy heâd grown used to in battle; it was something softer, brighter. something he'd craved for as long as he could remember.
he stopped in his tracks, a sharp, shallow breath catching in his throat. his eyes widened, the familiar ache in his chest giving way to something foreign, something terrifyingly tender. he could see itâfeel it. you. geto. shoko. nanamin. and more. the room was full, brimming with people whose energies pulsed with affection, with excitement, with care.
his chest tightened, and his heart raced faster than he could control. the pressure behind his eyes spilled over as a tear rolled down his cheek. it caught him off guard, the rawness of it. he hadnât realized how much this meantâhow much heâd needed this. his hands lifted to his face, swiping at the evidence of his weakness, his joy, his disbelief.
he opened the door.
the sound hit him first: a cacophony of cheers and laughter, the sharp crack of party poppers releasing confetti into the air. streamers dangled from the ceiling, colorful and haphazard, while the unmistakable scent of cheap pizza mingled with the sweetness of cake. balloons bobbed lazily in the corners, and a few cans of off-brand soda were scattered across the table. it was chaotic, vibrant, and so terribly them.
before he could process it all, your arms wrapped tightly around his neck. his body stiffened for a fraction of a second, startled by the suddenness of your embrace, before a soft yelp escaped him, unbidden and raw.
âsurprise!â everyone shouted in unison, their voices crashing over him like a wave, breaking apart the isolation heâd been drowning in all day.
he froze, eyes scanning the room. the decorations were clumsy, the food was far from gourmet, and the whole setup was almost comically thrown together. but it was perfect. theyâd remembered. every single one of you had remembered.
because for the first time in what feels like forever, gojo satoru isnât just the honored one. heâs just satoru. surrounded by the people who love him.
Omg I lovedddd the first chapter , canât wait to see how itâll turn out between her and gojo , do you have any Idea of how many parts thereâs gonna be ?
max 5-6 chapters! i think they'll get a bit longer after this one, though. around 10k ish per chapter? i've got half of it written already, i just have to divide it properly into parts and post it once a week :)
â” summary. in a village that worships fire and fears the sky, you find a secret that will change both forever.
â” warnings. gojo being kinda mean; mentions of fire; past trauma; mentions of injury; profanity; dragons; fire; etc.
â” genre. httyd au; childhood best friends to complicated to lovers; angst; fluff; adventure; etc.
â” word count. 8.4k.
â” author's note. have fun reading.also also, taglist is still open!
â” navigation. masterlist, next.
When you came across an injured dragon after an attack, you did not think it would be this.Â
A Night Fury. The last of its kind, âsupposedlyâ. With a busted tail, a bitey attitude, and a particular fondness for smoked herring. You shouldâve turned him in. Thatâs what the village wouldâve wantedâthe explorerâs daughter, finally useful for something other than welding and sharpening swords in her old shack. But instead you were crouched here, ankle-deep in moss, feeding a literal fire hazard like he was a stray dog.Â
Youâd rigged up a makeshift tail fin out of cart leather and piano wire, patched the harness with your old satchel strap, and trained him to sit.Â
Mostly.Â
It wasnât heroic. It wasnât even smart. But he blinked at you like heâd never been looked at gently before, and youâbeing the idiot you areâhad blinked back. Now he was yours. Or you were his. The lines blurred when you were both technically, or metaphorically, fugitives.
âHey, go easy on that salmon. Youâre not getting any more until tomorrow morning.â
You say it the same way someone might scold a child for dipping too many fingers into the honey jar, though the Night Fury doesnât so much as flick an ear in acknowledgment. Youâre sitting with your back to a lichen-slick rock, knees drawn up, your journal propped against them. The pages are stained with smudged graphite and fingerprints of fish oil. The fire you builtânothing more than a patient pile of glowing embers nowâthrows its weak light over the sketch youâve been working on, lines struggling to form something precise: the next improvement to that sad, stubborn tail of his.
Heâs sprawled out beside you on a mound of moss that the rain has left soft and fragrant, the kind that springs back beneath your touch. His scales are the color of spilled ink, yet here and there they glimmer faintly as if studded with stars hidden behind a cloud. His tailâyour absurd contraption of leather scraps and piano wireâis leaned against the nearest tree trunk, drying in the warm drift of the fireâs heat. He doesnât seem to care that it looks like something a half-blind cartwright would have abandoned.
If anything, he looks pleased. Content in the way only a creature certain of his own superiority can be. He has his nose buried in the remnants of your fish stash, snuffling through it with all the delicacy of a marauder ransacking a pantry.
âYouâre lucky youâre cute,â you murmur, yanking the pouch of smoked herring out of reach before he can sink his teeth into it. His jaw snaps shut just shy of your fingers, the motion swift and precise, like the spring of a trap. âHey. Donât bite the hand that feeds you, buddy. We had a deal. Sit nicely, get a snack. Youâre breaking the rules.â
Rules mean nothing to him, of course. He collapses forward onto his stomach with theatrical resignation, wings folding halfway like a sulky bat. The low, rumbling chirp that escapes him sounds almost petulant. His eyesâbright, unblinking green, so vivid they seem to make their own lightâstay locked on you with a gaze that manages to be both accusatory and curious.
You tip your head back against the rock and sigh. âYouâre a terrible conversationalist. Gojo, for all his idiocy, used to talk back. Usually with something stupid, but still.â
At Gojoâs name, those ear-like fins flick forward. You narrow your eyes. âDonât look at me like that. I know. I shouldnât be talking about him while Iâm out here with you. Itâs like inviting bad luck. Or summoning trouble. He had this uncanny habit of appearing exactly when I didn't want him to. Like he could smell my peace and decide it would be better if his face was in it.â
The Night Fury tilts his head. You toss him a strip of fish. He catches it mid-air without so much as shifting his body, chewing smugly, his gaze never leaving yours.
âYou wouldnât like him,â you say, idly worrying at a clump of moss between your nails. âHeâs too loud. Always grinning like heâs in on a joke youâre too slow to get, always leaning over your shoulder, all close andââ You cut yourself off with a groan and look up at the dense canopy overhead. âWhy am I talking about him to you?â
The dragon blinks, pupils narrowing to sharp slits in the firelight. A sound rumbles from himâhalf amusement, half hunger, perhaps both.
âThis isnât about me,â you insist, pointing at him. âItâs about you. And the fact that youâre⊠complicated.â Your gaze drops to his tail, its fraying leather edges. âDo you even know what you are? Do you understand that people would kill to find you? That I should have dragged you back to the village the moment I saw youâso they could put you in a pen, or a cage, or whatever it is they think dragons deserve?â
He regards you without a shred of concern. Instead, he steps forward, slow and deliberate, until his snout nudges your knee. His breath smells faintly of smoke and fish.
âFine,â you mutter, giving in. You scratch beneath his jaw, and his eyes half-close in something suspiciously like bliss. A deep, rolling purr vibrates through him.
Then he flops unceremoniously onto his back, wings splayed out like fallen sails, belly exposed to the night air. You canât help itâyou laugh, the sound breaking too loud in the quiet clearing, startling a pair of sparrows from the branches above.
Your fingers trace over the smooth, warm scales of his chest. The firelight dances across them, making them flare gold, then vanish back into black. And you find yourself staringânot just at the dragon, but at the impossibility of this moment. At the way he trusts you, enough to stay still, enough to be vulnerable. It feels like holding a secret in your hands. A dangerous, fragile, perfect secret. And for now, it is yours alone.
âI still donât know what to name you, bud,â you murmur, fingers working gently under the curve of his jaw where the scales are smoothest. The Night Fury leans into the touch with surprising delicacy for something that can turn an entire boat to splinters. His head tilts, green eyes narrowing in what might be curiosity, or judgment.
He opens his mouth, just slightly, enough to let out a low, trilling chirr. You squint at him, leaning forward, and a slow smile begins to tug at your mouth. âNo teeth, huh?â
The dragon makes the sound again, head cocking further to one side, the lamplight of the fire catching on the smooth planes of his face.
Your grin breaks wide. âToothless,â you declare, and the name feels as if it clicks into place, like it had been sitting in the air between you this whole time, just waiting for you to speak it. âThatâs you.â
He blinks, unbothered, and nudges your hand in silent demand for more scratches, as if to say the name is fine, but the important part is you not stopping.
You slip your Toothless journal into the bottom drawer of the desk almost as soon as you arrive home, as if hiding a secret is easier when it is out of sight, even though you know youâll only pull it out again tomorrow. The workshop smells of coal ash and seawater, of soot-stained wood and salt-crusted ropes, of your father even now, years after he left and never returned. The hearth in the corner has gone cold; you bend to feed it a few sticks of pine, stack them carefully, and wait until the fire catches, the smoke curling up the chimney in a thin, steady column.
Toothless still canât fly. Or at least not properly. Not yet. The pitiful lattice youâve created that is his tailfin contraption stays stubborn and refuses to move on its own. Youâve tried to adjust the hinges, the weights, but no matter what, it requires something external to trigger it. You think about that as you change into your tunic, the one that smells faintly of smoke and fish and dragon breath. You think about it as you settle on the edge of your bed in the loft above the workshop, listening to the gentle crack of the fire below.
Tomorrow. Always tomorrow.
Last year you had scraped through Dragon Training. Barely. To call it a pass felt dishonest. Youâd been clumsy, hesitant, your stomach in knots at every snarling maw, every lash of wings. You had looked away at the wrong times, flinched when others lunged forward. Gojo had been the Champion, of course. Of course. He was the one who had stood in the ring before the entire village, who had driven his spear into a dragonâs throat while the crowd roared his name.Â
You hadnât stayed to see the end. You couldnât. The sound of the creatureâs cries had been enough to drive you out, running before anyone could see your face, before anyone could accuse you of cowardice. But even with your eyes averted, it had felt as if your hands were slick with the same blood, as if you were guilty too.
Afterward, you had tried to remove yourself from all of itâfrom them. Gojo with his brilliance, Geto and Shoko with their laughter and confidence, even Nanami, who had once looked at you like you belonged. You let them drift away. Instead, you sat in your fatherâs old workshop, behind his desk, surrounded by the clutter he had left behind: half-finished sketches, warped bits of iron, compasses that pointed nowhere. You mended broken gear when people brought it to you. You helped the Chief with routes for fishing and trade and, when pressed, for hunting. It was useful work. Ordinary work.
But still, every time the Chief looked at you, you felt his eyes fix not on you but through youâsearching for the man who had once occupied this space, the man who had left chasing the dragonâs nest and had never come back. In his gaze, you were both daughter and ghost. Even Yaga, who wasnât really your uncle but insisted on acting as if he were, carried that same look sometimes: pity tempered with something that made your skin itch, as if all of Berkâs grief had settled beneath it and was crawling there, restlessly heavy, waiting for you to acknowledge it.
You lie back on the bed and close your eyes, but the smell of iron, the hiss of the fire, the memory of scales against your palmâall of it lingers. And so does the thought of tomorrow.
Flashes of white cross your vision, swiftly fleeting, until they shape themselves into him. Younger, lighter, not yet burdened by the weight of names and titles. And youâsmaller too, trailing after him, orbiting like some pale moon around the sun he has always been. His laughter spills out, bright and careless, carried by the wind, and you follow it into the clearing. He brandishes a stick as if it were a sword, dares you with every glance over his shoulder. Behind you, the voices of your father and the Chief blur together, deep and indistinct, like a tide pulling itself back into the sea.
You run. You run until the air tastes of salt and the sun presses its hot hand against your back. You run until your lungs burn and your legs tremble. He taunts youâcome closer, he says, touch me if you can, and tonight all my sweets are yours. Every piece of taffy, every sugared almond, every treasure hoarded in his pocket. The promise is rich and intoxicating. And still, you can never catch him. He is always just beyond your reach, quicksilver and sunlit, untouchable even when he is only a boy, even when he is still your best friend.
At last, you slow. You stop, bending over with your palms pressed to your knees, chest heaving, breath scraping in and out of your throat. When you lift your head to look backâto search for your fatherâs face, for his voice, for something solidâthe dream frays at its edges. And then it dissolves completely. You wake with a sharp gasp, heart hammering against your ribs like a drumbeat, as though you had been running still.
You press your palms against your head, groaning softly at the throb behind your eyes, before pulling the covers back and forcing yourself upright. The room is cold. Yaga had promised to stop by today with sketches of some new contraptionâsomething he called a ballista, a machine meant to rip dragons from the sky with brutal efficiency. The thought of it makes you uneasy, but you donât linger on it. There are other things to attend to.Â
Toothless needs feeding twice, once by day and once by dusk, or else heâll grow irritable and flash his teeth at you in mock threat. He wouldnât hurt you, not really. You are his only chance at flight again, even if you still havenât solved the puzzle of his ruined tailfin.
Breakfast is brief and unremarkable: milk and bread gone stale at the edges, a thin slice of ham. You chew quickly, without tasting much, and then youâre unlocking the workshop. The familiar smells greet youâcoal, iron, oilâand you set to sharpening a set of blades that must be returned before nightfall. Soon the forge glows, filling the space with heat that wraps around your skin like a second garment.
The bell at the shop door startles you. You wipe your hands, remove your apron, and step toward the front. And then you see him.
Gojo Satoru.
At first he doesnât notice you. Heâs half-turned, speaking easily to someone outside, promising he wonât be long, that this errand will take only a moment. And yet, he is almost unchanged. His lips still as pink as fresh-pressed berries, his eyes that impossible sky-blue, clear and endless. His hair is pale as moonlight, the kind of beauty that has always felt like it should belong to someone mythic. He runs a hand through it, carelessly habitual, and then finallyâfinallyâhe looks up and sees you.
âYaga sent me here,â he says, clearing his throat, as if he owes you an explanation. He steps inside, places something heavy on the table.
A chestplate. Its surface is battered, torn, a deep gash cutting across the front as if carved by claws, or worse, by teeth. You tilt your head, touch the edge of the metal. âThis will take a day to repair. Is that all right?â
âYeah,â he answers quickly, nodding once.
And then, silence.
You notice the way he avoids your gaze, how his eyes only flicker to yours in brief, glancing passes, as if the weight of looking fully at you is too much. You think of the boy he once was, the one whose laughter had lit up the air like music, who could outrun you every time and still wait for you at the finish line with a grin. But this version of him carries something quieter, sadder, in the way he holds himself. It unsettles you.
You wonder why he has come here at all. He is the Chiefâs sonâhe has any number of smiths at his disposal, men who would mend his armor before sundown just to stay in his favor. You havenât spoken to him since that day in the ring, the day he cut down a dragon before the eyes of the whole village.
âHow much will it be?â he asks, and the way he says it makes it sound like an admission of guilt. You frown, just faintly, before shaking your head. You couldnât take money from him. Not for this. Not when every coin from his hand would feel like a debt you couldnât repay.
âNothing,â you answer, steady now, meeting his eyes at last. âIt wonât take long. I just have other workâitâll be finished by tomorrow.â
For a moment, his expression falters. He blinks once, tilts his head like heâs trying to understand you anew, then gives a small nod. His mouth flattens into something that isnât quite a smile, and he turns toward the door. The bell trembles as he opens it, the faint clink of metal against wood, and then he is almost gone.
Almost. He leans back in, one hand on the frame, his eyes finding yours again. âOh. Father might come by. Wants to talk to you about trade routes, I think. Boring stuff, as always.â
âRight,â you say, drier than you meant, though you donât take it back.
Another nod. And then the door shuts, the bell quiets, and the room exhales with you. You let the breath go slowly, as if youâve been holding it for years, and the air feels lighter without him in it. Lighter, and yet not empty at all.
By midday, Yaga still hasnât appeared. You keep the forge burning for as long as your patience allows, hand off the last of the orders with stiff politeness, and at last unfasten the leather apron from your shoulders. The front doorâthe one that opens directly into the square, into chatter and glances youâd rather not bearâremains bolted. Instead, you slip through the back.
The air outside smells faintly of yeast and roasted meat; taverns press close to one another here, spilling voices and clinking cups into the narrow street. You keep your head low, satchel pulled tight against your ribs, and let yourself become part of the crowdâs rhythm, unremarkable, unnoticed. A bag of fish bumps against your hip as you walk. You pray no one looks closely enough to ask.
At the edge of town, the cobblestones break apart into dirt, then grass, until the forest swallows you whole. You know the path nowâevery fallen branch, every crooked birch, every patch of moss the color of old emeralds. You had marked it the first time, scratching symbols into bark with a blade, terrified of forgetting the way. Of forgetting him.
Twenty minutes, maybe more, before the trees open into the familiar clearing. And there he is, dark as a storm at midnight, green eyes gleaming with recognition.
âHey, hey,â you call out, too late, because heâs already bounding toward you. Heâs heavy as he presses into your chest, claws scraping harmlessly at your tunic, breath hot and smoky against your cheek. You laugh despite yourself, stumbling as you shove the satchel to the ground. âEasy!â
âSlowly, okay?â you murmur, pressing a hand to the ridged curve of his head as you kneel, the bag rustling under your fingers. âDonât choke. Chew your food.â
As if heâd ever obey. He tears into the fish with a fervor that borders on desperation, swallowing each bite as though the world might steal it away from him if he lingers too long. You can only roll your eyes and flick your fingers against the side of his jaw in mock reprimand before sinking onto the grass, your back to a cool stone. The journal rests in your lap.
You open it, pencil poised, and stare at the sketches that already crowd its pages: wings inked in graphite arcs, diagrams of tails and contraptions that blur between invention and hope. Still, itâs the tailfin that holds you hostage. That mangled piece of him that refuses to heal, that youâve tried to mend with leather straps, bits of rope, anything your hands could shape into a miracle. But none of it has worked. None of it could teach him the one thing you cannot give him: control.Â
How was he supposed to work a trigger, when the very concept of it belongs to human hands?
You sigh, pencil faltering, and glance up. He has already devoured the last of the fish and now stands in front of you, green eyes gleaming. He looks at you as though you are the magician here, the one who can conjure more fish from thin air, the one who might restore to him the thing he has lost.
âIâll get you more this evening,â you tell him, voice softer than you mean it to be. He chirrs low in his throat, then folds himself down beside you, a weight of scales and trust, his head cocked toward your open book. He blinks slowly, like he is humoring you, like he understands something about this ritual of yoursâyour pencil scratching, your muttered frustrationsâeven if he doesnât.
And still, you canât help but ache for him. Because you remember. You remember that first day in this hidden clearing, when he had fought so furiously to leave it. The way his enormous wings had cracked the air as he hurled himself skyward, only to crash back down, body shuddering, eyes wild with a despair so raw it seemed unbearable.
You remember the moment he had seen you, too. How he had flung himself at you in a blur of claws and teeth, your back hitting the ground, the sharp weight of him pinning you, his mouth so close to your face you had felt the heat of his breath. You had thought it was the end. That you were nothing more than a meal, and your life would vanish into his hunger.
But he had stopped. Somehow, impossibly, he had stopped.
And then, when you came back that eveningâwhen you dared to return with fish clutched in shaking handsâhe had looked at you differently. Not as prey. Not entirely as a threat. But something in between. And each day after, with every offering, with every cautious approach, youâd felt him draw nearer. Until this moment, now, where he lies stretched on the grass beside you, purring low, trusting you enough to let you sit here with him like itâs always been this way.
When you finally return home, Yagaâs already there. Leaning against the front door like heâs been standing for hours, arms crossed, one brow raised in that look that makes you feel ten years old again.
âWhere the hell have you been?â he asks, voice gruff but not unkind.
âI went out for lunch,â you say quickly, stepping past him and unlocking the door. The hinges creak as it swings open, letting out the familiar scent of ash, wood shavings, and oil. âIâve gotten sick of old ham and stale bread. And itâs not like I get time to cook, anyway.â
âLunch,â he repeats flatly, following you in. âSure. Thatâs what weâre calling it.â
He doesnât press, but the way he looks around the workshop makes your stomach tighten. Heâs careful not to glance at your fatherâs old desk or the map-covered wall with all its pins and stringâthe same map your father studied the night before he disappeared. Yaga pretends not to notice it, the way he always does, but his silence feels heavy all the same.
âAlright, enough brooding,â he mutters finally, pulling a few rolls of parchment from his satchel and spreading them across the worktable. âHere. This is what Iâve been working on. Think you can lend a hand?â
You wipe your palms on your apron and step closer. The drawings sprawl across the page in sharp, deliberate lines. Itâs the machineâmassive, all angles and tension rods. It looks like a crossbow, but one too large for any human to hold. The kind of weapon that would need multiple people to load it.
âThis is for dragons?â you ask quietly.
âMore or less.â He shrugs. âBig one. Designed to shoot clean and far. Iâm working on the arrows now. Just need help building the main mechanismâand a rope that wonât snap under strain.â
You study the plans again. Itâs brilliant and elegant in its precision. And itâs meant to kill something that looks at you with bright green eyes and chirrs when it sees fish. You fold your arms tightly across your chest.
âPiano wire,â you say finally. âItâs strong. Doesnât fray easy.â
Yaga nods, scratching his beard. âYeah, thatâs not a bad thought. Iâll pick some up and swing by in a few days. You can help me make it.â
He begins gathering his papers, tucking them carefully away. When heâs done, he rummages through his satchel again, then pulls out a small gear, brass and half-polished. âFound this in one of the tradersâ carts. Thought you might like it.â He sets it on the table and makes for the door.
You stand there watching him, the words pressing at the back of your throat. You want to tell him. About Toothless. About the scales like polished onyx, about how he looks at you as if youâve hung the stars. You want to ask if itâs wrongâif itâs foolish to care about something that everyone else calls a monster.
âUncle Yaga?â
He stops, hand on the latch, looking over his shoulder. âHm?â
âIâm⊠working on something,â you start, your voice low. âSay you had something powerful, but it couldnât move on its own. Wouldnât that make it dependent? Weak?â
He hums thoughtfully, stepping back just enough that the afternoon light catches his face. âNot weak,â he says after a pause. âJust⊠needing help. Everything starts that way. Even tools need hands. Even hands need purpose.â
You frown. âSo it needs something to control it?â
He smiles a little, the kind of small, sad smile that makes his wrinkles fold deeper. âNot control,â he says. âGuide. A system needs an external force to act on it. To get it moving. Thatâs how the world works, kid. Nothing gets off the ground on its own.â
He taps the doorframe lightly before stepping out. âDonât stay up too late tinkering.â
When the door closes, the workshop settles into quiet. The smell of smoke lingers. You look down at the brass gear glinting faintly in the light, at the curl of parchment still half-open on the table.
Nothing gets off the ground on its own.
You press your lips together, the realization landing heavy and certain. Toothlessâyour dragon, your secretâwasnât meant to stay grounded forever. He wanted the sky, but he couldnât reach it alone.
And maybe, you think as you trace the edge of the gear with your thumb, maybe it had to be you who helped him fly.
You donât end up sleeping that night. Not for lack of trying, but because your mind wonât still. It hums like a forge left burning too long. So you sit at your worktable, elbows braced against the wood, sketching and scratching and erasing until the paper beneath your hand begins to curl.
At first, itâs just linesârough, unevenâpieces of something you canât quite see yet. His tail, broken and lopsided, haunts the edges of the page. You try to remember the exact angle it used to be at, the way it flared when he moved. You sketch and measure, your pencil darting across the parchment like a nervous bird.
When your wrist aches, you lean back in your chair and look out the window. The village is dark, all quiet but for the occasional cough of the wind against the glass. Thin plumes of smoke drift lazily from the chimneys, curling toward the stars. In the distance, the faint outlines of stables and fences. Horses shifting in their sleep. The dreamlike hush of the world when it forgets itâs alive.
You sigh. Youâve gone through your fatherâs things a hundred timesâhis journals, his broken compass, the charred corner of a map youâve traced so often itâs gone soft. You keep thinking there must be something youâve missed. Some little clue he left behind, something to make sense of how he vanished into the fog and never came back.
When you finally look down again, your notebook sits open, the half-formed sketch staring back at you like a question you canât answer. You groan, drag your hand over your face, and flip to a fresh page.
A trigger. Thatâs what Yaga said, wasnât it? Something external. Something to start the system moving. You twirl the small brass gear in your fingers, watching how the light hits the teeth, how each one fits perfectly into the next. A trigger, yes, but how were you supposed to help him? You couldnât fly. You couldnât even reach the top of your roof without trembling. How do you help something like him, something made for the sky, get back to it?
Itâs not like you could ride him.
âŠRight?
The thought is ridiculous. You shake your head, laugh quietly to yourself. Then, before you can stop it, your hand moves again. Pencil to paper. A saddle. You start with a rough frame, then add straps, braces, a place to hook your legs so you donât fall off and die a spectacular, instant death. You hesitate for a moment before adding lines to connect it to the tail, to the trigger.
Thatâs when something shifts.
You flip back through your sketches, to the earlier designs for his tail fin. Your pulse quickens. You see it nowâthe way it could all fit together, the way you could be that external force. A rider, yes, but more than that. A counterweight. A friend. The one thing heâs missing.
Your pencil moves faster. The trigger shifts from your hands to the footrest, because that makes more senseâyouâll need your hands for him. You draw the mechanism again, finer this time, each line cleaner than the last. When you finally sit back, the candleâs burned halfway down and wax pools across the table, hardening like spilt sunlight.
And there it is.
The sketch glows in the candlelight, the graphite catching gold around the edges. You stare at it for a long moment, heart drumming. Because this? This could work. It could make him whole again. You donât know how youâll convince him to wear something on his back, or how youâll fit the tailfin without him snapping at you. But youâll find a way. Youâll bribe him with fish. Youâll distract him, talk to him, sing if you have to. Whatever it takes.
You donât even notice dawn until the light starts seeping through the cracks in the shutters. It paints everything pale blue, makes the smoke outside shimmer like mist. You rub the sleep from your eyes, roll your shoulders, and set to work.
By the time customers start coming in, youâve got the trigger finishedâa little crude, but solid. Two days later, the saddle follows, every stitch neat and sure, every buckle gleaming. When itâs done, you stand there for a long time, hands on your hips, grinning like a fool.
That night, you sneak out when the streets are quiet. You carry both piecesâsaddle and triggerâwrapped in cloth, heavy in your arms. The forest air smells like pine and salt. You leave the bundle at the edge of the trees, just where the path begins to twist out of sight.
The next morning, you bring the bait: a bag full of fish, their scales glinting like silver coins in the light. You drag the materials through the brush, heart pounding, a mix of terror and anticipation blooming in your chest.
And when you see him waiting thereâhead tilted, emerald eyes brightâyou canât help but laugh.
Because somehow, impossibly, youâre about to do the unthinkable. Youâre going to build a way for a dragon to fly again.
You pet him first, as if that small motion could disguise the sheer audacity of what youâre about to do. His scales are warm beneath your palm, smoother than they look, and when you smile, itâs the kind of smile meant to deceive. To pretend. You are absolutely not about to invade his personal space, not about to commit what is, by dragon standards, probably a crime.
âGood boy,â you murmur, voice deliberately casual.
He chirrs in response, pleased and oblivious, tail swishing lazily against the grass. You grab the bag of fish and drag it toward the pond, where the light scatters like molten gold across the surface. The smell of salt and smoke hangs in the air; your hands smell like oil and metal. Behind you, you can hear him shuffle after you, claws pressing into the soft earth. Along with that low, throaty hum he makes whenever heâs interested in something.
You keep walking, pretending to be serene when, in truth, your heart is thrumming like a blacksmithâs hammer.
The plan is simple. Or, at least, it sounds simple when you repeat it in your head: distract the dragon, attach the trigger mechanism, live. Ideally, in that order.
You set down the supplies, glance back to make sure heâs watching, then open the fish bag. The scent immediately fills the clearing, and his pupils dilate like a catâs. He lets out a low coo, takes a hesitant step forward.
âAlright, alright,â you whisper, throwing him a salmon. âThere. Lunch.â
He dives for it, all grace forgotten, devouring it in two violent gulps. Thatâs your cue. You bolt.
You grab the tailfin, heart pounding, and run to his back end, dropping to your knees as you fit the trigger into the metal brace you built for him days ago. The leather straps are stubborn, the buckle tight, but your hands work fast, practiced. Behind you, Toothless crunches through another fish, his tail twitching dangerously close to your head.
If he notices what youâre doing, youâll probably die.
You glance up. He doesnât. Yet.
âGood dragon,â you mutter, as if the words themselves might form a shield. You pretend to soothe him, fingers gliding across his scales with a tenderness that feels almost genuine. Maybe it is genuine. You did bribe a fisherman for those salmon, after allâoffering to fix all his broken boats in exchange for the freshest catch. Surely that counts as devotion.
But then, the saddle.
You lift it carefully from where it rests by the grass. Itâs heavier than you rememberâstiff leather, brass buckles, the faint smell of smoke from the forge. You move slowly, holding your breath as you drape it over his back. He shifts slightly, glances once, but doesnât seem to care. Until he does.
The moment the buckle clicks, his head whips around. You freeze.
Toothless blinks. His pupils narrow to slits, and his jaw opens just enough to show rows of pointed, very functional teeth. His big green eyes, once full of guileless curiosity, now gleam with a new kind of awareness. Betrayal, perhaps. Or hunger.
âOkay,â you stammer, hands raised, voice wobbling. âOkay, bud, listen. Iâm just.. helping, alright? Helping. You like help.â
He does not, in fact, like help.
He bares his teeth further, a growl vibrating through his chest. You take one nervous step back, thenâwithout thinking, without planning, without any real survival instinctâyou climb.
Later, you will not be able to explain this decision. Youâll probably call it instinct, or desperation, or sheer idiocy. But right now, it feels like the only choice. Your foot finds the stirrup, you swing your leg, and suddenly, you are sitting on a dragon.
The thought dawns on you as he shrieksâloud, indignant, and offended to his very core. You shouldâve seen it coming. Of course a dragon like Toothless, all pride and temper and impossible dignity, would throw a tantrum the second he realized he needed help. He flails his wings like a storm given form, the wind whipping your hair into your mouth as you cling to the saddle for dear life, half-screaming, half-laughing.
âOh, this was such a great idea,â you yell over the chaos, words lost to the air. He twists sharply, and your stomach lurches. You can practically feel your insides rearranging themselves. Youâre definitely going to vomit.
He bucks again, this time higher, and you cling tighter, pressing your chest to his back, your fingers digging into the leather. Your legs squeeze around him instinctively, your heart slamming against your ribs. His wings thrash against the air, the ground trembling beneath every frantic step.
âOkay, okay, Toothless, calm down, bud!â you gasp, though youâre fairly certain he canât hear a thing. Your entire body shakes from the force of him moving, each motion wildly jerky, and your eyes squeeze shut as if that might make the world stop spinning. You can feel his muscles coil beneath youâraw power, the kind that could kill you in a heartbeat if he decided to.
And then, purely by accident, your foot shifts. Just slightly. The smallest turn of your heel against the new mechanism.
Click.
The sound is quiet, almost delicate. But itâs enough.
The tailfin unfurls behind him, catching the light like black silk. Toothless freezes. His wings stop mid-beat, his body going rigid beneath you. For a moment, all you can hear is your own breath, loud in your ears. You keep your eyes shut, too afraid to open them, your arms still wrapped tightly around his neck.
He lets out a low, uncertain rumble. The kind that vibrates through your entire chest.
Slowly, you open one eye. Heâs staring at you, head tilted, those luminous green eyes wide and unblinking. The fury has vanished, replaced by something almost⊠curious.
You glance down at your foot, then at his tail, now perfectly open.
âOh,â you whisper, still clinging to him. âSo thatâs what I did.â
Toothless blinks once. Twice. Then makes a sound thatâs somewhere between a snort and a huff. If dragons could roll their eyes, youâre certain he just did.
âRight,â you mutter, voice shaky but lighter now. âSo weâre good? No eating me today?â
He chirrs. Softly this time.
Your grip loosens. The forest is quiet again, save for your heartbeat, still racing in your chest. You donât move for a while, afraid that if you do, heâll start another fit. But as the silence stretches, something changes in him. His body relaxes, the tension in his shoulders easing, and his tail sways gently from side to side.
You realize, then, that for the first time, heâs not trying to shake you off. Heâs letting you stay.
The air between you hums with something new. Itâs trust. Fragile and trembling, but real. And as you sit there, your hand still pressed against his scales, you canât help the small, disbelieving laugh that escapes you.
Because somehow, against all odds, this might actually work. You are the first person to ever sit on top of a dragon.Â
âHey, buddy?â you murmur, voice still thick with the quiet of dawn. The sky is a pale wash of colorâblues surrendering to amber, clouds melting into gold. You tilt your head at him, and he tilts his back, perfectly mirroring you. Thereâs something almost childlike in the way he does it, eyes wide and luminous, like heâs trying to read your thoughts through your expression.
âWhat say we go for a morning trip around the island?â
The words are soft, coaxing, half-joking. But he chirps in answerâwondrously delighted. You donât know why youâre surprised anymore. He always understands you, somehow. His excitement builds in an instant. Heâs practically vibrating, wings twitching, claws scraping at the ground. You barely have time to brace yourself before he bolts, barreling up the sloping side of the clearing.
âToothless, waitâ!â
But heâs already gone. The wind rushes at your face, salt and sunlight stinging your eyes as the horizon falls away beneath you. He leaps off the cliff like he was born to fly. Only he wasnât, not anymore. Not with that broken fin.
The realization hits just as gravity does. The world tilts, sky swallowing sea, and your scream tears through the morning. You feel him twist beneath you, the wild panic of muscle and instinctâhis wings flaring too late, his body heavy and unbalanced. You can feel his heart thundering through the saddle, faster than your own.
Your foot shifts, trying to find balance, and you hear itâthe faint click of the tailfin retracting into its broken shape. He plummets. The ocean rushes toward you both, black and merciless under the sunrise. You grab at his neck, burying your face into the warm, slick scales, and for one terrifying moment, you think this is it. You think youâve killed both of you. Youâve killed yourself trying to do the impossible. And youâve gone and killed a Night Fury, too.Â
But then, something inside you moves. Itâs instinct, maybe. Or something older, something buried deep. Your heel presses down, just slightly, and his tailfin snaps open like a heartbeat.
Everything stills.
He catches the wind, just barely, and itâs as if the world remembers him again. The fall smooths into a glide, the chaos into grace. His wings open wide, cutting through the mist, and you both skim across the surface of the water. Spray hits your cheeks. The air is cold and alive and fresh.
âHoly shit,â you whisper, half in awe, half in disbelief.
He chirrups again, triumphant this time, and you can feel his pride humming through him. You laugh, the sound startled out of you. âYou absolute menace,â you say, but your voice is trembling with joy.
He banks left, and you nearly slide off.Â
âOkayâokay! Easy, bud!â You adjust your foot again, tentatively, and the fin moves in answer. A small movement, a delicate tiltâand he turns, smooth and clean this time. You try again, right foot, right fin. And he dips, the air rushing past your ears like song.
You gasp, exhilarated. Heâs watching you now, one eye flicking back, gauging your reactions. Itâs as if the two of you are speaking without words; your movements, his corrections, a dance youâre only just beginning to learn. You start testing it: one tilt, then another, finding the rhythm between balance and trust.
The wind thickens around you as he rises, up past the cliffs, higher than the trees. The island unfolds beneath youârivers catching sunlight, waves breaking against the rocks. You feel the pull of the sky, endless and open, and Toothless hums beneath you like a living extension of it.
For the first time, he isnât falling. For the first time, youâre both flying.
And as the two of you spiral above the islandâyour laughter tangling with his wild, joyous roarsâyou realize what Yaga meant. The trigger didnât have to come from him. It came from you. From both of you, together. Even if itâs jagged around the edges and not smoothly sailing, for now.
You donât tell him that, of course. You just press a hand to his neck, and when he purrs, you swear the whole sky vibrates with it.
The adrenaline doesnât leave your body for the rest of the day. Even hours after the flight, you still feel it thrumming under your skin, impossible to quiet. You sharpen weapons that afternoon, though your mind isnât really on the blade. Itâs in the sky. On the way the air bent beneath you. On the sound of Toothlessâs wings slicing through the wind, the way your foot had moved without thinking. You replay it over and over again, trying to memorize the rhythm of itâthe give, the pull, the balance. You want to get better. You need to get better.
Better at dragon riding.
When night falls, the village lights still burn, so you donât risk another flight. Instead, you sneak back to the clearing with the bag of smoked salmon slung over your shoulder. The forest hums around you, soft with crickets and wind. The moment Toothless spots you, his pupils widen, and he croons. You canât help but smile.
âHey, you,â you whisper, setting down the bag. You toss him a piece of fish, and he snaps it up in one quick motion, his tail swishing contentedly. You reach out, hand steady now, and run your fingers beneath his chin. His scales are cool, like river stones left under shade. He leans into your touch, rumbling deep in his chest.
You tell him about your day in a half-murmurâabout the training grounds, about Yaga, about how you nearly burned your fingers at the forge because you were too busy thinking about flying. You leave out the part about the dragon-killing crossbow. You canât bear to say it out loud, not when he looks at you with those wide, trusting eyes.
When he finishes eating, he nudges your arm with his nose, asking for more affection, maybe more conversation. You give him both. You pat his snout and whisper, âWeâll get you flying properly soon, okay? Without me. Youâll see.â
The thought sits heavy in your chest as you stand to leave. He watches you go, head cocked, tail curling loosely behind him. You can feel his gaze long after you step into the trees.
The forest is quiet, but the world beyond it isnât.
When you reach the edge of the woods, your breath catches in your throat. The night sky is no longer darkâitâs burning. Flames lick at rooftops, smoke spills upward like a storm cloud, and the air reeks of ash. The shouts of villagers pierce the air, frantically raw. And above it all, shadows move. Wings beat. Dragons wheel through the smoke, roaring as arrows cut through the sky toward them.
And the dragons respond the only way they can. With fire.
You run for it. The air tastes like smoke, the world split open with noise. People rush past you, hauling buckets, dragging children, shouting names into the chaos. You push through them, ducking beneath a spray of sparks, sprinting toward your workshop,
And then you slam into someone, shoulder-first.
Itâs Satoru. He staggers back, cursing under his breath. His eyes are wild, bright with the reflection of fire, his hair disheveled, face streaked with soot. For a moment, neither of you speak. Then his jaw tightens.
âWatch where youâre going,â he snaps, and the words cut through the roar around you. He clicks his tongue, glancing at the sky where dragons wheel and dive. âAnd get home safe. Both of us know youâre on their side.â
You freeze, breath catching, confusion slicing through the fear. âWhatââ
But heâs already gone. Turning, running back into the smoke.
You stand there for a moment, the words echoing in your head, heavier than the sound of wings above. On their side. You open your mouth, but nothing comes out. You canât even tell if youâd meant to defend yourselfâor if youâre afraid he might be right.Â
Someone calls out your name, and you jolt at the voice. Yagaâs.
Before you can turn, his hand wraps around your arm, rough, pulling you through the narrow alley. Heâs older, broader, his breaths labored as he half-drags you home. When you reach the doorâstill miraculously untouched by flameâhe shoves you inside and slams it shut.
âWhat do you think you were doing out there?â he barks. His face is red, sweat dripping down his temples. You can see the anger in the way his chest rises and falls, the fear buried beneath it.
âIâI was trying toââ
âAnswer me!â His voice cracks the air like thunder. You flinch, pressing back against the wall, heart hammering.
âI was trying to help!â you blurt out. âPeople wereââ
He steps closer, his expression twisting, grief shadowing his features. âYour father tried to help,â he growls, voice rough now, trembling with something raw. âAnd look where that got him.â
You freeze.
His hand drops from your arm. He exhales shakily, the sound brittle in the smoke-thick air. âDidnât I tell you to stay inside whenever thereâs a raid?â he mutters, quieter now, almost pleading. âI canât lose you too.â
Your brain stops. The world narrows to the sound of your own pulseâheavy, uneven, heart pumping in your ears. You can still hear him, still see the way his mouth shapes the words that hit like stones. Your father tried to help, and look where that got him. It lodges somewhere deep, between the lungs and the heart, where grief has already carved out its home.
You look at him then. Really look. The smoke-stained lines of his face, the way his jaw sets, how the light from the window flickers across his skin in shades of ash and orange. And for a moment, if you unfocusâif you let your vision blurâhe looks so much like your father. That same tired shape of the shoulders, that same stubborn mouth. The resemblance aches.
He says your name again. Louder this time. Demanding. And when you donât answer, he shouts, the sound splintering something inside you.
You swallow hard, throat dry. âGet out.â
He blinks. âWhat?â
You meet his eyes now, and your voice, when it comes, is hoarse but steady. âGet out, Uncle Yaga. Before I say something that hurts both of us.â
The words hang there. Like old parchment nailed to the wall.
He stares at you, and for a moment, you think heâll argueâthat heâll remind you of who he is, of what heâs lost too. But then his mouth tightens, and the fight drains out of his shoulders. He nods once, silent, his gaze flicking briefly toward the ceiling, as though the strength heâs looking for might be hiding up there.
When he finally leaves, the door shuts with a sound too soft for how loud the silence feels afterward.
You stand there for a long time. The air is thick, the smoke outside seeping faintly through the cracks. The workshop feels smaller now, the wooden beams darker, heavier. Your eyes drift toward the far end of the roomâto the worktable that still smells faintly of oil and soot.
Your fatherâs desk.
The papers are still scattered where you left them earlier, sketches curling at the edges, a mug long gone cold. And above it, pinned to the wall, the mapâcreased and faded from years of handling. The ink has begun to bleed at the corners, but you can still trace his handwriting. Routes. Islands. Notes written in the messy scrawl heâd always used when he was excited.
You step closer, fingertips brushing against the parchment. Itâs a map of the islands and their skies, the dragons that had once been dots of mystery, marked now with names and guesses and hope. And specifically, where he thought the route to the Dragonâs Nest would be.
You stand there until your eyes burn. The smoke, you tell yourself. But you know it isnât.
⏠summary: gojo satoru was berkâs golden sonâfearless in the air, unerring with a blade, and the villageâs fiercest dragon hunter. you were the explorerâs daughter, left behind when your father vanished chasing the dragonsâ nest, and left to wear the quiet shame of his failure. once, you and gojo had been inseparable; now, he was the villageâs pride, and you were its outcast. when the chief sends you both to track the dragons to their nest, the pairing is meant as punishment. but gojo does not know your secret: a night fury hidden in the forest, a bond forged in defiance of everything your village believes. trust is fragile, loyalty is a choice, and in the shadow of the storm, hunter and outcast will have to decide which side of the sky they truly belong to.
THE ISLE OF BERK WELCOMES YOU, traveler. come join us by the campfire, where the crackle of firewood mixes with the crash of waves against the cliffs. tonightâs tales are a little different, for this is no ordinary evening.
this is a gojo satoru x how to train your dragon!au collab between berkâs favourite pair of storytellers, aspen and sam, where blindfolds meet dragons, sarcasm meets swordfights, and the worldâs strongest sorceror somehow ends up being the worldâs most okay-ish dragon rider.
stay awhile; the nightâs just getting started.
đđđđđđđđ. â narrated by @admiringlove.
gojo satoru was berkâs golden sonâfearless in the air, unerring with a blade, and the villageâs fiercest dragon hunter. you were the explorerâs daughter, left behind when your father vanished chasing the dragonsâ nest, and left to wear the quiet shame of his failure. once, you and gojo had been inseparable; now, he was the villageâs pride, and you were its outcast. when the chief sends you both to track the dragons to their nest, the pairing is meant as punishmentâa test for you, a nuisance for him. but gojo does not know your secret: a night fury hidden in the forest, a bond forged in defiance of everything your village believes. trust is fragile, loyalty is a choice, and in the shadow of the storm, hunter and outcast will have to decide which side of the sky they truly belong to.
READ HERE!
đđđđđđđđđđ đđđđđđ. â narrated by @honeyciders.
you and satoru gojo absolutely do not have a thing for each other. you only spend time together because of your shared affection for his dragon. at least, thatâs what you keep telling yourselfâbecause thereâs no way youâd ever fall for the most insufferably cocky, sharp-tongued, ridiculously charming dragon rider on the entire isle of berk⊠right?
alternatively, in which a dragon plays matchmaker and you save satoruâs ass.
READ HERE!
a/n. hello! thanks for checking out our collab masterpost! weâve been planning this for a while and are so excited to finally share it with you ⥠please reply to this post if youâd like to be tagged in either fic (mention which one/both) & make sure you have a visible age indicator on your blog as aspenâs fic will contain explicit sexual content. have a wonderful day! đ·
sorry if this is an odd question but first off i love your works!! your writing style is so beautiful. how do you manage to write such long fics without losing motivation?
hm. i make my friends read them đ
but yeah lowk, having inspiration to write long fics is quite difficult and i heavily understand that switching to longer fics is hard. iâd say, at first, donât cold turkey it. write a series instead of a longfic (if you have a longfic, divide it into parts and post them instead of just posting it as a huge fic).
all in all, donât cold turkey into writing long fics. youâll end up rage quitting and get a big ahh writerâs block(which iâve had happen before).
schrödingerâs crush: both real and denied until observed.
pairing:Â gojo satoru x gn!reader
⏠summary: schrödinger's theory states that something can exist in two states at once, until observed. gojo satoru is your lab partner, your opposite, your maybe-something. you've never been kissed, and he's too curious for his own good.
⏠genre: jjk x college au; hot nerd! gojo (physics major, hell yeah); kissing your best friend trope; drama; romance; angst and then fluff; slowburn basically; happy ending i promise but it takes angst to get there.
⏠warnings: DRAMA; profanity; mentions of alcohol and cigarettes; idiots in love; mentions of death; etc.
⏠word count: 20.5k.
⏠note: hi! so this, is my birthday gift for my dearest friend, wen. ily keep shining as bright as you do. you're the nonchalant sexy mom i look up to :3 ALSO ALSO @honeyciders ily thank you for being my pr manager :p
⏠navigation: jjk masterlist.
âSatoru, what was your first kiss like?â
It slips out quieter than you intended. Like a thought spoken aloud instead of a question meant to land. And now, in the thick silence that follows, you can already feel it unraveling. You probably shouldnât be asking your best friend this. Not your best friend since high school, not your lab partner, not the person who knows how you take your coffee and when youâve hit your concentration limit in a study session. Not the same person whoâs seen you at your most exhausted, your most triumphant, your most ordinary.
But there it is, sitting between you both like static.
You tell yourself itâs nothing. That youâre not asking because you care, not really. You donât take an interest in his love life. At least, not in the way others do. You know enough. That heâs careless about it. That thereâs always someone. That he dabbles in debauchery the same way he dabbles in conversation: effortlessly, with half his attention, with a grin that makes people say yes before they understand what heâs asking. But this question, itâs been sitting with you. Tugging at you. For reasons youâve too much of a coward to think about.
âWhat?â he says, finally, looking up from the textbook the two of you have been holed over for the better part of the hour. His voice is light, curious, but thereâs a twitch of suspicion at the corner of his mouth. âWhy are you asking?â
âJust curious,â you say, with a shrug that hopes to pass for indifferent. âI wanted to know if you've had any genuine relationships or if it's always been like this, y'know? Like the casual tomfoolery you're always doing nowadays.â
He blinks at you, one beat too slow, as if unsure whether to be flattered or offended. Half-offended, maybe, but not seriously. Youâve known each other too long for it to be serious. His eyes drop again to the page in front of him. The diagram on black body radiation is still there, tiny symbols etched like ghosts beneath the scribble of his mechanical pencil, the curve of Planckâs law arcing gently like a body exhaling. His pen taps against it, twice.
Then he huffs. âI donât know, man. It was kinda sweet? You remember Yuli, right? The girl I was dating in first year of high school? Our first date was at the ice-cream shop and we kissed while I dropped her home. Pretty sweet, right?â
You hum, a neutral sound that tastes like metal in your mouth. This was disappointingâunexpectedly and irrationally so. Not that youâd known what you wanted to hear, but it wasnât this. It wasnât soft-lit memories and the word sweet. It certainly wasnât Yuli.
Not after five years. Not after every look youâve ever tried not to give him.
âYeah,â you say, quieter. âItâs cute.â
He doesnât say anything for a second, just turns the page. Then, casually, too casually, he asks, âWhat about you?â
And your breath catches. Just a little. Just enough.
You think for a moment, squirming in your seat like the question hasn't already carved a pit in your stomach. You scribble somethingâan equation you donât care aboutâbecause itâs easier than meeting his eyes. Your pen taps too fast. Your handwriting wavers. Beside you, Satoru furrows his brows, pushes his glasses up the bridge of his nose, and says with the blunt impatience of someone too used to getting answers, âHello? I just asked you the same question. Come on, was it that Rin guy you were dating from that other school? Or was it Tobio from Miyagi?â
You donât say anything. Not yet. You purse your lips, feign focus, pretend the assignment demands more of your attention than it does. But the silence stretchesâheavy and long and brittleâand eventually you let out a breath that shakes too much to be casual. Because saying it aloud feels like peeling skin from bone: humiliating, soft, far too revealing. Admitting to Gojo Satoru, of all people, that in your entire twenty-two years of life youâve never kissed anyone feels pathetic in a way that sours your mouth. He, whoâs seen locking lips with a new name every month. He, who laughs too easily, touches too freely, and flirts without meaning it.
You shift again in your chair, uncomfortable in your own body, and this time you feel his gaze slip from the page. Not the textbookâyou. Heâs looking at you. And you see it happen, real-time, the way the realization spreads across his face like a crack in glass: that smug grin curling at the corner of his lips, lazy and amused and unbearably knowing.
âYouâve never kissed anybody, have you?â he says it softly, like a secret, like itâs something breakable. Thereâs no cruelty in it, but something worse: something that tastes like pity.
âYou know youâre bringing down the reputation of our group, right?â
You snap before the ache can settle, before the shame calcifies. âWhat, the âcatch herpes by sucking someoneâs throat dry every weekâ agenda not enough for you? Excuse me if Iâm looking forward to someone I actually like,â you huff, sharp and brittle and playfully defensive. Except itâs not a joke, not really. Not when your chest is tight and thereâs something stinging behind your ribs.
Because the truth is: it hurts.
It hurts that youâve waited. That youâve hoped. That somewhere, in some soft, stupid part of you, you believed heâd notice. That one day, heâd look at you and see youânot as his friend, not as his partner in labs and late-night study sessions, but as something else. Something more. And now you think he never will.
He pauses. Just for a minute. As if his mouth suddenly goes dry, as if the weight of what you said takes a second to sink in. And then, his face softens, the corners of his mouth tugging down, his voice quieter than youâre used to. âIâm sorry,â he says. âI didnât think it meant that much to you.â
You blink, startled. You hadnât expected him to switch so fast, to drop the teasing like that. For a moment, it feels like youâre seeing something unguarded. Close to sincerity.
But then, as quickly as it came, it shifts. His eyes catch that telltale glint againâthe one that always comes just before he says something deeply unhinged or absolutely idiotic. That mischief curling at the edge of his grin. You know it too well. You blink again, more wary this time, and narrow your eyes.
âWhatever it is youâre thinking of, stop. I donât wanna hear it,â you whisper, already bracing yourself.
He whines, long and dramatic, flopping back into his chair like gravityâs betrayed him. âCome on, I had such a good idea.â
âNo.â
âKiss me,â he says.
And your heart just drops. Like it forgets how to beat altogether. Your mouth goes dry, and you look at him like heâs grown another head. Your jaw is half open, caught somewhere between laughter and horror.
Because what the actual fuck? Was he serious? Was this a joke? Was he completely out of his mind? Were you hearing him right?
âSatoru,â you say, sharp, breath catching halfway in your throat, âStop joking around and focus on this stupid assignment. Iâm not having this conversation with you. Itâs not funny.â
âIâm serious,â he says with a shrug, like he hasnât just thrown your entire equilibrium off its axis. âYou havenât kissed anybody, right? Kiss me. As practice. It doesnât have to mean anything.â
You look at him thenâreally look at himâand all the air in your lungs seems to thin out, stretching tight against your ribs. âBut thatâs the thing,â you say, softer now, your voice laced with frustration and something quieter underneath. âIt does mean something to me. It might just be a thing you pass off, but it means something to me. I canât just give you my first kiss and pretend that it doesnât mean anything.â
He chuckles, a low sound that seems both amused and disbelieving. âYou act like youâre giving me your virginity.â
âStop joking about serious things!â
âIâm not joking!â he whisper-yells, leaning in with the urgency of someone trying not to be overheard in a room you both know is dead silent, save for the rustle of paper and the occasional cough. âIâm being serious. Iâm coming over to yours tonight for movie night with everyone else anyway, right? I can just kiss you when no oneâs looking. Or stay the night, in case they all leave. Assignment submissions are going on for pretty much everybody right now. I doubt Shoko would stay; her Biochem professor is insane. And Suguru has a painting due tomorrow that I know for sure he isnât done with.â
You blink, stunned by the calm calculation of his proposal. âKento has an early Quantitative Economics lecture in the morning before his paper submissions. And Yu has an essay, I think,â you murmur automatically.
âThere you have it,â he says, like itâs the most obvious thing in the world. âWe can finish this assignment right here.â
You donât say anything after that. Not a protest. Not a sigh. Not even a breath loud enough to count. You just blink, once, slowly; your throat tightens out of its own accord, then your eyes lower to the page. And when he tells you to solve the next part of the problem set, you do. Hands moving on instinct. Heart no longer sure where it belongs.
When you get home with Gojo trailing behind like a particularly smug shadow, you tell him to make himself comfortable while you sort the snacks. He hums, distracted, already toeing off his shoes and tossing his backpack somewhere near the doorway with the kind of carelessness that suggests heâs never once considered where things ought to go.
You busy yourself in the kitchen, opening cabinets, rustling through drawers, pulling out the ready-made popcorn packets youâd bought in bulk during a sale you were too embarrassed to tell anyone about. Behind you, you hear him pad in, light on his feet, and then hop up onto the kitchen counter with the quiet entitlement of someone whoâs been here a thousand times before. He doesnât speak for a while. Just watches you move, eyes flicking from the microwave to your hands to your back.
âI still canât believe you never told me you havenât kissed anyone,â he mumbles, voice thoughtfully low, almost like heâs talking more to the room than to you. âThat Rin guy was very touchy with you.â
âYeah, and thatâs why he got dumped,â you reply, trying to sound light, but your brainâs already revving into overdrive. You yank the microwave door open and toss the packet in, pressing buttons at random like the noise will drown out your own pulse.
The fridge door creaks open next. You grab a few cold cansâenergy drinks, sodas, something vaguely caffeinatedâand, without turning, you toss one over your shoulder in Gojoâs general direction.
Because you know heâs staring at the cola can. You can feel it. The guy has an unhealthy emotional attachment to carbonated sugar water and youâve known him long enough to read his intentions by the sound of his breath.
He catches it without a word, pops it open with a satisfying hiss.
âHe always had an arm around you whenever you brought him around,â Satoru says, sipping casually. âFelt awkward to me too. I donât know why you kept him around for so long. Two months, was it?â
You pause for half a second, not long enough to give yourself away, but enough to feel the weight of it. âWhy didnât you say something back then?â you ask, turning and lining up the cans on the counter, one by one. âIf you didnât like him?â
âI told Suguru,â he says, as if thatâs equivalent. He takes another sip. âI hated that guy.â
âHate is a strong word,â you say softly, not looking at him.
He shrugs. The kind of shrug that says: Yeah, well. So what? And for a moment, the kitchen feels smaller. Like somethingâs about to happen. But nothing does. Not yet.
The doorbell rings just as you're pretending not to notice the way Gojo is still looking at you from his perch on the kitchen counter. Grateful for the interruption, you turn away from him without another word and open the door to find Shoko and Suguru standing there. Shoko ruffles your hair like she always does, unceremoniously and with affection, while Suguru hands you three steaming boxes of pizza before strolling inside like he owns the place.
âPopcorn smells good,â he says, already making a beeline for the kitchen, where Gojo greets him with some obnoxious noise close to howling.
Kento and Yu arrive not even five minutes later, walking in with the kind of timing that feels orchestrated, like everyone just knows when to show up. Kentoâs got a box of neatly wrapped pastries, and Yuâs juggling a plastic bag heavy with beer cansâfree, apparently, from the convenience store he works at part-time, where the manager turns a blind eye to the occasional âmiscount.â
âThe pastries are from the bakery my girlfriendâs at,â Kento says, ever so slightly bashful, handing the box to you. You grin and grab a Danish, murmuring a thank-you with your mouth already half-full, then raise your voice to the group, waving your hand vaguely toward the kitchen. âCome on, help me get the rest of the stuff into the living room.â
Gojo disappears into your bedroom for all of two minutes and reappears with an armful of pillows, which he unceremoniously dumps onto the floor before sprawling out like heâs rehearsing for a mattress ad. Kento and Haibara claim the couch, Shoko slides into the armchair with the elegance of a cat, and you and Suguru settle onto the heap of blankets youâd laid out that morning before classes.
âCan we do a horror movie?â Shoko asks, her voice a little too innocent, which instantly sets off alarms in your brain. You narrow your eyes at her suspiciously, already halfway to a protest.
âItâs my turn to pick this time,â you argue, pointing an accusing finger her way. âYou picked last week. Canât we just watch K-Pop Demon Hunters or something Ghibli? Something light?â
âAbsolutely not,â Satoru groans dramatically, already elbow-deep in a bowl of popcorn he has entirely claimed for himself. Without warning, he throws his leg over your lap, like your body is just another pillow. âLetâs watch horror. I vote horror. Shoko, Iâm on your side.â
âHorror, it is,â Shoko echoes, wiggling her eyebrows like this is some kind of coup. She turns to Suguru next. âWhat do you think?â
âI donât care, honestly,â he shrugs, lazily reaching for a beer bottle. But before he can take a sip, Shoko kicks the back of his shoulder with her socked foot. He yelps, nearly drops the drink, mutters something sharp under his breath.
âI vote horror,â he grumbles finally, defeated.
You sigh through your nose theatrically. âKento,â you whine, turning to him with wide, pleading eyes. âBack me up. Come on.â
He chuckles, folding his arms. âI also think we should watch horror. But itâs hard to pick a good one.â
Before you can protest again, Haibara snatches the remote clean out of your hands with practiced ease. âGive me that,â he says, already flicking through titles. The scrolling is relentless, and then he stops on something with a particularly ominous posterâshadows and teeth and too much blood.
You blink slowly. Resign yourself to fate. Then sigh, grab a slice of pizza and a can of Coke, and lean back against Suguruâs shoulder with a tired exhale. You take a long sip as the opening credits roll. Somewhere beside you, Gojo crunches loudly into a fistful of popcorn, already too invested.
"Something wrong?" Suguru asks a few minutes into the film, his voice tender, like heâs halfway between the story on screen and the imaginary elephant in the room. Youâve shifted off his shoulder now, curled into the cushions beside him, working your way through your second slice of pizza. You glance at him, shake your head.
How were you supposed to tell him that his best friend, and yours, was a complete and utter idiot?
You nurse a beer for the next half hour, lips barely grazing the rim, while Satoru rolls around on the floor like a bored child in a lecture hall. He groans occasionally for no reason, snatches popcorn blindly, sighs dramatically at predictable jump scares. You tune most of it out.
Somewhere into the second half, Shoko starts yawning into her hoodie sleeve, and Gojoâs head has found its way to your lap. Yours, instinctively, has found Suguruâs shoulder again, though neither of you comment on it. His sweater is soft, worn from years of wear, and smells faintly of paint thinner and an apple strudel that he ate earlier.
You feel Satoruâs eyes flick toward you more than once, feel the weight of his gaze even when you donât meet it. But youâre not sure what it means, or why he keeps doing it.
When the credits roll, you kick him off your lap without ceremony. He groans in protest, rolling over dramatically, one arm flung over his eyes like a fallen soldier. You jitter in your seat, nerves humming low in your limbs. Youâd had your eyes closed for half the movie anyway, half out of fear, half because it was easier than thinking.
The others start filtering out not long after. Shokoâs the first to goâshe stretches and tosses you a two-fingered salute before disappearing through the door with a long yawn. Kento and Haibara follow soon after, offering hugs, promises of free beer again next Friday, and vaguely chaotic suggestions for next weekâs movie night. The house feels noticeably quieter once theyâre gone.
Satoru, meanwhile, stays very still on the floor, arms folded across his chest, breathing like someone who thinks heâs successfully faking sleep.
Suguru shrugs his coat on slowly, watching the living room. Or more specifically, Satoru in it.
âHe doesnât wanna go home, does he?â he asks, dry.
âNope,â you grin, leaning against the wall as he stoops to tie his laces. âHe thinks pretending to sleep on my couch will make everyone think heâs actually sleeping.â
Suguru grins, warm and tired, then straightens up and pats your head like heâs done since high school. âYou sure youâre okay?â
âI think so, yeah. Why?â you ask, brow furrowed. âSomething wrong?â
âI donât know,â he says, shrugging with one shoulder. âYou look stressed.â
âOh!â you exclaim, a little too brightly, voice climbing into a register that surprises even you. Your cheeks flush with embarrassment a beat later. âI forgot to tell you. Satoru and I were doing that paper on Planckâs constant, right? I kept messing up the problems. I just⊠felt embarrassed with him today. Thatâs all.â
Suguru watches you for a moment, not quite convinced, and then exhales through his nose. âWhy are you embarrassed in front of that idiot, of all people? He embarrasses himself, and us, with most of the choices he makes. This is nothing.â
âI guess youâre right,â you murmur, fiddling with the hem of your sleeve. The fabric itches suddenly, even though it shouldnât; itâs soft, expensive wool, the kind Satoru gave you last Christmas from a brand you couldnât pronounce then and still canât now.
âIâll keep that in mind.â
Suguru sighs, the kind of long, tired exhale that says he knows exactly whatâs going on but is choosing not to deal with it. Then he glances over his shoulder into the living room and calls out, âGoodnight, Satoru!â
You follow his gaze instinctively, even though thereâs no pointâSatoru is still very much in fake-sleep mode, limbs sprawled across the floor like a starfish, mouth open just enough to sell the illusion. Suguru looks back at you with a knowing smile, then nods once in farewell and steps outside, letting the door click shut behind him.
You sigh, turn on your heel, and head back toward the living room. âOi. Stop pretending.â
Satoru sits up immediately, ruffling his hair into a new, artfully messy shape, and pushes his glasses back onto the bridge of his nose like heâs been awake the whole time and youâre the one late to the conversation. âSuguru suspect something?â
âYouâre an idiot,â you mutter, rolling your eyes as you walk past him and start picking up the mess. âHelp me clean up.â
He groansâan exaggerated, long-suffering whineâbut still grabs the stack of greasy pizza boxes and trudges after you toward the kitchen. You carry the popcorn bowls in both hands, and he bumps your elbow gently with his as you walk. Not enough to make you drop anything, just enough to make you huff through your nose.
You rinse the bowls in the sink, the water running warm, while he tosses the cardboard boxes into the trash with a half-hearted slam. Then you let your hands fall to the counter and lean against it, exhausted in that post-company kind of way. Body full of food, limbs heavy, silence ringing just a little too loud now that everyoneâs gone.
When you glance up, heâs gone too. You frown, straighten up a bit. âSatoru?â you call, voice cutting softly through the quiet.
âIâm here!â he shouts back from the other room.
You step out of the kitchen, only to find him crouched near the coffee table, lazily collecting beer cans and empty soda bottles, tossing them into a plastic bag with a distinct lack of urgency. Then heâs dusting the crumbs off your couch cushions with both hands, brushing off the fabric like it owes him something.
You stare, lips parted, unsure if youâre touched or just vaguely confused. And then he looks up, catches you watching him.
âIâm stayinâ over the night, right?â he says, like itâs obvious, grinning a little. âGotta keep the couch clean if Iâm sleeping on it.â
âRight,â you mumble, voice half-lost in the shuffle of your own thoughts. âRight, yeah.â
You turn without thinking, retreating to the familiar safety of the kitchen. The fluorescent light hums overhead. Your feet make soft, soundless steps against the tile as you start methodically packing lunch for tomorrow. Itâs muscle memory nowâslicing bread, spreading peanut butter and jelly, cutting crusts (for Satoru, he prefers his sandwiches without the crust, so somehow, you do too). You and him had already talked about it earlier: lunch in the library, or maybe on that shaded bench near the science building, going over the final draft of your paper on Planckâs constant before submitting it.
You sigh as you press the sandwiches closed, cutting diagonals like always. You donât even ask anymore; Satoru ends up stealing half your food anyway. So now you just make one for him too. Quietly. Without acknowledgement. Without expecting thanks.
A few minutes pass. Then you hear him again.
He pads back into the kitchen and hops onto the counter like he never left it, legs swinging slightly as you finish sealing the lunchbox and tuck it into the fridge. You hum when your fingers brush against the familiar banana milk tetra packs lined up in the door. You glance back at him over your shoulder.
âBanana milk okay? Or do you want strawberry? I donât have that though, so you're buying tomorrow.â
He doesnât answer. Instead, he rolls his eyes with a dramatic huff and hops off the counter, strides forward like this is all so obvious, like this moment was always meant to happen. And then, wordlessly, he shuts the fridge and pulls you toward him by the hem of your sweater.
You blink. Your breath catches in your throat as your chest bumps into his, your hands instinctively splayed against his shirt. Your heart is thunder, and your mind blanks with the force of it.
âSatoru, waitââ
âWhy was your head on Suguruâs shoulder for half the film anyway?â he murmurs, voice low and too close. Your lips part. âWhat, you tryinâ to make me jealous?â
You look at him, startled, like the idea hadnât even occurred to you. âWhy would I do that?â you whisper, your voice breaking somewhere in the middle. âAnd besides, I didnât tell him anything. I think⊠I think he was onto something, though.â
âHeâs always onto something,â Satoru mutters, rolling his eyes again. His hands donât move, though. They stay gently curled in your sweater. And then, slowly, he steps forward, crowding you until your back hits the cool metal of the fridge door.
You blink again. âIs this it? Weâre doing it?â
âYou really make it sound like weâre having sex or something,â he mutters, lips quirking. âChin up, come on. Stop being so uptight. Loosen up.â
âSatoru,â you sigh, softer this time. âAgain. This is serious to me.â
âI am being serious,â he says, and now his voice is lower, steadier, less teasing. He dips his head closer, and you can feel the heat of his breath on your skin, feel your cheeks flush and your fingertips burn against the front of his shirt. âCome here. Kiss me. Come on.â
âI donât know how,â you admit, and your voice is barely above a whisper. Awkward. Hesitant. Embarrassed.
The words themselves are something fragile youâre ashamed to be holding. You look at him, your heart thudding so hard it might bruise your ribs, your lips pressed tight as if theyâre the only thing keeping all your panic from spilling out. He watches you, head tilted, expression unreadable for a moment. Then he exhales softly, and in a tone youâve never quite heard from him before, he asks, âDo you want me to stop?â
It knocks the air right out of you. Because for the first time all evening, he sounds⊠careful. Like the words matter. Like you matter. And then, somehow, against all logic, you smile. Just a small, helpless thing, because he looks ridiculousâhis glasses slightly crooked from where he pushed them up too quickly, his hair an untamed mess. And because heâs being softer now than heâs ever let himself be with you.
Somewhere deep in your chest, you know that if you say no, if you tell him to stop, everything will snap back into place. The elastic band of whatever this is will recoil, and tomorrow heâll laugh too loudly in lecture, and heâll nudge you with his knee in the library, and itâll all feel like tonight never happened.
But you donât know if you want that. You donât know if you can.
Because maybe this is all youâll ever get from him. And as reckless, as humiliating as that should feel, you want it anyway. You want this moment. You want his kiss. You want your first kiss to be Gojo Satoru, who has always, against your will, been the center of your orbit. The love of your life, whether he knows it or not.
You swallow once, and then you shake your head. Softly. âNo, Satoru,â you murmur, voice steady despite the tremor in your fingers. âWeirdly, youâve got me convinced.â
His grin is immediate, incandescent, like a spark catching dry tinder. He canât help it. Of course, he canât. âShit, really?â
âReally,â you say, quieter this time, and it feels like the word costs you something.
Above your head, the yellow lights cast a warm glow, turning everything syrupy, molten. It feels like afterglow, even though nothingâs happened yet. It feels like home. And yes, this is your apartment, but itâs not the walls or the furniture or the scent of laundry detergent that make it feel that way. Itâs him. Itâs the way his arms are curved around you, loose and certain all at once.
Something about this moment tells you you belong here. Not just in this kitchen, but in the confines of his embrace, in this foolish, irretrievable choice. Like youâve come too far to break free and run. Like the ruin youâre courting will be worth it.
For now, at least.
He leans in a little tentatively slow, and it breaks you. You giggle. Uncontrollably, helplessly. It bubbles out of you like air rushing to the surface, as if your bodyâs forgotten how to hold it in. Thereâs something surreal in it, absurd even, this sudden closeness. The way Gojo Satoru tilts his head toward you like the sun rising slow and golden over a sleeping valley. It feels like youâre seeing light for the first time in years.
He blinks, half-amused, half-curious. âWhat?â he asks, voice warm and lazy, and honeyed enough to make your knees wobble. You only shake your head, because thereâs nothing to explain. Youâre not even sure whatâs happening. Youâre not even sure how he ended up in your kitchen, pulling you into this dreamlike hush of tender grace.
Your heart flutters like a moth against glass. He chuckles too now, like your laughter is contagious, like it opens something in him. He murmurs something under his breath about Professor Yagaâs eternal war on cell phones, and itâs so stupidâso exquisitely himâthat it makes you snort, then press a hand to your mouth in disbelief. Youâre still laughing when his forehead comes to rest against yours.
And then, quietly husk, his voice comes again like melted sugar with a twist of citrus: âCan I kiss you?â
You nod. Barely. A breath of a movement. You lean in, eyes fluttering halfway closed, the way youâve seen people do a thousand times on screen. In books. In late-night fanfiction tabs and bookmarked slow-burns. But nothingânot one line of script or shaky camera panâcouldâve prepared you for this.
Because this isnât fiction. This is real. This is Gojo Satoru, warm and steady in your arms, his breath mingling with yours. This is your first kiss.
And he still tastes a little sweet, like the cola he finished an hour ago. Salty, too, from the popcorn he snuck from your bowl when he thought you werenât looking. And you? You probably taste like garlic and beer and artificial butter. Like a sleepover and a bad decision. Youâre embarrassed for half a second, but then the thought dissolves. Because none of it matters. Not the taste, not the awkwardness, not the rush of nerves curling down your spine.
Because the second his mouth touches yours, everything else burns away. Itâs not fireworks. Itâs not earth-shattering. Itâs better.
Itâs soft. Deliberate. Like heâs asking for permission even now. Like heâs giving something away. And you realize, dimly, that maybe you are too. Maybe this is how you give your heart to someoneânot with a declaration, but with a kiss that lingers longer than you expect, with a breath that leaves your body and doesnât quite come back the same.
When he pulls away, smiling like heâs just remembered something precious, you almost say it.
I love you, Satoru.
But before the words can rise, he leans down and presses a kiss to your foreheadâgentle, unhurriedâand then steps back like nothing in the world has changed. As if he hasnât just rearranged the architecture of your chest.
Youâre in your room before you even register the motion. Covers pulled up. Head spinning.
Fifteen seconds. Thatâs all it had been. But it will stretch across your lifetime, this memory. This quiet, radiant thing.
The weekend slips through your fingers like water. Cold and gone before youâve had a chance to realize it was ever there. Saturday passes without friction, your submissions clicking into place like puzzle pieces, with the kind of efficiency that makes you wonder if youâve forgotten something essential. You havenât. Itâs just that your mind has learned how to keep its head down. Sunday unfolds like a soft page, slow and wide; you sleep in far too long, wake to the pale hush of early afternoon, skim your readings half-upright in bed, and by evening, youâre so thoroughly reassembled that you walk into class on Monday like nothing ever happened.
Like you and Gojo Satoru hadnât kissed in the low, yellow light of your kitchen. Like your lips hadnât parted for him, and he hadnât looked at you with an almost reverent look in his eyes.
You settle into the chair beside his like muscle memory. Notebook open. Pen poised. Breath steady. You aim your full attention at Yaga, whoâs mid-lecture, droning in the way only a man whoâs taught this class for fifteen years can be. Heâs speaking now on the history of quantum computing, making vague chalky circles on the board, invoking Seth Lloydâs proof that quantum computers could simulate quantum systemsâno exponential overhead like classical ones had, a vindication of Feynmanâs 1982 conjecture. His voice blends with the soft scrape of chalk and the even hum of the centralized AC.
You jot down the essentials. Not too much, just the bones. Dates, names, proofs. A light framework youâll fill in later.
Then, quietly, something slides across the table. A scrap of ripped, notebook paper. You glance at it, brows drawing together, then flick your gaze back up to check that Yaga is still absorbed in the chalkboard. He is. You unfold it.
You think this divorced old man goes on any dates at all?
The laugh that slips out of you is small and sharp and involuntary. You press your lips together, eyes dropping to the doodle scrawled on the bottom corner: a stick figure Yaga, complete with a lopsided brown goatee and jagged red flames spewing out of his ears. It's juvenile and ugly and absolutely deranged, and you have to dig your nails into your thigh to stop from giggling out loud.
You write back pretty quickly: Focus on the class, dummy. You don't want a piece of chalk thrown at your head again and bruise your cheek for a week.
You nudge the note back. He reads it and smirks without looking at you, like the whole thing is routine.
And it is. Thatâs the strange part. This rhythm, this familiar give and take, it hasnât faltered at all. If anything, itâs steadier now. Like a Newtonâs Cradle, metal spheres clicking back and forth with perfect, silent precision. Cause and effect. Action and reaction. You kissed, yes, but somehow the momentum hasnât stopped. If anything, itâs accelerated.
And the fireâthat inconvenient flicker in your chestâhasnât gone out. Itâs grown.
You can do problem sets in your sleep, calculate uncertainty with your eyes closed. Your head is good at physics. But not at this. Not at him. Not at Satoru.
One more week.
Itâs fucking pathetic, really, how you orbit him like youâre a satellite tethered by some invisible gravitational thread, spinning endlessly around a man who never even notices how tightly you cling to the edges of his light. Heâs the planetâblazing, buoyant, blue-eyedâand you? Youâre just the moon. Small. Reflective. Secondary. And itâs Friday again.
Your apartment is dim and warm with the leftover heat of too many bodies, the windows cracked open to invite in the smallest semblance of night air. Your friends are filing out one by one, shedding jackets, murmuring their goodbyes. Gojoâs already halfway down the hall, his voice echoing faintly in the corridor, shoulders knocking against Getoâs as the two of them stumble together like twin stars tugged by drunken gravity. His laughter is high and glassy from too many shots of the raspberry vodka heâd brought.
Shoko announces sheâs staying over, tossing her overnight bag onto your couch without waiting for a response. Sheâs always like thatâassertive in the quietest, most unshakable way. Haibara files out with Nanami, who presses a small white pastry box into your hands with the kind of care that feels like a gesture from an older brother. âLast one,â he says, and you already know whatâs inside. The flaky apple strudel from that bakery his girlfriend works at.
âIâll see you guys soon, yeah?â you call out, stepping into the hallway to wave them off. Kento turns back briefly, eyes lingering, unreadable.
He gives you a slow pat on the head, his hand heavy. âI hope you know I can tell when something is wrong.â
Your expression freezes, like a screen buffering mid-frame. âWhat?â You blink, caught off guard by how plainly heâs said it. âWhereâs this coming from?â
âA good place,â he says, tone bone-dry, as usual. His brows furrow slightly. âAnd Iâm not just here to provide you with baked goods that my girlfriend makes, you know. I give solid advice, too. But only if you ask.â
You blink at him once, then twice, as if trying to process a language you donât quite understand. Thereâs a small silence, heavy with something unspoken. Kento watches you with the kind of exhausted fondness one reserves for stray dogs or younger cousins, then finally sighs, dragging the scarf from his coat pocket and winding it around his neck with practiced finality.
âI forget youâre as dense as pound cake, sometimes.â His voice is mild, almost affectionate, before it shifts into that flat, unwavering tone youâve known since high-school. âCall me when you figure it out yourself. Donât drown in the alcohol Gojo or Shoko bring. Goodnight.â
You stand in your doorway as he walks toward the elevator, his footsteps growing smaller, his silhouette swallowed by the flickering lights of the hallway. You blink again, involuntarily, as if trying to fix the moment in your mind like a photo youâre not sure you want to keep.
And when the door finally closes behind you with a soft thud, the scent of coffee leads you into the kitchen. Shokoâs already there, leaning over your ceramic duck mug, casually stealing your instant coffee.
âYou donât mind, right?â she asks, without looking up.
âDo I ever?â you mutter, already crossing the space between you, hopping up onto the edge of the counter beside her. Your feet swing gently above the tiles. The mug in her hands steams like a tiny bonfire. She stirs with a chopstick, not even glancing toward the sugar tin or creamer bottle that live in your cabinet.
âNo creamer or sugar?â you ask, squinting.
âI need to stay up and cram the metabolism of tyrosine and tryptophan for Monday,â she mutters grimly. âHell is real and itâs called the third block of biochem.â
You hum in solidarity. Shoko snorts, sips the liquid with no visible flinch, before asking, âYouâre probably gonna study for a bit too, huh?â
âI pulled everything I needed earlier,â you continue. âDid it after work so I wouldnât have to now. On the bus home and before you guys showed up. Iâm sort of amazed nobody mugged me, honestly. I was sitting there like an idiot, eating a sandwich and reading up on a shift-scheduling algorithm using Groverâs adaptive search over rota configurations.â
Shoko raises her eyebrows, but says nothing.
âIâm doing a paper on it with Satoru,â you add, trying to sound casual and utterly failing. âSo I was studying for it.â
âWhatâs going on between you two, anyway?â she asks, finally, her voice flat but her brows drawing together with a crease so precise it looks carved. Thereâs something deliberate about the way she sets her half-empty mug on the countertop, like punctuation. A full stop before the interrogation.
You tilt your head, pretending like youâre puzzled, as if everything has been perfectly mundane. Like your skin doesn't still burn in the places where Satoru touched you last week. Like your mouth hasnât remembered the shape of his. You make your voice chipper, an octave too high, and ask, âWhat...what do you mean?â
âI mean,â she drawls the word out, slow as maple syrup, pushing her glasses higher up the bridge of her nose, âthe two of you. Youâre acting weird. Like, normal-weird, but off. Left-of-center. It's like the musicâs still playing, but someone swapped the record without telling us. Everyone can hear it, but no one wants to say it.â She pauses. âSuguru knows. I can tell. Heâs being coy about it, which pisses me off. Yu and Kento clocked something, but they just shrugged and let it go. But I wonât. Iâm mad that you havenât told me what it is yet.â
âWâwhat?â you blink. You can feel the blood rush to your ears like youâre a cartoon character caught red-handed. âBut nothingâs going on.â
âSomething totally is.â She takes a long sip of her coffee, like itâll help her brace for your eventual confession. âDid you finally tell him you like him and he rejected you? Is that it? Because if that is it, I swear to god, I will find him and kick him in the balls. With steel-toed boots. Iâm not even joking.â
You shake your head with almost comic vigor, hands up defensively, like sheâs already winding up for a roundhouse. âNo, absolutely not! None of that happened!â
âThen what is it, huh?â she presses. She finishes her coffee in one motion, mug clinking softly on the inside as she tips it back, then turns and rinses it in the sink. The apartment is quiet except for the water and the hum of the old refrigerator. And then, sheâs facing you again. Mug in one hand, other reaching for the dishtowel draped behind your back. She wipes your ducky mug without even asking, like it's her version of a comforting gesture, but sheâs glaring at you like youâve personally betrayed her by not already spilling everything.
You gulp. Then sigh.
âWe kissed.â
The world stills. For a second, you think sheâs going to throw the mug. Instead, she nearly drops it. You flail forward instinctively. âDonât drop that! Satoru gave it to me for my eighteenth birthday!â
She looks at you like you just confessed to a crime. âWhat do you mean you kissed?â she practically yells. Her voice rebounds off the kitchen tiles. âWhen did that happen? Why the fuck didnât you tell me? What is going on?â
Your shoulders are awkwardly hunched toward your ears, as if bracing for impact. You're half-expecting her to sock you in the forehead or smack the back of your head like she used to do when you dropped test tubes in high-school.
When you open your eyes, sheâs not wound up or furious. She's just staring at youâunblinking, quiet, like a disappointed older sister who expected more from you and got...this.
You sigh. A long, guilty exhale. âI donât know,â you mutter, voice half-trapped in your throat. âIt was last Friday. We were in the library, working on that Planckâs Constant assignmentâthe easy one everyone breezed through. I asked him something dumb about his first kiss, and we were joking around, and then... blah blah blah, he offered to be mine, and then when you guys leftââ
You rub the back of your neck, sheepish. ââwe kissed. Then we went to sleep. Like, actually. He slept on the couch, me in bed. Completely vanilla. Absolutely nothing else happened. And everythingâs been... normal. Since.â
She scrunches her nose at you like youâve just confessed to licking a subway pole. âWhat do you mean, âblah blah blah, everythingâs been normal sinceâ?â
You wince. âI mean exactly that. Weâve just... been acting like we always did. Heâs normal. Iâm normal. We do our assignments, we sit together in class, we argue over stupid shit, like usual. Weâre still friends. Nothingâs changed. I expected this.â
Her mouth falls open for a second, then shuts. âAre you absolutely insane?â she hisses, brows lifting like sheâs watching a slow-motion car crash. âDo you not have any brain cells left? Suguruâs smarter than you. Even Haibaraâs smarter than you.â
You roll your eyes. âYouâre literally the most emotionally stunted person in this entire program.â
âAnd you,â she snaps, âwould be failing if Gojo didnât help you study. Donât act like being second in the class isnât completely because of him.â
That lands harder than she probably intends. You feel the words hit your ribs, low and sharp, like a sudden gust of wind knocking the breath out of you. You blink, slow. Your face falls before you can stop it.
She blinks too. Then her mouth tightens into a regretful line, the anger dissolving. âShit,â she murmurs. âIâm sorry. I shouldnât have said that.â
You donât bother hiding your expression. âYeah,â you say softly. âYou shouldnât have. What the fuck were you thinking?â
âI felt left out,â she says, small and unapologetically pouty now, her eyes glancing toward the floor like sheâs ten years old again and got caught cheating at board games. âAnd... Suguru knows. I think. I overheard Satoru on the phone with him last Sunday.â
Your head jerks. You've immediately forgiven her. âNo fucking way.â
She shrugs, like itâs obvious, like itâs not the biggest fucking revelation of the week. âYes way. Sunday evening. I was walking past his room. He was saying something to Suguru about regretting something or not. I didn't hear all of it, because the door was closed, butââ
Your stomach flips. âNo fucking way.â
âYes way,â she parrots again, rolling her eyes. Then her gaze sharpens, suddenly calculating. Something clicks behind her eyes like the flick of a matchstick. âYou free tomorrow night?â
You narrow your eyes. âSecond Saturday. No classes. I was planning to sleep in.â
âSatoru said heâs going to some party with Suguru, right?â
Your eyes narrow further. âHow do you know about that?â
She grins, wide and mischievous, like a cat whoâs found a canary already half-dead. âBecause Iâm going too. Come with me. Nanami already said noâbig surpriseâand Haibaraâs off doing something noble with that internship of his. It's paid, can you believe it? I wish I was a finance bro, sometimes.â
âI donât even know whose party it is,â you say, a little offended now.
âSuguruâs rich art history friend,â she shrugs. âOwns one of those cavernous houses with amazing acoustics and too many sculptures. Very mid-century, Tuscan, Los Angeles core. Thereâll be alcohol. Definitely people popping edibles. Someone reciting bad beat poetry in the corner. Donât take edibles or go near those weirdos, but come. Socialize. Make Gojo jealous, if you have to.â
You deadpan. âThatâs why you want me to come?â
She shakes her head. âNo. I mean, yes, that would be funny. But I actually think itâll be good for you. Youâve made your entire identity about this damn degree and itâs honestly exhausting to witness.â
You sigh, long and slow, the way a dam leaks before it breaks. âFine.â
And she grins like sheâs just won something.Â
Shoko insists on doing your makeup herselfâsmudged eyeliner with the precision of someone who hasnât held a brush since New Yearâs and glittery eyeshadow in a shade that would have horrified your mother. She tells you to shut up and sit still, fingers surprisingly gentle as she works the shimmer into the crease of your eyelid with the tip of her pinky. Her brows are furrowed with an intensity usually reserved for exams or sutures. When she finishes, she squints at you like youâre a painting she isnât sure sheâs finished yet, then nods once and says, âPerfect. Hot enough to haunt his dreams.â
You donât get a chance to argue. She tosses you her huge leather jacket and her car keys, tells you to carry both, then rushes you out the door like youâre late for something. The drive is longâforty minutes out of the city, past streetlights that blur into soft halos and silent neighborhoods with cars lined like dominoes. You scroll through songs absently, the hum of the engine making your eyelids feel heavy. Shoko drives like she does everything: fast, reckless, with a confidence that makes you think she's never been punished for anything in her life.
The house is bizarre. The sort of rich, chaotic architecture you only ever see on TV shows about L.A. divorces or cult leaders. Itâs modern, with clean lines, but thereâs something deeply Tuscan about it tooâterracotta roof tiles, pale stucco walls, a fountain that burbles softly near the entrance like an apology. You stare at it from the sidewalk, lips parted, blinking like it might disappear if you look too long. âIs this a villa or a set piece?â you ask.
Shoko doesnât answer. She's too busy parallel parking with one hand, rolling her eyes when you ask whether her carâs going to get towed. âPlease,â she scoffs, pulling the parking brake with unnecessary flair. âIâve been here so many times Iâm practically on the HOA board. My carâs safer here than it is on campus.â
You trail after her toward the house, clutching the jacket too tightly. She walks in like she owns the place, then greets people with a sugary voice youâve never heard her use before, one thatâs an octave too high and shaped like politeness. You watch her slip through introductions with practiced ease, like sheâs done this a hundred times. Getoâs friends, then hers. You smile when prompted. You nod. You say your name like itâs not heavy in your mouth.
Inside, everything smells like expensive candles and cigarettes. Someoneâs playing music from a speaker you canât seeâsomething low and bass-heavy that vibrates in your chest. There are at least three conversations happening around you at once, and yet none of them seem to involve you. Shoko leans in close, her lips brushing your ear as she says, âDrink. Dance. Talk to people. Make him jealous when he sees you.â
You blink. âUntil then?â
âForget he exists,â she says, pulling away with a grin that looks too smug to be friendly. âSeriously. Pretend youâve never heard of him. Live a little. Let loose. This isnât Yaga's classroom, babe. Let it rip.â
You donât know whether to laugh or hide behind a potted plant, so you do neither. You breathe in, try to center yourself in your body, and nod slowly.
Then, after a few minutes, maybe ten, maybe twenty; time is difficult to keep track of when thereâs bass pulsing through your skin and someoneâs spilled cranberry vodka on your shoe. Shoko is gone. One second sheâs beside you, the next, swallowed by a house full of strangers and smoke machines, and youâre left to navigate the layout of a home that looks like it belongs to a tech startup founder with a pottery hobby.
You think maybe youâll head toward the kitchenâat least, where you hope the kitchen isâjust to breathe. Just to recalibrate your fucking soul for a minute. Maybe get a drink. Something to hold in your hand so you donât look so much like youâre loitering in your own skin.
You begin moving through the maze. Push past the humid sea of bodies writhing in the front foyer, all dancing with the intense, out-of-body dedication of people who think this moment will save them. You pass through the living room where someoneâs holding a mic and belting out old Mariah Carey and Gaga songs so off-key it should be considered a hate crime, and at least two people are doing something definitely illegal at the coffee table. You donât look long enough to know.
Another hallway. This one is indubitably worse. Narrow, dark, the air thick with musk and breath and bodily fluids that you don't wanna think about. People pressed up against walls, hands under shirts, hips grinding in slow, desperate syncopation. Someone moans. You force your gaze forward, blinking, your focus sharp as you slice through the crowd like a blade with one singular objective: the kitchen.
And then, finally, you arrive. You donât even feel your lungs working until you hear the sound of your own exhale. The air shifts. Less sweat, less pheromones. Thank fucking God.
The kitchen island boasts a jumbled bar of bottlesâclear, amber, blood-redâmost unlabelled or illegibly scrawled in Sharpie. You head toward it like a pilgrim to a shrine. Your hands shake as you pour yourself something, anything. You donât know what it is, donât check the bottle. You donât even care. You just need to feel the burn of something terrible in your throat. Like the rest of the people here. That counts as grounding, right?
And then, a laugh. Almost amused. A chuckle thatâs clearly not yours. You turn, blinking in surprise. Thereâs a guy behind you. Under-cut, pink hair, slightly crooked grin. âYou just poured yourself a whole solo cup of JĂ€ger,â he says, eyeing your drink like it personally offends him. âEither youâre suicidal⊠or youâre suicidal.â
âIâm overwhelmed,â you mutter, trying not to sound pathetic, âAnd I donât know what that is.â
He watches you like a scientist might study a rat thatâs just discovered electricity. âIâve never seen you at one of these before.â
âI havenât been. Well, I have, but not.. you know, this,â you admit. You hum as he steps forward, grabbing a bottle, mixing something that smells suspiciously like a midlife crisis with Diet Coke. You finally take a sip of your own drink.
Itâs vile. Foul. Ungodly. Like someone melted a cough drop in a vat of acid. But you keep it in. Youâre an adult, yes? Youâve suffered worse.
Your nose scrunches up involuntarily, and the guy beside you laughs. âYeah, itâs pretty shit. Youâre supposed to shoot it cold or mix it with Red Bull. Not exactly a âsip and reflect on lifeâ drink.â
âThanks for the wisdom,â you say, voice strained, trying to press your lips into a neutral line despite the trauma your tastebuds are experiencing. He grins. âSukuna.â
âWhat?â
He shrugs. âThatâs my name.â
You narrow your eyes. âNo shot. Youâre that business guy. The one on the university soccer team.â
âUnfortunately,â he rolls his eyes, swigs from his glass. âGod, I hate it. Coach is a petty little bastard. Divorced, childless, and lonely, so he tries to make up for his lifeâs emptiness by bullying college kids. And donât get me started on the rest of the team. A bunch of overgrown pussies with victim complexes.â
âWow,â you blink. âSounds like paradise.â
He chuckles. âOh, you have no idea.â
You talk for a while. Longer than expected. And eventually, youâre laughing. Like, really laughingâthe kind that leaves your cheeks sore and your stomach tight. Sukuna is magnetic in that weird, unbothered way.
He pulls you back through the chaos, past the moaning hallway, which has only gotten grosser, and into the living room again. He drags you to the karaoke setup where you both perform a spectacularly terrible rendition of âAll I Want for Christmas Is You,â your voice cracking on the high notes as you swing a strange lemon-flavored beer through the air like itâs a mic. You lean on him, giggling, when a man in a Hawaiian shirt and no shoes slurs his way through a K-pop ballad, his duet partner lost in some other galaxy entirely.
Eventually, your drink runs dry. Your buzz starts to fade. You excuse yourself from the sagging leather couch, tell Sukuna youâre going to grab something else. He gives you a nod, distracted, eyes flicking between you and a girl trying to twerk to a song that absolutely does not require twerking. You smile faintly, then head back toward the kitchen.
And for a moment, just a fleeting, beautiful moment, you feel lighter. Thereâs something easy in your chest, something unburdened and new, as if for once youâre allowed to just exist without thinking of him. You think: maybe Shoko was right. Maybe ignoring was possible.
But then, itâs like a switch flips. Youâre halfway through that disgusting little corridor, the one you tried to block from memory, when you see him.
Satoru. And someone else is there too.
Theyâre not kissing. Not technically. Not yet. But theyâre close. Too close. Her hand on his chest, his breath fanning her foreheadâthe same way it did to you last week, when his mouth was against yours and everything was spinning in the best possible way. Heâs looking at her like that again. The same tilt in his voice, the same smug, knowing smile that makes you want to scream. His lips curled, as if the entire fucking world belongs to him. And maybe it does.
The weight slams back into your chest like a fucking brick. Like a car accident. Like everything youâve tried to pretend didnât matter was always lying in wait, just biding its time to gut you again.
And it takes nothing for all the weight you managed to shake loose tonight to return to your shoulders. Heavier this time, and denser. More precise in a way that it digs into your ribs and lungs and heart and mind.
Your hands are trembling as you take a sipâno, a mouthfulâof the too-sweet, too-carbonated diet coke, straight from the can, the aluminum still slick with condensation. It tastes like chemicals, like the inside of a dentistâs glove. Thereâs something almost medicinal about it. You donât care. You just need something to hold, something to do with your mouth while your heart tries to claw its way out of your fucking flesh.
And then you hear footsteps. The creak of sneakers on old tile. Then an offhanded whistle. Youâd recognize that sound anywhere. You smell him before you see him, which feels like a violation in itself. That absurdly expensive cologne he always overapplies, something saccharine and woody and smug. Underneath it, the faint ghost of someone else's too floral perfume, rubbed off onto his coat or collar.
He steps in like a punchline. âOut of everywhere you couldâve been tonight, I had never imagined Iâd find you here,â he says, like itâs some great reveal, like heâs walked into a plot twist.
He reaches out, as casually as if you werenât here, and grabs a bottle of soju from the counter. The last bottle, you notice. Strawberry flavored. Of course, he canât even drink like a normal person. Everything has to be sweet. You hate him.
You narrow your eyes at him, your voice dry. âWhat, you think my social life is so dead that I wouldnât go out and have some fun?â
He doesnât laugh. He doesnât smile. He just rolls his eyes in that slow, arrogant way of his, like itâs some burden to even explain. âNo, I just didnât expect to see you with Ryomen Sukuna, of all people. Seriously, him? You can do better. Come on.â
You scoff. Loudly. Theatrically. Dramatically Shakespearean in the worst way. You hope it echoes.
âLike the girl you were humping in the hallway? Sure,â you mutter, eyes rolling again as you lift the can to your lips.
When you glance back at him, the change on his face is immediate. His whole expression tightens, as if youâd hit him, or worse, told him the truth. His brows draw together. His mouth opens a little too fast. âWhat the fuck is that supposed to mean?â
âYou know exactly what itâs supposed to mean,â you say, voice soft. Too soft for how heavy the words land. âBut sure, go ahead. Act clueless.â
âIâm acting clueless because I am fucking clueless, you idiot,â he snaps, louder now, his voice cutting into the music spilling from the other room. âYou were literally all over that fucking pink-haired demon in the living room earlier and I canât even talk to someone?â
âTalk to whoever you want, Satoru,â you say with a long breath, a tired, disgusted thing, as you push yourself off the edge of the kitchen island. âLeave me out of it. And leave yourself out of dictating my social life.â
He stares at you, unreadable now, and something about that blankness makes it worse and unbearable at the same time. As if he doesnât understand. As if he wonât even try.
âThe fuck is that supposed to mean?â he repeats, and your whole body tenses at the echo, at the loop youâre both caught in.
You donât answer. Youâre already walking away.
âAnd stop asking me the same fucking question again and again,â you throw over your shoulder, not turning back this time. You walk through the corridor again, that cursed in-between hallway, still reeking of sweat and body spray and shame. You hate this house. You hate the lights that are so dim like theyâre unsure whether to illuminate or conceal.
You keep walking, even as your throat tightens, even as your eyes stingânot from tears, not yet, but from the pressure of it all. You feel like screaming, but you donât. Not here. Not with him behind you.
By the time Monday finally limps its way into existence, Satoru is avoiding you like you're contagious. Worse than that, like your presence itself is radioactive. In class, when Professor Yaga announces the semester-long project for Quantum Physics, all your lab partner and best friend (?), Gojo Satoru, does is clear his throat. It's loud and sharp and artificial, like he wants you to hear it. Then he turns his face toward the window like it's a spotlight, and ignores you for the entire sixty-minute lecture.
When class ends, he bolts. Just gathers his notebook, slings his bag over his shoulder, and walks out as if someone lit a fuse under his seat. You watch his back disappear through the crowd of students, and something in your chest coils so tight you can hardly breathe.
You curse under your breath and jam your things into your bag with the grace of a toddler mid-tantrum. Then you chase him down the corridor, like some lovesick idiot in a campus rom-com. It's pathetic, you know that. You're aware of how this must lookâyour shoes slapping the linoleum, your bag bouncing, your voice rising.
"So what, you're just gonna ignore me now?" you call out, loud enough that people turn.
He doesnât stop walking. Doesnât even slow down. Barely flicks a glance in your direction. His silence is pointed. You scoff, footsteps faster now, catching up to him. âSatoru, you can act like a child when itâs not about our grades. We need to get started on this tonight or weâre going to fall behind. Itâs going to take at least two weeks for the two of us toââ
âIâm busy,â he says, sharp, voice flat.
Your eyes narrow. âWhat thing could be more important thanââ
âOh, itâs nothing,â he interrupts, voice suddenly sugarcoated, but thick with venom. His words are polished and mean like a knife dressed in silk. âJust a date. With that girl you were so jealous of. Start the stupid project without me. Iâm sure you wonât get far anyway.â
It lands like a slap. And still, youâre dumb enough to flinch.
âYouâre such an asshole,â you hiss, voice pitching up as your pulse rises. âAnd so fucking emotionally stunted. I wasnât jealous, you absolute buffoon!â
âSure you werenât,â he says, with a careless shrug that might as well be a slap in the face. Then he turns the corner.
And there she is. Of course.
Sheâs standing maybe thirty feet away, backlit by the buildingâs glass doors, scrolling through her phone like she isnât the metaphorical guillotine thatâs about to drop on your entire day. When she looks up and sees him, she smiles. He waves. She waves back. And then, together, they walk through the glass doors like some perfect ending to a scene you didnât audition for.
You stand there. You donât chase after him this time. You donât yell. You donât cry. Not exactly.
But your throat tightens like something small and cruel has lodged itself inside it, and your eyes stingâjust a little. Barely. Just enough to make you blink more than once. Just enough to make you taste salt when thereâs no wind. Just enough to remind you what it feels like to be invisible to the person who, until recently, made you feel like you were the whole damn world.
By the time you stumble through your front door that evening, the group chat is already a frenzy, the little notification bubble swollen and urgent as if itâs been holding its breath all day, waiting for you. You kick the door shut behind you, sighing into the quiet of your apartment as you fling your bag onto the floor with graceless precision, then let yourself collapse into the couch like a corpse washing up onto shoreâlimbs heavy, mind slightly waterlogged.
For a moment you just lie there, the phone still silent on the coffee table. You reach for it reluctantly, dragging it toward you as if it might bite, and finally check the screen. You hadnât picked it up since before work, and itâs clear your absence has not gone unnoticed.
The first thing you see is Satoruâs handleâsatoru :3âhis message loud and smug even in its brevity:
congrats nanamin >:))) when r u giving us a treat?
Then Shoko, predictably, with her two cents, which reads more like an itinerary:
i vote for that fancy korean place downtown!!
their bbq AND alcohol is top notch ;)
And then Nanami himself, already sighing through the screen:
I quite literally just landed the internship. I'm the one who is going to do all the labor and you idiots want me to treat you to alcohol and meat at a fancy restaurant? Downright disgraceful.
Haibara, naturally, cannot resist throwing gasoline on the fire:
YES I TOO CAST MY VOTE FOR KOREAN BBQ AND ALCOHOL!!!!
Suguruâs text chimes in like a catâs stretch:
i lowk agree, i fw this
You blink at your phone, scrolling up just enough to see what started this celebratory dogpile. There, nestled among the chaos, is a screenshotâNanamiâs e-mail, clinical and unembellished except for the big truth in the center: heâs been offered an internship. A paid internship at one of the biggest financial firms. You let out a small, involuntary gasp, the kind that escapes before you can dress it up in words.
Your thumbs move before you can overthink it:
congrats on the internship, ken! i also want food and alcohol >:)
A pause. Then his dry, surgical response:
Oh.
You grin into the screen, that small private smile youâd never admit is for him, before setting the phone facedown on the coffee table again. The couch seems to sink further under you as you slouch into it, every muscle unravelling in the most decadent kind of laziness. And then, as if remembering something unpleasant, you let out a long, guttural groan, the kind meant for no oneâs ears but your own.
Friday comes faster than you can blink. And Satoruâs right, you canât do the project alone. Not that heâs made any attempt to prove otherwise. Heâs a complete twat. Disappears the second class ends, vanishes before you can catch him, spends his evenings out with a rotating cast of strangers while youâre left wrestling quantum gravity equations that make your head ache.
You hate him for it. Or, worse, you donât. Not at all.
You lock your apartment door with a resignation that feels bone-deep. Shokoâs text pings your phoneâsomething about how youâre making her freeze outside while she waits, even though she's in her car. Nanamiâs finally cashing in on that promise to treat everyone: the Korean barbecue place with the good alcohol.
Tonight calls for armor. Black trousers, a dressy top, nothing too try-hard. Shoko, too busy shadowing her professor in an operating room earlier, hasnât had the chance to critique your choices. You step out into the cool air to find her leaning against the car.
âLook at you,â she whistles as you come down the stairs. âCleaning up nice on your own? Without me? Criminal.â
âI was braced for an insult,â you mumble, sliding into the passenger seat. âPoked myself in the eye three times doing eyeliner.â
âWell, youâve got that smudgy, tragic emo character thing going,â she says, handing you a small bottle filled with something sharp-smelling. âPre-game?â
âShoko, weâre going to eat food and celebrate someoneâs employment. What is wrong with you?â You roll your eyes and take it anyway. âAnd youâre driving. No drinking for you.â
âIâll behave,â she says, starting the car. âThat was for you. Anyway, whatâs the deal with Gojo? Still in your mutual cold war?â
âItâs not even that,â you groan. âHe ignores me so thoroughly he doesnât even do the project work. Iâm drowning in tensor fields while heâs out living his best life.â
âIn short, an asshole,â she concludes, turning the wheel. You nod, sinking back into your seat, letting her half-serious jabsâabout you looking like you belong in an emo knockoff Radiohead band, about your eyeliner mishapâpull you out of the spiral, if only a little.
In about fifteen minutes, Shoko pulls into the lot and slides the gearshift into park, the engineâs low hum dying away. She doesnât even wait for the last click of the ignition before sheâs tossing her keys in your direction, so youâre left fumbling to catch them and shove them into the depths of the bag youâd slung over your shoulder.
You follow her inside, the smell of grilled meat and something sweet already curling through the air, thick enough that you can almost taste the char. Your shoes click softly against the tiled floor, and thereâs a low swell of chatter all around you. Warm, full of laughter and the easy comfort of people already deep into their first drink.
But the moment your eyes adjust to the light and you really see the table, your stomach sinks. Thereâs no room. Well, thereâs technically room. Exactly two seats left.
Shoko doesnât even hesitate; she threads her way to the far side and slips into the chair beside Suguru like itâs the only possible choice, her coat already sliding off the back of the seat in one smooth motion. And that meansâinevitably, unavoidablyâyou are left with the other chair. The one beside Gojo Satoru. Your current sworn enemy and ex-best friend, who also happens to be the man you've been in love with since you met him.
You stand there for a fraction too long, smiling in a way that feels brittle, cursing her entire lineage in your headâmother, father, grandparents, great-grandparents, all the way back to whatever primitive ancestor first decided to crawl out of the sea and make bad decisions.
Thereâs no dignified way to do it, so you lower yourself into the seat with all the resignation of someone stepping into a cold bath, your knees brushing his under the table almost immediately. You keep your gaze fixed on the water glass in front of you, fingers curling around it like a lifeline, and take a long drink you donât particularly need.
You can hear him shift beside youâtoo close, always too closeâand you donât have to look to know heâs noticed. You keep your eyes on the condensation slipping down the glass, pretending you have not, in fact, been maneuvered into this exact position like a pawn on a chessboard.
The table is a chaos of small plates and open bottles, a battlefield of sesame oil dishes and stainless-steel chopsticks. The grill in the center hisses, fat spitting onto the metal, the air thick with char and smoke. Suguru, still studying the laminated menu as if thereâs a hidden page no one else has been shown, waves the waiter over and calmly lists another six dishes.
Haibara nods along like a conspirator, eyes round with anticipation. âWe should get more of the sweet soy-marinated ribs,â he says, glancing at you for support. âAnd the kimchi pancakes. Andââ
âDone,â Suguru says, cutting him off with a flick of his pen across the order slip, before handing it to the waiter.
Youâre midway through a lettuce wrap when Gojo leans back in his seat, his arm slipping along the backrest of your chair like itâs the most natural thing in the world. He tips his chin toward the bottle of strawberry soju between you.
âAlright, question,â he says, the tone not curious at all, but premeditated, the same way a man might ask if anyone has heard of a harmless little card trick before pulling out a deck thatâs already rigged. âWho here is brave enough for a drinking game?â
Nanami doesnât even look up from his plate. âNo.â
Shoko, though, doesnât hesitate. She drops her chopsticks onto her plate with a clink. âYes.â
Gojoâs grin widens.
âSee, thatâs the attitude. The rest of you,â His eyes sweep over Nanami, Suguru, Haibara, and finally you, âwill regret saying no in about three minutes, so you might as well save yourselves the shame.â
Nanami exhales through his nose, already looking resigned. âWhatâs the game?â
Gojo sits forward, eyes bright behind his glasses. âItâs called âBunny Bunny.ââ
âGod,â Nanami mutters.
Gojo ignores him, already uncapping the soju. âHereâs how it works. We sit in a circleââ
âWeâre already in a circle,â Shoko says dryly, pouring herself a soju shot.
âExactly,â Gojo says. âNow, the person whose turn it is does the âbunny earsâ gestureâlike thisââ He puts his hands on top of his head, index and middle fingers up, smiling with unhinged cheer. ââand says âBunny bunny.â The people on either side have to immediately do thisââ He points sideways at an imaginary neighbor, fingers curled like little paws, ââand say âTeki teki tekiâ really fast. Then it moves to whoever got pointed at, and they go again. If you hesitate, you drink. If you point the wrong way, you drink. If you donât say it fast enoughâŠâ He fills your shot glass. âYou drink.â
âThatâs idiotic,â Nanami says flatly.
âItâs fun,â Gojo corrects, his smile sharpening. âAlso, new rule, if anyone forgets the rules, they finish their drink.â
âThatâs the same as âhesitate,ââ you point out.
âExactly,â he says.
Shoko is already practicing her âteki tekiâ under her breath, testing how fast she can get her tongue around the syllables. Haibara looks delighted, like a child whoâs just learned heâs allowed dessert before dinner. Suguru is still distracted by the arrival of a steaming pot of kimchi stew, but he nods when Gojo calls his name.
âFirst round,â Gojo announces, raising his glass. âWe go clockwise. Iâll start.â
Itâs over in seconds, Gojo slaps the bunny ears on his head and calls âBunny bunnyâ at you before youâve even swallowed your last bite. You panic, point left instead of right, and stammer out something that might be âteki tekiâ but sounds suspiciously like âtiki tiki.â
âDrink,â Gojo says, with the satisfied tone of a man winning a bet no one else agreed to.
Shoko, when her turn comes, is lightning-fast, her âteki tekiâ sharp and perfect. You canât tell if itâs genuine skill or some quiet sleight of hand. She never hesitates. She never points wrong. And somehow, everyone else keeps missing when sheâs in play.
By the third round, your glass is already warm in your hand, and Gojoâs grin has gone foxlike. Suguru and Haibara are trying to play and grill meat at the same time, which leads to Yu getting caught mid-turn while flipping a piece of pork belly, earning a drink penalty. Nanami loses once, then deliberately opts out, nursing his beer in silence.
Shoko still hasnât drunk a drop. Even though sheâs practically the full-time alcoholic of the group.
And then time passed in that easy, slippery way it always does in the middle of drinking games. The table growing rowdier, the shuffling of seats clumsy, the clink of glasses constant. The food half-forgotten, left to char against the hot iron while someone lost another round. You were losing more than you were eating, the strawberry-sweet aftertaste of flavored soju coating your tongue, the sharp warmth pooling heavy in your stomach.Â
Haibara was gone, absolutely gone, red-faced and smiling at nothing, slumped against Suguru who was somehow winning, still sharp and calm and unshaken. Shoko, infuriatingly, hadnât taken a single honest drink, slipping through loopholes in the rules just to take a shot, skipping rounds, somehow cheating, though no one could quite catch her at it. Eventually she began drinking anyway, as if she were the one who had been losing all along, lifting her glass as if in some private mockery of the rest of you.
You could feel yourself fading, the pleasant buzz of alcohol beginning to tip into haze, the line between warmth and heat starting to blur. You were just about to excuse yourself, to opt out before the night pressed too far, when you felt itâhis knee, knocking against yours under the table. Not accidental, not soft, but hard.
You hiss, leaning sideways toward him, voice low. âWhat are you doing? That hurts.â
He only smiles faintly, without apology, leaning close enough that his breath smells of liquor and grilled meat. âCome on, donât be a sore loser. Iâll drop you home later. Keep playing.â He says it casually, almost sweetly, as if everything between the two of you is unchanged, as if youâve never noticed the absence of him these past days, as if things have not shifted in ways you cannot ignore.
The strawberry taste curdles suddenly, bitter on your tongue. A heat that is not the alcohol creeps up your neck, your cheeks. Something feels awfully, unbearably wrong, and with the fog in your head tightening its grip, you cannot stop yourself.
âWhat is your problem?â you demand, voice sharper than you intend, but steady enough.
He blinks, confused, caught. âWhat?â
âFirst, you avoid me like the plague,â you say, the words tumbling out with all the weight youâve carried for a while. âYou donât sit with me in the library to do the quantum physics project. Instead, you go around on dates with different people every day. Then you make out with someone at that dumb party. And now, youâre acting as if everything is alright? Unlike you, I know my limits.â
The table goes silent. Forks and chopsticks pause midair. Suguru looks up from his glass, Haibara blinks slow and slack, Shoko raises an eyebrow with clinical interest. Nanami looks concerned. Really concerned.
But you cannot look at any of them. You can only look at him. Satoruâs face, the faint flush across his high cheekbones, his wide mouth pressed flat into a line. His eyesâthe impossible blue of sky, with flecks of light in them like stars trapped in daylightâfixed on you with startled sharpness.
He blinks once. Then again, slower. âCan we not do this here?â
The words ignite something in you, stoking the bitter fire at the back of your throat. âOh, so when I wanted to talk to you that day, you avoided me. Iâm just supposed to wait until youâre ready to dictate how this goes?â Your voice rises, just a little, just enough that the nearby table glances over.
He grits his teeth, the careful edge in his voice barely containing something rougher beneath. âCan we not air out all our dirty laundry in front of our friends?â
âOh no,â Shoko interrupts, her tone laced with lazy delight. She clicks her tongue, propping her chin in her palm, watching you both as if this were a play staged for her amusement. âBy all means, continue. This is highly entertaining. And I say that after being in an operating room today.â
The words land heavy. You freeze, the weight of the tableâs attention finally cutting through the haze. Your own voice echoing back at you in your mind. And suddenly you cannot bear it.
You reach for your bag with fumbling hands, standing. âShoko, take a cab home. Iâm not giving you your keys back till tomorrow when youâre sober.â
âWait, youâre leaving?â Suguru blurts, startled, setting down his tiny glass of soju with an uncharacteristic clink.
You nod, moving quickly, unwilling to look back at Satoru. âYou guys continue on without me. Iâm not feeling too well.â
âAre you sure?â Nanami asks, steady as always, his brows drawn together with a hint of concern. âIâll call you a cab. Sit here till then.â
âItâs fine.â You shake him off, forcing a small smile that feels stiff on your lips. âGood night, guys.â
A mixture of tired, and inebriated âgood nightsâ and âtake caresâ echo through the table, and then you are gone, the sound of your friendsâ voices swelling back into noise behind you, the door swinging shut, the night air outside too cool, too clear after the heavy smoke and warmth of the restaurant.
You try to calm down, you really do. You tell yourself to breathe, to count to four, to inhale deeply and let it out slowly, but none of it works. Your body has already betrayed you. Your breath comes in these quick, shallow bursts that scrape at your throat. Your heart is thrumming against your ribs so violently you think, absurdly, that it must be visible through your shirt. Thereâs adrenaline rushing through you as if youâve been running, as if youâve been fleeing some danger you cannot name, and your hands are trembling as though they belong to someone else entirely. You imagine your pupils are blown wide, black swallowing color, and you hate that he might notice.
You fumble in your bag for your phone, fingers slippery, uncooperative. When you finally tug it free, you open the app with hands that wonât stop shaking, the blue-white light harsh against your eyes. You press through the motions quickly, desperately, like if you can just summon a carâany carâyou can escape this moment, this night, this unbearable pressure in your chest.
And then you hear it. A voice cutting through the dark like itâs been carved for you alone. Your name, spoken desperately, as if the act of saying it might tether you back. You freeze. Slowly, against your own better judgment, you turn.
Satoru.
âIâm sorrââ
âSatoru, I really donât wanna hear it, okay?â The words fall out before you can even think, an exhausted sigh riding underneath them. âLeave me alone. Thatâs all youâve been doing these days, anyway.â
He looks stricken, the line of his mouth twisting, brows furrowing so sharply it looks almost drawn. âIâm here to apologize,â he says, and the sincerity in it makes your stomach twist. âIâm sorry.â
âIâm sure you are,â you answer, voice flat, nodding once as if that should end it. âAnd Iâm sure you regret everything. So justâjust let me be, okay? Iâll do the project on my own, too. You donât have to tie yourself down to me anymore. Find a new lab partnerâthat girl Iâm so jealous of, maybeâor do it on your own, for all I care, but just⊠leave me alone, okay?â
His breath catches, his words climbing higher, thinner, almost breaking. âIâm trying to fix things. Canât you see that?â
You shake your head, the sharpness creeping into your own voice now. âWhat are you trying to fix? Our friendship? Because itâs broken beyond repair now. You should have never kissed me when you knew youâd regret it later. And you really shouldnât have acted like a total manchild afterward, because all it did was make me feel like absolute shit.â
He takes a step closer, and his voice, when it comes, is stripped down, all defenses gone. âYou think I regret kissing you?â His tone is low, almost fragile, and it breaks against you, softer than you can stand.
You donât answer. You canât. The silence between you swells, heavy, unforgiving. You stare down at the pavement, at your shoes, at anything that isnât him. Because if you lookâif you really lookâyouâll see it: the way he appears wounded, gutted, like youâve just driven a knife through him. Youâll see how beautiful he still is, impossibly so, with that raw openness that only makes you hurt more. And worse, youâll remember him as he once was, the boy you loved long before you ever knew what it meant to love anyone.
The sharp honk of a car rips through the moment, startling you both. Your cab. The one you begged for. The one thatâs come to deliver you away from him.
Your throat feels tight as you force the words out. âGood night, Satoru,â you murmur, low, and you walk toward the car without looking back.
You wake with a hangover so punishing it feels personal. Your head pounds with an insistent rhythm, too loud for the silence of the room, too sharp for the softness of the pillow you press your face into. Your stomach twists with the kind of sour nausea that makes you wonder if youâll ever drink again.Â
Even the room feels claustrophobic, air heavy with the smell of stale alcohol and the faint sweetness of shampoo clinging to your hair. And outside, because the universe has a cruel sense of humor, itâs raining. Not the delicate kind of rain that makes the streets glisten and feels cinematic, but the thick, gray kind that weighs down the sky and drags everything with it, including your mood.
Your phone begins its campaign against your peace almost immediately. It rings when you brush your teeth, rattling impatiently on the counter. It rings again when you sit down with a mug of coffee, bitter on your tongue, the heat doing nothing to untangle the knot in your chest. It rings while you drag a brush through your hair, while you stand in the doorway of the bathroom debating whether you actually have the strength to shower. Always the same vibration, over and over, like the universe refusing to let you ignore it.
You finally pick it up, thumb fumbling against the screen, and the sight that greets you makes you groan aloud. Fifty-three unread texts from Shoko. Two from Suguru. Twenty-seven missed calls, all Shoko again. A sick sort of dread pools in youânot just because sheâs relentless, but because you can barely stand the thought of human contact right now. After last night, after Satoru, after everythingâyou want silence. Isolation. You want the world to stop knocking at your door.
Still, you call her back. You barely get her name out before she shrieks through the line, âMy keys!â
âYeah,â you mumble, already tugging at your shirt, pulling it over your head and tossing it across the bathroom, where it lands in a miserable heap in the laundry basket. Your voice feels rough, unused, brittle. âI think I put it in my bag yesterday. Canât remember shit after the seventh soju shot. I think.â You donât add: canât remember the exact moment the night began to blur, canât remember how his face kept appearing in the blur anyway, Satoruâs voice replaying in the corners of your mind even when you wanted so desperately to shut it out.
âCan you come by that restaurant?â Shoko asks, tone clipped, urgent. âLike right now?â
âWhy?â you groan, leaning against the bathroom sink, the porcelain cool against your bare hip. âCanât I give it to you later?â
âNo,â she snaps, clicking her tongue the way she does when sheâs losing patience. âBecause Iâm going back home for the night. My mom called. And Suguruâs taking care of this cat I brought home a few days ago while Iâm gone. Bring my keys, Iâll see you there.â
âIâll shower and then leaveââ
âLeave right now, or Iâll throw a shoe at your head,â she cuts in, voice dropping low, dangerous. You donât have to see her to picture it: her teeth gritted, her jaw locked tight, her hand probably gripping her phone as though itâs your neck.
You sigh, the sound long and weary, giving in because itâs easier than fighting. Then you end the call.
You donât change. The thought of pulling on new clothes feels monumental and somewhat of a Sisyphean task. You remain in your pajamas: Hello Kitty pants, pink bows dulled from too many washes, and a black T-shirt with a catâs face printed on it. You grab Shokoâs car keys from your bag, your phone, screen still lit with unread messages, and you book yourself a cab. The app flashes a price at you. Not too expensive. Manageable.
And as you wait, you feel the sour churn of last night still lingeringâthe image of Satoruâs face, the sound of his voice breaking on words you refused to believe, the way youâd left him standing there like some wet, wounded kitten. The memory claws at the back of your mind, making the hangover feel heavier, the rain louder, the world more unbearable.
When you get there, Shoko is waiting in the parking lot, planted beside her car as if sheâs been there for hours, the kind of stillness only she can pull off. One hand is balancing the umbrella, the other braced against her hip, her narrow frame bent into an attitude of unbothered irritation. She looks like sheâs judging youâno, like sheâs studying you the way a cat does a half-dead mouse it hasnât decided whether to play with or finish off. Her eyes track your every step, and you feel embarrassingly small under her gaze, half-running, one hand held over your head even though the rain is too thick for that gesture to matter. Your hair is plastered against your face within seconds, your clothes cling uncomfortably to your skin. Itâs no use. Youâre soaked.
You toss the keys at her like you canât get rid of them fast enough, and she, of course, catches them midair with barely a flicker of movement. Curse her and her reflexes, Shoko never misses. With an easy twist, she unlocks the car, sighs, then jerks her chin at you.
âGet in, loser.â
You pause, half-grinning despite the pounding in your skull. âYouâre dropping me home?â
She smirks like youâve said something stupid. âNo. Iâm kidnapping you to mine. Come meet my new cat. Iâll make Suguru book you a cab later.â
The suggestion makes you balk. You groan as you slide into the passenger seat. âBut wonât that be expensiveââ
âJust get in.â Her hand presses against your back briefly, shoving you toward the seat, and then she circles the hood of the car with a kind of grace thatâs all muscle memory. She folds the umbrella, throws it in the back, and settles herself into the driverâs seat. The car roars awake and you buckle in automatically.
âShoko, I have a hangover,â you whine, voice thick, still raw from too much soju and shouting over the barâs music last night. The inside of your mouth feels coated in something sour, and you regret every word you canât remember saying.
âThereâs vitamins in the center console,â she says, not looking at you, voice flat as ever. âAnd coconut water at mine. Suguruâs making noodle soup, I think. You might as well stay over for the day.â
âShoko, I feel like shit.â You pinch the bridge of your nose, groaning. âAnd I keep thinking about what I said yesterdayââ
âTo Satoru?â She doesnât let you finish. She cuts in cleanly, as if sheâd been waiting for you to circle around to that. Her tone is brisk, indifferent, though her eyes flick briefly to you at the red light. âYeah, heâs probably a mess. No texts, no calls since last night. He left right after you did. I got more drunk, Nanami dragged Yu home, and Suguru came over to mine. Honestly, I should just have him move in. He cleans up, cooks for me. Perfect roommate. If you buy him art supplies, heâs basically a servant.â
You groan again, pressing your head against the cool window. âShoko, come on, I probably stink.â
âThen shower at mine,â she says, almost yawning. âWho cares? You canât be alone right now. Youâll spiral. I know you. I know your dumb brain.â
âMy brain isnât dumb.â
âEmotionally, your brain has the same capacity as a block of wood.â
âOkay, first of allââ
âNo.â She doesnât let you finish, her patience thinner than the cigarette sheâs already itching to light. She flips open the center console with one hand, fishes out a bottle without looking, and tosses it at you like sheâs pitching in gym class. You fumble uselessly, the vitamins bouncing against your chest and tumbling into your lap.
Then she rolls down her window with one flick of the switch, shakes out a cigarette from the pack, and fits it between her lips. The rain drizzles in through the small opening, cold droplets spraying against your wrist.
âYou donât mind, right?â she asks, but itâs not really a question.
âNot really.â You shrug, shifting the pill bottle between your fingers. âI might as well have one too.â
Her lighter clicks, flaring in the dull grey of the storm. The cigarette glows faintly, and her voice comes out low, muffled around the filter. âYou know smoking kills, right?â
You give her a look, your brow raised in disbelief. âYeah. And I might as well kill myself.â
âYouâre both idiots,â Shoko mutters, exhaling a stream of smoke out the cracked window. The drizzle has thinned into a half-hearted mist, tapping against the glass in lazy rhythms. Her voice is flat, but her words land sharp. âUselessly stupid. Clueless, the pair of you.â She takes another drag, then tips her head toward you. âJust admit it already. Youâre hopelessly in love with him.â
âIf I admit it,â you murmur, twisting the cap off the vitamin bottle in your lap, âit becomes real. And I donât want it to.â Two tablets rattle into your palm. You reach for the water bottle she always keeps wedged between the seats, unscrewing the cap like itâs the most ordinary thing in the world, though your pulse is anything but steady.
âWhatâs so bad about your feelings?â
You laugh under your breath, bitter, small. âWhatâs bad is that theyâre for him.â You pop the vitamins into your mouth, swallow them down with a swig of water, then stare out the window, where the streetlights smear through the wet glass. âLetting him know will ruin me.â
Shoko gives you an unimpressed look, smoke curling from her lips. âHeâd still be your friend, stupid. Satoruâs a menace, sure, but he isnât cruel.â
âItâs not that.â You shake your head hard, as if you can dislodge the ache from your chest. âIf he doesnât feel the sameâwhich he doesnâtâitâll kill me. It already is killing me.â
For a moment she doesnât answer. Just a slow inhale, then the rasp of smoke leaving her lungs. She huffs, turns her face toward the window, and says nothing at all.
The rain lets up just as Shoko pulls into her apartmentâs lot, fine mist trailing across the windshield, the last drops spitting from the sky, as if even the weather has grown tired of your whining. The wipers drag once more, squeaking against the glass, before she kills the engine and glances at you.
âCome on. Donât make me drag you,â she mutters, tugging her umbrella from the backseat. She doesnât even open it when she steps out; itâs stopped, the air damp and cool, smelling of wet earth and rain-battered asphalt. You follow, dragging your feet, clutching your phone like it might be the last tether to your own space.
The climb up the stairwell feels endless, the smell of old cigarettes and disinfectant rising from the carpet. Shoko doesnât bother with small talk; she just fishes her keys from her coat pocket, and the silence between you feels comfortably thick, filled with what she said in the carâhopelessly in love. Like it lingers in the air, impossible to swat away.
By the time she fits the key into the lock, you hear itâa soft, insistent mewl. The door cracks open an inch, and the sound grows louder, almost urgent. Then, before the door is even halfway open, a blur of black and white fur streaks through the gap and launches itself at Shokoâs shins.
âJesus Christ,â she mutters, bending slightly to scoop the tiny body up. The kitten fits easily in her hands, all sharp paws and clumsy energy, batting at the cigarette box still sticking out of her pocket. Shoko scratches behind its ear with one blunt nail, face softening almost imperceptibly. âYouâve got no patience, huh?â
The rest of the door swings open fully, and behind it, Suguru. Barefoot, hair tied back, sleeves pushed up, the smell of broth and scallions floating past him into the hallway. His gaze flicks over the two of you, then down to the kitten twisting in Shokoâs arms, before he shifts to the side to let you both in.
âSheâs been crying for you since you left to go run errands,â he says, voice calm, before he looks over at you, âHey.â
Shoko snorts, brushing past him into the apartment. âYeah, well. Sheâll live.â
You step in last, the door clicking shut behind you, and suddenly the space feels small, the kittenâs squeaky protests, and the quiet domesticity of it allâthe soup simmering, Suguruâs calm presence, Shokoâs mess of shoes and ashtrays scattered near the entryway.
It feels almost too warm.
âHangover?â Suguru asks after Shoko sets the kitten down on a lopsided pile of blankets near the wall, its makeshift bed tucked into the corner like an afterthought. She disappears into the bathroom without waiting for a reply, the sound of running water echoing a moment later.
You nod, voice low. âYeah. Took some vitamins in the car.â
âShe told me to make you lunch,â he says, tilting his head toward the bathroom door, his expression dry but amused. âSo come on. Catâs not gonna stay put for long.â
You glance toward the bundle of fur, its eyes half-lidded, paws twitching as if in a dream. âSheâs cute,â you murmur. âWhen did Shoko get her?â
âCouple days ago. Didnât mention it till last night. Wants me to look after it while sheâs at her momâs place. Her dadâs sick, I think.â He moves toward the kitchen without looking back, hands already busy with the pot simmering on the stove.
You follow, leaning your hip against the counter, watching the steam curl upward in lazy spirals. âSoup smells good.â
âYeah?â His smile is soft, private. He dips a spoon into the broth, lifts it carefully, and holds it out toward you. âHere. Tell me if it needs more salt.â
You hesitate for the smallest fraction of a second, then part your lips, letting the warmth spill across your tongue. The broth tastes rich, comforting, but you swallow before answering. âJust a bit more. Not too much.â
He hums, tipping his head in agreement, reaching for the salt. And then, in a flash of movement, the kitten streaks into the kitchen like a bullet, its tiny pink claws catching fabric as it scales the back of his dark crew neck. Within seconds it has claimed his shoulder, tail swishing proudly.
âSee?â he grins, turning his face toward you, the little creature perched like a triumphant parrot. âTold you she wouldnât stay put.â
âSheâs adorable,â you coo, reaching out to stroke her tiny head, your fingers brushing against the curve of his shoulder as you do. âWhatâd Shoko name her?â
âSheâs thinking of something artistic. But I say we should go with something darker. Diabolical.â His grin widens, teeth flashing. âHow about Poland? What do you think?â
You blink at him slowly before bursting into laughter. âPoland? Are you serious?â
âCompletely,â he says without hesitation. âLook at her. If she grew a proper mustache, instead of just a small black patch near her nose, sheâd annex multiple countries, if you get the gist.â With one hand he lifts the kitten from his shoulder and deposits her gently into your arms.
You cradle her against your chest, the small body warm, vibrating faintly with a purr. You press your cheek to her fur, still smiling. âSheâs a baby. She could never.â
âDonât underestimate her just because sheâs a white cat with big, pretty green eyes and a mini mustache. I have scratches up my arms that tell another story,â Suguru says, rolling his eyes with theatrical disgust. The kitten dangles limply in your arms, purring, blinking up at you as if she knows full well sheâs been slandered. He gestures vaguely toward the living room. âCan you grab my sketchbook? Soup just needs a few more minutes to boil. Iâll work on my drawing until then.â
âYeah, sure,â you say, loyal in the way you always are with him. The kitten presses herself more firmly against your chest, claws kneading through the fabric of your shirt as you head into the living room.
Suguruâs infamous sketchbook lies facedown on the sofa, the cover slightly bent, his pencils and black pens scattered across the coffee table in a mess that is so unlike his usual precision. You bend to pick it up. Instinct makes you flip it openâcuriosity before mannersâand then your breath stops.
Itâs movie night. The one where Gojo kissed you after everyone else had left. But Suguru hasnât drawn that. Not exactly.
Itâs you, rendered with a precision and softness that feels almost indecent, leaning against Suguruâs shoulder the way you had that evening. Around you are the othersâNanami, Yu, Shokoâbut the eye goes immediately to Gojo.
Gojo, staring. At you. At your head resting on Suguruâs shoulder. His face caught in that fractured moment between disdain and desire, jealousy written into the corners of his mouth, his eyes betrayed by something almost tender.
âSuguruââ
âOh.â His voice comes from behind you, flat, almost bored, but too carefully so. You whirl around to find him there, wiping his hands absently on a dish towel. âYeah. I thought you knew that he liked you. He was practically vibrating with jealousy that day.â
âWhat?â you blurt, stupidly. The word falls out of you like a stone dropping into water. You stare down at the sketchbook still open in your hands, then back at him. âAre you serious, or is this one of your terrible jokes?â
âHave you ever known me to joke about things like this?â He arches a brow, steps forward, and effortlessly plucks Poland from your arms. She mewls as if echoing the ridiculousness of your disbelief.
The bathroom door creaks open and Shoko walks out, towel slung over her shoulders, damp strands of hair curling against her cheeks. She takes one look at your expression, then at Suguru, then the sketchbook in your grip. âWhatâs going on?â
âWait, did you know Satoru liked me back?â you demand, finger jabbing at her accusingly, then at the sketchbook, the gesture wild, uncoordinated, fueled by panic. âIs that why you were talking all that crap about guilt and feelings in the car?â
Shoko stares at you as though youâve asked whether water is wet. She points to her forehead, deadpan, and turns to Suguru. âDoes it say âstupid fucking idiotâ up here?â
He shakes his head gravely, though thereâs the glint of amusement on his mouth.
âWhy else do you think I said it, genius?â Shoko adds, eyes narrowing.
âWhy couldnât you just say he liked me back, like a normal person, in normal words?â you explode. Your voice cracks in the middle, humiliatingly shrill, and you wince at yourself even as the words echo through the room.
Shoko shrugs, expression flat, careless. âWhy should I? Thatâs for you to find out and for him to tell you. Why do I have to do extra work?â
Frustration rises in you like steam. You snatch a throw-pillow from the sofa and hurl it at her. She catches it without looking, reflexes effortlessly infuriating.
You whirl back to Suguru. âIs your scooter downstairs?â
âWhat do you mean, âis his scooter downstairsâ?â Shokoâs voice jumps an octave, incredulous.
You ignore her, staring at Suguru with a desperation that must look almost deranged. âSuguru, give me your keys.â
âBut you donât know how to driveââ
âYou told me once that itâs like a bicycle, right?â Your tone is clipped, urgent, edged with a kind of wild insistence. âCome on. Just let me go.â
âYou donât even have a licenseââ
âIâll pay the fine if I get stopped by a cop,â your voice sharp, hands clenched into a fist. âPlease. Let me have this.â
For a moment he only looks at you, the kitten nestled in one arm, his dark eyes unreadable. Then he sighs. With his free hand, he fishes into the back pocket of his jeans and pulls out his keys, tossing them lightly toward you.
You fumble them, nearly drop them, but manage to hold on. The keys feel heavier than they should in your palm.
âI owe you big time,â you breathe, already moving toward the front door, heart in your throat.
âWhat if you crash the scooter?â Shoko calls after you.
You spin around long enough to glare at her. âIâm not a complete idiot.â
She raises her eyebrows. âAt least youâre self-aware enough to know youâre somewhat of one.â
âI hate you,â you throw over your shoulder, fumbling with your shoes, hands shaking. âSuguru, thank you! I owe you art suppliesâexpensive ones!â
You slam the door behind you.
Inside, silence lingers for a beat. Then Shoko looks at Suguru. Heâs grinning, highly pleased.
âScore,â he says, in a sing-song voice, meeting her gaze.
Poland mews in his arms, completely indifferent.
This feels like the most dangerous thing youâve ever done, and thatâs saying something, considering the long catalogue of reckless choices youâve stacked up until now. But this one, this is different. This one feels like a decision you might not walk away from.
You know the route by heart, etched into you after all the times youâve been dragged to Satoruâs. He lives about ten minutes from Shokoâs flat, two neighborhoods away, in a tall, high-rise building that looks like itâs made of glass, and an elevator that never quite works right. Sixth floor.Â
The rain begins again just as you turn onto the street, as if the sky has been waiting for the exact moment you set the scooter in motion. Not a drizzleânever thatâbut a downpour that slaps the pavement, turns the air heavy, blinds you in sheets. Within seconds, youâre soaked. Suguruâs black helmet is too big, the strap biting into your jaw, water leaking down the back of your neck until it crawls down your spine like cold fingers.
You grip the handlebars so tightly your knuckles ache, clutching them like theyâre the only fragile rope tethering you to safety. The scooter hums and trembles beneath you, every bump of the road rattling through your bones. You hold your breath as if letting it go might unravel you, as if the entire balance of this desperate flight depends on the rhythm of your lungs.
Your heart is thunder in your ears. Louder than any engine, or the pitter-patter of the rain. Each beat ricochets, echoing in your ribs. You think if anyone could cut you open right now, theyâd see it thrashing inside, like an animal desperate to escape.
The rain glues your clothes to you. Your black t-shirt, your ridiculous Hello Kitty pajama pants; what had been soft cotton indoors is now plastered to your skin, heavy and clammy and quite literally, a sensory nightmare. You imagine how you must lookâhalf-drowned, cartoon-print legs hugging this rattling little scooter through a storm. If Satoru could see you now, heâd point and laugh, like he always does when youâre at your most serious.
And yet, thank whatever force in the universe is watching, that driving a Vespa scooter is easier than it has any right to be. Compared to everything else youâve ever had to do, itâs almost simple. Hands steady, weight leaning slightly forward, balance sharp. The mechanics are nothing. Itâs everything elseâthe urgency, the need to reach him, the screaming insistence in your chestâthat makes it feel like a miracle youâre still moving at all.
You slam to a halt in front of his building, the tires shrieking against wet pavement. The scooter shudders beneath you like it, too, is desperate to collapse. The watchmanâan older man with thinning hair and a half-folded newspaperâlooks up from his post, eyes widening at the spectacle you make: drenched, helmet askew, cartoon pajama pants plastered to your thighs. His stare lingers, caught somewhere between disbelief and concern.
You force a laugh, the kind that comes out too sharp, brittle. âCould you, uh, watch this for me?â you ask, gesturing to the scooter like it isnât the most ridiculous request in the world. You donât wait for his answer. Youâre already running, sneakers squelching, squealing too loudly against the lobbyâs tile floor. Each step leaves a dark trail of rainwater behind you, proof of your reckless arrival.
The elevator mockingly announces itself from the eighth floor, its little red numbers descending at a pace far too slow. You groan, chest heaving, already impatient with the thought of waiting. You take the stairs instead.
By the time you drag yourself up to the sixth floor, your lungs are aflame. Your hair sticks to your temples, sweat mixing with rain, and your breaths tear out of you ragged and animal-like. But you donât hesitate. You jab at the doorbell, finger pressing hard, as though sheer force could transmit the fire in your chest to the man inside.
You ring with purpose. With fury. With smoke practically pouring from your ears, your nose, your skin. With a rage so bright you could kill him for making you come here like this, and with a want so consuming that you might just kiss him afterward, out of spite, out of need.
The door swings open. And there he isâhair mussed like heâd just rolled out of bed, a slice of toast clamped lazily between his teeth. His eyes land on you, widen instantly, and in that split second, you feel the sharp clash of your emotions crash against the sight of him: the impulse to scream, to throttle him, and the equal, unbearable pull to close the space and press yourself against him anyway.
And somehow, impossibly, he still looks like the most beautiful person youâve ever seen. Even now, when he shouldnâtâwhen everything between you feels fractured, aching, stretched so thin you think it might splitâhe still manages to look pretty. Unfairly so. His face is infuriatingly steady, his lashes lowering then lifting again.
You donât blink. You donât look away. Your chest is still rising and falling too quickly, breath shallow, and all you can think is that you want to hurt him back. The words slip out before you can stop them.
âYouâre a fucking asshole,â you blurt, voice raw and trembling. âFuck you. I hate you so much.â
For a second, he doesnât say anything. The silence stretches in the narrow room, sticky and unbearable. He doesnât even flinch, not at first. Then you see it. His shoulders stiffening almost imperceptibly, his hand twitching against his thigh. A flinch, even if he tries to swallow it down.
âGet inside before you catch a cold,â Satoru says finally, quiet, the words sounding strangely gentle for all their awkwardness. But you can hear the crack in them, the attempt to hold something steady when itâs already splintering.
You step in, dripping water onto the entryway floor, and pull off your squeaky shoes, leaving them by the door with a clumsy kick. Your lungs are burning, every inhale heavier than the last, and you let out a jagged exhale.
He starts to speak againâhis mouth opens, you hear the beginnings of your nameâbut you cut him off, sharp, the demand ripping out of you before you can think better of it.
âNo. Absolutely not. I go first. Me. Shut up and listen.â
He falters, caught off guard, and then slowly, reluctantly, nods. Thereâs a faint, boyish guilt flickering across his features. His lips press together, open, then close again as he seems to chew down whatever instinct he has to interrupt. His eyes track away from you, and he moves instead, wordlessly, toward the coffee table, setting down the half-eaten toast heâs still holding, on a porcelain plate with careful precision, as though the act of placing it might just anchor him. Then he looks back at you.
âGo on.â
âI made it impossibly clear to you,â you say, voice rising, chest heaving with every word. Your fists clench hard at your sides, nails biting crescents into your palms. âThat I was serious about my first kiss. That it wasnât just some stupid joke to me. But you? You treated it like it was nothing. Like it was a game.â
His lips part. A sound, a word almost, threatens to slip through.
âButââ
âIâm not done.â Your voice is sharp enough to slice through him. You hold his gaze with unblinking ferocity. âYouâll wait for me to finish. Then you can say whatever you want to me.â
Thereâs a visible swallow in his throat, the tendons shifting as he drags it down. He sighs heavily, a small breath that feels too fragile to belong to him. âDo you⊠want a towel or something until then?â
The sheer absurdity makes you groan, dragging your hand to your face, pinching the bridge of your nose. âNo, Satoru, for fuckâs sake, just let me speak.â
Your hand drops, and you stare at him, the words boiling out of you again.
âAfter you kissed me, you acted like nothing happened. Like everything was the same.â Your brows knit tight. âSatoru, how could you do that? I was over there, wracking my brain, thinking everything would change. That we would change. And you just⊠you acted like this was normal. Like it meant nothing.â
His gaze flickers downward, his voice almost inaudible when he finally answers. âI didnât want to lose you. Iâm sorry. I shouldâve handled it better.â
âNo,â you retort, sharp, breath catching in your throat. âWhat you shouldâve done was tell me you liked me from the beginning. Then I wouldnât have had to go through absolute shit. Do you even know how much it hurt me to see you at that party?â
âI only spoke to that girl because I saw you with Sukuna,â he says quickly, almost defensively. His voice softens, guilt creeping in at the edges. âIt was a shitty thing to do, and Iâm sorry.â
âBut you acted like an asshole afterward, too,â you snap, the memory cutting fresh. Your voice spikes, almost shrill with disbelief. âSeriously, how am I supposed to do a semester-long Quantum Physics project by myself? And then youâGod, you had the nerve to go on dates with her. How could you just throw it in my face like that? What would you have done if I did that to you with Sukuna?â
He blinks, his face unreadable, before he pushes to his feet. His silence stings more than if heâd shouted back. You watch him through the blur of your own anger, hurt lodged so deep in your chest it almost feels physical, like something breaking apart inside you. He doesnât answer right away. Instead, he moves to the side closet, pulling out a towel.
You stand frozen as he walks back toward you. Your skin prickles, your breath catching when he reaches out, wrapping the towel around your dripping shoulders with an almost unbearable tenderness.
âI donât think I can make up for what I did,â he murmurs, low and heavy, âeven if I apologize a thousand times. But youâre right. I like you. So much that it hurts. So much that Iâd ruin myself if I lost you.â
âYou canât make up for anything like that,â you whisper, shaking your head. Your throat tightens. The words are thin, trembling. âWhatâs worse is that I donât find myself hating you. Not one bit. Not at all.â
He blinks, startled, his head tilting almost childishly to the side. Thereâs something fragile in his expression now, raw, vulnerable. His voice is tinged with both anticipation and desperation when he asks, softly, âWhat do you mean?â
You draw in a breath, your fingers twisting into the towel heâs wrapped around you. The words come out hushed, barely above the silence of the room.
âSatoru,â you whisper. âI like you, too.â
And for a moment, the world freezes. Neither of you move. His eyes widen, blue and startled, and he stares at you like he doesnât quite believe what heâs hearing. You clutch the towel tighter around yourself, your lips pressed in a small pout, trying to steady the racing beat of your heart. He lowers his head slightly, eyes never leaving yours. His voice comes out in the quietest, most uncertain whisper.
âCan you⊠say it again?â
âSatoru,â you breathe, steady this time, the words like a confession youâve been holding for far too long. âI like you. More than âlike,â actually.â
The sound he makes isnât quite a laugh, isnât quite a sigh. His chest deflates, like heâs been holding himself taut for years, and now finally lets go. His voice is trembling, shaky, and relieved.
âHoly shit.â
âDonât get ahead of yourself,â you say, your eyes widening almost reflexively, as if the words are a shield youâve pulled up at the very last second. âNothingâs changing. Not yet. Not until I decide I can forgive youâbecause that still hasnât happened.â
Two weeks slip by before you even realize it.
The project is already halfway done, though thatâs mostly Satoruâs fault. Heâd gotten guilty, worked on chunks of it alone, then turned up to class smug and pretending like he hadnât. Now the two of you spend afternoons smoothing it all together, side by side. Sometimes you argue. Sometimes you laugh. And somehow, you no longer feel like youâre bracing yourself every time he opens his mouth.
Suguru, of course, takes all the credit for this fragile peace. He stretches out on Shokoâs couch, telling her, and anyone else who will listen, that if it werenât for him, you and Satoru would still be spitting fire.Â
âYouâre welcome,â he grins when you roll your eyes at him, balancing a bag of sketchbooks and pencils youâd bought him as thanks for the scooter. He flips through them with a pleased hum, cocky as ever. âMy generosity is contagious,â heâd say, before quietly grinning and whispering a âthank youâ.Â
Shoko just shakes her head, but she doesnât hide the little smile. Sheâs already floated the idea of him moving in with her soon, and Suguru doesnât bother hiding his satisfaction. Heâd make the perfect roommate, according to herâcooking, cleaning, keeping plants alive, helping with the cat. He plays it up, too, bowing dramatically when she mentions it, as if heâs gracing her with a gift.
Friday night means movie night. A ritual. Satoru is the first to arrive. He never knocks properlyâthree lazy taps, then heâs inside, his damp hair pushed back, sweatshirt slipping off one shoulder. He kisses the top of your head as he passes, like itâs the most natural thing in the world, and crouches down beside you on the floor to help pour chips into bowls. His hands brush against yours once, twice, and he doesnât move them away quickly enough.Â
âThese are going to be gone in five minutes,â he murmurs, stealing one, and you swat him halfheartedly. It feels dangerously easy, the rhythm of him next to you. You canât help but ache for more.
Shoko arrives next, juggling bags and a carrier for Poland, her cat. Poland makes herself instantly at home, leaping onto the couch and curling into the very center cushion like she owns it. Suguru strolls in behind her with two cases of beer under his arms, already bickering with her about who picked the movie last time.
Not long after, Kento and Haibara tumble in with trays of pastries and paper bags of snacks. Kento sets everything on the coffee table with practiced neatness and pats your head, while Haibaraâs already reaching for the remote. Soon the apartment is alive with overlapping voices, the scent of butter and sugar drifting through the air, warmth curling in the corners of the room.
By the time everyone settles, Poland is purring loud enough to drown out Haibara and Suguruâs arguing over what to watch. Shoko wants a thriller, Kento suggests something serious, Haibara pleads for comedy, Suguru waves his hand like a king granting mercy and says heâll watch anything, though he clearly wants horror.
You say, almost tentatively, half expecting it to be brushed off like usual, âWhat about a Ghibli movie?â
Thereâs a beat of silence, and then Satoruâso quickly, so decisivelyâchimes in: âYes. That. Exactly that. Great idea.â
You narrow your eyes at him, suspicion curling into the edges of your smile. âI still havenât forgiven you.â
âAw, come on!â He leans back into the cushions, clutching his chest as if mortally wounded, before tipping sideways, straight into your lap.
You squeak, half-heartedly shoving at his shoulder, but he only grins up at you, smug, sprawling there like heâs claimed the spot. His hair brushes your fingers, the curve of his cheek an inch from your palm, and though you mutter about him being heavy, you donât actually push him away.
The room dissolves into laughter, into easy bickering, into the crinkle of chip bags and the soft pop of a bottle cap. Shoko is already curled in the armchair with her drink, Suguru stretched long and on the floor next to her. Kento and Haibara argue over trailers, sitting criss-cross on the floor, their voices overlapping. Poland yawns from the side of the couch, tail flicking lazily before she settles again.
And you, caught between the weight of Satoru against you and the glow of lamplight spilling golden over everyoneâs faces, let it all sink in. The warmth of sugared pastries on the table, the sound of your friendsâ voices, the ordinary comfort of being here, together. For a moment it feels like the world outside canât touch you, as if thisâthis couch, this laughter, this boy shamelessly using you as a pillowâis what forever is supposed to feel like.
a/n. poland is a real cat based off of a very close irl friend's cat (yes. the cat has a mustache and looks like yk who). and its actual name is something way more heinous (and will def get me cancelled so i'm not including it).