[africant]

[burgertv]

[excitementshewrote]

Happy Birthday Marge Simpson!

[rylandsgrace]

Darling, listen to me.I made my choice. Duty to my country over love.It’s what I’ve always done, it seems. It was drummed into me my whole life. Now I’ve lost the only man I ever really loved. Mia, I want you to make your choices as a woman. Don’t make the same mistakes I did.Make your own mistakes. There’ll be plenty of them, believe me. Now, you can go back into that church and get married, or you can walk away. Whatever choice you make, Iet it come from your heart.

The Princess Diaries 2: Royal Engagement (2004) dir. Garry Marshall

[jedavu]

Auto Mechanics Pose Dramatically to Recreate Renaissance Paintings

Photographer Freddy Fabris has paid homage to the great Renaissance master painters using his camera instead of a brush. This unique tribute—aptly called The Renaissance Series—fuses contemporary culture with the dramatic styling of the original portraits.

[elidyce]

MAGNIFICENT

[petermorwood]

The photos and lighting are great; let’s also hear it for the models, whose faces are both wonderfully expressive and remarkably in-period for Renaissance art.

[no-longer-another-bondi-blonde]

[skunkeyemcghee]

Read this again.

Read this to others.

Force the idiots, read it to them

[ddrvbiblgigb]

[garfield-baybee]

Reblog to have something good happen at 1:42 tomorrow

[killitwithyoursword]

Vincent & Theo Van Gogh 

Hannah Gadsby in Nanette (2018) // At Eternity’s Gate dir. Julian Schnabel (2018) // Loving Vincent dir. Dorota Kobiela & Hugh Welchman (2017) // Vincent Van Gogh in a letter to Theo Van Gogh (1880) // Almond Blossoms by Vincent Van Gogh (1890); painted as a gift for the birth of his brother Theo’s son named after him

[soracities]

“It is not immediately obvious which of Zadkine’s figures is Vincent and which is Theo. Like all who relieve the suffering of others, Theo—in a process that is the exact opposite of a blood transfusion—has taken some of Vincent’s pain into himself. Soon, however, it becomes obvious that while the sky weighs heavily on both figures, one, Vincent, feels gravity as a force so terrible it can drag men beneath the earth. From this moment on you are held by the pathos and beauty of what Zadkine depicts: despair that is inconsolable, comfort that is endless. One figure says, “I can never feel better,” the other, “I will hold you until you are better.”

Geoff Dyer on Ossip Zadkine’s sculpture of Vincent and Theo Van Gogh (from “Blues for Vincent”, Otherwise Known as the Human Condition)

[flyandfamousblackgirls]

Serena Williams & Venus Williams for Essence Magazine (June 2001) | Photographed by George Holz

[angelaesmyth]

[stimman4000]

.

[geoffmcfetridge]

[vale-agapi]

[radicalgraff]

“The only dangerous minority is the rich”

[maaarine]

[horrorandhalloween]

[animusrox]

It took losing something I truly love for me to see that the target on my back was bigger than I thought. Birds of Prey (2020) dir. Cathy Yan