[afterhourssleazeanddignity]

(via She Wears Red Feathers and a Hula Hula Skirt*)

She Wears Red Feathers and a Hula Hula Skirt...

[afterhourssleazeanddignity]

(via She Wears Red Feathers and a Hula Hula Skirt*)

She Wears Red Feathers and a Hula Hula Skirt...

[afterhourssleazeanddignity]

(via She Wears Red Feathers and a Hula Hula Skirt*)

She Wears Red Feathers and a Hula Hula Skirt...

[afterhourssleazeanddignity]

(via Our Friends In The North - Imaginative Time Travel and Experiments In Consensual Hallucination)

Our Friends In The North – Imaginative Time Travel and Experiments In Consensual Hallucination

From the Afterhours site:

“...at that time I would treasure and hanker after visions of speakeasy-esque nightlife / cabaret from times gone by which were created and represented in films such as Dance With A Stranger or say a television series such as Our Friends In The North...”

[afterhourssleazeanddignity]

(via Our Friends In The North - Imaginative Time Travel and Experiments In Consensual Hallucination)

Our Friends In The North – Imaginative Time Travel and Experiments In Consensual Hallucination

[afterhourssleazeanddignity]

(via Our Friends In The North - Imaginative Time Travel and Experiments In Consensual Hallucination)

Our Friends In The North – Imaginative Time Travel and Experiments In Consensual Hallucination

[afterhourssleazeanddignity]

(via Biography Of A Buick and researchative entertainment)

Biography Of A Buick and researchative entertainment

From the Afterhours site:

“There is a particular subsection of fiction that visits / weaves the lives and stories of relatively recent historical / cultural figures amongst its own tales...”

[afterhourssleazeanddignity]

(via Biography Of A Buick and researchative entertainment)

Biography Of A Buick and researchative entertainment

[afterhourssleazeanddignity]

(via Dead Men Don't Wear Plaid and cultural splicing/time travelling...)

Dead Men Don't Wear Plaid and cultural splicing/time travelling...

From the Afterhours site:

“Along the way the film wanders amongst and walks alongside amongst other films This Gun For Hire, Double Indemnity, The Killers, The Big Sleep, Dark Passage, White Heat, The Postman Always Rings Twice… with Phillip Marlowe handing out advice in the form of the aforementioned Mr Bogart (oh and touch or two of needlepoint – this is a comedy after all).”

[afterhourssleazeanddignity]

(via Dead Men Don't Wear Plaid and cultural splicing/time travelling...)

Dead Men Don't Wear Plaid and cultural splicing/time travelling...

[afterhourssleazeanddignity]

(via Dead Men Don't Wear Plaid and cultural splicing/time travelling...)

Dead Men Don't Wear Plaid and cultural splicing/time travelling...

[afterhourssleazeanddignity]

(via Dead Men Don't Wear Plaid and cultural splicing/time travelling...)

Dead Men Don't Wear Plaid and cultural splicing/time travelling...

[afterhourssleazeanddignity]

(via James Ellroy and imaginative time travelling)

James Ellroy and imaginative time travelling

From the Afterhours site:

“In a recent(ish) interview with author James Ellroy he described himself as a time traveller, that his telling and unearthing of the stories of times gone by (largely the 1940s and 1950s) is a form of time travel and also described himself as a romantic when it was put to him that his work was a romanticised take on those eras...”

[afterhourssleazeanddignity]

(via James Ellroy and imaginative time travelling)

James Ellroy and imaginative time travelling

[afterhourssleazeanddignity]

(via James Ellroy and imaginative time travelling)

James Ellroy and imaginative time travelling

[afterhourssleazeanddignity]

(via James Ellroy and imaginative time travelling)

James Ellroy and imaginative time travelling

[afterhourssleazeanddignity]

(via A Vision Of Loveliness, pre-Swinging London glamour and tales of West End popsies)

A Vision Of Loveliness, pre-Swinging London glamour and tales of West End popsies

From the Afterhours site:

“It is a tale that is played out in a time before the true explosion of teenage tastes, styles and money to throw at fashion and fripperies; a time when glamour and style even of the young was nearer to hidebound tailoring, evening gowns and set hairdos...”