wild is the wind

[forhandsthatsuffer]

The Blood of a Poet (1931), dir. Jean Cocteau

[afterrimage]

إنّي لا شيء

وحديثي عابرٌ،

مِثْلي،

بين عابرينَ،

لذلكَ

أتحدّثُ عنكَ

إنّي أتحدّث عنكَ

لا عن ظلّكَ الجالسِ

– وحيداً –

تحت سكون الشجرةِ

عند المفترَق

[the1920sinpictures]

1928 c. Living room photo by Therese Bonney. From Raphael Mission, FB.

[zurich-snows]

Josef Breitenbach, Medical Illustration, New York (Originaltitel), 1949, Gelatineentwicklungspapier, Münchner Stadtmuseum, Sammlung Fotografie

[wunderkammerett]

Pino Settanni : Diana Rabito, ''Fotoromanzo, un amore''

: ilmuseodellouvre.com

[cavernedeplaton]

Série Oreiller suite. Janvier/Avril 424 numéros. Serge p. Monotypes 21X30cm.

J'ai vu un immeuble, et je me suis dit "Moi aussi je vais faire un immeuble...et puis un autre et un autre, presque une ville..."

Ça me fait penser à une vision que j'ai eu enfant, vers 8 ou 9 ans. Un certain alignement de bâtiments, tous les mêmes. Je vivais dans l'un d'eux sans penser en faire partie. J'en fis une petite peinture à l'huile sur un morceau de contreplaqué qui servait de cale pour mon lit. Je me souvient très bien de ce jour, j'avais découvert par hasard un tableau du Greco dans un magasine en noir et blanc ce qui m'a donné l'idée du ciel un peu dramatique et de cette lune qui j'en étais sûr était verte dans le tableau original.

[nightpuppet]

[afterrimage]

كل سنة و أنت طيبه يا فّي

:) وانت طيب

[shisasan]

kisses on your little paws.

18 July 1926 Letters to Véra by Vladimir Nabokov

[thinkingimages]

Lary SIEGEL, Man with Reflector, Tomb Interior, Luxor, Egypt

[thinkingimages]

HELMUT NEWTON (1920-2004) THE ARIELLE PORTFOLIO I-X, MONTECARLO, 1982 

[thinkingimages]

Olivia Arthur collaboration with director and stylist Kaduri Elyashar on a project for Saint Laurent (2022)

[thinkingimages]

From the book “How to Look Natural In Photos” © Beata Bartecka and Łukasz Rusznica. A curated collection of photos from the archive of the Polish secret police.

[thinkingimages]

Marina Abramovic wearing ABODI Transylvania embroidered black “Mourning of Kalotaszeg” artefact look. A double black vest lined with coarse, raw hemp fabric. The outer vest is made of velvet, richly embroidered with black beads and silk thread. The inner lining is crafted from a jacquard-woven fabric with a minimalist pattern, a glossy, silk-like material, also lavishly embroidered with silk thread and beads.

The lower skirt is a three-layered black matte skirt adorned with tassels, over which lie two layers: a pleated apron and an overskirt. These elements are likewise richly embroidered with silk thread and beads. The ensemble is paired with a white raw cotton shirt made from vintage fabric—simple and puritan in origin, derived from traditional mourning attire, yet through its embroidery it carries multiple layers of interpretation and meaning.

Marina Abramović @AbramovicInstitute By Photographer / Creative Director @SzilveszterMako

“Marina Abramović’s “Transforming Energy” concept explores the idea of energy exchange between the artist and the audience, using her body as a medium to tap into this transformative power.”

Wardrobe Stylist & Editor in Chief @M__milenio Sarah Gore Reeves @sarahgorereeves Art Director Sarah Bassett @sarahbassettt Set Designer Alice Martinelli @alicemartinellli@lalalandartists Hair Stylist Rolando Beauchamp @robeauhair Makeup Artist Rommy Najor @rommynajor Nail Artist Leanne Woodley @she.nails.it@seemanagement

Production Company Dirty Pretty Productions @dirtyprettyproductions EP Mateen Mortazavi @mateenmortazavi Producer Katya Varzar @katyavarzar

Photography management Siyan Chen @babysiyan Curator: Ina Johannesen Dibley @inajohannesendibley

#aboditransylvania #marinaabramovic #marinaabramovicinstitute #szilvesztermako #transylvania

Location & EQ Pier 59 @pier59studios 1st Photo Assistant YC Dong @yc.dong 2nd Photo Assistant David Gannon @davidgannonphotography 3rd Photo Assistant: Gili Benita @gilibenita Photography Line Producer Huyna Liu Styling Assistant Bri Dominguez Styling Assistant Andrea Sofia Set Design Assistant Mattia Minasi @mattia_minasi Set Design Assistant Kaeten Bonli @bareback_contessa

[thinkingimages]

Marc Adrian Go (1964)

Go is the axis of FILMBLOCK I: the precise aleatoric narration. Chance and the will to form are perfectly balanced out, everything is change. The elements are further reduced in Go: the legs of a man and woman, moving closer and farther away, still, this all reproduced as a negative, with an atonal aggression on the soundtrack – one could see it as the story of an unsettled relationship. Adrian for his part might be dissatisfied with the fact that people almost compulsively would interpret it in this way, but if he didn´t want that to happen then he should have used more abstract material. (Hans Petersen)

Go is also a permutation film. Here it becomes particularly evident how meaning arises from purely formal structures in the consciousness of the viewer. (M. A.)

[introspect-la]

RICKY WILLIAMS: SLEEPERS, 20 BY BRUCE CONNER (1978)

[thinkingimages]

Pierre Bismuth, En suivant la main gauche de Jacques Lacan – L’âme et l’inconscient / Following the left hand of Jacques Lacan –The soul and the unconscious, 2012, video, black and white, sound, 4 minutes 59 seconds (film still). Courtesy the artist and Jan Mot, Brussels. In an echo of Picasso’s “light drawings” with Gjon Mili, the movements of Lacan’s hand are transcribed in real time as a series of brush strokes, leaving a mass of lines on the screen.