Morocco.chefchaouen.An Alleyway.1985

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Morocco.chefchaouen.An Alleyway.1985
Alone
Au Revoir Simone - The Way To There
Anya's clear voice is so incongruous and startling that at first Maryam cannot understand what she says. She had almost forgotten that Anya was in the room in the first place, and so she slowly looks up at the girl who stares back into Maryam's reddened eyes with her own eyes bright, her body tense.
"Are you just going to let her die?" Anya repeats.
Maryam winces at the question. It's not one she wishes to answer, because right now, the realities of life are something she is scarcely happy to embrace herself.
"Oh Anya," she sighs, and draws the girl closer, and still she is tense and firm. "All things must die, you know that. Everyone. And it's not always fair, sometimes it happens too soon, and most of the time when we don't want it, but all we can do is accept it. Like in the tale of the Black Wolf and the Raven, remember? Turning your back to death won't get you far."
"I know that,"Anya says and takes a long shuddery breath. And her voice rises when she continues, "But you fight first! You always said that. You can't just give up! If a beast wounds you badly, you don't just give up and go to sleep!"
And of course, that is exactly what Maryam has taught her. "Oh little cub, but Safiyyah has fought. And it's been such a long and difficult fight..."
"But it's not over!" Anya cries and now her eyes are bright with tears. She's still only a child, Maryam realises. Despite the bewildering way she's able to navigate this strange place, despite her fearlessness, she is just a child. And really, the fearlessness might be a result of that, more than anything.
"Anya..." Maryam starts, but then Anya kneels down, huddling as close to Safiyyah as she can.
Without any hesitation, Anya takes one skeletal hand into hers, and peers into Safiyyah's clouded eyes. "Your fight is not over yet, right?" she asks, voice bright, a hint of a determined smile on her lips. "You're tired and weak and ill, but it's not over. It hurts but that means you're alive. Your heart's still beating. You're free now, like you've wanted to be for so long, and you're still alive, so it's not over. Right?"
The girl's certainty is heartbreaking, her unwavering words, her determined face so full of convinction Maryam doesn't know what to do to make her understand the reality of the situation, even if she had heart to do so.
And Safiyyah's sunken eyes look deep into Anya's bright ones, and Maryam knows that there is nothing for her to do. If there is anything that can Anya make understand the realities of life and death, it is this. Not her mother's words, not cautionary tales, but the thing itself.
And then Safiyyah whispers, "Yes." It's more a breath than a whisper, more the sound of fabric brushing against something but that's what she says. To Maryam, it feels impossible, but that's what she says.
And Anya smiles with tenderness and delight and says, "It's okay, we will take care of you," and pets Safiyyah's long, tangled hair, and gently but firmly squeezes the brittle hand in hers.
For a moment, Maryam looks at her daughter in wonder, struggling to believe any of this, and then a smile breaks free somehow and lights her own tear-stained face. "Anya is right. We will take care of you."
And Safiyyah nods and the corners of her mouth quiver in what must be an attempt at a smile, and Maryam can see the light in her eyes. It may be faint, it may be only a flickering flame, but it's there, she's certain of it.
And so Maryam slowly helps Safiyyah to her feet. Her back is hunched from having stayed huddled up in the corner for so long, and her feet only barely carry her, so unused they are to moving around. But even so, she is moving. Maryam keeps a protective arm around her, but it is no small miracle that Safiyyah is standing on her own. That there is life left in her, still.
Anya runs to get Safiyyah's old blue veil to wrap around her now, and then picks up the battered sheep skull, clutching it to her chest. And so, little by little, they make their way out of the room, with a faded hem of darkness still lingering about Safiyyah.
When Maryam remembers the collapsed corridor, dread doesn't strike her as sharply as before. They've made it this far, so surely they can find a path onward. She'll move every stone with her bare hands if she must, though a more efficient way might be to have Anya climb out through the window and get some help.
"Okay, so first things first. We should figure out how to get out of here." The irony of this doesn't escape Maryam. It's likely Safiyyah has pondered this very problem quite a bit. But she's determined to stay optimistic now. "It's going to be a long way home."
But then Safiyyah shakes her head no. Before Maryam can ask any questions, Safiyyah closes her eyes and takes a deep breath.
And then, gathering all her strength, she whispers, "Home."
Suddenly the darkness grows and rushes over them, like a wave.
☙
Everything is white.
That is the first thing. The second thing is the cold, an icy breeze flowing by them, a strange sensation after the city heat.
The third thing is the feeling you get when you've returned home after a long journey, relieved and pleasantly weary and eager to fall into bed and dream about everything you've seen.
This is how they come home.
They find themselves standing in the yard of Maryam's hut, Safiyyah leaning against Maryam's side, Anya still holding onto the sheep skull.
And in front of their snowblind eyes, the darkness melts into the white, and is gone.
Most of this is impossible. Things like splitting yourself in two, like surviving for years when you should have died within days, like crossing the journey of days and days in the time it takes to close your eyes and open them again. And yet they are standing here, in this familiar yard, and their hearts are beating and they're breathing and the sting of the cold air on their skin assures that this is no dream.
"We're home!" Anya cries gleefully, and spins around the yard, arms spread like wings.
And so they are. And it's spring. There is still a blanket of snow on the ground, but it's brittle, and all around the dripping snowmelt plays little songs.
In the time it takes for Maryam and Safiyyah to take in their surroundings, Anya has circled the whole yard, greeted the sheep and the horses, and hung the old sheep skull back to its rightful place over the shelter.
"Hey, come here!" she calls, her voice ringing clear, and Maryam and Safiyyah do.
Anya points to the ground where the melting snow is marred only by a single trail of footprints, leading away from the house. They follow it, past the shelter, and towards the woods, and right there, the prints begin to change, at first barely noticeably. But by the time they reach the edge of the woods, the singular shoe print has widened, and is haloed by claw marks. It's the paw print of a bear.
"Was the White Bear the old bear, the one with the summer dreams?" Anya asks, kneeling down and tracing her fingers along the shape of the large paw mark in wonder.
Maryam and Safiyyah glance at each other, surprised. Then, slowly, Maryam smiles, "She may well have been." Summer dreams, of an escapade, of becoming a hero. And once they've served their purpose, and seen you through the night, it was time to face the winter. It sounds about right.
It occurs to Maryam that she's not sure who was the hero, in the end. Was it she herself, setting off on a journey she could not imagine, and making it back in one piece? Was it Safiyyah who in the end was able to stare the darkness in the face and accept it for what it was? Or was it perhaps Anya, after all, as Maryam had always imagined, in all her fearlessness and boundless hope? It seems there is no answer, not really. And that's okay.
"I think Safiyyah could use some rest and nourishment now," Maryam says then. "And so could we all."
With Safiyyah leaning against her side, Maryam tugs Anya close by her braid, and they make their way to the little hut that has been waiting for their return.
☙
And so life goes on.
There may be no great rewards, no treasures and castles and halves of kingdoms, but even so, everything has changed. They all have.
The first weeks are very difficult for Safiyyah, and there are times when both Maryam and Anya think she will not make it through. The deprived body cannot quite adjust to its new conditions, and so she develops a high fever and spends days wandering between dreamless sleep and vivid hallucinations, muttering about curses and potions and old women. Clover the healer comes by and helps as much as she can, but admits that she doesn't have the last word in Safiyyah’s fate.
But one early morning, before dawn, Safiyyah awakens and recognises her surroundings, the wallcloth, the sleeping shapes of Maryam and Anya, and she knows the worst is past.
She will never have a strong and healthy body, and her voice will always retain its hoarseness from all that time she spent crying in vain, but she lives, and that's something.
Anya is happy to be home, so happy she spends several days running from the sheep to the horses to the house to Safiyyah to Maryam and around the yard, and then starts her cycle all over again.
And then one day she tells Maryam that she will not be a regular horsewoman or a Bear. That she will be a traveller instead and see foreign lands, explore large cities and old ruins and take a ship to the end of the earth. And Maryam kisses her daughter's forehead and gathers her up in her arms and squeezes her tight, and then whispers, "You'll be great at that. And you'll love it all." because this is not a surprise.
And Maryam... Well, Maryam is a simple horsewoman, with a herd and a hearth and a horse. That is the surface of the pond that she is, of course, but it's important, nevertheless. Ever so important.
And so she tends to her herd and hunts and reminds Anya her dagger is not for play and leaves a bundle of food and drink in the woods for any old Bear who might happen by.
One day she is coming back from a hunt, and finds Safiyyah in the yard, walking in the stiff and stilted way her body allows.
Safiyyah smiles, slightly embarrassed. "Trying to get some exercise. One day I'll need to be able to get by on my own, I figure. Move on."
"I suppose that's true," Maryam says as she dismounts her horse and takes the reins off. From the corner of her eye, she can see a tightness around Safiyyah's mouth, and she knows perfectly well what it means. It's the idea of leaving, of setting off into a world with a no safe place to land. It's an idea that would bring a smile to Anya's face, but Safiyyah feels differently. And then the corner of Maryam's mouth curls into a smile although she keeps her voice as nonchalant as she can, "I mean, it does make it easier when it's time to pack everything up and move to a new place. We are a nomadic people, after all."
The way hope fills Safiyyah's face is almost heartbreaking.
"Unless, of course, you have some other plans," Maryam adds with a grin.
It is simple like that, life, and love, too. It is not some sudden revelation, or something they knew all along. It's in the little things, in the journey and in the life here, in a mutual understanding, in the comfort of growing together, in the pain and the healing, in all those days when nothing wondrous happens and no great words are spoken. In the sleepy evenings by the fire, the early mornings when Maryam finds Safiyyah cooking something at the stove and humming to herself in a low voice.
It's how sometimes Maryam will be telling Anya a story and gets carried away, playing the parts instead of just telling them, only to cause Anya to throw her bedclothes away and climb on a table to play the hero to her mother's beast, and Safiyyah will laugh until tears stream from her good eye.
And sometimes a storm howls outside and Anya runs out to scream right back at it, while Maryam and Safiyyah huddle under a sheep skin and entwine their fingers and listen to the wind and Anya's high cry until they melt into one.
Sometimes, when a sheep groans in labour and the lamb just won't come, when there's a beast comes too close to the yard and the horses whinny in fear, or a storm threatens to rip off the roof, Safiyyah will find a solution.
The signs never point to her, however. The lamb will finally fall to the hay and quickly find its feet, the beast will balk, the storm will pass. It is only later when Maryam sits by Safiyyah's feet and looks at her in the firelight that she finds the scar has grown another branch.
"You're not supposed to do that, you know," Maryam will admonish, shaking her head softly, and Safiyyah will look at her innocently and pretend she's done nothing at all.
"It is my gift," she says one night, her eyes lingering on the wallcloth depicting the Black Wolf and the Raven, gaze wandering from one silver shape to the next. "It is mine to use. It must have been given to me for a reason, after all."
And then she gives Maryam a wicked grin, "And it's not like such little marks are noticeable on this rugged face of mine." and Maryam scoffs and shakes her head again and kisses the new silvery lines on Safiyyah's face which really is a lovely face, the growing tree of the scar and all.
This is how it is, afterwards.
And this is how, perhaps, they live until the end of their lives.
--
the end.
Joshua Malik
She runs through the narrow streets, raising clouds of dust in her wake. She is weeping and retching and the dust gets in her mouth, in her eyes, in her lungs, and makes her cough and retch and wail some more. And yet she keeps running, she keeps running because it's all she can do now, because what she has done cannot be undone, because there is nothing left but running.
She focuses on the running, on the gagging and the panting and the weeping and the retching, focuses on the way her lungs burn, the way her stomach churns, the way sand coats her tongue and crunches between her teeth. As long as she focuses on those things, she doesn't have to think about anything, doesn't have to remember.
Not remember making her way through the forgotten garden, the forgotten refuge for the likes of her, another place that was no longer home. Not walking through it, as she had so many times, not finding her way blindly through the corridor, steps swift and certain. Not going to that room above the stairs, in the deepest recess of this forgotten building that no one could stumble upon accidentally. Not pacing a few rounds to calm her racing mind. Not settling down then, not the feeling of calm washing over her. Not telling herself it was okay to do this because this was for the very last time. Not getting everything prepared, slowly and meticulously. Not the moment when she crossed the boundary, when that oft feverishly dreamt deed became reality. Not the surprise she had felt, or the subsequent terror. Not having expected some substance to come out, black sludge or molten silver or something of the sort. Not instead feeling like something was tearing at the very core of her, ripping her ruthlessly apart, body and soul. Not the excrutiating pain. Not the terror. Not expecting to be cleansed and finding herself horribly stained instead. Not the sensation of a gash opening in her cheek and bleeding silver. Not staring at the burning silver on her fingers and thinking, but this is what I was supposed to get rid of. Not looking at the thing on the floor that seemed to have been ripped from her own flesh and blood like a malignant growth. Not realising it was pulsing, and then moving. Not the moment when it raised its hollow, pained eyes to her, and all she could see was whywhywhy. Not turning her eyes away and telling herself it was only a representation, a symbol, a container for all that had been bad and unnatural and cursed about her, that it wasn't anything real. Not whispering that under her breath as she made a piece of metal into a chain, and took its hand that was really not a hand that was only a symbol, while it wept whywhywhy that really wasn't words that was only noise, and chaining it to the furthest corner. Not hearing it weep and howl like an abandoned child when she hurriedly gathered up her things, and with one hand pressed to the fiery gash that was her silver scar, running out and down the stairs. Not running and stumbling breathlessly through the dark corridor, and realising she should have killed it, should have beaten it until it was silent, and simultaneously knowing she could not have done that. Not still hearing its desolate cry when she got to the garden, when she slipped on the leaves. Not telling herself it would die, in a few days it would die here alone, and everything would be okay. Not knowing nothing was okay. Not still hearing the cry when she was nowhere near enough to hear it. Not knowing she had failed.
She doesn't think about any of this as she scrambles through the dusty streets of the City of Crossings. And all the while, all of this follows her like some unnatural darkness nipping at her heels.
At last there is a clumsily hand-carved sign that says Potions (or is it Poisons?) and her legs buckle beneath her and she collapses to the dusty ground, getting another mouthful of fine sand. And the darkness catches up with her, whispers whywhywhy, whispers come back, whispers please don't leave me, whispers you've broken yourself, there's a part of you missing, and dimly she wonders how she can know which half she is, if she is what was cut out after all. And then the darkness falls.
☙
At first, the White Bear thinks nothing of the figure slumped in her doorway. But then she realises the dark hand pressed against the sand is the hand of some half-grown child, and she feels a twinge in her chest. And kneeling next to it and lifting its head, she sees the silver running down the poor fletchling's face, and knows she's the only hope the creature has.
"Hey now, little one, you may not be fully grown but you should have learnt by now that your kind shouldn't make themselves quite so vulnerable," the White Bear speaks softly, as though this were just a kid who had gotten themselves a little too drunk and passed out where they shouldn't have. "Let's get you inside, now."
It is only moments after the White Bear has lain the girl on the table, so as to get a better look at the silver wound, the like of which she has never seen, that the poor creature awakens. And it is not a sweet awakening.
She begins to whimper and cough and gag immediately, "Sorrysorrysorry" flowing from her lips like a mantra, and her eyes dart across the room. When she sees the White Bear, sorry is replaced by please and tears stream from her eyes, washing away the dust, and visibly stinging in the silver.
"Hey now, calm down, calm down, it's okay," White Bear repeats softly, and dabs the girl's dry lips with a paste that should relax her a little. (In greater amounts, it brings permanent sleep.)
But this is not something to be swept away so easily. The girl stares up at her with terror-widened eyes and her hands clench and unclench instinctively. "No no no, why is it still with me? I can still hear it, I can still hear-- I just meant to get it out, that's all, I didn't mean... You have to get it out of me. Please. Please, you have to help me, please, get it out, please!"
And then the girl starts to shiver violently, and as the White Bear touches her shoulder, she can feel the skin burning under her hand. With a wound like the one on her face, fever is no surprise. With whatever has caused that wound, nothing is a surprise.
"What is it you want to get rid of?" She forces the girl to look at her, although soon her eyes roll back.
But there is a brief moment of clarity and the White Bear gets the answer she isn't sure she wanted. "The magic, the magic, the curse, the sin," the girl pants. "I just want it out, I just don't want to be this way anymore, I just want the bad out of me, the magic, the darkness. That's all, just the cursed stuff, just--"
And then the fever and the stress and the terror take over, and the White Bear knows she has to do something. She mixes another potion that will bring sleep a little closer and will make this world seem a little duller and hopes that helps a little.
The child is in pieces, she has shattered herself, and the White Bear tries to hold her together. The silver is trickling down her cheek, covering her whole eye, and it's burning and the White Bear can't imagine the pain it must cause.
"Oh what have you done, little one?" the White Bear says softly. It's not really a question, she doesn't really need to know (doesn't really want to know), she knows it's something bad, something desperate and unforgivable, and thus all she can do is help this sorry creature and not ask too many questions.
"Get it out of me! Please please get it out of me..." As the girl whimpers, the White Bear strokes her feverish head, wipes off some of the silvery liquid that just keeps running down in streamlets. She holds the trembling, twitching body, and isn't sure if she hopes the child will make it through this.
"There is nothing in you," she says against the girl's shoulder as her body convulses, fighting against the horror that it has been subjected to, and the White Bear knows she cannot hear her. "It is you, my dear. It's not something bad and ugly that is inside you. It's just you, it's just the way you were born, and it is not good or bad. And although it hurts you to be that way, I cannot take it out of you. Even you can't do that, try as you might. Try as you have. If you kill it, you will die, that's how it is, you poor dear. There is nothing more than you."
It is a long, long night. The child dreams and hallucinates, writhes and sweats and weeps. She keeps asking for the White Bear to rid her of her essence, and the old woman strokes her hair, wipes away sweat and molten silver, and tells her there is nothing to be taken out, nothing at all.
But the girl has succeeded, if it can be called success, that becomes evident. There is something of her missing, or perhaps she is the missing part. Something is gone, although it's hard to tell what. And in its place, there is a darkness that doesn't seem to fade.
As it becomes evident that she will live, the White Bear can think of only one gift she can give to ease the poor creature's journey.
In the eerie glow of early morning, she carefully mixes the liquid until it becomes milky white, and pours it into a clay cup. "Drink this, dear, and it will help you forget."
The girl gulps down the liquid hungrily, and when she is done, her eyes are cloudy and the silver on her forehead seems to be hardening into a scar.
"My poison has killed your memories of what you were, of what you are, and perhaps it will make it a little easier for you to run away. But I cannot sever your shadow from you. So instead, may you find someone who will face the dark with you. Who will look it in the eye, and perhaps you will be able to do it, too. I cannot promise it won't swallow you up, in the end, but may this be a brief respite, child."
Stepping through the door, the girl turns her scarred face to the White Bear. Her empty eyes look at the old woman's face without any glimmer of recognition. And as she turns to go, the White Bear can see the darkness at her heels.
☙
The blue cloth lies in a bundle on the floor, the skull a little farther. And Silver is nowhere, nowhere at all.
And Maryam raises her eyes to the creature in the corner. At that moment, two things happen: first, the chain around its wrist disintegrates, falls away as ash, and then, its left eye starts to leak silver which courses down its hollow cheek.
"Safiyyah?"
The hunched creature whimpers, and the tendrils of dark draw closer to it, wrapping around it like a protective veil.
"Safiyyah?" Maryam asks, softly, softly, and as slowly as she can, she reaches out to brush her fingers against the cheek not wet with silver. This time the darkness stains her fingertips but it doesn't hurt her. It's soft once more, like a breeze.
"Ma-ry-am," is the answer, voice cracked and hoarse from all the crying and screaming in vain.
There are many things Maryam doesn't understand. She doesn't understand what just happened, and she doesn't understand what has happened here before, a long long time ago. But there are a few things she knows, and unexpectedly, they are enough.
She knows that this is Safiyyah. Knows Safiyyah was the person who took this journey with her, and Safiyyah was the person prisoned in this room. Knows this is Safiyyah here before her. She knows why Anya said she knew the creature in the dark. Because Anya had known her. Because she could look through her fear and recognise a familiar face. Just as Maryam does now when on the other side of the fear, she sees a faint glimmer of light in Safiyyah's sunken eyes.
And she knows there is no monster to be slain, no darkness to be vanquished. That there are no heroes and no villains, and this isn't a fairy tale.
The tortured body huddling in the corner is a weak one, that was evident right away, terribly weak. And when Silver slipped back into it, it was like a blow.
And so it now begins to shiver, and Safiyyah's eyes grow cloudy and unfocused. Maryam helps her into a more comfortable position, and the darkness wraps around the bony, naked body, a blanket that cannot keep the shivers away.
"It's okay," Maryam whispers. "It's okay, I am here. There is nothing to fear."
And that is when she realises that these sound like last rites. That realisation, like a stream of light, rushes through her bloodstream. She knows it isn't time for her to cry, but the thought makes it feel like some strange gravity were crushing her chest.
The thoughts come to her unbidden.
'Did I bring you here just to die?'
'All this time, this whole journey that I asked you to take, was just so that you could go right back into your withered, broken body and pass away?'
But Maryam doesn't say those things. She says, "I'm here, I'm here, you're not alone. You're not alone anymore. Don't be afraid."
And Safiyyah doesn't say anything because words have left her.
Her eye is soft now, clouded and soft and the fear is fading and her body is giving up.
Maryam presses her face in the tangled, matted hair, and it may be she cries, it may be she does it now when Safiyyah cannot see her face, when it's hidden as though behind an old sheep skull.
And her mind foolishly looks for some loophole because she doesn't want to part just yet.
Perhaps she can keep Safiyyah's skull, perhaps she'll find a little pebble just as Blackie did.
And yet she knows: this isn't fate. This is just something that happened, they met just because that is the way it went, and there is nothing to keep Safiyyah with her.
It is the end of a journey, and all she can hope is for it to be a kind one.
"I'm sorry, I'm sorry it hurt so much. But you did well. You did so well and you waited for so long, and it's okay now, the wait is over, the pain will stop, it's okay."
And everything grows quiet and the darkness seems to fade.
love and factory. 92 x 131 cm
karborn
edition of /1
paperlait.deviantart.com
peter and the wolf by ~paperlait
"I can walk," Silver whispers by the mirror, and reluctantly, Maryam lets her down. She doesn't want Silver to exert herself at all, but at the same time, she knows it's safer if they all have their hands free. And it appears that Silver is right. Weak she is, that is visible in every movement, but even so, she approaches the dark with certainty, and Maryam has no choice but to let her go. For a heartbeat, Maryam watches Silver, and there is a feeling, like a binding string stretching as far as it can, and snapping. Maryam wants to call her name, but instead, she follows silently, and feels Anya nearby, excited and alert.
When they step inside, the howling stops, and the perfect silence that follows makes their ears ring. As soon as they adjust to it, there is another loud sound, something ripping, and Maryam springs ahead, ready to fight. But the sound is only the dead vines in the second window falling down, dry leaves and branches scattering on the ground.
And with the leaves, pale light spills into the room.
The corner is still dark, but now the tendrils of this darkness are discernible, dancing softly around the space where the now-silent creature dwells. Maryam takes a cautious step forward, and from the corner of her eye, she can see Silver do the same.
And once more, the twig-like arm rises, and a serpent wisp of dark flies towards Maryam. Now her first reaction is to spread her arms, to protect the others in the room, to accept her fate.
It touches her palm. The dark touches the dark mark left by Silver's molten scar, and then it pulls back.
And the creature in the corner moves. It has spidery long limbs, and it's hunched down. It's soot-stained, dust-stained, filthy, and all edges, sharp face, sharp limbs, sharp body, bone and sinew and nothing more. A matted mane that might be moss, that might be tangled vines falling past its sharp shoulders. Maryam cannot figure out if it's human. It's too thin, too long-limbed, too stark, and the gleam of its eyes is like the gleam of animal eyes, the gleam in the eyes of something tortured, horrifyingly empty. And yet its cry was not an animal cry. And yet its cry was not a human cry. It was just something utterly broken.
And it moves and there is a soft clinging sound, and Maryam sees a chain that attaches one branch arm to the wall. Nausea swells up in her and she can barely breathe. She doesn't want to know what this creature is, or why it's here. She doesn't want to know why it was howling. And yet --
"What is that?" she whispers.
Silver stands there in the pale light, the dusky blue of her cloak looking like it rises directly from the pale grey floor tiles, so still that she seems to barely be there at all, just as she did by the pond when Maryam first encountered her. Her eyes never move from the creature in the corner, enveloped in dark. She doesn't flinch.
The words fall from her lips, and they are not hoarse or broken but clear, crystalline with sorrow and recognition and acceptance, "It's me."
Maryam turns to look at her. And at that very moment, Silver's blue veil falls to the floor, and with it, the old sheep skull, clattering across the stones.
And it's empty, as though it had always been.
Artist:
Marco Manzzoni
“The Hell As An Empty Space”
Colored Pencils on Paper, 65 cm x 45 cm
2012
untitle
It is not even light yet, the sun only a faint glow in the horizon, when the White Bear steps into the yard to go feed the sheep. She cannot sleep these days, the anticipation is growing too great in her, the restlessness makes it impossible for her old limbs to find a comfortable position.
'It is growing light much earlier,' she thinks to herself uneasily. And as she steps on the thinning layer of snow in the yard, something catches her foot.
The White Bear looks down, and at her feet she finds a strange tangle. Bending down as far as her stiff back will let her, she peers at it in the ghost light of a winter morning.
Although the colours are muted by the snowmelt, she can just about recognise orange, dusky blue and pale green. She picks up the pouches, all firmly tangled up with each other, and notices there is something scattered on the ground.
It's thistles and forget-me-nots but they have been burnt nearly to ash.
"Oh," breathes the White Bear and understands.
"You've nearly made it to the end," she says, pushing the wet tangle into her pocket to be burnt later, and picking up an armful of hay for the sheep. "Now if only you remember not to close your eyes as I told you, all will be... Well, who can tell. But may the end not be a very painful one. Or may its wounds soon heal."
☙
Maryam scrambles out of the room because the dark lunges at her again, more and more sharp little wisps. She looks at Anya over her shoulder, half in fear and half in amazement because it is Anya, really Anya, and not a reflection.
"Sorry," Anya calls, dashing out to the landing, braid messy, eyes clear. "She doesn't know you, she's scared! I was down, the tunnel collapsed, I came right away, really!"
Anya is about to spring past her and down the stairs when Maryam stops her, grabbing her arm, and the fact she can feel the warmth of Anya's skin against hers feels impossible, like some dream she'd willingly forgotten by dawn so as to not feel its burn. "Hey, hey, slow down a little."
Anya turns to look at her but is clearly eager to dash off again. "We should go, we don't have much time!"
"Okay, we will," Maryam assures, and she tries to focus although her mind is spinning and she can't quite believe Anya is really there. She wants to hold her and never let her go. She wants to ask a million questions. But simultaneously, she can feel Anya trying to tug herself free, eager to go, eager to get to the next thing. She is clearly at home here; it's Maryam who can't seem to find her footing. "Just first--" And she has no idea where to begin. But then she decides on the first thing to come to mind. "How come you're no longer forest-covered?"
"Forest-covered?" Anya tilts her head in confusion, and her foot is tapping against the floor, restless.
"Invisible," Maryam clarifies.
"Oh, it's really easy!" Anya exclaims, and points to the doorway. "There's a mirror on both sides of that wall. If you go through from here, you become visible, and the other way, invisible. It's really good for getting around the city and that."
All this does is birth a hundred more questions, not the least about how Anya has learnt this, how she is in the city in the first place, and what does she mean, getting around. But then one of her earlier words returns to Maryam's mind, and its echo is unsettling enough to push aside all the things she doesn't understand. "What did you say about the tunnel?"
"It collapsed! Come on!" And then Anya is already skipping down the stairs and all Maryam can do is to follow.
Trying to shake of the memory of the ground trembling beneath her feet, Maryam hopes that collapsed doesn't actually mean collapsed but that hope evaporates as soon as she sees the rubble and leaves that have spread on the floor of the hall below.
She can feel terror rising up in her chest, making her throat feel tight. All the windows are high and very narrow, and it is perfectly clear that Anya is the only one who can get out of them and climb the tree. And there's no other doorway that the collapsed corridor, as far as Maryam can tell.
"Anya, Anya," she calls after the girl who has already made her way to Silver's slumped figure, the path there drawn by a smear of blood. "Do you know any other way out of here? We really need to take Safiyyah somewhere to get her help."
"We have to get her up, okay, up the stairs!" Anya replies, and busies herself trying to pull Silver's arm onto her shoulder, although this attempt is clearly doomed.
"Sweetie," Maryam says. She's never been one for that kind of soft and sweet pet names, but somehow it's the only word she can think of right now. "She's very, very weak. She needs a healer, soon."
"I know, I know," Anya nods her head. "We have to take her up. It's okay now, she won't be so scared, she knows me, it'll be okay."
"Wait, Anya," Maryam calls, and the girl looks up at her, dark eyes reflecting impatience. "Why do you think we should do that? Because the thing in the dark told you?"
Anya frowns, hearing the fear in her mother's voice. "Yes," she answers, and Maryam's heart falls.
"Look, you can't just trust strangers like that." This is another way she has failed as a mother. She isn't sure if she's uneasy or grateful that they haven't addressed the other way. To her relief, it seems that Anya isn't really trying to get away from her, but is rather just her excited, restless self, and finds Maryam's questions a drag. But of course, that may be what Maryam sees because it's what she wants to see so badly. "Even if they seem nice." She can't imagine how the howling creature in the dark could ever seem anything but terrifying. "You never know what a stranger really wants."
Anya's frown grows deeper, "Yeah, you've told me a thousand times. I knew her, though," she says, miffed that her mother is telling her such a thing in the first place. But before Maryam has the chance to ask how on earth Anya could have known this creature, there is another rumble, the floor shuddering beneath them, and the wail grows overwhelming once more.
"Anya," Maryam calls once more, a weak, sad question she can't keep inside, "Are you upset with me?"
"No? But we really need to go now, we don't have a lot of time." And Anya tugs at Silver's arm, causing her to lift her head slightly.
There are still a thousand questions on Maryam's tongue, but she knows this is not the time or the place. She's wasted enough time already. So she kneels down to Silver, "Hey, I know you're in pain, but I need to take you up those stairs ahead. There's a room there, and inside, there's--"
And Silver's head lolls in what appears to be a nod because with a whisper of a voice Maryam can barely hear through the howl, she says, "Yes, it called me here."
Maryam isn't sure if that's something she wanted to hear, but really, it doesn't matter right now. They're in a stone-walled room with two windows that only Anya can get through, a doorway that is now full of rubble, completely sealed, and a stairwell that takes you up to a creature howling in the dark. Dark which will heed its beck and call, no less. And that is where they must go, because there is no other way.
And so Maryam lifts up Silver, as gently as she can, and still Silver whimpers in pain. Anya skips a few steps ahead, towards those stairs, towards the voice, and every now and then, the ground beneath their feet trembles, threatening to fall away altogether. And as she climbs the stairs, Maryam's mind quietens and her fear turns from water into ice, resting still now, there but not tugging at her limbs to run. And so the three of them step into the dark.
Wolves - Phosphorescent Mama, there’s wolves in the house Mama, I tried to put them out And mama, I know you’re too wise To wait ‘till those wolves make nice