i’m so much more than just a hater. i’m also a lesbian.
KIROKAZE

pixel skylines
Sade Olutola

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shark vs the universe

JVL
occasionally subtle
cherry valley forever

izzy's playlists!

oozey mess
The Bowery Presents
Monterey Bay Aquarium
Sweet Seals For You, Always
$LAYYYTER
trying on a metaphor

No title available
Cosimo Galluzzi

Love Begins
sheepfilms
almost home
seen from Ukraine

seen from United States
seen from Germany

seen from Iraq

seen from United States

seen from Malaysia

seen from Greece

seen from North Macedonia
seen from Belarus

seen from Australia
seen from Ecuador

seen from United States

seen from Venezuela
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from Tunisia
@aiyaadi
i’m so much more than just a hater. i’m also a lesbian.
LILI REINHART as APPLE FORBIDDEN FRUITS 2026, dir. Meredith Alloway
Aeonium - Susan Ashworth. , 2025.
British , b, 1968 -
Oil on board , 40 x 50 cm.
Buttercups - Björn Gidstam
Swedish , b. 1938 -
Colour lithography , 24 x 33.5 cm.
There is a very specific kind of sadness in realizing your parents loved you, and still did not always know how to meet your emotional needs.
Because it is confusing. It would almost feel easier if there was no love there at all. But sometimes there was love. In the way they tried to protect you. In the sacrifices they made. In the ways they worried about you, cared for you, wanted a good life for you.
And at the same time, there were still things missing.
Maybe comfort did not come in the way you needed it to. Maybe your feelings were not always understood, or noticed, or handled gently. Maybe you learned to keep certain parts of yourself quiet because it felt easier than trying to explain them.
That kind of hurt is difficult because it does not always come from cruelty. Sometimes it comes from people who loved you deeply, but did not know how to emotionally connect in the ways you needed. People carrying their own wounds, limitations, fears, or ways of surviving.
And you are allowed to acknowledge both truths at once.
You are allowed to recognize their love and still grieve what you needed but did not receive. Those things do not cancel each other out.
Forgiveness, for a lot of people, is not pretending nothing hurt you. It is slowly accepting that someone can love you and still fall short of understanding you completely.
That does not make your pain dramatic. It does not make them monsters either. Sometimes it just means everyone was trying with the emotional tools they had, and some of those tools were not enough.
And I think many people quietly carry guilt for still feeling hurt by parents they know tried their best. But being loved imperfectly can still leave wounds. It makes sense that it affected you.
At the same time, you do not have to stay trapped only in anger forever either. Sometimes healing looks like understanding that your parents were human before they were parents. People shaped by their own experiences, their own upbringing, their own emotional gaps.
That understanding does not erase your feelings. It just softens the sharp edges around them a little.
You deserved emotional safety. You deserved gentleness. You deserved to feel understood, comforted, and emotionally close to the people raising you.
And if they could not fully give that to you, it is okay to mourn it.
But I hope you also know this: the love you needed is still something you can experience in your life. Through other people. Through chosen family. Through the way you learn to treat yourself now.
The story does not end at what you did or did not receive growing up.
You are still allowed softness after all of it 🤍
SENATOR DOWN!!!!
The Lantern Bearers — 1908 oil on canvas Maxfield Parrish
-- Ted Chiang, from "Why A.I. Isn't Going to Make Art"
I'm so glad they got Ted Chiang -- a wonderful writer of science fiction and thinker about technology, in my opinion -- to write this essay. My favorite line was this:
Generative A.I. appeals to people who think they can express themselves in a medium without actually working in that medium.
a good fan edit will change how to you listen a certain song forever
Vintage cocktail napkins 🍸
"Preparing [for the role of Nikki] was really fun. We got to watch a lot of fun movies, and kind of pick and choose, like a puzzle, what we wanted in the film. Moments that we took inspiration from, and made them our own." — Inde Navarrette for Fandango "We watched Get Out, and focused on a lot of the moments where characters are showing an emotion underneath but saying something completely different [on the surface], and how horrific that is. There's a scene where [Nikki] is saying, "no", and there is a [similar] scene in Get Out [which we took inspiration from]." — Inde Navarrette for A Shot Magazine Obsession (2026) Dir. Curry Barker Get Out (2017) Dir. Jordan Peele
I won't ever get over the removal of headphone jacks, or micro sd slots, or cd drives. I won't. Fuck everyone and everything
OFF/Mortis Ghost tribute sketchbook drawings. Did these to commemorate replaying the game after a very long time. Last time was probably when it got popular during the Homestuck gigapause. Think of these as a drawthrough (drawing + playthrough) of the game. They are all in A5 with Nº2 graphite pencils and 0.5 and 0.05 archival ink pens, plus digital coloring through limited color palettes in Aseprite. Just as with the Yume Nikki post, I'd love to know: What's your favorite?