Do you think it would have been cool if Atsushi's white tiger aged with him as he grew up
Today's Document
Cosimo Galluzzi
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Alisa U Zemlji Chuda
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@aka-catnip
Do you think it would have been cool if Atsushi's white tiger aged with him as he grew up
If I See One More Person Define Quoiromantic Wrong I'm Going to Scream
When I was a much younger Fey, a friend explained the concept of aromanticism to me.
"But," said I, "How can someone be aromantic? What is it they aren't experiencing? There's no One Thing that romantic love is."
Some readers will now be laughing and shaking their heads at young Fey, who just didn't know he was aromantic yet. Those readers would be wrong.
The term I use to describe myself is quoiromantic: I fundamentally reject the categories of romantic and platonic love. Being quoiromantic says nothing about what sorts of emotions I experience. It's about how I view those emotions and my relationships with other people. Kasumi Nakamura's article "The Quoiromantic Manifesto" is fantastic, and AsexualAgenda did an Ace Journal Club piece on it that gives a slightly more accessible summary.
What makes me want to screech is people defining quoiromantic as "unable to distinguish between platonic and romantic love" or "unsure of the difference" or "doesn't understand romantic love." These definitions cast being quoiromantic as something like being red-green colorblind: "romantic" and "platonic" are two categories which exist and can be distinguished by most people, but I for some reason lack this ability. Charmingly, it also manages to paint being quoiromantic as a kind of immaturity, since being able to identify and categorize one's own emotions is, y'know, a sign of being a grown-up. It also opens up this whole world of people thinking I need their help, or thinking they get to tell me what I'm feeling, the way one might tell a colorblind friend whether the shirt they're wearing is red or not. Delightful.
I understand where the confusion comes in. As the Asexual Agenda post points out, the glossary definitions of Queer Identities tend to treat them all as "intrinsic identities with clear distinctions between them." In Anglo-U.S. circles Queer Identities are focused on inner experiences: what do you feel? for whom? how do you view yourself? We have a major aversion to claiming things as part of ourselves which can't be claimed as intrinsic. (Things that aren't intrinsic are Lifestyle Choices, and Lifestyle Choices can be Immoral, and Immorality can be Outlawed.)
Quoiromantic isn't an identity in that way. Like I said, it's not a description of my inner world. I use the term for myself because it covers a set of ideas I believe are true, and those ideas inform the way I structure my interpersonal relationships.
And the fundamental idea is that romantic love vs platonic love is a false distinction. The categories are incoherent. ("Incoherent" is different than "nonexistent.") You can't fix the problem by adding a "secret third thing."
It's not that there's any particular emotion which doesn't exist. It's that when you look into the distinction between romantic and platonic love, there isn't one. There's love or whatever you want to call it, and it comes in infinite shades and textures and weights, but those two categories are nonsense. Once you start trying to find the actual distinction between them, it's easy to see.
As far as I can tell, all of the following could be considered parts of romantic love:
enjoying Person's company more than anyone else's;
feeling you life would be incomplete without Person in it;
the desire to share a household with Person (meaning shared finances etc, not just roommates);
wanting Person to like you more than they like anyone else and prioritize your needs and well-being over everyone else's (or at least putting you very very very high on their priorities list);
being pathetically attached to Person and feeling you are worthless without their approval;
obsessing over Person (worrying about them, wanting to know all about them, finding them fascinating, etc);
wanting to care for/serve Person and ensure all their needs are met;
wanting to be allies/comrades with Person for life;
being absolute besties who get each other in ways no one else does;
fighting constantly but always making up again;
It's a pick and choose list. They aren't all necessary and there's no magical "romantic if checks this many boxes" number. Probably no one is going to feel all these things for their Person at once. (I left out sexual attraction and oxytocin-induced-infatuation on purpose, and I'll circle back to them.)
Still, feels like a pretty good list, yeah? These are, if nothing else, the sort of things I see people go "there's no platonic explanation for that" about.
Here's the fun part:
Everything on this list is something folks feel about their close kin. These are all things normal people feel about their parents, children, and siblings. I'm gonna go out on a limb here and assume we agree that none of this would indicate romantic love in those situations. (Which is why I specified close kin, rather than friends.)
I'll go further and say there's almost nothing (again, I'm getting to the sex part) you could add as a necessary element of romantic love which would set it apart from an emotional state a normal person could experience toward a sibling, parent, or child. Because the thing we call "romantic love" isn't a specific, unique thing by itself.
Which is fine. What's the point of setting apart something we call "romantic love" in the first place? How does doing that help us? What benefit do you get out of being able to categorize all your emotions this way? Would it change how you approach finding friends, choosing roommates, deciding who you want to fuck, or raise kids with, or share finances with, if you didn't have the amorphous concept of "romantic" hanging over you? Would you love more easily if you didn't feel the need to grasp at one, imagined category so tightly it shredded you every time someone went away?
I can't see anything to lose by tossing the category, as long as I get to keep the feelings and see how they're actually so much richer and more varied and colorful than I could've imagined. The way they show up in so many more places in my life's tapestry, and the way I get to be so much freer to be honest about giving and accepting love.
That's why I'm quoiromantic.
And why I'm going to bite the next person who says I just can't tell the difference between emotions. _____
Post-script:
OKAY FINE let's talk about sexual attraction and infatuation, the two things people always bring up when I say romantic love doesn't exist.
Sexual Attraction: Outside the queer tumblr scenes, this is the delineating factor for romantic love generally. It's some combination of things on the list up there + sexual attraction. Honestly? If that's really the entirety of your definition, I'm fine with that. It makes romantic love into something quite trivial when you think about it though. "I wanna fuck you," is quite the mundane sentiment all told. But if you're willing to separate it from everything else, I'll accept your definition. Oh, but one more thing. Could you tell me. Does all sexual attraction to someone indicate romantic love? If not, you're right back in the same problem as before you brought this one up. If sexual attraction does always indicate romantic love, then you're just made romantic love and sexual attraction the same thing. Which. I guess you can do. But I'd suggest having a good sit-down-and-think before you make any life choices based on who you wanna fuck today.
Oxytocin/Infatuation/Being in Love: This is an interesting one, becuase it does point to a specific emotional state, which we can sorta "measure" (the way we'd measure anger or fear via brain chemicals, not measure subjectively). This intoxicating cocktail of hormones does a number on your brain and yes, is responsible for the "in love with" feeling of infatuation. Do we want to use it as the defining feature for romantic love? Well, it'd be good to remember that this is the same thing experienced by new parents bonding with their infants. It's the "glue these two humans together because one of them stands to immediately die without the other one" cocktail.* It's heady and exhilerating and absolutely not sustainable long-term. As in your-brain-cannot-physically-manage-that-it-would-be-bad-for-you. With this one again, I'd actually say if this is your whole definition of romantic love, then I'll work with it. I'll also say that if this is your whole definition of romantic love, then you need to entirely rework what place you think romantic love has in your life. Making decisions based on this state of mind is about as reasonable as me making decisions during a manic episode. *("Caretaker not paying enough attention to me" is a literal existential threat to a baby. Cigars be cigars but it's hilarious to me that "Person not paying enough attention to me feels like an existential threat" remains an effect of this chemical state in adults, and it's considered a Normal Way to Feel.)
So I couldn’t sleep tonight and at 4 am I thought, what the fuck, might as well make a video game based on deathnotetruths text post. There are five endings, see if you can get them all ^o^ All the bug descriptions cribbed from wikipedia.
Controls: This game is completely text-based and has no sounds or images, so just use your mouse to click. It has lots of bugs (many intentional, hopefully not too many unintentional) because I made it in three hours, lemme know about any glitches you come across.
Content warnings: You will not beat this game. I did not code a win scenario, so have fun with all the bad endings. No jump scares, but depending on how long you wait at a page, text might change abruptly: for most pages, it will be obvious and the change will happen in seconds. One page will take a few minutes until changing. One page involves intentionally warped text. Alcohol mention.
FIVE NIGHTS AT WAMMY’S - PLAY HERE
[ID: Picture of the opening screen which reads, Your name is ROGER RUVIE and you are MANAGING DIRECTOR of WAMMY’S HOUSE, an aging cobblework of bricks and mortar and ivy and kids with too many brains, not enough parents. Status: DONE Blood Pressure: NO The phone rings]
"No one remembered my birthday-" Well, but did YOU tell anyone it was coming up and you wanted to celebrate it with them?
"I wish someone would see through it when I tell people I'm fine-" Well, but have YOU considered not lying when people ask you how you're doing?
"I am so resentful of my friend because they keep doing this thing that really bothers me-" Well, but have YOU directly communicated that the thing is bothering you?
"I am burning out because my friend keeps expecting me to help them with serious struggles-" Well, but have YOU tried to establish the boundaries you need to feel okay?
"No one ever asks me about this thing I really care about-" Well, but have YOU brought it up yourself?
"I miss my friend but they haven't texted me-" Well, but have YOU been reaching out to them?
Sometimes people are mean, uncaring assholes, in which case you get to be mad. But sometimes you just need to communicate better. Try communication before you assume someone doesn't care!
Having someone who knows you on such a deep level that they see past your mask, or sense you need a check in is such a deep satisfying fantasy. It's up there with living in a cottagecore farm, or buying all your friends houses when you win the lottery. But you have to make peace with the fact that this is also a fantasy. It is unfair to expect people to "just know" when to respect your boundaries or to push them.
Being cared for is not a fantasy. But you have to let people know you need it. And you have to understand that sometimes they will let you down. Just like you totally could live in a cute farm, but you still have to shovel shit, and the crops sometimes die anyway. Or maybe you win the lottery, but you still have to manage your money and learn real estate law.
The fantasy isn't the caring, the fantasy is not having to do the work. And it sucks. It's embarrassing. But like the meme says, it's not rotten if it's YOU. So do it for yourself.
"The fantasy isn't the caring, the fantasy is not having to do the work"! Thank you for that addition. Because it's not a naive expectation to want someone to care to treat you right. But it requires communication and mutual effort to actually get there
when he isn't looking
we should all be spending more of our time thinking about the kagehina + kinkuni double dates. i really feel like the comedic and narrative potential of this quartet is being criminally underutilised
When we first met
hinata is… setter catnip
Every single day this month has been like Okay sure. Okay sure what the hell. Okay sure. I guess
Every single day this month has been like Okay sure. Okay sure what the hell. Okay sure. I guess
had to stunt on these kids with their own crayola chalks at the ice cream shop
Feb.20.2012 - July.20.2020
I expected to be sad and empty in the wake of Haikyuu, but it turns out that all I can feel is gratitude. I could try for a year and not be able to express everything I feel about this series. Thank you, Furudate-sensei, for 8 and a half years of hard work; thank you for letting us meet these characters; and thank you for showing us all that volleyball is fun.
[image is a drawing of two versions of hinata, in profile and facing away from each other; to the left, 15-year-old hinata sits hunched and defeated in the aftermath of being pulled out of karasuno’s last match at nationals. to the right, 25-year-old hinata strides confidently forward in japan’s national uniform. above, text reads: “today, you are the defeated. what will you become tomorrow?” to the left, and “yesterday, you were the defeated. what will you become today?” to the right.]
if you can’t fix it you’ve got to stand it being the last line of the brokeback mountain novella is so crazy it makes me feel like my guts are falling out. if you can’t fix it you’ve got to stand it. jesus fucking christ
god. god
guy who's having gauzy idealized wife flashbacks for the whole adventure but it turns out she isn't dead or anything he just really misses her and wants to get home
daily affirmations
I am the best person
I am the best at being a person
I am unkillable
I am good at everything
I am protected by divine forces and I am their favorite
I'm cute
i dont care if mondays rife,tuesday qednesday full of strife, thursday fuck my baka life, its friday im in sucks
happy thursday fuck my baka life, thank you for this post op i had this stuck in my head for days so i embroidered it
i might attach it to a magnet to go on my fridge lol
Stuff I Learned at My Writing Workshop (That I’m Kicking Myself in the Head for Not Realizing Sooner):
- The difference between a book that grabs you from the beginning vs. one that you’re on the fence about tossing out the window is winning your trust. It’s why it’s “easier” to read books by authors you already know, or fanfic where you’re familiar with the characters. Winning the reader’s trust as quickly as possible should be your first goal as a writer when you’re going back and editing your first draft. This can be accomplished by things like: speaking authoritatively about the subject (even if it’s utter bullshit), graceful prose, or establishing quickly in the story what it’s about. For example,“Character A had a problem. Character B didn’t love them back, so Character A was going to kidnap them so they would.” Maybe it’s not a story you want to read, but you are now firmly couched in what you signed up for in this story and the promise the author is going to deliver on before the end.
- Characters need goals. They need goals in every moment and in every scene. Every character needs a goal in every moment and in every scene. Maybe they’re not directly pursuing that goal right this very moment but it’s probably always at the back of their mind. Romances and detective stories are the easiest to deliver on this need. Character A wants to win their love. Detective A wants to solve the case. Even when they’re having tea with grandma, their thing is at the back of their mind. Keeping your character and your story focused on this thing they want helps pull your reader along and keeps them engaged on the “So what?” and “Why are we reading this scene?” questions of why they should keep reading.
- Characters shouldn’t just have things they like, they should have obsessions. This is the one I’m kicking myself for. The scientists in Pacific Rim are eccentrically obsessed with studying their thing. Thorin in the Hobbit is obsessed with regaining his home. Katniss Everdeen is obsessed with protecting her sister. Every crazy whackadoodle fandom darling character is obsessed with something. What do they have in common? They’re intensely obsessed with the thing that they care about. We love characters who are obsessed with things beyond reason, whether it’s reclaiming their home stolen by a dragon, or building artisanal bird houses, saving your sister, or studying monsters. Everyone “likes” things, but people and characters who are obsessed with something fascinate us. Examine the characters you’re most attracted to writing in fanfic, and examine your original characters if you’re trying to build those, and figure out what are they obsessed with and how does that inform their character. That’s the thing that’s going to make readers care about them.
(Was this advice helpful? Consider donating to my Ko-fi!)
I still can’t believe this post that I wrote while running out the door at my writing workshop is still my most popular one.
That first point is so, so vital. For any written work at all, the first thing on the reader’s mind (consciously or not) is “why am I reading this? Why should I care?” And the most important goal of an introduction is to present an argument to answer those questions. And that’s just as true for fictional works as it is for non-fiction! This is an easier thing to establish in some circumstances than others–fanfic being a good example, as outlined above. You already know and care about the setting and characters, so you already have an answer for those questions. From there, you need to continue to establish that trust, and reinforce it. A good introduction *builds a relationship* between author and reader. And building relationships takes effort, for everyone involved. As an author, you need to show your readers that this relationship is worth the effort.
And the really fun thing is that, once that relationship and trust is established, you can play with it! The same way you wouldn’t ever be okay with a stranger calling you a bitch, for instance, but when your friend calls you a bitch in a joking way, it’s all in good fun. You can get away with a lot more once you have the reader hooked, because they trust you’ll keep them engaged and satisfied. I know I’ve certainly read works by authors/in series that I know I wouldn’t have read if I didn’t trust the author already. Readers are willing to follow you to new and exciting places, as long as you prove you’re worthy of following.
(But you still need to maintain that trust, no matter what. Why do you think poorly-written endings are so derided by fans of a given work? Why Game of Thrones is still getting roasted to this day, for instance? It’s a betrayal of that built-up trust, of that relationship. The goal then is not “how do I build trust” but “how far can I push the envelope without betraying it”?)