Musical Guidance Tsukinaga-Style ā (Leo Idol Story)
Author:Ā Chitose Umeda
Characters:Ā Leo, Tomoya
āThrough Shiroās blank slate of a voice, I can picture various landscapes and melodiesā¦āā
Keep reading
Sweet Seals For You, Always
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titsay

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𩵠avery cochrane š©µ
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d e v o n
"I'm Dorothy Gale from Kansas"
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Cosimo Galluzzi

@theartofmadeline
occasionally subtle
Game of Thrones Daily
2025 on Tumblr: Trends That Defined the Year

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shark vs the universe

No title available

tannertan36
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seen from Brunei

seen from Mexico

seen from United States

seen from Spain
seen from Indonesia
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seen from Russia
seen from United States

seen from United States
seen from Somalia
seen from Vietnam
seen from Argentina

seen from United Kingdom

seen from Singapore
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@akitsu-kun
Musical Guidance Tsukinaga-Style ā (Leo Idol Story)
Author:Ā Chitose Umeda
Characters:Ā Leo, Tomoya
āThrough Shiroās blank slate of a voice, I can picture various landscapes and melodiesā¦āā
Keep reading
only finding out now that the dearvoca artbook release was pushed back to sept i was like wow i shd jump bc the book im so excited to get prob got lost in the mail since its supposed to come late july
ćSummer Breeze!ć Sunshine Shimmering in a Foreign Land
Description:
Leo says he has fallen into a slump and can no longer write songs. He complained that it was all due to working too much and that he wanted a summer vacation.
Episode List:
Prologue - Episode 1 - Episode 2
Episode 3 - Episode 4 - Episode 5
Episode 6 - Episode 7 - Episode 8
Episode 9 - Episode 10 - Epilogue
Story Details:
Story: "Summer Breeze!" [Sunshine Shimmering in a Foreign Land]
Story by: ćć¼ć¾ć
Collaborator: ę„ę„ę„
Season: Summer
Main Characters: Leo, Tsukasa, Izumi, Ritsu, Arashi
Side Characters: Souma, Adonis, Tsumugi, Eichi, Anzu, Kuro, Akiomi
Reminder: I did not create this story, but I translated it, so please refrain from reposting my translation on other social media platforms.
I apologize if there are any mistakes as well.
{ Enjoy reading! Translated by machi }
at home
⦠. ćāŗ ć . ⦠. ćāŗ ć . ā¦
welcome to my home
1 2 3 4 5 6 7 8 9 10
⦠. ćāŗ ć . ⦠. ćāŗ ć . ā¦
*at home (ć¢ćććć¼ć ) is actually a wasei-eigo adjective meaning "cozy", in the homely sense.
tysm for tl-ing one of the dearvo survival war tracks!! <3
your welcome!! š„¹šš although my tl might not be the best i hope that it'll at least help dearvoca fans roughly understand whats happening in the voice drama
Coming out to nii-san
time to stop being lazy and continue trying to translate lol
ā Letters from Vladimir Mayakovsky to Lili Brik, 1915-1930
i'm tired of no one knowing dear vocalist so here's an unhelpful guide: dear vocalist edition šš¤²š»
this is very music-centered tho, if you wanna know more about the main characters + tls and links here's a carrd made by kensakoda on twitter!
MiniDura #11
TORIS NEW CARD SDAAAASDJAKSDJASLKDJSALKJASDLASD
What if Ticket Taker was Being Petty?
What if TT putting his hands on us wasnāt a power move on just us but also to Pierrot? Maybe it was also a petty display meant to āget backā at Pierrot for how he behaved earlier that day.
This observation came from a convo I was having with my mutual @flysoji!
If youāve seen my previous theories, you know that I strongly believe that Ticket Taker closely parallels the Pantalone stock character from Commedia dellāarte. A hallmark of Pantaloneās personality is his pettiness and grudges.
Ticket Taker is a dominate-coded character. Physical contact plays a significant role in establishing power dynamics with characters like him, often serving to signal hierarchy or assert authority. Touching is intentional with him. Itās not overdone, but purposeful. Also notice how (in his tent) he makes contact from behind, where weāre most vulnerable and he is unseen in the shadows.
Considering that TT values hierarchy, I imagine he also values the troupeās hierarchy and sees himself high up in its class. Pierrot would be below him in that ranking.
Earlier that day, Pierrot committed what Ticket Taker could have seen as three offenses:
1. Speaking
2. Attempting to deceive
3. Touching with the intention of restraint
Later in Ticket Takerās tent, Pierrot cracks one of the mirrors. Likely being a fourth offense.
Weāre the first person Pierrot has ever given his ticket to, and in doing so, he has essentially marked us as his.
What better way to assert some level of authority and retaliation than by touching whatās his but in your domain? Right in front of him?
But Ticket Taker canāt hurt us. I assume itās because our red ticket protects us (at least from physical harm). But remember that TT doesnāt need to physically inflict pain to be effective.
I think TT was also petty in another way but this one takes a bit of reading between the lines. Itās when he mentions that āhe doesnāt bite.ā
When Ticket Taker says āWhat an impressive trick,ā heās likely saying it in a sassy, mocking tone due to the italics. Or at least SOME kind of emphasis.
He also says āI donāt biteā in italics so he may be emphasizing it in a mocking tone also.
At this point heās well aware of Pierrotās presence in the tent. Even if we choose to obey him, TT already assumes that weāve been to each mirror when we go to his (which, again, lets him know that at least Pierrot is lurking. He still broke the mirror).
Just as with Pierrotās, however, Ticket Taker assumes that weāve also seen Harlequinās mirror, whose reflection he makes bite us.
Like he did to her.
This is also where I can see TT holding some sort of grudge towards Harlequin.
But regardless of whether Harlequin is in Ticket Takerās tent with us or not (which depends on if we show even a little interest in him), this assumption is likely still made and referenced.
The reason I mention these points is that Ticket Taker might be making a jab at Pierrot, Harlequin, or both when he says āI donāt bite.ā
Because, they do.
With that line, I interpret Ticket Taker basically saying:
āIām not like HIM. I donāt bite like HE does.ā
OR
āIām not like THEM. I donāt bite like THEY do.ā
Because you canāt have one without the other.
Which is a petty jab when he knows that Pierrot is right behind him.
UPDATE: Iāve seen many people mention how TT was the one to first offer us his ticket. And if we fancy Pierrot he takes TTās ticket and does a magic act to instead give us his instead. That could be another reason why heās being petty lol, we were his first.
å ØęÆęŗēæ»
This was a kind of sweet dashboard coincidence.
Fun Facts
Lately, Iāve been taking a lot of notes about the gameās backstory it kind of helps me keep the charactersā behavior consistent, if that makes sense to you. So I thought Iād share some fun facts!
About the circus travels:
Jester and Ticket Taker always keep an itinerary with the circusās next stops (though they do take suggestions from the others). Theyāre the ones who handle most of the research. So, how does it work when the circus moves to a new place?
If they donāt speak the local language, they learn it. They spend some time just studying and observing the new culture before setting up the show, and each of them has a role in that process.
This is usually when they can stay in hotels/inns (which I mentioned before) to relax and do some field research.
Hereās what each one does in those first few days: Jester has an incredible talent for languages. In the first days, he gathers books and newspapers to start learning before he passes it on to the others.
Ticket Taker visits local places in more casual clothes he learns best by observing and interacting.
The Doctor is usually the least seen in public, and if he goes out, itās only at night. At first, he just wanders around the hotel and nearby areas until heās familiar with the new environment.
Pierrot goes shopping for supplies, usually dressed casually, often accompanied by Ticket Taker or Harlequin.
Harlequin practically roams through the whole city. He enjoys watching the daily routine of the place and testing out what he can do before returning to the hotel.
Iām not sure if you guys enjoy these kinds of fun facts, but here they are.