‘We go to the gallery’ - Miriam Elia, 2014
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‘We go to the gallery’ - Miriam Elia, 2014
Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.
The Velveteen Rabbit, Margery Williams
This side of Eliasson’s practice takes the form of a highly refined fun house, subjecting you to experiments in human perception that don’t sound like much until you see them firsthand. The intended effect often seems to be a pre-intellectual wonder, so that you will have basically the same experience as the 5-year-old next to you. There’s a reason why Eliasson feels an imperative to appeal to the broadest possible audience. He believes that in normal life we have a tendency to hurry along on autopilot, seldom questioning our deeper assumptions. Art, by goosing the senses, can make us more conscious of our positions in time, space, hierarchy, society, culture, the planet. In the long run, this heightened consciousness will result in change for the better — emotionally, socially, politically.
In other words, Eliasson has a faith in the improving power of art that has been out of fashion since Victorian times.
The concepts he draws on — inclusivity and engagement and trust and so on — seem to have been filtered to ensure that you could no more be offended by his statements than you could be offended by the colored lights he puts in museums.
“After I’ve spent an hour with him I feel like I need a nap, but it’s because he has more curiosity than anyone I’ve ever met, and a greater belief in a person’s ability to be useful and to change things. Somehow he lives his entire life with the urgency of someone who just walked out of the doctor’s office with a dire prognosis.”
“If you can make a show in Venice, which is the most difficult damned thing one can do, not just because working with Italians is a mess, but also because you’re in a city on water in the middle of nowhere and getting a hammer and a nail is impossible … you can make a show on the moon,” he told me. “So as an artist, you become an entrepreneur by definition… . The art world underestimates its own relevance when it insists on always staying inside the art world. Maybe one can take some of the tools, methodologies, and see if one can apply them to something outside the art world.”
If there isn’t much irony at Studio Olafur Eliasson, I came to feel, it’s not because irony is proscribed. Irony doesn’t offend anyone and it doesn’t go over anyone’s head. Irony is simply not required, because the things you can achieve with crusading sincerity are self-evidently so much better.
For Eliasson, art need never be marginal, and art need never be just a carrier for a message. Art can change the world with the sheer intensity of its art-ness. Or, perhaps, by helping to get the artist in a room with the energy minister of Nigeria.
If Eliasson had his way, the same “everyone’s invited!” quality that makes his work so appealing to institutions might sometimes be pushed to extremes that would leave even those institutions flustered.
CHRISTOPHER WOOL
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Dear Sholeh, Today I learned that it is now my turn to face Qisas (the Iranian regime’s law of retribution). I am hurt as to why you did not let me know yourself that I have reached the last page of the book of my life. Don’t you think that I should know? You know how ashamed I am that you are sad. Why did you not take the chance for me to kiss your hand and that of dad? The world allowed me to live for 19 years. That ominous night it was I that should have been killed. My body would have been thrown in some corner of the city, and after a few days, the police would have taken you to the coroner’s office to identify my body and there you would also learn that I had been raped as well. The murderer would have never been found since we don’t have their wealth and their power. Then you would have continued your life suffering and ashamed, and a few years later you would have died of this suffering and that would have been that. However, with that cursed blow the story changed. My body was not thrown aside, but into the grave of Evin Prison and its solitary wards, and now the grave-like prison of Shahr-e Ray. But give in to the fate and don’t complain. You know better that death is not the end of life. You taught me that one comes to this world to gain an experience and learn a lesson and with each birth a responsibility is put on one’s shoulder. I learned that sometimes one has to fight. I do remember when you told me that the carriage man protested the man who was flogging me, but the flogger hit the lash on his head and face that ultimately led to his death. You told me that for creating a value one should persevere even if one dies. You taught us that as we go to school one should be a lady in face of the quarrels and complaints. Do you remember how much you underlined the way we behave? Your experience was incorrect. When this incident happened, my teachings did not help me. Being presented in court made me appear as a cold-blooded murderer and a ruthless criminal. I shed no tears. I did not beg. I did not cry my head off since I trusted the law. But I was charged with being indifferent in face of a crime. You see, I didn’t even kill the mosquitoes and I threw away the cockroaches by taking them by their antennas. Now I have become a premeditated murderer. My treatment of the animals was interpreted as being inclined to be a boy and the judge didn’t even trouble himself to look at the fact that at the time of the incident I had long and polished nails. How optimistic was he who expected justice from the judges! He never questioned the fact that my hands are not coarse like those of a sportswoman, especially a boxer. And this country that you planted its love in me never wanted me and no one supported me when under the blows of the interrogator I was crying out and I was hearing the most vulgar terms. When I shed the last sign of beauty from myself by shaving my hair I was rewarded: 11 days in solitary. Dear Sholeh, don’t cry for what you are hearing. On the first day that in the police office an old unmarried agent hurt me for my nails I understood that beauty is not looked for in this era. The beauty of looks, beauty of thoughts and wishes, a beautiful handwriting, beauty of the eyes and vision, and even beauty of a nice voice. My dear mother, my ideology has changed and you are not responsible for it. My words are unending and I gave it all to someone so that when I am executed without your presence and knowledge, it would be given to you. I left you much handwritten material as my heritage. However, before my death I want something from you, that you have to provide for me with all your might and in any way that you can. In fact this is the only thing I want from this world, this country and you. I know you need time for this. Therefore, I am telling you part of my will sooner. Please don’t cry and listen. I want you to go to the court and tell them my request. I cannot write such a letter from inside the prison that would be approved by the head of prison; so once again you have to suffer because of me. It is the only thing that if even you beg for it I would not become upset although I have told you many times not to beg to save me from being executed. My kind mother, dear Sholeh, the one more dear to me than my life, I don’t want to rot under the soil. I don’t want my eye or my young heart to turn into dust. Beg so that it is arranged that as soon as I am hanged my heart, kidney, eye, bones and anything that can be transplanted be taken away from my body and given to someone who needs them as a gift. I don’t want the recipient know my name, buy me a bouquet, or even pray for me. I am telling you from the bottom of my heart that I don’t want to have a grave for you to come and mourn there and suffer. I don’t want you to wear black clothing for me. Do your best to forget my difficult days. Give me to the wind to take away. The world did not love us. It did not want my fate. And now I am giving in to it and embrace the death. Because in the court of God I will charge the inspectors, I will charge inspector Shamlou, I will charge judge, and the judges of country’s Supreme Court that beat me up when I was awake and did not refrain from harassing me. In the court of the creator I will charge Dr. Farvandi, I will charge Qassem Shabani and all those that out of ignorance or with their lies wronged me and trampled on my rights and didn’t pay heed to the fact that sometimes what appears as reality is different from it. Dear soft-hearted Sholeh, in the other world it is you and me who are the accusers and others who are the accused. Let’s see what God wants. I wanted to embrace you until I die. I love you. Reyhaneh, April 1, 2014
Text of Reyhaneh Jabbari’s will in a voice message to her mother
Reyhaneh Jabbari was a 26 year old Iranian woman convicted of killing her would-be rapist when she was just 19. She was hanged yesterday after spending 7 years in prison. The man she killed was an ex-employee of Iran’s Ministry of Intelligence.
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