INFERIUS

存在しないAlberto XXXII 死

[horrorcitos]

Lucas Deshazer

[chaosophia218]

Amor Fati. Amor Fati is a Latin phrase that may be loosely translated as “Love of Fate” or “Love of One’s Fate”. It is used to describe an attitude in which one sees everything that happens in one’s Life, including suffering and loss, as good or, at the very least, necessary, in that they are among the facts of one’s Life and Existence, so they are always necessarily there whether one likes them or not. Moreover, Amor Fati is characterized by an Acceptance of the events or situations that occur in one’s Life. This Acceptance does not necessarily preclude an attempt at Change or Improvement, but rather, it can be seen to be along the lines of what Nietzsche means by the concept of “Eternal Recurrence”: a sense of Contentment with one’s Life and an Acceptance of it, such that one could live exactly the same Life, in all its minute details, over and over for all Eternity.

[snapcove]

Akira (1988) dir. Katsuhiro Otomo

[twotheleft]

[389]

Frozen François Ollivier

[catchymemes]

[patrik-star]

i made an only fans hmu for more ;)

[whoscat]

[sansgod]

[elenamjacobs]

[genterie]

Edit by Kelly Maker

[oberynmartell]

“I think it is time for new generations, like mine or younger, to have means of communication that show them expressions of equality and educate them about the differences that make each of us beautiful. When I saw Yalitza Aparicio on the cover of Vogue, it was also a sign and now I know that I could be that sign for more girls if I keep working hard and being grateful.” 

— Karen Vega by Dorian Ulises López Macías for Vogue Mexico (July 2020), the first Oaxacan Indigenous model to appear on the cover of the magazine

[ggunbusted]

the beast

[hugal]

[i-internetrebel]

[routined]

more here

[lofishing-deactivated20210113]

She’s Just Chillin

[demarcofranklin]

[rumelia-deactivated20140630]

photographs of Serbian Orthodox monasteries by a certain Stanimirovitch (possibly Douchan S., who had released an album of Yugoslav photographs in 1955). the sources date them to c. 1970, but if the photographer is indeed Douchan S., then 1955 is more likely.

vertically: 1. Sopoćani, 2. Žiča, 3. Mileševa, 4. and 5. are from Studenica, 6. Visoki Dečani and 7. Ljubostinja. sources for each photograph are stated in captions.