AlessioMentore

[alessiomentore]

“Scegliamo l’est, e non tanto per ragioni politiche, quanto etiche ed estetiche. All’effimero occidentale preferiamo il duraturo, alla plastica l’acciaio, alla freddezza il calore, ma al calore la freddezza. Ognuno ha l’immaginario che si merita. Alle discoteche preferiamo i mausolei, alla Break Dance il cambio della guardia.”

[classicalcanvas]

Banks of the Seine at Jenfosse (1884) by Claude Monet

[centre-cannot-hold]

Pompeii, c. 79 AD

[especially]

[theodorafrompluto]

Princess and Warrior (1906)

by Giulio Bargellini

[forbiddenforrest]

[xylou]

[everyday-cutephoto]

[theoceanislikeyou]

[comparativetarot]

The Lovers. Art by Dark Synevyr, from  Paracelsus’ Dreams Tarot.

[timotaychalamet]

Cleo from 5 to 7 (1962) dir. Agnès Varda

[sheis]

[theoceanislikeyou]

The Venus of Arles

[romantique-rose]

[caelestiaal]

‘One must always be careful of books,’ said Tessa, ‘and what is inside them, for words have the power to change us.’

my photograpy, please don’t remove caption or alter credits.

[flyngdream]

[ceoracer]

lovely

[theoceanislikeyou]

“In her book Waiting for God, French philosopher Simone Weil writes that ‘the capacity to give one's attention to a sufferer is a very rare and difficult thing; it is almost a miracle; it is a miracle.’ In the legend of the Grail, she continues, the sacred treasure would be given to the first knight who arrived and asked the wounded king guarding the Grail, ‘What ails you?’ Importantly, this one simple question was enough to heal the king and gain access to the treasure. No fix or solution was necessary.”

— Jessica Dore, Tarot For Change