the horrors persist but so do books, art, hot chocolate, winter nights, the moon, the sea, the stars, sunsets, literature, libraries, cats, flowers, stories, love and the wistful feeling you get when you finally return home
did a bit of driving through the state of georgia today and wound up driving through a small town that i later discovered was called newborn, which is an odd name but doesn’t technically have anything wrong with it, except for the fact that i nearly gave myself whiplash doing a double-take at a building sign advertising NEWBORN TAXIDERMY
i was going to sleep in today because i don’t work until noon and instead i woke up before 6:00 am because of a nightmare that literally everyone at work found out that i have a crush on this one librarian. it started out so nicely too, like i was spending the entire day with her for some reason, so i sent a teams message about it to my work bestie for some reason. i guess someone else saw his teams messages and told the managers because all of a sudden i was being messaged by hr and my manager about it. and my librarian was being so annoyingly nice about it too, like she sent me a message saying, “i’m hearing a lot of stuff from laura [manager] and from hr, but i want to hear it from you first. i’ve been getting the feeling that you’re attracted to me for a while, but if you tell me you’re not, i’ll trust you. i believe you are what you say you are”
i think a vague sense of anxiety will be looming over the rest of what was supposed to be a nice friday now
Back in the day I worked at a certain very famous and very high caste art museum in the US as a junior curator. Part of my job was to catalog the objects in the museum database. This includes details like provenance, measurements, and a visual description of what the object looked like.
Like I said, the museum was a pretty snotty institution. It’s got a LOT of objects it’s way famous for possessing, but nobody knew about the absolutely massive collection of Moche erotic pottery it had because the curators were totally embarrassed by this stuff.
Some examples:
Pretty hot shit, right? They never, ever put any of this stuff on public view or published it in any catalogues but - we legit had like several hundred pieces of Moche ceramics in the “dirty pots” category. Anyway, I was left alone to just do my job with regard to the database for several years, ok? And I figured, well, these’re accessioned objects in the museum’s collection - better get down to bidness.
I catalogued every goddamn bestiality, necrophiliac, cocksucking, buttfucking, detached penis, and giant vulva drinking cup in that collection. I’d be like,
A drinking vessel in form of a standing man wearing a tunic and cap. He holds an oversized erection in his hands and stares into the distance (note I did not say “like he’s hella-constipated”). The vessel has a hole at both the tip of the penis as well as around the rim of the figure’s head, thus forcing the drinker to drink only from the penis or risk spilling wine all over themselves from the top of the vessel. Red and orange slip covers the surface of the piece.
Pretty straightforward, right? Apparently the deep seated fear of these objects that the curators exhibited was meant to spread to me as well, but - no one ever gave me that memo, because I guess Midwesterners reproduce asexually. When the curators understood that I had catalogued all of these objects in addition to the other, non-sexy pieces in the collection, they were apparently livid, but knew they had no legs to stand on in terms of getting pissed at me for it.
I visited the museum’s online public access database a few years back and - every single description I wrote of these pieces has been totally neutered to say something like Male figural vase.
Long story short? Just call a dildo a fucking dildo. It’s all gonna be ok, I swear.
Museums should have sections dedicated to artifacts like these with a warning that says “There’s a lot of private parts in here but we’re dedicated to displaying history so we won’t censor these. Enter at your own risk” or something. It’s prudish to deliberately hide history because of some ding dongs.
It was a Tuesday in 1981 when the San Francisco police kicked in the door.
Inside the small apartment, they expected to find a hardened criminal. They expected a drug kingpin. They expected resistance.
Instead, they found a 57-year-old waitress in an apron.
The air in the apartment smelled sweet, thick with chocolate and something earthier. On the kitchen counter, cooling on wire racks, were 54 dozen brownies.
The police officers began bagging the evidence. They confiscated nearly 18 pounds of marijuana. They handcuffed the woman, whose name was Mary Jane Rathbun.
She didn't look scared. She didn't look guilty.
She looked at the officers, smoothed her apron, and reportedly said, "I thought you guys were coming."
She was booked into the county jail. The headlines wrote themselves. A grandmother running a pot bakery. It seemed like a joke to the legal system, a quirky local news story about an older woman behaving badly.
But Mary wasn't baking for fun. And she certainly wasn't baking for profit.
To understand why Mary risked her freedom, you have to understand the silence of the early 1980s.
San Francisco was gripping the edge of a cliff. A mysterious illness was sweeping through the city, specifically targeting young men. Later, the world would know it as AIDS. But in those early days, it was just a death sentence that no one wanted to talk about.
Families were disowning their sons. Landlords were evicting tenants. Even doctors and nurses, paralyzed by the fear of the unknown, would sometimes leave food trays outside hospital doors, afraid to breathe the same air as their patients.
Men in their twenties were wasting away in sterile rooms, dying alone.
Mary knew what it felt like to lose a child.
Years earlier, in 1974, her daughter Peggy had been killed in a car accident. Peggy was only 22. The loss had hollowed Mary out, leaving a space in her heart that nothing seemed to fill.
When the judge sentenced Mary for that first arrest, he ordered her to perform 500 hours of community service. He likely thought the manual labor would teach her a lesson.
He sent her to the Shanti Project and San Francisco General Hospital.
It was a mistake that would change American history.
Mary walked into the AIDS wards when others were walking out. She didn't wear a hazmat suit. She didn't hold her breath. She saw rows of young men who looked like ghosts—skeletal, in pain, and terrified.
She saw "her kids."
She began mopping floors and changing sheets. But soon, she noticed something the doctors were missing. The harsh medications the men were taking caused violent nausea. They couldn't eat. They were starving to death as much as they were dying of the virus.
Mary knew a secret about the brownies she had been arrested for.
She knew they settled the stomach. She knew they brought back the appetite. She knew they could help a dying man sleep for a few hours without pain.
So, she made a choice.
She went back to her kitchen. She fired up the oven. She started mixing batter, not to sell, but to save.
Every morning, Mary would bake. She lived on a fixed income, surviving on Social Security checks that barely covered her rent. Yet, she spent nearly every dime on flour, sugar, and butter.
The most expensive ingredient—the cannabis—was donated. Local growers heard what she was doing. They began dropping off pounds of product at her door, free of charge.
She packed the brownies into a basket and took the bus to the hospital.
She walked room to room. She sat by the bedsides of men who hadn't seen their own mothers in years. She held their hands. She told them jokes. And she gave them brownies.
"Here, baby," she would say. "Eat this. It'll help."
And it did.
Nurses watched in amazement as patients who hadn't eaten in days began to ask for food. The constant retching stopped. The mood on the ward shifted from despair to a quiet sort of comfort.
Mary Jane Rathbun became "Brownie Mary."
For over a decade, this was her life. She baked roughly 600 brownies a day. She went through 50 pounds of flour a week. She became the mother to a generation of lost boys.
She washed their pajamas. She attended their funerals. She held them while they took their last breaths.
She did this while the government declared a "War on Drugs."
By the early 1990s, the political climate was hostile. Politicians were competing to see who could be "tougher" on crime. Mandatory minimum sentences were locking people away for decades.
In 1992, at the age of 70, Mary was arrested again.
This time, the stakes were lethal. She was charged with felonies. The district attorney looked at her rap sheet and saw a repeat offender. He threatened to send her to prison.
One prosecutor famously whispered to a colleague that he was going to "kick this old lady's ass."
They underestimated who they were dealing with.
They thought they were prosecuting a drug dealer. In reality, they were attacking the most beloved woman in San Francisco.
When the news broke that Brownie Mary was facing prison, the city erupted.
It wasn't just the activists who were angry. It was the doctors. It was the nurses. It was the parents who had watched Mary care for their dying sons when the government did nothing.
Mary turned her trial into a pulpit.
She arrived at court not as a defendant, but as a grandmother standing her ground. The media swarmed her. Reporters asked if she was afraid of prison. They asked if she would stop baking if they let her go.
Mary looked into the cameras, her voice gravelly and firm.
"If the narcs think I'm gonna stop baking brownies for my kids with AIDS," she said, "they can go fuck themselves in Macy's window."
The quote ran in newspapers across the country.
The court didn't stand a chance.
Testimony poured in. Doctors from San Francisco General Hospital wrote letters explaining that Mary’s brownies were medically necessary. Patients testified that she was an angel of mercy.
The charges were dropped.
Mary walked out of the courthouse a free woman. But she didn't go home to rest. She realized that her personal victory wasn't enough. As long as the law was broken, her "kids" were still in danger.
She needed to change the law.
August 25 was declared "Brownie Mary Day" by the San Francisco Board of Supervisors. It was a nice gesture, but Mary wanted policy, not plaques.
She teamed up with fellow activist Dennis Peron. Together, they opened the San Francisco Cannabis Buyers Club—the first public dispensary in the United States. It was a safe haven where patients could get their medicine without fear of arrest.
But Mary wanted more. She wanted the state of California to acknowledge the truth.
She campaigned for Proposition 215. She traveled the state, despite her failing health. She spoke in her simple, direct way. She didn't talk about liberties or economics. She talked about compassion. She talked about pain.
She forced voters to look at the issue through the eyes of a grandmother.
In 1996, Proposition 215 passed. California became the first state to legalize medical marijuana.
It was a domino effect. Because one woman refused to let her "kids" suffer, the public perception of cannabis shifted. The Economist later noted that Mary was single-handedly responsible for changing the national conversation.
She never got rich.
She had always joked that if legalization ever happened, she would sell her recipe to Betty Crocker and buy a Victorian house for her patients to live in.
She never sold the recipe. She never bought the house.
Mary Jane Rathbun died in 1999, at the age of 77. She passed away in a nursing home, poor in money but rich in legacy.
Today, over 30 states have legalized medical marijuana. Millions of people use it to manage pain, seizures, and nausea.
Most of them have never heard of Mary.
They don't know that their legal prescription exists because a waitress in San Francisco decided that the law was wrong and her heart was right.
They don't know about the 600 brownies a day.
They don't know about the thousands of hospital visits.
Mary didn't set out to be a hero. She told the Chicago Tribune years before she died, "I didn't go into this thinking I would be a hero."
She was just a mother who had lost her daughter, trying to help boys who had lost their way.
She proved that authority doesn't always equal morality.
She proved that sometimes, the most patriotic thing a citizen can do is break a bad law.
Every August, a few people in San Francisco still celebrate Brownie Mary Day. But her true memorial isn't a date on a calendar.
It is found in every oncology ward where a patient finds relief. It is found in every dispensary door that opens without fear.
It is found in the simple, quiet courage of anyone who sees suffering and refuses to look away.
Mary taught us that you don't need a law degree to change the world. You don't need millions of dollars. You don't need political office.
Sometimes, all you need is a mixing bowl, an oven, and enough love to tell the world to get out of your way.
Sources: New York Times Obituary (1999), "Brownie Mary" Rathbun. San Francisco Chronicle Archives (1992, 1996). History.com, "The History of Medical Marijuana." Weird Everything, FB december 12, 2025
I'd be only too happy to do that. I was suspicious to start, too. It seemed a bit on the nose to have the weed brownie grandma named "Mary Jane," but also, that's a very common combination in a certain place and time, so I thought it was worth the extra effort.
What I did was find sources that made the claim (in this case, that a woman named Mary Jane was a medicinal marijuana activist in California, USA in the 1980s and 90s.) I checked the dates to get some certainty those sources aren't AI slop, then checked that the sources are generally reliable.
Then I followed useful details about the place and time, and other people involved, to explore it more fully.
The first thing I did was search for "Brownie Mary" and see if that turned anything up at all. It turned up a LOT of results. Predictably, some of them were recipes, but not all of them.
Next up, I checked sources and dates. Wikipedia can be dodgy for academic use, but their policy on LLM-generated input is very clear: they don't want slop. I started by reading that page and then went on to read others.
The Atlas Obscura article is from 2018. I found another one from SFWeekly from 2017.
Both of those are decent sources - Atlas Obscura gets a High factual reporting rate from MediaBiasFactCheck, and while MBFC doesn't have a rating for SFWeekly, the verbiage in that article is very close to what GastroObscura has. (Also to what the post itself has, right down to the choice of pull quote.)
Now, we can stop there and feel pretty confident that articles published before the wide availability of LLMs are not, in fact, LLM generated.
...or we can go deeper, and run this all the way back to source.
I spotted references to a Chicago Tribune imterview of Mary Jane Rathbun, published in 1993.
My search string of "Chicago Tribune 1993 Mary Jane Rathbun" hit it in the top 3 results. That article includes some fun new details: she wore a cannabis leaf shaped pendant to her trial!
She also objected to being portrayed as a cuddly grandma up against The Man, so I must retract my flippant tags, above.
The evidence now strongly points to Brownie Mary being a real woman who really went to court for giving AIDS patients weed brownies. But can we get closer? I've now seen several mentions of a 1980 attempt at convicting her too.
The articles have mentioned Sonoma County and a nonprofit called the Shanti Project, so let's hook onto that and see what we get.
Searching for "Mary Jane Rathbun Sonoma County 1980" gets me an article from a law firm; that mentions the prosecuting attorney by name, and points to a book: Lust for Justice: The Radical Life & Law of J. Tony Serra, by Paulette Frankl. It even has an excerpt!
We can run the book down too, just for fun (now we have a primary source.) My favorite used book site has a copy for $1. Amazon gives a view of the back cover, too:
...wow. I should see if my library has that!
The excerpt on the site has a mention of a candelight vigil held for her death in 1999. It took some hunting past things I'd already read and a bunch of shops giving written tributes, but I found a news report about that, too.
There's a lot of information out there, and it's worth digging into. Otherwise it's altogether too easy to think something real and worth knowing is just another bit of slop.
You ever get a craving for a certain art medium and have to scramble for something to do with it? Yeah same. ANYWAY this took a week and it kicked my ass and when my dad walked in he said “Is that perspective collage? Do you hate yourself???” And tbh yeah I was a little insane for that but it was funnnnn and I think I nailed the vibe I was going for!
(Also I spent so long picking out the products on the shelves and I put a lot of thought into it yet you can’t see 80% of them but at least I know)
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