Germaine Krull, Jean Cocteau, 1929
EXPECTATIONS

if i look back, i am lost
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official daine visual archive

shark vs the universe

Product Placement
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open
we're not kids anymore.
noise dept.
Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle
🪼
will byers stan first human second

Andulka

#extradirty
𓃗

Origami Around
macklin celebrini has autism
seen from Australia

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seen from Malaysia

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seen from Türkiye

seen from Finland
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seen from United States
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seen from Malaysia
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seen from Czechia
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@alexanderandro
Germaine Krull, Jean Cocteau, 1929
City Beach. Baku, Azerbaijan, Photo by Carl De Keyzer, 1988 Reposting as the original post was removed as explicit by Tumblr (This is a man in a swimsuit lying on a beach. It is not sexually explicit.)
Heads up to one of the best photography blogs on here, where every picture is credited.
He is steadily and patiently showing tumblr the pure volume and idiocy of their errors.
Franz Sedlacek - Ghosts on a Tree - 1933
Vivian Maier, Chicago, 1959
Dude decorates entire room with sharpies. (Source)
Reverberations, by Adam Pizurny.
Spin Spin Sugar.
By Hinke Schreuders
TRUE A Anne Barlinckhoff
Europe from Moscow https://www.vividmaps.com/2018/05/europe-from-moscow.html
Raphaelesque Head Exploding, Salvador Dali
Medium: oil,canvas
Geopolitical Child Watching the Birth of the New Man, Salvador Dali
Medium: oil,canvas
https://www.wikiart.org/en/salvador-dali/geopolitical-child-watching-the-birth-of-the-new-man-1943
Suburbs of a Paranoiac Critical Town, Afternoon on the Outskirts of European History, Salvador Dali
Medium: oil,wood
Faces: Photos by Diana Chyrzynska Photo-manipulated series of self portraits.
Nneka from Camille Nat afro magic #LookingWestAndWest
The Great Paranoiac, Salvador Dali
Medium: oil,canvas
Khoros
Project from Segovan is a collection of captures featuring various dance performances using Depthkit and a Microsoft Kinect:
In this series of short video clips, I explore volumetric filmmaking applied to dance & choregraphy.
Using depthkit‘s volumetric video capture software, I re-shot, virtually, the various improvised performances, after they had been filmed. This allowed me to get much closer to the performers, to follow them around and ⁄ or to adjust or re-think the camera position and the camera movements.
More Here