Alé

[finnishchildhood-blog]

People in the concert be like…

[talonabraxas]

[3y3]

Wayne Barlowe

[blairwitchbaby]

Shots of hands in Parasite (2019), dir. Bong Joon-ho

[blairwitchbaby]

Psycho (1960) dir. Alfred Hitchcock dop: John L. Russell

[blairwitchbaby]

The Village (2004) dir. M. Night Shyamalan dop: Roger Deakins

[blairwitchbaby]

Badlands (1973) dir. Terrence Malick dop: Tak Fujimoto

[words-pics-flicks]

“There are things that can’t be said with words … And that’s what film-making, to me, is mostly about.”

— David Lynch (in ‘Lynch on Lynch’)

[weepingwidar]

Chloe Wise (Canadian, 1990) - You Definitely Lied to the Right Person (2019)

[polymorphousculturevulture]

Tuco Amalfi

Source : digiulio  via wtxch

[nevver]

Prismatics, Gundula Blumi

[dailyrothko]

[dailyrothko]

Mark Rothko, Untitled (Yellow and Orange), 1949

Oil on canvas, 55 3/8 x 44 x 1 ¾ in. (140.65 x 111.76 x 4.45 cm)

© Kate Rothko Prizel & Christopher Rothko / Artists Rights Society  

[grundoonmgnx]

Nick Alm (Swediish, b. 1985), Elevator II, nd 

Oil on canvas, 31.5 x 49 in

[words-pics-flicks]

An all-too-common weakness of the inept dramatist is to write a scene between two characters who are so much in agreement that there is no real conflict or cause-and-effect dramatic progression.

Alexander Mackendrick (in ‘On Film-making’)

[words-pics-flicks]

“The art of television dialogue is to write something that sounds naturalistic, but in which every word has a place and a purpose.”

—

William Smethurst (in ‘Writing for Television’)

[crumbargento]

En passion - Ingmar Bergman - 1969 - Sweden

[scriptwriters-network]

“To produce a mighty book, you must choose a mighty theme.”

—

Herman Melville