divine creation is about remaking yourself in the image you have chosen even in the face of powerful, institutional opposition. it is about standing up and being who you are but, more importantly, it is about the freedom for anyone and everyone to follow in your footsteps if they so choose.
it is about being trans, through and through.
bandcamp only, for now: all proceeds from divine creation will be donated to local trans mutual aid.
featuring our friends @sixthgradesoftball, ?NUMB?DAME?, doom loops, sticky keys, izzy cenodese, and our honorary houseguest, blue chu.
divine creation releases on streaming services easter sunday (april 20th).
we love you. take heart, take care.
🏠
ps. don't forget, though. this song is also about telling transphobes and homophobes and misogynists and racists and zionists and TERFs and SWERFs and fascists loudly and unequivocally to GET FUCKED. no one is free until we are all free. free palestine.
"did you grow up lonesome and one of a kind? were your records all you had to pass the time?" ~ the queen of lower chelsea, the gaslight anthem
welcome back, y'all.
first off, i'm stoked to tell you (if you haven't already heard) that you can actually hear what we recorded with all of this instead of just reading about it when our debut ep,
cry about it
is released on january 31st!
(and if you're in/near vancouver, you can come see us at our release show the night before! rumor has it there'll be merch and new songs 👀 (there'll be merch and new songs, it's not a rumor))
Houseguest invites you to celebrate the release of their debut ep, 'Cry About It' to enjoy a night of emo, punk and indie rock!
now. let's talk about mj's guitars, shall we? he used a LOT more guitars than i did this time around, so let's dive in.
this is mj's fender noventa stratocaster, one of his two main guitars, and hot damn. this thing is unbelievable. i'm not usually a strat girl but changing the standard design is a good way to pull me in and this thing sounds incredible. the p90s are a fender custom design and they really are fantastic - i'd love to see fender making more guitars with these pickups. the thing weighs nothing and has such tonal variety that mj plays it on big aggressive tunes and the quietest, softest parts (this is the only rhythm guitar on pink power ranger, for example). if you find one of these, i really cannot recommend it enough. mj keeps this guitar in his half open c tuning, CGDGBe; something you may notice is that mj, rach and i often play in wildly different tunings. does my baritone sit more neatly with this weird tuning because of a natural eq curve? is this completely psychosomatic and it just sounds good and i'm overthinking it massively?
... moving on! he uses .10-.52 ernie ball skinny top/heavy bottom strings on it!
this is mj's other main guitar, the fender vintera 70's telecaster deluxe. what is there to say about a telecaster in 2025? hopefully lots. this thing is surprisingly light, given that it's just a big beefy slab of wood, and the wide range pickups sound fantastic. still very versatile, but when he goes absolutely nuts on taurus, for example, that's where these humbuckers shine. this thing is fantastic and comfy as hell (tummy cut forever!). he's got one of those d'addario auto locking straps on this thing and WOW is it ever comfortable. hell of a guitar, truly. he keeps this in e standard (for now; i see d standard in the future, though) and uses the same string set.
(fun fact I - this was my DREAM guitar when i was like 14-18 years old. I always wanted to like sg's but they never seemed like they suited me but then i saw THIS and that was that. it was my absolute dream to own one of these because justin pierre from motion city soundtrack played one and i was (and still am) just such a huge fan. maybe one day i'll use one, too.)
mj lives in the land of actual pedals as opposed to my digital utopia, but i digress. his pedal board includes:
source audio soundblox 2 dimension reverb
southampton pedals fifth gear (nasty, NASTY little motherfucker, so good)
boss cs-3 compression sustainer
source audio nemesis delay (an incredible delay, this thing is so versatile and powerful. it's like a time machine)
boss ph-3 phase shifter (i actually don't think he's ever used this but i'll check)
mxr analog chorus
ehx linear power booster
dunlop crybaby wah (there's definitely something funky with the switch on this one, hence the AM I ON? reminder tape)
boss tu-2 chromatic tuner (tu-2 forever!!!!)
and the fulltone ocd autism pedal (for the record fuck this guy and fuck his company; as of the time of writing, we've got it (tentatively) replaced with a boss ms-3 multi effects switcher (this thing is very cool. surprised there aren't more multi fx/switcher combos out there))
mj is one of the most creative guitar players i've ever heard and he can coax ANYTHING out of this board (which you'll see when our next songs come around). Big weird spacey things, heavy, nasty distorted things, beautiful math-y things... he gets it. he's got The Pedal Touch.
mj plays all of this through a fender tone master deluxe reverb. you might be wondering, why the tone master model? well.
a) you would never know that this is not a tube amp listening to it. never never never.
b) it weighs HALF and that's honestly a big swing right there
c) digitally recording it is not a compromise the way it was way back when with digital amps
d) built in attenuator??? hell yeah. it's not 1985 anymore, baby. the days of diming an amp to get "the best tube breakup" are dead!
as expected, given that it's emulating one of the most legendary amps of all time, it sounds fantastic, takes pedals incredibly well and can do... essentially anything.
now for the studio only guitars! (all three of which belong to rachael, incidentally - out of all of us, she's the guitar collector for SURE.)
mj played this epiphone sheraton ii on a couple tracks just for some tonal variety - different scale length, different strings, different pickups, semi-hollow... really brought a lot to the table for some tracks. these things are ENORMOUS - mj was less than pleased haha.
(fun fact II - i used to own one of these in black with gold hardware and i LOVED it and i miss it all the time)
we currently have this fender strat in half step down to facilitate some of our new stuff, but mj used this on the ep for some really chime-y cleans on re-run. we used it hyper specifically, but it really did the trick.
i used this prs se soapbar II for some kind of like. extra guitarwork, weird noise stuff, guitar pad-style sounds. not super frequent, but a good jack of all trades instrument that served us well! (plus it's a prs without those fuck-ugly bird inlays so that's a big point in its favour haha)
THERE YOU HAVE IT. all instruments have been revealed. in the next week or two i'll do a quick breakdown of what we used mic wise and in the box to record, as we did this whole thing ourselves, but 'til next time:
