non est ad astra mollis e terris via

filmmaker-in-progress avid reader loner

[mournfulroses]

Marina Tsvetaeva, from a letter to Boris Pasternak featured in Letters, Summer 1926

[mournfulroses]

Albert Camus, from a letter to María Casares featured in Correspondance, 1944-1959

[alicecc7]

Friend: ‘You’re not even a Dodgers fan.’ Me: ‘No, I’m a Valenzuela fan. Fernando Valenzuela shall live forever.’

[waverlyyhaught]

Favorite Marta and Fina Moments - Part 98 Sueños de Libertad

[suenosdemafin]

MARTA & FINA - Sueños de libertad "If I could do anything to prevent your suffering, believe me I would." "You're already doing it."

[alicecc7]

NOSOTROS NO NOS CANSAMOS

Felipe Arnulfo Rosa. 20 años. Benjamín Ascencio Bautista. 19 años. José Ángel Navarrete González. 18 años. Marcial Pablo Baranda. 20 años. Jorge Antonio Tizapa Legideño. 19 años. Miguel Ángel Mendoza Zacarías. 33 años. Marco Antonio Gómez Molina. César Manuel González Hernández. Julio César López Patolzin. 25 años Abel García Hernández. 21 años Emiliano Alen Gaspar de la Cruz. 23 años Doriam González Parral. 19 años Jorge Luis González Parral. 21 años Alexander Mora Venancio. 21 años Saúl Bruno García. Luis Ángel Abarca Carrillo. 18 años Jorge Álvarez Nava. 19 años. Christian Tomás Colón Garnica. 18 años Luis Ángel Francisco Arzola. 20 años Carlos Iván Ramírez Villarreal 20 años Magdaleno Rubén Lauro Villegas. 19 años José Luis Luna Torres. 20 años. Bernardo Flores Alcaraz. Israel Caballero Sánchez. 21 años. Arturo Vázquez Peniten. Jesús Jovany Rodríguez Tlatempa. 21 años Mauricio Ortega Valerio. 18 años. José Ángel Campos Cantor. Jorge Aníbal Cruz Mendoza. 19 años, Giovanni Galindes Guerrero. 20 años. Jhosivani Guerrero de la Cruz. 21 años Leonel Castro Abarca. 18 años Miguel Ángel Hernández Martínez. 27 años Antonio Santana Maestro Carlos Lorenzo Hernández Muñoz. 19 años Israel Jacinto Lugardo. 19 años. Adán Abraján de la Cruz. 24 años. Christian Alfonso Rodríguez 21 años Martín Getsemany Sánchez García. 20 años Cutberto Ortíz Ramos. 22 años Everardo Rodríguez Bello. 21 años Jonás Trujillo González. 20 años. José Eduardo Bartolo Tlatempa. 19 años

Ni perdón, ni olvido.

¡AYOTZINAPA SOMOS TODOS!

[theartofmoviestills]

Rear Window | Alfred Hitchcock | 1954

[lilmamabeyellin]

the older i get the more unnecessary it seems to tell people my business

[trainstationgoodbye]

Carol (2015) dir. Todd Haynes + Edward Hopper Influences

[trainstationgoodbye]

Carol (2015) dir. Todd Haynes + Saul Leiter Influences

[maxwelltait]

Rear Window (Hitchcock, 1954)

[soulofthebloodofthewolf-deactiv]

honestly missionaries are evil. the idea of traveling the world to tell people Who Didnt Fucking Ask that their beliefs are wrong in the hopes that theyll adopt your beliefs seems sinister

[kittyinhighheels]

The Christians in the notes whining are so absolutely stupid

[ajunlost]

I don’t even want to talk about how they specifically target poor people and hold basic necessities over their heads in exchange for faith.

[sendingrainyourway]

Visit Original Link

[spockemon]

[a-team11-deactivated20230425]

Can’t wait to come home to my girl! 🙌🏽

IG: ashlynharris24 // 11.13.18

[alicecc7]

Hmm, can we talk about the ring tho!?

[alicecc7]

person: hey

me: The cinematography in Carol (2015) dir. Todd Haynes is striking in that it contributes to a very rare simultaneous sense of hyper realism and hyper stylization. The 16mm film not only serves to enhance the viewer's understanding of the time period, but embodies something romanic in the softness of its grain, the film's lighting, its color pallet, that evokes the feeling of floating or drifting throughout the film, and though not everything is always aesthetically pretty, it is always beautiful because the cinematography is utilized to capture the sensation of falling in love, not only its pleasantness, but also its anxieties and uncertainties. Though the light is almost always naturalistic, it is often distorted through diegetic means, windows, rain, mirrors, emphasizing what separates Carol and Therese from the world they inhabit. The film also makes generous use of framing within diegetic frames, and the effect is not voyeuristic, but rather both intimate and isolating. The movie represents some of Ed Lachman, A.S.C.'s best cinematography to date and establishes him as a master of the craft.

[alicecc7]

Friend: ‘You’re not even a Dodgers fan.’ Me: 'No, I’m a Valenzuela fan. Fernando Valenzuela shall live forever.’