Three objects.
Not today Justin
Stranger Things

titsay
almost home

Discoholic 🪩

Product Placement
we're not kids anymore.
noise dept.
🩵 avery cochrane 🩵
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Monterey Bay Aquarium

tannertan36
todays bird
tumblr dot com
Peter Solarz
DEAR READER
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open
Cosmic Funnies

pixel skylines
seen from Kazakhstan
seen from Italy
seen from Germany
seen from Germany

seen from United States
seen from Netherlands
seen from Finland

seen from Malaysia
seen from Spain
seen from T1
seen from Malaysia
seen from T1
seen from United States
seen from Netherlands
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
@alicejamessontag
Three objects.
NYTimes: The Detective Was a Performance Artist. The Evidence Is Now a Show.
New paint colors invented by neural network
So if you’ve ever picked out paint, you know that every infinitesimally different shade of blue, beige, and gray has its own descriptive, attractive name. Tuscan sunrise, blushing pear, Tradewind, etc… There are in fact people who invent these names for a living. But given that the human eye can see millions of distinct colors, sooner or later we’re going to run out of good names. Can AI help?
For this experiment, I gave the neural network a list of about 7,700 Sherwin-Williams paint colors along with their RGB values. (RGB = red, green, and blue color values) Could the neural network learn to invent new paint colors and give them attractive names?
One way I have of checking on the neural network’s progress during training is to ask it to produce some output using the lowest-creativity setting. Then the neural network plays it safe, and we can get an idea of what it has learned for sure.
By the first checkpoint, the neural network has learned to produce valid RGB values - these are colors, all right, and you could technically paint your walls with them. It’s a little farther behind the curve on the names, although it does seem to be attempting a combination of the colors brown, blue, and gray.
By the second checkpoint, the neural network can properly spell green and gray. It doesn’t seem to actually know what color they are, however.
Let’s check in with what the more-creative setting is producing.
…oh, okay.
Later in the training process, the neural network is about as well-trained as it’s going to be (perhaps with different parameters, it could have done a bit better - a lot of neural network training involves choosing the right training parameters). By this point, it’s able to figure out some of the basic colors, like white, red, and grey:
Although not reliably.
In fact, looking at the neural network’s output as a whole, it is evident that:
The neural network really likes brown, beige, and grey.
The neural network has really really bad ideas for paint names.
1. @lewisandquark is doing brilliant things with neural networks. 2. You should probably take this opportunity to tag yourself.
http://www.theguardian.com/artanddesign/2016/apr/19/salvador-dali-diary-auction-surrealist-dada-artists-artefacts
“Here’s a subtle thing, that Es might not know about herself,” Bono told me a few weeks later. “In conversation, she’s trying to get to where you are in your own life. She knows that artists are capable of spending a lot of time on cold concepts that have no relation to the heart. And Es is always trying to put the blood back in—when we’re organizing a show, she says, ‘What are the most personal images close to your childhood?’ When I said to her, before this latest show, ‘a light bulb,’ it was in response to her attempt to root through the intellect to get to some deeper intuition.” (A giant swinging light bulb later became part of the set.) Bono went on, “Es takes our inchoate aspirations and bashes them into metal.”
New Yorker. About Es Devlin. Set Designer. & Bono.
Put on your designer hat...
I really love to travel, so I hope in the future I am headed to many places because I would love to spend the early parts of my life traveling the world.
And. This...
Drafting for the theatre...
Here is a helpful packet of info.
http://www.iar.unicamp.br/lab/luz/ld/Arquitetural/livros/interior%20design%20student%20handbook.pdf
Jaime Rojo & Steven Harrington: Holy FAILE! 'Savage/Sacred Young Minds' at Brooklyn Museum
Fact: On March 10, 1914 a women’s suffrage campaigner Mary Richardson took a small axe in the National Gallery in London and attacked Velazquez’s Rokeby Venus in order to bring attention to a hunger strike by fellow suffragist Emily Pankhurst.
Above is the newspaper cover from the March 10, 1914 attack.
(Image via: Clark, Toby. Art and Propaganda in the Twentieth Century: The Political Image in the Age of Mass Culture. New York: Harry N. Abrams, 1997)
Mark Rothko. Born: September 25, 1903
Nevertheless, a solo exhibition is big deal. “Yoko Ono: One Woman Show, 1960–1971” will bring together 125 works — installations, performances, audio recordings, films and works on paper — made during the decade prior to her “[F]art” show. This crucial period in Ono’s artistic development, spent between New York, Tokyo, and London, yielded some of her most iconic and revolutionary works, including “Painting to Be Stepped On” (1960/1961). The work, as you may have guessed, demands audience participation too. A canvas is placed on the floor, beckoning onlookers to tip-toe and tread over the piece as a means of obscuring the harsh divide between art and life.
Also on view will be “Apple,” a lone fruit placed atop a pedestal, and the seminal 1964 film “Cut Piece,” in which Ono asks viewers to cut away her clothing as she sits still on stage.
For over 50 years, Ono has bewitched the world with her gifts of art at once humble and monumental, poetic and silly, revolutionary and cozy-as-a-warm-bed. As Michael Kimmelman said in 2000, “Ms. Ono’s art is a mirror. We see ourselves in our reaction to it.” We can’t wait to eat up her early works in real life come May 2015. Between this and Bjork’s upcoming retrospective in March, it’s going to be a beautiful lady-centric springtime at MoMA. Until then, the preview below will have to suffice.
Uhm. Hum. Muh.
Richard Foreman ‘Ontological Theatre Manifesto’ & Other texts
One no longer speaks the same death where one no longer speaks the same language.
J. Derrida. Aporias. (via aletheyuh)