The Fates of the Soul: Death; Soul in Heaven; Soul in Purgatory; Soul in Hell by Manuel Chili, c. 1775
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The Stonewall Inn
I'd rather be in outer space đ¸
Lint Roller? I Barely Know Her
PUT YOUR BEARD IN MY MOUTH

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The Bright Sessions

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@alloftheextremes
The Fates of the Soul: Death; Soul in Heaven; Soul in Purgatory; Soul in Hell by Manuel Chili, c. 1775
â
âż đŽđđ˛đ˛đ : they're my safe place while everything seems to be wrong â ĺ§ăžă
â
đđť ⥠ě¸ęł halazia by ateez should be the choir of angels singing to everyone hear !
â
đ¸đľđˇ â đš just like old coffee shops, i find myself hopelessly in love with your fragrance
â
í¸ě§ âď¸ : when everything seems to be over, your words make me better again đđŽđť
â â soft locs â for twittÄr ăă¤ăăżăź
â â â â â â â â â ib : @s-eokie my angel <3
how to appeal to the future in-laws: a guide by woosanhwa (âżâĄâżâĄ)
I showed wooyoung to my aunt and she said he looked like heâll lose his kids in a mall bc heâll be too busy looking at smth like a hot wheels track display đđđđ
Cosmic Egg Series no. 1 (Creative Forces) by Emil Bisttram, 1936
Blueberry vanilla buns // Olivia Switz
honestly even the highest concept sci-fi seems tame once you learn BioSteel⢠Goats exist irl
What the fuck are you talking about
you know. the spider goats. the goats spliced with spider genes.
they shoot bulletproof webbing out of their udders!
ok ok that last partâs not technically true, but the truth is still pretty nifty:
yes these goats really exist! in most ways they are normal goats, except for how they secrete spider silk in their milk
(or rather, they secrete a special protein in their milk, which is then extracted and woven into silk fibers)
their DNA contains transplanted genes taken from the Golden Orb Weaver Spider, whose silk is incredibly strongâbut canât be naturally produced in large quantities. becauseâŚspiders are tiny yaâll.
these superpowered web-slinging spidergoats genetically modified but otherwise normal and healthy goats can produce much larger amounts of this material (marketed as BioSteel), which is stronger than steel and more bulletproof than kevlar. plus itâs lightweight, elastic, and bio-compatible (compatible with living tissue), meaning it has a ton of potential industrial and medical applications.
(imagine 40 years from now you need knee surgery, and your doctor sits you down and explains that your shiny new anterior cruciate ligament was actually artificially woven out of SPIDER GOAT MILK SILK. also in this magical hypothetical future we have universal healthcare. and the wealth of all billionaires has been globally redistributed. this is my hypothetical scenario, i do what i want.)
like i said. pretty nifty!
and here is a photo of one such genetically modified BioSteel⢠Goat, her name is Freckles
ko-fi
May I add the fantastic glow in the dark cats. Theyâve been tagged with a gene from jelly fish that causes them to glow and that can be passed down. Was used to help study how other genes were passed.
for those wondering, yes glow-in-the-dark jellyfish cats are a real thing and they are helping scientists with AIDS research
I love how this reads as if the cats are actively choosing to assist with scientific research.
I am here rain or shine!
Even if you don't care two cents for kpop, please. Do yourself a favor and check out this choreo. It's no joke fantastic.
HELLO WORLD, CANâT YOU SEE? ateez â new world at gayo daejeon 2022Â
by niiloi
âMy condition was verging on madnessâŚâ Munch in winter
I need him to calm down for a bitÂ
YEOSANG; 221212 ATEEZ WORLD TOUR IN CHIBA.
SAN ⢠PARADIGM PREVIEW
Eden Garden Jewelry on Etsy
Liszt - Nuages gris (1881)
At the end of his life, Liszt was still composing and bringing his style toward music that was more concentrated and austere. The bravado is gone. Instead there are several reflections on death. More than his own death, it seems that Liszt prophesied the death of tonality itself where there is no relief from harmonic stability; free chromaticism held together as diminished chords without a resolution and built on small motives. 'Grey Clouds' is as dreary as the name suggests and is put together with minimalistic ideas and based on the Hungarian "gypsy" scale. The main theme is of six notes in two groups of three; a fourth and a tritone, then a g minor chord. The same melody is repeated over a trembling Bb (the third of g minor). The tremolo growl shifts a semitone down and back again, the minor third and its augmentation. Over it, an inverted eb minor triad, which descends chromatically over each repetition of the tremolo ostinato. It 'resolves' with the tritone again in the bass. Even though g minor was hinted at, this section ends ambiguously. We then get a slight variation of the theme at the bottom register of the keyboard that feels like a droning echo of bells. The main theme comes back as the accompaniment to a simple 'counter subject'. That leads to another chromatic crawl, going upwards this time, while the tremolo bass is turned into an accompaniment combining the Bb - A shift with the 'ambiguous' chords moving downward, broken up into a swaying rhythm. Bass repeats, the chords move down, while the octaves move up. Instead of a clear resolution, we end with more ambiguity. The slowness, softness, and 'dissonance' of the piece are evocative of the grey clouds that pass over every autumn, another reminder of death and decay, as the passionate harmonies of the 19th century also 'decay' into more free chromaticism and the eventual 'liberation' of pitches.