DEAR READER
Not today Justin

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JVL
No title available
trying on a metaphor
Sade Olutola
will byers stan first human second
Xuebing Du
Stranger Things
Lint Roller? I Barely Know Her
wallacepolsom
occasionally subtle

Janaina Medeiros
Misplaced Lens Cap

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
noise dept.

No title available
sheepfilms
seen from Türkiye

seen from South Korea
seen from United States

seen from Malaysia
seen from Saudi Arabia
seen from United States

seen from United States
seen from United States
seen from United Kingdom
seen from United States

seen from Malaysia
seen from United Kingdom

seen from United States
seen from United Kingdom
seen from United States
seen from Türkiye
seen from United States

seen from United States
seen from Japan
seen from Jamaica
@alter43
Edie Seberg
Barber shop
Hopper
I - of course - have already shared Hopper's Barber Shop (1931) (see it here); 'of course' because Hopper painted only very few works with mirrors (five, to be precise) and it could be expected that I'd share them all. And yet I will use the kind hint from @45fthc to talk about this work again.
First, 13 years ago I had only a very small copy of this painting. The one above is not the best either, so here is a more decent, larger version:
And speaking about size, it's actually THE largest canvas painted by Edward Hopper - it's almost 2m wide (152 x 198 cm, to be precise). It's currently in the collection of the little-known Neuberger Museum of Art of the State University of New York; and it's 'retired' there, meaning they never loan it to exhibitions - you need to physically go there to see it.
Because of its unusually large size - unusually for Hopper - its mirror, with a barber forever deprived of his face, becomes almost a standalone painting on its own:
The preliminary study for the painting shows that the mirror was intended from the very beginning:
… but from the very beginning it wasn't actually the main focus of the work - the bright diagonal cone of light was. It's a bit of a pity that Hopper didn't direct it onto the mirror's surface too, to show how light of different intensity is reflected.
Oh well. Still, a very cool art-mirrors-art piece.
Jackie and friends with Versace handbags at a private opening at the Versace store, Beverly Hills, California, 2007. © Lauren Greenfield/INSTITUTE - Courtesy MAMM
A Dryad in her sheltering tree
cinebytes_movies
The Story of My Wife follows Jakob Störr, a lonely ship captain who impulsively makes a bet that he will marry the first woman who walks into a café. That woman is Lizzy, a mysterious and elegant French woman, and although she accepts his proposal, their marriage quickly becomes difficult because Jakob is deeply insecure and constantly fears that Lizzy is being unfaithful. As their relationship continues, Jakob becomes obsessed with jealousy and suspicion, unable to trust Lizzy or understand her independent nature. His insecurity slowly damages their marriage and isolates him from the person he loves. The film explores love, obsession, and how fear and possessiveness can destroy a relationship even when there is no clear proof of betrayal.
Edward Hopper, Notebook Sketches and Studies
© Ruth Thorne-Thomsen - Courtesy Gitterman Gallery
Linda Repasky/World Food Photography Awards sponsored by Bimi®
That's Me, 3D, 2024
Artist: Louie Zong
A Maya mosaic mask, made of jade and shell. From Guatemala, 200–600 CE.
Now part of the Al Thani Collection.
Jan Saudek.
Philippe Halsman. Sans titre (Modèles sautant sur la plage), années 1940.
Dasha Pears.
Michal Buddabar.
Jerry Schatzberg 1957.